Composed
by Ryan Fraley. Arranged
by Ryan Fraley. 5 or
More; Collections; Jazz
Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102EB. Published by
The FJH Music Company Inc
(FJ.HX102EB).
ISBN
9781530840816. UPC:
682500374616.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Composed by Ryan Fraley.
Arranged by Ryan Fraley.
5 or More; Collections;
Jazz Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102BS. Published by
The FJH Music Company Inc
(FJ.HX102BS).
ISBN
9781530867608. UPC:
682500374647.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Composed by Dale
Jergenson. 21st Century.
Choral score. Duration 4
minutes, 25 seconds.
Laurendale Associates
#CH-1304. Published by
Laurendale Associates
(MN.CH-1304).
Scripture:
Ecclesiastes
43.
Number 4 of the
cycle of The Heavens Are
Full which consists of 5
a cappella pieces with
texts from Ecclesiasticus
43: 1-37, found in the
Jerusalem Bible. After
the first several
measures of introduction,
the soprano begins the
main thematic element,
the octave leap up with
the following descending
scale pattern. This is
followed by scale up and
leap down, and scale up
then down. All these
patterns are employed to
suggest the arc of a
rainbow. Duration
4:25.
Concert Band; Jazz
Ensemble Piano/Keyboard -
Grade 2; Grade 2.5
SKU: FJ.HX102PNO
Composed by Ryan Fraley.
Arranged by Ryan Fraley.
5 or More; Collections;
Jazz Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102PNO. Published
by The FJH Music Company
Inc (FJ.HX102PNO).
ISBN 9781530882854.
UPC: 682500374678.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Chamber Music Piano SKU: PR.110418480 Composed by Chen Yi. Performance Sc...(+)
Chamber Music Piano
SKU: PR.110418480
Composed by Chen Yi.
Performance Score.
Duration 6 minutes.
Theodore Presser Company
#110-41848. Published by
Theodore Presser Company
(PR.110418480).
ISBN
9781491136294. UPC:
680160688784.
Chen
Yi’s beautiful and
highly-textured tone poem
was inspired by ancient
Chinese poetry; its
melodic ideas were
developed from musical
phrases characteristic of
Chinese opera. Wang
Ya’s original verse as
translated by Chen Yi
reads:“SONG OF SPRING
OUTING”Ten thousand
apricot trees by the
riverside,Spring flowers
bloom after the wind at
night.Covered over the
garden, colors dark and
light,Mirrored in the
green water
ripples. SONG OF
SPRING OUTING was
commissioned by the
Center for East Asian
Studies and the Asian
Classical Music
Initiative at the
University of Kansas in
2022 for Dr. Yi-Yang Chen
to premiere in 2023.The
work was inspired by an
ancient Chinese poem with
the same title:Song of
Spring Outingby Wang Ya
(Tang Dynasty)English
translation by Chen YiTen
thousand apricot trees by
the riverside,Spring
flowers bloom after the
wind at night.Covered
over the garden, colors
dark and light,Mirrored
in the green water
ripples.This inspiring
image is like taking a
walk through a beautiful
garden with layers of
colorful trees and
flowers, mirrored in the
green water.The opening
phrase of the music
introduces the signature
intervals, the leap of a
seventh found in Beijing
Opera fiddle’s
language, followed by
melodic material with a
major 2nd and perfect 4th
in pentatonic style as
the thematic materials.
[C-Bb-G in bars 1-2,
followed by the top
pitches A-B and Ab-E( in
bars 2-3]. This statement
is brought back
(Rehearsal F) in a
retrograded form of the
introduction at the
climatic end of the
piece.The musical form is
a combination of
variations on thematic
materials, and a rondo.
After the introductory
section, Rehearsal A
introduces an
improvisation-like
mountain song melody
(developed from the
pentatonic material in
the
introduction).Rehearsal B
brings in a lively
texture in short
groupings with staccato
in both hands (using the
seventh leap interval
introduced in the opening
of the piece).Rehearsals
C and D develop the
introduction’s
pentatonic melody and the
mountain tune (introduced
in Rehearsal A) with more
layers in the
texture.Rehearsal E
develops the material
presented in Rehearsal B,
with an extended range in
both ends of the
keyboard, increasing the
freshness and
excitement.
Composed by
Ryan Fraley. Arranged by
Ryan Fraley. 5 or More;
Collections; Jazz
Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102C. Published by
The FJH Music Company Inc
(FJ.HX102C).
ISBN
9781530852208. UPC:
682500374623.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Concert Band; Jazz
Ensemble Drumset - Grade
2; Grade 2.5
SKU:
FJ.HX102DR
Composed
by Ryan Fraley. Arranged
by Ryan Fraley. 5 or
More; Collections; Jazz
Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102DR. Published by
The FJH Music Company Inc
(FJ.HX102DR).
ISBN
9781530898404. UPC:
682500374685.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Concert Band; Jazz
Ensemble Tuba - Grade 2;
Grade 2.5
SKU:
FJ.HX102TBA
Composed
by Ryan Fraley. Arranged
by Ryan Fraley. 5 or
More; Collections; Jazz
Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102TBA. Published
by The FJH Music Company
Inc (FJ.HX102TBA).
ISBN 9781530870547.
UPC: 682500374654.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Concert Band; Jazz Ensemble Jazz Combo - Grade 2; Grade 2.5 SKU: FJ.HX102SC(+)
Concert Band; Jazz
Ensemble Jazz Combo -
Grade 2; Grade 2.5
SKU: FJ.HX102SC
Composed by Ryan Fraley.
Arranged by Ryan Fraley.
5 or More; Collections;
Jazz Ensemble (Combo);
Method/Instruction; Solo
Small Ensembles. HXmusic.
Contents Include: Porto
Alegre; Time Will Tell;
Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk. Jazz. Book.
The FJH Music Company Inc
#98-HX102SC. Published by
The FJH Music Company Inc
(FJ.HX102SC).
ISBN
9781530896028. UPC:
682500374692.
English.
A
collection of six charts
for small jazz groups at
grade 2 - 2.5. All charts
are scored in three-part
writing, with flexible
instrumentation provided
by all three parts in
each wind book. Solo
sections are provided
with changes, and also a
mini-clinic for each tune
with a break down of the
spelled-out chord
progression and suggested
scales to use throughout
each solo. Twelve
transcribed solos match
the recordings
note-for-note, and twelve
suggested solos give
younger players a
starting point with
themes taken from the
recorded solos. 49
downloadable play-along
tracks provide every
instrument a chance to
sit in with the recorded
band. Contents Include:
Porto Alegre; Time Will
Tell; Leap Day; Bohemian
Groove; Avalon; Steam
Punk Funk.
Choral TBB choir, piano SKU: CF.CM9751 Composed by Andrew Steffen. Durati...(+)
Choral TBB choir, piano
SKU: CF.CM9751
Composed by Andrew
Steffen. Duration 3
minutes, 4 seconds. Carl
Fischer Music #CM9751.
Published by Carl Fischer
Music (CF.CM9751).
ISBN 9781491162392.
UPC: 680160921140. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for
tenor-bass
choirs. Directorâ€
s NoteTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Spark of Light Chorale 3 parties SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9747 Composed by Andrew Steffen. Dur...(+)
Choral SSA Choir and
Piano
SKU:
CF.CM9747
Composed by
Andrew Steffen. Duration
3 minutes, 4 seconds.
Carl Fischer Music
#CM9747. Published by
Carl Fischer Music
(CF.CM9747).
ISBN
9781491162354. UPC:
680160921102. Key: E
lydian. English. The
Vastness of the Universe
Jonas Hallgrimsson
(1807-1845).
About
Jónas
HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work
justice. About JÃ
nas HalgrÃmsson
(1807-1845) was an
Icelandic poet, author
and naturalist, who is
considered one of
Iceland's most renowned
poets. Considered a
Romantic writer, the
strong imagery in his
poetry was influenced
heavily by the landscapes
around him.The imagery,
excitement, and curiosity
of the universe leapt off
the page and the music
almost wrote itself.Â
Reflecting on the cosmos
and origin of the
heavens, the poetry
elicits excitement and
stirs spatial imagery -
...speeding spark of
light, ...wings swifter
than wind..., ...I
watched the stars...rise
from the still stream of
heaven... The pure and
almost child-like
fascination with the
universe and its
expansion and progression
fuels the perpetual
rhythm of the work as it
continually pushes
forward.A good friend
asked if I would write a
song for her ensemble.
The original voicing, for
SAB choir, contained
parameters in that it had
to be three-part with a
limited range in the Bass
part. With these
stipulations I began to
write. I searched for
something that would be
exciting for them and
landed on Jonas
Halgrimsson’s
writings. I believe it is
equally as exciting,
accessible and
challenging for treble
choirs.Note to the
DirectorTruly consider
how the work can come to
‘life’ off
the page. Rise and fall
with phrase and sometimes
each note. The magic
exists beyond the ink on
the page!Consideration to
range, tessitura, and
content was all
considered as part of
this process in creating
music that is accessible
to all programs and
ensembles.Accompaniment
NoteThe accompaniment can
look intimidating, but
please feel free to alter
the pulsing eighth notes
in the left hand with the
eighth notes in the
right-hand so it creates
a compound rhythm. So
long as the momentum of
the work is pressed
onward, you are doing
this work justice.
Composed by Eric B.
Davis. Carl Fischer
Concert String Orchestra
Series. Full score. 8
pages. Carl Fischer Music
#CAS134F. Published by
Carl Fischer Music
(CF.CAS134F).
ISBN
9781491159408. UPC:
680160917983.
Journ
ey to the southern part
of Spain where remnants
of Moorish and Middle
Eastern culture are
found, along with
traditional Flamenco
music. These sounds,
melodies and harmonies
are used in an almost
constant motion with
animated and accented
rhythms throughout. From
the opening measures,
these elements leap off
the page. Every part has
something essential and
interesting to play that
feels natural, while
giving the performers the
opportunity to explore
different parts of the
bow with various
articulations and
colors.
About Carl
Fischer Concert String
Orchestra
Series
Thi
s series of pieces (Grade
3 and higher) is designed
for advancing ensembles.
The pieces in this series
are characterized
by:
Expanded use
of rhythms, ranges and
keys but technical
demands are still
carefully
considered
More
comprehensive bowing
techniques
Viola
T.C.
included
Careful
selection of keys and
degree of difficulty for
advancing
musicians
Trombone Quintet - Advanced SKU: CY.CC5010 Composed by Johann Sebastian B...(+)
Trombone Quintet -
Advanced
SKU:
CY.CC5010
Composed by
Johann Sebastian Bach.
Arranged by Jim
Tranquilla. Classical.
Score and Parts. Cherry
Classics #CC5010.
Published by Cherry
Classics (CY.CC5010).
ISBN 9790530111437.
8.5 x 11 in
inches.
The
mysterious Prelude and
Fugue in B-flat minor BWV
867 is special in that
its fugue has five
voices, has a leap of a
minor 9th, and concludes
with a hyperstretto
(remember the theory
class you slept through),
the overlapping of ALL
five voices offset by
only one note. This seven
minute work of genius
beautifully arranged by
Jim Tranquilla of the
iTromboni ensemble is
appropriate for advanced
performers.
Arranged by Dave Barduhn, Mark Taylor, Paul Lavender, Sammy Nestico. Collection ...(+)
Arranged by Dave Barduhn,
Mark Taylor, Paul
Lavender, Sammy Nestico.
Collection for jazz band
(conductor part). Series:
Hal Leonard Young Jazz
(Jazz Ensemble). 176
pages. Published by Hal
Leonard.
Hal Leonard Student Piano Library. Composed by Various. Educational Piano Librar...(+)
Hal Leonard Student Piano
Library. Composed by
Various. Educational
Piano Library.
Instruction, Recital,
Method. Softcover Audio
Online. 32 pages.
Published by Hal Leonard
Composed by Manuel de Falla (1876-1946). Arranged by Ralph Sauer. Spanish 20th C...(+)
Composed by Manuel de
Falla (1876-1946).
Arranged by Ralph Sauer.
Spanish 20th Century.
Solo part and
accompaniment. Published
by Cherry Classics
(CY.CC2799).
A Complete Groove Encyclopedia for the 21st Century Drummer. Performed by Tommy ...(+)
A Complete Groove
Encyclopedia for the 21st
Century Drummer.
Performed by Tommy Igoe.
Percussion. Book and CD
Package. 120 pages.
Published by Hudson
Music.
String Quartet SKU: HL.14008374 Composed by Sir Peter Maxwell Davies. Mus...(+)
String Quartet
SKU:
HL.14008374
Composed
by Sir Peter Maxwell
Davies. Music Sales
America. Classical.
Score. Composed 2006. 24
pages. Chester Music
#CH68629. Published by
Chester Music
(HL.14008374).
ISBN
9781846096150. UPC:
884088435202.
8.25x11.75x0.105
inches.
The Full
Score for Peter Maxwell
Davies' fourth in a
series of ten string
quartets commissioned by
the Naxos Recording
company, first performed
by the Maggini Quartet on
20th August 2004 at the
Chapel of the Royal
Palace, Oslo, Norway, as
part of the Olso Chamber
Music Festival. Composer
Note: The fourth Naxos
quartet was written in
January and February of
2004, with the intention
of producing something
lighter and much less
fierce than its
predecessor, an
unpremeditated and
spontaneous reaction to
the illegal invasion of
Iraq. I returned to the
well-known Brueghel
picture of children's
games (1560, now in
Vienna), which had been
the inspiration for my
sixth Strathclyde
Concerto, for flute and
orchestra. These
illustrations liberated
my musical imagination,
but I feel it would limit
the listener's perception
to be too specific about
which game relates to
exactly which section of
the work. Suffice it to
say that there is
vigorous play -
leap-frog, bind the devil
with a cord, truss,
wrestling - alongside
quieter pastimes - masks,
guess whom I shall
choose, courting, odds
and evens. The single
movement juxtaposes these
activities as abruptly
and intimately as they
occur in Brueghel. Rather
as the eye is taken into
different perspectives
and proportions of scale
within the picture,
taking liberties which
would never be present
in, for instance,
Brunelleschi
architectural drawings,
so here, with a constant
sequence of
transformation processes,
I have distorted the
neat, precise
implications of modal
progression, expressed in
the unison opening phrase
(from F to B through A
sharp/B flat), so that
the ear is led, en route,
into the sound
equivalents of strange
passageways and closed
rooms: sicut exposition
ludus. As work on the
quartet progressed I
became aware that I was
reading into, and behind
the games, adult motives
and implications,
concerning aggression and
war, with their
consequences. It was
impossible to escape into
innocent childhood
fantasy. The nature of
the F to B progression
underlying the whole
construction derives from
a passage in the
development of the first
movement of Mahler's
Third Symphony, and the
opening of Schoenberg's
Second String Quartet.
However, unlike in these
models, here a real - if
temporary - sense of
resolution occurs at the
close of the quartet: as
when the curtain falls on
the reconciled Count and
Countess in 'Figaro' one
wonders how long the F/B
truce will hold, and
games break out again.
The quartet is dedicated
to Giuseppe Rebecchini,
Roman architect, and
friend since the
nineteen-fifties.
Trombone and Piano - advanced SKU: CY.CC2724 Composed by Manuel de Falla....(+)
Trombone and Piano -
advanced
SKU:
CY.CC2724
Composed by
Manuel de Falla. Arranged
by Ralph Sauer. Spanish
20th Century. Solo part
and Piano accompaniment.
Published by Cherry
Classics (CY.CC2724).
The Ritual Fire
Dance by Manuel da Falla
is taken from the ballet
El amor brujo (The
Bewitched Love) written
in 1915. The work was
influenced by a
traditional dance used to
worship the fire-god
where the participants
involved would jump or
leap through
fire.
Candela, a
gypsy girl performs this
Ritual Fire Dance causing
a ghost to appear. She
begins to dance with the
ghost whirling faster and
faster until the ghost is
pulled into the fire,
causing it to
disappear.
This
brilliant arrangement of
about four and one half
minutes is written for
advanced performers.