Ponte Vecchio Saxophone Alto et Piano - Avancé De Haske Publications
Alto Saxophone and Piano - advanced SKU: BT.DHP-1185888-401 Eb Alto Sa...(+)
Alto Saxophone and Piano
- advanced
SKU:
BT.DHP-1185888-401
Eb Alto Saxophone and
Piano. Composed by
Satoshi Yagisawa. De
Haske Saxophone Series.
Educational Tool. Book
and Part(s). Composed
2018. 12 pages. De Haske
Publications #DHP
1185888-401. Published by
De Haske Publications
(BT.DHP-1185888-401).
ISBN 9789043155502.
English-German-French-Dut
ch.
This work was
commissioned by the Osaka
Kyoiku University Wind
Orchestra. The world
premiere took place with
trumpet soloist, Osamu
Kumashiro and was
conducted by the
composer, who was
inspired by the famous
Ponte Vecchio (the
old bridge) during a
visit to Florence. This
work is a musical collage
of impressions following
the composers visit to
Italy. The solo part can
also be performed on
trumpet or euphonium.
Deze compositie
is geschreven in opdracht
van het Osaka Kyoiku
University Wind
Orchestra. De
wereldpremière werd
samen met trompetsolist
Osamu Kumashiro
uitgevoerd onder leiding
van de componist, die
zich tijdens een bezoek
aan Firenze heeft laten
inspireren door de
beroemde Ponte
Vecchio (oude brug).
Het werk is een muzikale
collage van indrukken die
Yagisawa in Italië
heeft opgedaan. De
solopartij kan ook op
trompet of euphonium
worden gespeeld.
Dieses Werk wurde
vom Blasorchester der
Osaka Kyoiku
Universität in Auftrag
gegeben. Die
Welturaufführung fand
mit dem Trompeter Osamu
Kumashiro als Solist und
unter der Leitung des
Komponisten statt. Der
Komponist hat sich
während einer Reise
nach Florenz von der
berühmten Ponte
Vecchio (Alte
Brücke“)
inspirieren lassen. Das
Werk ist eine
musikalische Collage mit
den Eindrücken des
Komponisten von seiner
Italienreise. Die
Solostimme kann auch mit
dem Trompete oder
Euphonium gespielt
werden.
Three Classics for Youth Ensemble de cuivres [Conducteur et Parties séparées] - Facile Gobelin Music Publications
Brass Band - Grade 2 SKU: BT.GOB-000586-030 Arranged by Dagmar Kildevann....(+)
Brass Band - Grade 2
SKU:
BT.GOB-000586-030
Arranged by Dagmar
Kildevann. Set (Score &
Parts). 27 pages. Gobelin
Music Publications #GOB
000586-030. Published by
Gobelin Music
Publications
(BT.GOB-000586-030).
In a suite of
three parts arranger
Dagmar Kildevann makes a
bridge between starting
musician and classic
composer. You hear
the following parts:
Grand march from Aida -
Verdi. Aria, from
The Marriage of Figaro -
Mozart. Can-Can,
from Orpheus in the
Underworld - Offenbach.
In een suite van
3 delen laat arrangeur
Dagmar Kildevann de
beginnende muzikant
kennis maken met
klassieke
componisten.
U
hoort de delen: Grand
march from Aida -
Verdi. Aria, from The
Marriage of Figaro -
Mozart. Can-Can, from
Orpheus in the Underworld
- Offenbach.
(Children's Choir) SKU: HL.1069732 For Children's Choir and Tape. ...(+)
(Children's Choir)
SKU: HL.1069732
For Children's Choir
and Tape. Composed by
Josephine Stephenson.
Choral. Octavo. 12 pages.
Duration 165 seconds.
Alphonse Leduc #AL30902.
Published by Alphonse
Leduc (HL.1069732).
ISBN 9781705174623.
UPC: 196288095774.
9.0x12.0
inches.
This
“little musical
postcard†composed
for the Maîtrise de
Radio France Children's
Choir during the pandemic
is based on a text by
Antoine Thiollier. The
image of the bridges was
self-evident to bring
together the isolated
members of the Choir.
While writing, Antoine
Thiollier remembered
Rimbaud's
“Bridgesâ€; he
more or less kept the
contrasts and the form,
to conceive in his own
way a “little
philosophical bubble
which skids not without
malice in the poetic
puzzle of the last
sentence. A real
cul-de-sac that encloses
the thought in a
circle.†According
to Josephine Stephenson,
the music for this text
flowed almost naturally:
In a style that is
“a little more pop
than I am used to, with a
simple electronic
accompaniment, whose
coldness of sound went
well with the current
situation in my opinion,
and above all left room
for the expressiveness of
the singers' voices and
their words.â€.
Sacred Instrumental Solos for Worship and Performance (Flute - Audio CD Included...(+)
Sacred Instrumental Solos
for Worship and
Performance (Flute -
Audio CD Included). By
Charles H. Gabriel;
Chester Allen; Daniel
Towner; Joseph Barnby;
Luther B. Bridgers;
Robert Carter; Robert
Lowry; William B.
Bradbury; William
Gardiner. Edited by
Cherry Tadlock. Arranged
by Gary Hallquist. For
Flute. Score and Audio
CD. 15 pages. Published
by Carl Fischer.
Sacred Instrumental Solos for Worship and Performance (Trombone Book - Audio CD ...(+)
Sacred Instrumental Solos
for Worship and
Performance (Trombone
Book - Audio CD
Included). By Charles H.
Gabriel; Chester Allen;
Daniel Towner; Joseph
Barnby; Luther B.
Bridgers; Robert Carter;
Robert Lowry; William B.
Bradbury; William
Gardiner. Arranged by
Gary Hallquist. For
Tenor. Score and Audio
CD. 15 pages. Published
by Carl Fischer.
Gloriosi Chorale 3 parties SAB - Facile GIA Publications
SAB choir, cantor, priest, assembly, keyboard accompaniment, 2 C instruments, tr...(+)
SAB choir, cantor,
priest, assembly,
keyboard accompaniment, 2
C instruments, trumpet in
B-flat, trumpet in C,
cello, guitar - Early
intermediate
SKU:
GI.G-10515
Music
of the Paschal Triduum /
Música del Triduo
Pascual. Composed by
Tony Alonso S.J. Lent,
Eastertide, Holy
Thursday, Good Friday,
Easter Vigil, Easter
Sunday, Easter PM.
Sacred. With guitar chord
names. 296 pages. GIA
Publications #10515.
Published by GIA
Publications
(GI.G-10515).
For Piano. By Alfred A. Ackley; Anonymous; Cleavant Derricks; Elisha A. Hoffman;...(+)
For Piano. By Alfred A.
Ackley; Anonymous;
Cleavant Derricks; Elisha
A. Hoffman; Frederick C.
Atkinson; Geistliche
Kirchengesange; H. Percy
Smith; John T. Grape;
Lowell Mason; Luther B.
Bridgers; William B.
Bradbury. Arranged by
Walter Knapp. Solo piano.
For Piano Solo. Solo
part. 40 pages. Published
by Carl Fischer.
Taught by David Barrett. For Harmonica (Diatonic). Technique. Harmonica Mastercl...(+)
Taught by David Barrett.
For Harmonica (Diatonic).
Technique. Harmonica
Masterclass Lesson.
Blues. Level:
Beginning-Intermediate.
DVD. Size 5.25x7.5.
Duration 147 minutes.
Published by Mel Bay
Publications, Inc.
SKU: WD.080689705120 Composed by John E. Coates. Modern Christian: Sacred...(+)
SKU:
WD.080689705120
Composed by John E.
Coates. Modern Christian:
Sacred. Accompaniment CD
(split). Word Music
#080689705120. Published
by Word Music
(WD.080689705120).
UPC:
080689705120.
In
the past twenty years,
worship styles in many
churches have
transformed, emphasizing
a personal worship that
strives for intimacy with
the Father. This renewal
led some ministries,
perhaps unintentionally,
to abandon the great
hymns of our faith in
favor of newly composed
worship songs. Other
ministries, in an effort
to create a balanced
worship style, mixed the
new with the old,
sometimes with results
that only amplified the
differences between the
two. Hymns for Praise &
Worship bridges the
stylistic gap between
modern-day worship songs
and the hymns of our
Christian heritage. A
select advisory board of
active music ministers,
Word Music staff and key
choral arrangers were
assembled to pinpoint
fifty-six hymns from the
vast array of hymnody,
not only for their
musical quality, but for
the messages that they
bring to worshippers
today. Veteran choral
arrangers John E. Coates
and Travis Cottrell have
been creating new
settings of hymns for
their own congregations
for years. Their
experience as worship
leaders brought not only
musicality, but also
congregational and choral
pragmatism to each new
arrangement in Hymns for
Praise & Worship. With
all of the same editions
and features as the Songs
for Praise & Worship
series, this collection
is designed to work
hand-in-hand with
existing resources for
worship. Various
stylistic changes make
these settings flow
easily, appeal to the
modern ear, and correlate
with the styles of
contemporary praise &
worship songs. Throughout
this book you will
encounter variations from
traditional time
signatures, intuitive
syncopated rhythms, and
substituted chords and
harmonies. Even the few
hymns with more
traditional settings are
treated in a manner that
takes the congregation on
a journey through the
verses, sometimes in a
more through-composed
manner, and usually
culminating in a
climactic conclusion.
Each of the changes was
not implemented
arbitrarily, but with the
goal of making the
timeless messages of each
hymn leap from the page
in new and exciting ways.
Two added features of
Hymns for Praise &
Worship are the
demonstration and
accompaniment recordings.
While the songs in the
collection are well
known, the new
arrangements are not. The
staff of Word Music felt
that it was vital to
provide audible resources
to teach and lead worship
to best communicate the
desires of the arrangers.
All of the core editions
(Choir/Worship Team,
Worship Planner, Keyboard
Edition, Guitar Edition)
reflect the verses and
voicings used on the
recordings.
SATB choir, divisi, piano reduction - Intermediate SKU: GI.G-8576 A Ch...(+)
SATB choir, divisi, piano
reduction - Intermediate
SKU: GI.G-8576
A Choral Elegy for
9/11. Composed by
Jackson Hill. September
11 Memorial, All Souls.
Evoking Sound. Music
Education. Octavo. 32
pages. GIA Publications
#8576. Published by GIA
Publications (GI.G-8576).
UPC: 785147857600.
English. Text Source:
Lamentations 1:13,
3:20–24, 26, 5:1,
17, 19, 21, 2 Corinthians
3:10–12, adapt.,
Revelation
18:16–18,
abridged, 21:4. Newman's
The Dream of
Gerontius. Excerpt
from Blake's Prologue:
Intended for a Dramatic
Piece of King Edward the
Fo. Scripture:
Lamentations 1:13,
Lamentations
3:20–24, 26,
Lamentations 5:1, 17, 19,
21, 2 Corinthians
3:10–12,
Revelation
18:16–28,
Revelation
21:4.
Audio track
below performed by the
combined choirs of
Hereford, Gloucester, and
Worcester
cathedrals—Adrian
Lucas, conductor.
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
