20 songs from 7 hit movie musicals including A Star Is Born, The Greatest Showman, La La Land & more. Par NELSON LUKAS. Movie musical lovers will delight in this songbook chock full of top-notch songs from blockbuster movies arranged for piano, voice and guitar. Includes: Audition (The Fools Who Dream) and City of Stars from La La Land - Evermore and How Does a Moment Last Forever from Beauty and the Beast - Fernando, Mamma Mia and Super Trouper from Mamma Mia: Here We Go Again - I Dreamed a Dream and Suddenly from Les Misérables - A Million Dreams and This Is Me from The Greatest Showman - On the Steps of the Palace from Into the Woods - Tomorrow from Annie - plus 7 songs from the 2018 hit movie A Star Is Born featuring Lady Gaga and Bradley Cooper: Always Remember Us This Way, I'll Never Love Again, Is That Alright?, Look What I Found, Maybe It's Time, Music to My Eyes, and Shallow./ Recueil / Piano, Chant et Guitare

Björk Guðmundsdóttir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie, Björk has tackled neo-classical, showtunes, house, pop, indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich. Björk has used collaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words ?I wanted to question how I felt about musical documentation, when CDs were slowly becoming obsolete, I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is the difference of karaoke and the lyrical recitals of the 19th century' Can one meet at bonfires and sing techno songs' (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or do harpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to?.
All Is Full Of Love
The Anchor Song
Atom Dance
Aurora
Bachelorette
Black Lake
Cover Me
Declare Independence
Desired Constellation
The Dull Flame Of Desire
Gratitude
I've Seen It All
Immature
Isobel
Joga
Mother Heroic
My Juvenile
New World
Notget
Oceania
Pagan Poetry
Pleasure Is All Mine
Pneumonia
Stonemilker
Sun In My Mouth
Unravel
Venus As A Boy
Vertebrae by Vertebrae
Where Is The Line'
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD

Arch Gwyn (Arranger). Par ARCH GWYN. West End Showstoppers contains four classic songs from three of your favourite musicals, including Consider Yourself from Oliver , and Memory from Cats . The Faber Young Voices series is arranged for upper voices, with an optional low Alto or Baritone part, for voices that maybe developing. Also included is the manageable Piano accompaniment. The intermediate series is ideal for young or newly formed choirs looking for rewarding repertoire. / Niveau : Assez Facile / Feuillet / Choeur

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Violon II

Par KELLY BRYAN. Magnificat and Nunc Dimittis for SATB and Organ. Kentucky Canticles pay homage to the unforgettable music of the deep south, and in particular to the legendary black singer Paul Robeson. Dancing spiritual rhythms infuse the Magnificat's energetic song of joy, and there are lively musical illustrations for the mighty, the proud, the rich, and the humble and meek before the return of the opening phrases heralds an exultant Gloria. In contrast, the Nunc Dimittis draws on the expressivity at the heart of the spiritual style to capture the deep yearning of Simeon's song of farewell. Both movements have short passages for solo voices that maybe taken by members of the choir. The Kentucky Canticles are dedicated to John Scott and the Choir of St Thomas Fifth Avenue, New York, and are the latest addition to a long and distinguished output with which Kelly has enriched the musical heritage of Anglican worship./ Feuillet / SATB et Orgue

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Orchestre

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Alto

Par SCHUBERT FRANZ. Franz Schubert's Litanei is scored here in the keys of F and E-flat, with Piano accompaniment, and so is available for High or Medium voice. Maybe performed by either Soprano or Tenor Voice (In F) or, Mezzo-Soprano or Bariton Voice (In E Flat)./ Répertoire / Soprano ou Ténor ou Mezzo-Soprano et Piano

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Contrebasse

Alfred Music presents a Piano/Vocal/Guitar songbook featuring the soundtrack to 2018's box-office hit A Star Is Born, starring Lady Gaga and Bradley Cooper. Original, full-color photography and movie artwork within this beautifully packaged portfolio help provide a glimpse into the music and visual aesthetic of a Hollywood classic's third remake. Titles: Black Eyes * La Vie en Rose * Maybe It's Time * Alibi * Shallow * Music to My Eyes * Diggin' My Grave * Always Remember Us This Way * Look What I Found * Heal Me * I Don't Know What Love Is * Is That Alright' * Why Did You Do That' * Hair Body Face * Before I Cry * Too Far Gone * I'll Never Love Again.

The New Decade Series provides great synopses of the musical decades, including the most iconic songs from each era presented for Piano, Vocal and Guitar. Songs of the 2010s includes hits from Adele, Ed Sheeran, Taylor Swift and many more! 1. All About That Bass [Meghan Trainor] 2. All Of Me [John Legend] 3. Bad Guy [Billie Eilish] 4. Budapest [George Ezra] 5. Call Me Maybe [Carly Rae Jepsen] 6. Chandelier [Sia] 7. Cheap Thrills [Sia] 8. City Of Stars (from La La Land) 9. Cups (When I?m Gone) (from Pitch Perfect) 10. Despacito [Luis Fonsi] 11. Firework [Katy Perry] 12. Forget You [Cee Lo Green] 13. Gangnam Style [PSY] 14. Get Lucky [Daft Punk] 15. God?S Plan [Drake] / Piano voix guitare / Hal Leonard

A collection of the greatest rock 'n' roll songs from the bopping 50s! Thirty-six songs, all arranged for guitar with full lyrics, strumming patterns and chord boxes./ Recueil / Piano, Chant et Guitare

Par CHARNIN M. / STROUSE C.. Pièces vocales du film de 1982 de la comédie musicale de Charles Strouse et de Martin Charnin, basé sur le populaire bande dessinée de Harold Gray peu orphelin Annie.The film joue Albert Finney (Daddy Warbucks), Carol Burnett (Miss Hannigan), Ann Reinking (Grace Farrell), Tim Curry (coq), Bernadette Peters (Lily) et Aileen Quinn : Annie. ./ Recueil / Chant

Contemporary Musical Theatre For Teens is a four-volume series providing a giant resource of songs from the musicals that appeal to the young singer.This second volume for women contains 31 songs from 25 musicals, including Good Morning Baltimore (Hairspray), Practically Perfect (Mary Poppins), Popular (Wicked), Start Of Something New (High School Musical), Follow Your Heart (Urinetown) and more. / Voix Et Piano

Chant, Piano, Guitare (grilles d'accords) Partition CD / Nb de Pages : 64 Langue : Anglais / Amsco Wise