(solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))

SKU: BR.CHB-5289-02

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Stapled. Chor-Bibliothek (Choral Library). Mass; Classical. Choral score. Composed 1780. 44 pages. Duration 20'. Breitkopf and Haertel #ChB 5289-02. Published by Breitkopf and Haertel (BR.CHB-5289-02).

ISBN 9790004412046. 7.5 x 10.5 inches.

According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna , dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.

Chorus (with soloists) and orchestra (solos: SATB - choir: SATB - 0.2.0.2. - 0.2.3.0. - timp - org - str(without va))

SKU: BR.PB-5329

Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Franz Beyer. Choir; Softbound. Partitur-Bibliothek (Score Library). Mass; Classical. Full score. Composed 1780. 68 pages. Duration 20'. Breitkopf and Haertel #PB 5329. Published by Breitkopf and Haertel (BR.PB-5329).

ISBN 9790004210420. 10 x 12.5 inches.

According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna , dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.

Brass Quintet - advanced

SKU: CY.CC3002

Composed by Carl Philipp Emanuel Bach. Arranged by Justin Bland. Classical. Score and parts. 63 pages. Cherry Classics #3002. Published by Cherry Classics (CY.CC3002).

ISBN 9790530058220.

Symp hony No. 1 for Brass Quintet
by C. P. E. Bach, arranged by Justin Bland
C. P. E. Bach was an innovator as an early Classical era composer, helping to develop the sonata form that was refined by Haydn, Mozart and Beethoven. Like his father, Carl Phillip Emanuel was prolific and showed signs of true genius.

Symphony No. 1, in three movements (fast-slow-fast), originally in D major, has been transposed down a step to C by arranger Justin Bland.

This very fine arrangement (the entire work) of about 12 minutes in length is appropriate for advanced performers and can be the cornerstone of a recital program.

Instrum entation: Trumpets (parts in C and B-flat), Horn in F, Trombone and Tuba.

Piano Solo Study Score. Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Ullrich Scheideler. STUDY EDITION. Henle Study Scores. Pages: LII and 272. Classical. Study score (paperbound). 298 pages. G. Henle #HN9022. Published by G. Henle (HL.51489022).

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Bela Bartok. Masterworks; Piano Collection. Kalmus Edition. Form: Sonata. Classical; Masterwork. Book. 304 pages. Kalmus Classic Edition #00-K03693. Published by Kalmus Classic Edition

By Amy Appleby. For Piano. Classical. Sheet Music. 240 pages. Published by Music Sales.

For Piano. Classical, Folk, Holiday. Sheet Music. 240 pages. Published by Music Sales.

By Wolfgang Amadeus Mozart. Edited by E. Herttrich. Piano (Harpsichord), 2-hands. Pages: 21. Urtext edition-paper bound. Published by G. Henle.

The Late Vienna Sonatas - Revised Edition - for Violin and Piano. By Wolfgang Amadeus Mozart. Edited by W.-D. Seiffert. Violin. Pages: Score = XXXV and 115 * Vl Part = 29. Urtext edition-paper bound. Published by G. Henle.

Sonatas for Piano and Violin, Vol. 2 composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Karl Marguerre. Arranged by Karl Marguerre. For Sonatas for Piano and Violin, Vol 2. Standard notation. Published by Wiener Urtext/Vienna Urtext

The World's Great Classical Music. By Various. World's Greatest Classical Music. Size 9x12 inches. 248 pages. Published by Hal Leonard.

By Wolfgang Amadeus Mozart. Arranged by Walter Georgii. Schott. Size 9x12 inches. 8 pages. Published by Schott.

Flute and Piano - Intermediate

SKU: J1.5031

Composed by Wolfgang Amadeus Mozart. Classical; Chamber. Full score, set of parts and 2 Play-Along CDs. Recorder JP #5031. Published by Recorder JP (J1.5031).

8.26 x 11.28 inches.

By Wolfgang Amadeus Mozart. This edition: RNR139331. Piano. Softcover. 68 pages. Published by Ricordi.

By Wolfgang Amadeus Mozart (1756-1791). Edited by Beveridge Webster. For Clarinet and piano. Clarinet and piano. Published by International Music Company

By Francois Devienne (1759-1803). Edited by Nicholas Cox. For clarinet and keyboard. Series @Mozart. Score and part. Published by Edition HH Music Publishers

Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by Karl Marguerre. Arranged by Karl Marguerre. With Standard notation. Wiener Urtext/Vienna Urtext #UT50034. Published by Wiener Urtext/Vienna Urtext

By Wolfgang Amadeus Mozart. Edited by Berta Antonie Wallner. Piano (Harpsichord), 2-hands. Pages: XXXIV and 254. Urtext edition-paper bound. Published by G. Henle.

(Music by J. C. Bach, Beethoven, Brahms, Dvorák, and Mozart). Edited by Gayle Kowalchyk and E. L. Lancaster. For Piano. Book; Duet or Duo; Graded Standard Repertoire; Masterworks; Piano Duet (1 Piano, 4 Hands). Alfred Masterwork Edition: Essential Keyboard Repertoire. Masterwork; Recital. Advanced; Early Advanced. 170 pages. Published by Alfred Music Publishing

20 Intermediate to Early Advanced Pieces with Practice and Performance Tips. Composed by Various. Edited by Immanuela Gruenberg. Classical, Classical Instruction. Softcover. Published by Hal Leonard

Clarinet - Intermediate

SKU: FH.WC6

Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 68/32 pages. The Frederick Harris Music Company #WC6. Published by The Frederick Harris Music Company (FH.WC6).

ISBN 978-1-55440-582-4.

This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.
Technical Repertoire:
A Canticle for Ryan, op. 127 - Michael Conway Baker
Canzonetta in E flat Major, op. 19 - Gabriel Pierne
Clarinet Concerto in B flat Major: First Movement - Franz Anton Hoffmeister, arr. Mihaly Hajdu
Grande Sonate for Clarinet and Piano: Fourth Movement - Wolfgang Amadeus Mozart, arr. Franz Xavier Gleichauf
Concertino in E flat Major, op. 26, J 109 - Carl Maria von Weber, arr. Cyrille Rose
Lyrical Repertoire:
Grand duo concertante, op. 48, J 204: Second Movement - Carl Maria von Weber, arr. Carl Baermann
Sonatina for Clarinet: Second Movement - Joseph Horovitz
Sonata in E flat Major for Clarinet and Piano, op. 167: First Movement - Camille Saint-Saens
Clair matin (Idylle pour clarinette et piano) - Paul Jeanjean
Concertino in B flat Minor: First Movement - Gaetano Donizetti, arr. Raymond Meylan
Lied - Luciano Berio
Bee Navigation - Libby Larsen.