All My Hope On God Is Founded scored for unison voices and descant set to words by Robert Bridges. Hymn tune named Michael after his son. / Chant Et Piano

Par . A beginning fake book for players new to faking! This great collection contains over 100 favorite gospel songs all in the key of C. Each song features lyrics and simplified chords that remain true to each original tune, withlarge, easy-to-read music notation. Includes: Amazing Grace · At Calvary · Because He Lives · Blessed Assurance · Church in the Wildwood · Do Lord · Give Me That Old Time Religion · He Touched Me · Higher Ground · His Eye Is onthe Sparrow · His Name Is Wonderful · How Great Thou Art · I Bowed on My Knees and Cried Holy · I Saw the Light · I'll Fly Away · In the Garden · Just a Closer Walk with Thee · Mansion over the Hilltop · More Than Wonderful · TheOld Rugged Cross · Precious Lord, Take My Hand · Precious Memories · Put Your Hand in the Hand · Rock of Ages · Shall We Gather at the River' · Sweet By and By · Turn Your Radio On · Upon This Rock · When the Roll Is Called UpYonder · Whispering Hope · Will the Circle Be Unbroken · Wings of a Dove · and dozens more! / Date parution : 2022-02-15/ Recueil / Mélodie, Paroles et Accords

Par JANSSON MARTEN. “Triptyk” (“Triptych”) and “Mörkblå tillit” (“Dark Blue Trust”) have been written by hospital chaplain/author Kerstin Dillmar. In her work she often meets people who walk in the shadow of death and her dealings and thoughts about this are a central part of her writing. This is most clearly seen in “Mörkblå tillit” whose key message is to trust that we will be safe and secureafter passing away in sleep. Jansson’s intention with the music was to enhance this feeling of comforting trust without taking away the seriousness of the subject. “Triptyk” on the other hand describes a journey within a person in three stages which moves from despair, “God, myGod why have I forsaken myself?”, through to hope and faith that God is within. The music depicts these stages, starting with a dark-searching tonality, then describing the simple beauty of trust through to a joyful expectation of hope and ending with a strong conviction. ; Triptyk ( ; Triptych ) and ; Mörkblå tillit ( ; Dark Blue Trust ) have been written by hospital chaplain/author Kerstin Dillmar. In her work she often meets people who walk in the shadow of death and her dealings and thoughts about this are a central part of her writing. This is most clearly seen in ; Mörkblå tillit whose key message is to trust that we will be safe and secure after passing away in sleep. Jansson's intention with the music was to enhance this feeling of comforting trust without taking away the seriousness of the subject. ; Triptyk on the other handdescribes a journey within a person in three stages which moves from despair, ; God, my God why have I forsaken myself?, through to hope and faith that God is within. The music depicts these stages, starting with a dark-searching tonality, then describing the simple beauty of trust through to a joyful expectation of hope and ending with a strong conviction. / Niveau : 3 / Feuillet / SATB

Par HUMMEL BERTOLD. With the Eight Fragments Bertold Hummel has successfully created a most impressive work. Uncommonly concentrated in the evoking of atmosphere and reflecting the texts strongly, these 'dark grey songs' - to quote Ludwig Hirsch - develop a sadly expressive, almost somnambulant charm. These songs seem to have become Bertold Hummel's completely inwardly turned 'Winterreise', the epigram of a psychosis, full of concealed suggestion and dark references, but always more full of hope. The 'sun' becomes the constantly invoked bearer of hope. The music is highly expressive, exploiting the various performing and bowing possibilities of the stringed instruments and their capacity for nuances to the limits; occasionally oppressive visions in sound appear. It is music in danger, of a most fragile balance. Nor are subtle musical references missing. With only one note, following the word 'music', harmony and tonality are conjured up. / Date parution : 2007-11-20/ Répertoire / Baryton et Quatuor à Cordes

The shame and pain of the cross was transformed into a triumphant symbol of hope through the message of Easter. This well-crafted 25-minute five song cantata beautifully and poetically depicts the Easter journey with fresh songs and familiar hymns . . . from reflection to resurrection. It's easily prepared, yet powerful, and perfect for large and small choirs alike. It can be performed as a complete cantata or as separate anthems during Lent, Holy Week, and Easter. Titles: Ride On! * I Am * Sing an Alleluia * The Alleluia Tree * Rejoice! My Redeemer Lives! / Choeur (SATB)

Cette série a été conçue pour compléter les traditionnelles instructions vocales et fonctionne parfaitement en tant que littérature préparatoire pour le premier livre de Solos et le premier livre de Solos Partie II. Chaque pièce est en anglais et a une portée limitée vocale ainsi que d'un accompagnement au piano qui est jouable par un pianiste étudiant. Les pièces incluent des mélodies, de chansons folkloriques, les chansons humoristiques et chansons populaires adaptées époque et sont toutes les mesures appropriées pour les solos du concours. Le CD d'accompagnement comprend des accompagnements professionnellement enregistrées. Table des matières Soprano: Alice Blue Gown · April Showers · Butterflies (Schulz) · Cradle Song (Brahms) · Evening Prayer from Hansel and Gretel (Humperdinck) · The False Prophet (Scott) · Florian's Song (Godard) · Golden Slumbers (English folksong) · It Was a Lover and His Lass (Austin) · Ladybird (Schumann) · The Lilac Tree (Gartlin) · The Little Sandman (arr. Brahms) · My Little Heart (Weckerlin) · The Nightingale (Alabieff) · Oh! Dear, What Can the Matter Be? (16th Century) · Oh, Pretty Birds (Rigel) · The Rosebush (Himmel) · The Sweetest Flower that Blows (Hawley) · Two Marionettes (Cooke) · The Willow Song (16th Century) · The Willow Tree (arr. Reimann) · The Winter It Is Past (arr. Hopekirk). / Soprano Et Piano

A bumper collection of our top-selling songs, all arranged for piano and voice with guitar chords. Features such classics as, I Say A Little Prayer and My Baby Just Cares For Me, with more recent classics like Radiohead's Creep and Let It Go from Disney's Frozen./ Recueil / Piano, Chant et Guitare

Not Your Muse is the official album-matching songbook to the debut studio album by British singer and songwriter Celeste, which was released on 29 January 2021. It includes 12 songs including the singles 'Strange', 'Stop ThisFlame', 'A Little Love' and 'Love Is Back', all transcribed for piano and voice with guitar chords. With this album, Celeste became the first British female artist in five years to have a number one debut album on the UK AlbumsChart. 'Not Your Muse is the power I found when I felt powerless... In making this album I have allowed myself to arrive at a place where I feel empowered, fiercely wide-eyed and fulfilled. I'm very proud of what I've achieved onmy debut album and to be in this position, after the year that has been, I feel nothing but gratitude and excitement. I hope you enjoy it.' Celeste
1. Ideal Woman
2. Strange
3. Tonight Tonight
4. Stop This Flame
5. Tell Me Something I Don't Know
6. Not Your Muse
7. Beloved
8. Love Is Back
9. A Kiss
10. The Promise
11. A Little Love
12. Some Goodbyes Come With Hellos
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / FABER MUSIC

Björk Guðmundsdóttir is one of the key recording artists of the 21st century. Moving effortlessly between disciplines and genres so fluidly it would shame David Bowie, Björk has tackled neo-classical, showtunes, house, pop, indie as well as acting (winning best actress at the Cannes Film Festival for her turn in Dancer In The Dark) and creating a visual template for her work that is staggeringly rich. Björk has used collaboration as a key part of her work and her work available in sheet music is perhaps her most radical example of this. In her own words ?I wanted to question how I felt about musical documentation, when CDs were slowly becoming obsolete, I was curious about the difference of midi (digital notation) and classical notation and enthusiastic in blurring the lines and at which occasions and how one would share music in these new times. What is the difference of karaoke and the lyrical recitals of the 19th century' Can one meet at bonfires and sing techno songs' (well icelanders do obvs) Maybe I should share digital notation that people could connect to their synths or do harpsichord versions of electronic beats to enjoy in the living rooms and hopefully families singalong to?.
All Is Full Of Love
The Anchor Song
Atom Dance
Aurora
Bachelorette
Black Lake
Cover Me
Declare Independence
Desired Constellation
The Dull Flame Of Desire
Gratitude
I've Seen It All
Immature
Isobel
Joga
Mother Heroic
My Juvenile
New World
Notget
Oceania
Pagan Poetry
Pleasure Is All Mine
Pneumonia
Stonemilker
Sun In My Mouth
Unravel
Venus As A Boy
Vertebrae by Vertebrae
Where Is The Line'
/ Partitions variété - pop - rock / Variété internationale / Piano voix guitare / HAL LEONARD

Perfect for concert or graduation, this new release from Josh Groban shares a message of hope and encouragement for all. 'You raise me up so I can stand on mountains- You raise me up to walk on stormy seas- And I am strong when I am on your shoulders- You raise me up to more than I can be.? Inspiring! Available separately: SATB, SAB, SSA, TBB, 2-Part and ShowTrax CD. Performance Time: Approx. 4:45 / Choeur SAB

Par BURTON KEN. British composer Ken Burton uses the writing of Paul Laurence Dunbar (1872–1906), the black American son of emancipated slaves, in his 3-minute work A Prayer. The text of the three verses is bitter-sweet, filled with hope and sadness, and the music combines with this to make a rhythmically simple reflective evening hymn. Burton draws on Spiritual, Gospel and Blues to write a piece for SATB with divisi that will be a popular piece both to sing and to hear. New commission from The Jason Max Ferdinand Singers and premiered in their inaugural concert as part of the online LIVE from London – Spring Festival 2021. Follows Descend to Earth, VOCES8’s own commission of Ken Burton in the LIVE from London – Christmas Festival 2020. UK-based Ken Burton is known for his work on UK television programmes, particularly in BBC TV’s Songs of Praise. Burton was choirmaster for the multi Oscar winning and Grammy winning Marvel film Black Panther./ Répertoire / Choeur Mixte SATB

'I ask for one day where I don't have to hear about pain, or life that's lost, I ask for one day where whispers of hope are alive inside my heart.? These words, written by 5th graders in a writing workshop, moved the composer to create this inspiring work. / Choeur Mixte

Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fate in Greek-Roman mythology and sang on themes of curse and fate. The Parzenlied in Goethe’s verse drama “Iphigenie auf Tauris” is concerned with these themes and became the model for Johannes Brahms’s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling eruptive sounds the fight to overcome the mythical curse through the purity of truthful noble actions and the power of hope.With a duration of around 12 minutes the work can be combined with Brahms’s “German Requiem” in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre

Op. 89. Par BRAHMS JOHANNES. The Three Fates or Parcae were the goddesses of fate in Greek-Roman mythology and sang on themes of curse and fate. The Parzenlied in Goethe?s verse drama ?Iphigenie auf Tauris? is concerned with these themes and became the model for Johannes Brahms?s setting. His Gesang der Parzen (Song of the Fates) op. 89 describes in thrilling eruptive sounds the fight to overcome the mythical curse through the purity of truthful noble actions and the power of hope.With a duration of around 12 minutes the work can be combined with Brahms?s ?German Requiem? in concert. / Date parution : 2023-03-11/ Répertoire / SAATBB et Orchestre