Par REGER MAX. Editeur(s) d'origine: Scharlau, U./ Répertoire / Choeur Mixte, Soprano et Orchestre

Par BEETHOVEN LUDWIG VAN. Editeur(s) d'origine: McGrann, Jeremiah W./ Répertoire / Soprano Solo, Alto Solo, Ténor Solo, Baryton Solo,

Par REGER MAX. Langue: German, Format: New Edition portrait/ Répertoire / Soprano, Alto et Piano

Nr. 4 O schönes Mädchen. Par RACHMANINOV SERGEI. No 4 Oh Never Sing To Me Again/ Répertoire / Voix Moyennes (Mezzo-Soprano ou Baryton) et Piano

Ce document, unique par son ISBN 9790041401263 a été conçu par Puccini Giacomo et a pour titre CANTOLOPERA: PUCCINI GOLD. Il fait partie de la catégorie Classique. / Voix Et Piano / Partition

Baryton Ou Mezzo-Soprano. Par CHAMINADE CECILE. / Répertoire / Chant et Piano (Baryton ou Mezzo-Soprano)

Par PUCCINI GIACOMO. A collection of arias compiled for Soprano and Piano. CD of authentic orchestral accompaniments available separately. A collection of arias compiled for Soprano and Piano. CD of authentic orchestral accompaniments available separately./ Répertoire / Chant et Piano

Baryton Ou Mezzo-Soprano. Par LACOME PAUL. / Feuillet / Chant (Baryton ou Mezzo-Soprano)

Edition no.: BVK 2270ISBN: 9783761822708Volume / Series: Documenta musicologica II/45 / Bärenreiter FacsimileEditor: Konrad, UlrichLanguage(s) of work: English, GermanProduct format: FacsimileBinding: Half-leather bindingPages / Format: 405 S. - 41,7 x 30,0 cm 'This Tristan will be something formidable! This last act!''I fear the opera will be banned ' if the whole work is not parodied through bad performance: only mediocre performances can save me! Thoroughly good ones will surely drive people crazy.'Richard WagnerWhile working on the score to 'Tristan und Isolde', Richard Wagner expressed his excitement and elation about his new musical drama. Indeed, the radical originality of the work proved to be both unique and forward-looking: Over 150 years ago it signified the 'dawn' of the modern era and to this day it has not lost any of its fascination. Throughout his life, Richard Wagner was proud of his even handwriting.He constantly strove to produce manuscripts of a high calligraphic standard. The Tristan manuscript is also clearly written. More so than in his other scores however, traces of his working process are evident. It is precisely this aspect of the autograph that makes it fascinating. Reading it, one is witness to Wagner's highlyconcentrated, powerful and relentless writing. This manuscript is in every possible way unparalleled reflecting individuality and uniqueness.In time for the 200th anniversary of Wagner's birth in 2013, this great work will be published as a BÄRENREITER FACSIMILE in cooperation with the National Archive of the Richard-Wagner-Stiftung Bayreuth. In addition to the complete score, the edition includes the autograph concert ending of the Vorspiel as well as three pages that Wagner rejected while composing and later used for sketches.Ulrich Konrad, the renowned musicologist describes the genesis and performance history of the work in his comprehensive commentary. He also details the physical appearance and condition of the autograph as well as giving an insight into the musical language of Wagner.