22 Songs For Young Children. Par STREET ALISON / BANCE LINDA. Cette collection inspirée des 22 chansons pour les enfants âgés de 3-5 ans est un support formidable coulé dans le même moule que VoiceWorks. Les auteurs ont tiré de leur expérience inégalée de travailler avec de jeunes enfants pour créer un recueil de chansons qui peuvent être utilisés par tous les praticiens , si oui ou non ils sont spécialistes de la musique, dans tous les établissement de la petite enfance Il ya beaucoup de conseils pratiques -. chaque chanson est accompagnée de notes concises qui guident le leader à travers la sélection d'une chanson et la chanter, et il ya aussi des suggestions pour l'extension activités y compris les instruments mouvement et de jouer. En mettant l'accent sur la responsabilisation des praticiens et encourager les enfants à se lancer dans leurs propres aventures musicales et vocales, le matériel en Voiceplay est structuré de façon à soutenir une gamme de situations et des exigences différentes, et les liens directement dans l'étape de la fondation six domaines d'apprentissage. 'Cette collection inspirée des 22 chansons pour les enfants âgés de 3-5 ans est un support formidable coulé dans le même moule que VoiceWorks. Les auteurs ont tiré de leur expérience inégalée de travailler avec de jeunes enfants pour créer un recueil de chansons qui peuvent être utilisés par tous les praticiens , si oui ou non ils sont spécialistes de la musique, dans tous les établissement de la petite enfance Il ya beaucoup de conseils pratiques -. chaque chanson est accompagnée de notes concises qui guident le leader à travers la sélection d'une chanson et la chanter, et il ya aussi des suggestions pour l'extension activités y compris les instruments mouvement et de jouer. En mettant l'accent sur la responsabilisation des praticiens et encourager les enfants à se lancer dans leurs propres aventures musicales et vocales, le matériel en Voiceplay est structuré de façon à soutenir une gamme de situations et des exigences différentes, et les liens directement dans l'étape de la fondation six domaines d'apprentissage. Alison Street et Linda Bance Alison Street est un spécialiste de la musique pré-scolaire et membre de la Société des Musiciens d'Oxford, un groupe qui se spécialise dans la musique en milieu communautaire. Elle croit en utilisant une variété d'approches dans son travail pour construire sur la musicalité des jeunes enfants et de leurs relations avec les autres à travers la musique. Linda est reconnu à l'échelle nationale Bance pour son travail en encourageant les praticiens Early Years utiliser activités musicales comme une aide au développement en général et le bien-être. Elle a commencé sa carrière en tant que puéricultrice avec un vif intérêt pour la musique et a continué à développer à la fois les intérêts, diplômé du Trinity College of Music de Londres avec une maîtrise en éducation musicale, spécialisée dans la petite enfance. Elle a une expérience de plus de 30 ans dans la fourniture de musique à moins de cinq ans. / Niveau : Débutant / Recueil / Chant

A Cantata for Holy Week. Par MARTIN JOSEPH M.. Portraits in Grace is a musical gallery of faith displaying the life, ministry and passion of Jesus. Through scripture, narration and song, the backdrop is created for the reflections of the Lenten season, particularly during Holy Week. As the cantata moves through Christ's extraordinary life, each song displays the sacred beauty of the Savior, and lingers with His many graceful acts of love. The work ends with Christ's death on the cross and the bittersweet beauty of this redemptive gift to the world. With options that include the visual arts, the presentation can be expanded to include more members of your congregation, taking the cantata beyond the loft. A small consortof instruments is available, as well. Songs include: Prelude, Portrait, Fairest Lord Jesus, The Healer, Behold the King, We Remember, A Sacred Garden, Let Us Gather in the Shadow of the Cross, Portrait of the Cross, Recessional of Shadows. Score and Parts (fl, cl, hn, hp, pno, vn, vc) available as a Printed Editional and as a digital download./ Recueil / SATB

Songs and Singing Games from Guatemala and Nicaragua. Par . ¡Canta Conmigo! is a practical guide for music educators looking to teach music from Central America. Suitable for use in families, schools, or community centers, this resource contains a playful collection of 90 songs, singing games, chants, and games author Rachel Gibson learned from teachers, children, and families while living in several communities in both countries. While the majority of the songs are in Spanish, the book also includes a few in a Mayan language, Kaqchikel. A comprehensive companion website offers field video, audio recordings, and select song histories to help readers witness the music in authentic contexts. Ethnographic descriptions of locations where songs were learned and personal biographies written by the singers in Kaqchikel or Spanish and translated to English allow the reader to develop a connection to the land and the musicians. Culturally responsive and sustaining teaching pedagogies are discussed alongside strategies to responsibly include the music into school curriculums. A brief history of Central America and an overview of music genres in the region are included to frame this song collection within historic, cultural, and musical contexts. ¡Ven a cantar y jugar! Come sing and play! / Date parution : 2022-01-14/ Recueil / Chant

for SATB, piano, and optional bass and drum kit ad lib. A highly original and effective concert setting of the Latin Missa brevis in which the various movements embrace a variety of jazz styles. The characterful piano accompaniment can be played as written or serve as a guide, and bass and drums can join in ad lib. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / OXFORD UNIVERSITY PRESS

Par CHILCOTT BOB. for SATB and piano, with optional bass and drum kit This dynamic collection presents four jazzy settings of favourite madrigals by Thomas Morley, John Bennet, and Orlando Gibbons. The stylistic piano part may be played as written or serve as a guide, and a bass and drum kit part is available separately for trio accompaniment. / Date parution : 2022-07-23/ Répertoire / Ch?ur Mixte SATB et Piano, avec Basse et Batterie

One of the most beloved times of the year is the holiday season, and what better way to welcome it in than with the most beloved songs of the season! Pick up The World's Most Beloved Christmas Songs and choose from over 70 classics to play and sing all season long. Choose from songs like 'All I Want for Christmas Is You (A Christmas Love Song),' 'The First Noel,' 'Santa Claus Is Comin' to Town,' and dozens more! All songs are arranged for piano/vocal/chords. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

Par GOODALL HOWARD. Every Purpose under the Heaven is a musical tribute to one of the most important cultural landmarks of the Western civilisation - the 1611 King James Bible . Written in celebration of the Bible's 400- year anniversary, Goodall has brought together ten of the most expressive passages, from Genesis to Revelation, to create an oratorio that is at once steeped in historic grandeur and utterly relevant in today's society. Musically, it displays all the hallmarks of Goodall's well-loved style - soaring melodies, rhythmic vitality and perfectly crafted lines. However, this work offers singers and audiences something more: an opportunity to introduce new generations to the expressive power and ancient truths of this historic text. Commissioned as a gift to the United Learning Trust, Every purpose under the heaven is suitable for young singers, choral societies and church choirs of all abilities. It may be accompanied by piano, using the reduction provided, or chamber orchestra (score and parts available from the Faber Music Hire Library). Duration: 45 Minutes/ Recueil / Voix Mixtes

Par MONTEVERDI CLAUDIO / GOMBERT NICOLAS. Monteverdi's Missa in illo tempore for six voices, together with the Vespers form a collection of church music which was printed in Venice in 1610 and dedicated to Pope Paul V. During the period of transition from the older [16th century] polyphonic style to the new concertante style Monteverdi displayed his compositional abilities in this collection using both means of expression. Whereas the Vespers contained, for their time, the most modern concerti, contemporaneously the Missa employed the already obsolete genre of parody mass based on themes from a motet by Nicolas Gombert; it was composed consciously in the stile antico. The vocal parts are accompanied by a basso continuotreated as a basso seguente. / Messe / Répertoire / Choeur SSATTB et Basse Continue

Par MONTEVERDI CLAUDIO / GOMBERT NICOLAS. Monteverdi's Missa in illo tempore for six voices, together with the Vespers form a collection of church music which was printed in Venice in 1610 and dedicated to Pope Paul V. During the period of transition from the older [16th century] polyphonic style to the new concertante style Monteverdi displayed his compositional abilities in this collection using both means of expression. Whereas the Vespers contained, for their time, the most modern concerti, contemporaneously the Missa employed the already obsolete genre of parody mass based on themes from a motet by Nicolas Gombert; it was composed consciously in the stile antico. The vocal parts are accompanied by a basso continuotreated as a basso seguente. / Messe / Répertoire / Choeur SSATTB et Basse Continue

Romantische Opera in three acts. Par SCHUBERT FRANZ. Alfonso und Estrella D 732 Romatic Opera in 3 Acts In late September or early October 1821 Schubert and his close friend, Franz von Schober, vacationed in the countryside of Lower Austria. Their first stopover was at Ochsenburg Castle, which belonged to the Bishop of St. Pölten (a close relative of Schober’s), after which they moved on to St. Pölten itself. Roughly a year earlier, two stage works by Schubert had been performed in Vienna: the one-act singspiel Die Zwillingsbrüder and the melodrama Die Zauberharfe. The librettos were both written by the seasoned Viennese playwright Georg von Hofmann, who blamed the press for the indifferent reception the two works weregiven by the audience. Schubert and Schober now decided, it would seem, to write a grand romantic opera uninfluenced by the workaday world of the theatre and beholden solely to their own ideas of what an opera should be. Not until 24 June 1854 was the opera finally performed in Weimar, under the baton of Franz Liszt. It only achieved success, however, in an arrangement by Johann Nepomuk Fuchs that was staged on many German and Austrian stages in 1881–2, allegedly with 'brilliant acclaim'. Urtext of the New Schubert Edition Full score (BA5540) and vocal score (BA5540-90) available for sale Performance material (BA5540-72) available for hire/ Répertoire / Chant

12 Selections for Study and Performance. Par BECK ANDY. Developing singers will cherish this charming collection of songs designed especially with them in mind. Creativity, musicality, and expressivity are clearly evident in and easily taught through each and every selection. Imaginative texts come to life with moderate vocal ranges, lyrical lines, and sensible yet captivating piano parts (which are professionally played on the optional CD). Inspire your next wave of outstanding solo singers. / Niveau : Intermédiaire / Etudes et exercices / Recueil / Voix

National anthems are an integral part of official receptions and play an important role at major events such as the Olympic Games or World Championships. Most anthems date from the 18-20th centuries and are often an essential part of the political and cultural development of a country, e.g. on its way to independence or democracy.

At the same time, the anthem conveys a sense of community and is a means to express identification with one's home country. / [Hymnes Nationaux] / Musiques du monde / Partition / Broché /

Cycle 2/3. Par MAURY JEAN-MICHEL. Le répertoire de ce volume pourra donner l'occasion d'une audition ou d'un concert. L'intonation et le rythme des chansons demandent un travail de précision qui motive les enfants. Ces pièces peuvent être mises en scène dans le but de travailler l'expression corporelle et vocale. ' - Jean-Michel MAURY Un mot sur l'Oeuvre Ces pièces, composées par Jean-Michel MAURY, sont des Oeuvres pédagogiques pour les interventions musicales en milieu scolaire. Les Playbacks MP3 de ces Pièce sont disponible dans la Médiathèque de FLEX Editions ici. Voici le premier recueil de partitions contenant 6 chansons de notre collection récréanotes pour faire chanter les enfants de Cycle 2and3, de 6 à 11 ans. / Niveau : Intermédiaire à Avancé / Recueil / Chorale d'Enfants (6 à 11 ans) et Piano

Vienna Version - 1767. Par GLUCK CHRISTOPH WILLIBALD. With the premiere of Gluck's 'Alceste”, the 'Burgtheater” Vienna reopened its doors, concluding a period of moarning that had been decreed following the death of Archduchess Maria Josepha. Calzabigi's inspiration for the libretto, which, despite including an element of wonder, focuses entirely on death and the afterworld, most likely stemmed from the death of Empress Maria Theresia's husband. In Euripides' 'Alkestis”, the librettist might have recognized a sufferer akin to the imperial widow, who was highly regarded by her people. Following in the Greek tragedy tradition, Gluck once more sought to emphasize the unity of the work as a whole and the interplay of all elements involved, including costumes and stage design. He placed great importance on integrating the chorus into the happenings on stage. Bärenreiter now presents a newly engraved vocal score which has been meticulously revised, corrected and adapted to meet current Bärenreiter standards. / Date parution : 2019-11-21/ Répertoire / Chant et Piano