This 16 pages book is composed of 5 illustrated scores (including music tracks). The story and the educational aspect of it should please both children and teens.For all ages.Moussa's inviting you into his story, in the ancient empire of Mandé, where dreams and reality meet... Let traditional malian rythms and musics carry you away. This book is perfect for children from their 6th month of playing the violin. / Chant Et Guitare

Par MOZART WOLFGANG AMADEUS. Due to numerous customer requests, Bärenreiter will be successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a lower-priced and slightly lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a musician's life. Our vocal score to 'Don Giovanni” K. 527 (BA 4550-93) is the first edition we have now published in a hardback version. The vocal score of this ingenious opera by Mozart contains the original Prague version of 1787, which, due to its musical and dramaturgical coherence, should unquestionably be preferred to any hybrid versions. The changes made for the Vienna performances of 1788 are included in the appendix. Based on the research findings published in 2003 in the Critical Commentary to the respective music volume of the 'New Mozart Edition” (Volume II/5/17), the highest musicological standards have been adhered to in this vocal score edition./ Répertoire / Chant et Piano

Arrangeur: Alfred Mann. Par HAENDEL GEORG FRIEDRICH. The best-known and most beloved large-scale musical work in the English-speaking world, Messiah was first performed in Dublin over 200 years ago to benefit local charities. Since that time, it has given millions of performers their primary experience in singing classical music. Today it is the supreme example of the English oratorio. A meditation on the life of Christ, the work is a brilliant amalgam of traditional Italian opera, English anthem, and German Passion. Reprinted from the authoritative edition prepared by noted musical scholar Alfred Mann, this inexpensive, full-score edition will be welcomed by students, musicians, singers, and music lovers who will want to study and savor every detail of this glorious masterpiece. Reprint of the Rutgers University Documents of Music, 1959, 1961, and 1965 editions. Handel's masterpiece Messiah, the most frequently performed of his choral works, composed in 1741. An inspiring sacred oratorio with spontaneous melodies, and bright orchestration from the first aria Every Valley Shall Be Exalted, to the thunderous final Amen chorus. Complete full score, edited by Alfred Mann./ Répertoire / Choeur

Monteverdi's opera 'L'Orfeo', based on the legend of Thracian singer Orpheus and his love of Eurydice, is a masterpiece of musical declamation and ornamentation. It was first performed during the 1607 carnevale in the 'Palazzo Ducale' in Mantua.When an edition remains true to its sources, this certainly does not mean that it is not also practical to use, as is demonstrated in this Bärenreiter edition of Monteverdi's 'L'Orfeo'. Edited by Rinaldo Alessandrini, the new publication follows the Bärenreiter edition of Monteverdi's 'Il ritorno d'Ulisse in patria'.Two contemporary prints of 'L'Orfeo' from the years 1609 and 1615 have been passed down to us. Four copies of each of these prints still survive today in public libraries. The later print includes many corrections to the earlier edition and was accordingly used as the primary source for this Bärenreiter edition. However, when solving musical problems the editor frequently follows the more coherent style of the earlier print. The numerous interesting variants, not only between the two editions but also amongst the eight surviving copies, are listed in the critical commentary.This edition of 'L'Orfeo' offers in addition to Monteverdi's somewhat sparse original figures also figures added to the bass line by the editor. The continuo player should, however, feel free to follow his own judgment. The notation has been, when necessary, adapted to suit modern practice, for example with regard to the clefs. The sections that were originally written in 'chiavetta' have been transposed a fifth lower. In the appendix these sections also appear in their original notation in facsimile as well as transposed a fourth lower.- Detailed introduction by the editor (Ital/Eng/Ger) on the work's genesis and performance practice- Comprehensive critical commentary (Eng) in the score- Idiomatic piano reductionEdition no.: BA 8793-90ISMN: 9790006533121Composer / Author: Monteverdi, ClaudioTitle: L'Orfeo Favola in musica in one prologue and five actsDetailed instrumentation: Soprano solo (7), Tenor solo (4), Bass solo (3), Mixed choir: SSATTB, Male choir: TTBBB, OrchestraLibrettist: Striggio, Alessandro (junior)Editor: Alessandrini, RinaldoForeword / Introduction: Alessandrini, RinaldoProduct format: Piano reduction, Urtext editionLanguage(s) of work: ItalianLanguage(s) of text: German, Italian, EnglishPublisher: BärenreiterBinding: PaperbackPrint run: 1st printing 2012Pages / Format: XIV, 143 S. - 27,0 x 19,0 cmWeight: 428 g

Par SCHOENBERG ARNOLD. Arnold Schönberg est la figure centrale du monde musical du XXe siècle. Sa signification musicale était déjà évidente pendant sa durée de vie, mais son influence à titre posthume a augmenté énormément. Son travail a ouvert la voie à révolutionnaire des changements dans la perception musicale. Cette édition complète aspire à être tout aussi indispensable pour la recherche, ainsi que pour la performance. L'édition est publiée en deux séries : série a en format folio contient des oeuvres tout rempli, toutes les partitions piano préparées par le compositeur lui-même et les oeuvres tout inachevées convenable pour la performance - également des fragments (gros scores) qui sont mieux adaptés pour être imprimées dans un tel format. Série B, au format in-quarto, contient des versions précoces, des croquis, des idées et des fragments ainsi que Genèse et un commentaire critique. / Date parution : 2007-06-28/ Répertoire / Chant et Orchestre

Edition no.: BA 5691-90ISMN: 9790006535439Volume / Series: Female ChoirArranger: Breuer, Heribert / Focke, MartinLanguage(s) of work: LatinLanguage(s) of text: German, EnglishProduct format: Piano reductionThe choral scene is in a state of change! On the one hand, more and more choirs are lacking in male voices, yet at the same time, more and more female choirs are looking for high-quality literature beyond folksong arrangements. Bärenreiter is responding to these general trends with the publication of arrangements for three-part female choir (SMA) of well-known, frequently-performed works.The first editions to be published are Wolfgang Amadeus Mozart?s ?Coronation Mass? K. 317 (BA 5691), a much-performed work within the standard repertoire and the ?Missa brevis in D major? K. 194 (BA 5690-90), a charming alternative for use in church services. With great skill and sensitivity to the music, Heribert Breuer has carefully retained the substance of the original works, at the same time giving them a completely new sound quality.- Arrangements for female choir (SMA) based on the Urtext of the ?New Mozart Edition?- Idiomatic piano reductionsThe arrangerHeribert Breuer was professor of choral conducting and music theory at the Berlin University of the Arts until 2010. He is founder and director of the Berlin Bach Akademie, and has made a name for himself with his numerous arrangements of works from Bach to Schubert.

Verdi, Giuseppe Messa da Requiem In this new scholarly-critical edition of the ?Messa da Requiem?, the editor, on the basis of all available sources, succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work. A hitherto unexamined handwritten reduction for voice and piano casts a new light on the evaluation of several known sources and leads to new philological and editorial decisions. This edition presents a detailed Critical Commentary as well as a preface on the genesis and history of the work. In addition the preface includes a short section on the most important editions published in the 19th century and compares them with regard to problematic passages in the work and the suggestions they made to solve musical problems. ? Verdi?s monumental work in a Bärenreiter Urtext edition ? Trilingual preface (Ital/Eng/Ger) ? Detailed Critical Commentary (Eng) ? Idiomatic well-presented piano reduction Edition no.: BA 7590-90 ISMN: 9790006541591 Editor: Uvietta, Marco Arranger: Campora, Andrea Language(s) of text: German, English Product format: Piano reduction, Urtext edition Binding: Paperback Pages / Format: X, 154 S. - 27,0 x 19,0 cm

Le septième des onze hymnes Chandos de Haendel, écrit en 1717, l'année ou il fut rattaché en tant que compositeur permanent à James Brydges,comte de Carnarvon et futur Duc de Chandos. Une oeuvre intéressante qui tire des premières oeuvres de Haendel. Ecrit pour soli SATB, Choeur SATB et orchestre, cette version contient toutes les parties vocales et une réduction pour piano de la partition orchestrale. Edité par Damien Cranmer. / Chant Et Piano / Partition

Partitions pour solistes soprano et alto, SATB choeur et orchestre.Edité par Jasmin Cameron / Chant Et Piano / Partition

Un hymne composé pour la célébration de la paix à Aix-la-Chapelle, joué pour la premiere fois en la Chapelle Royale le 25 avril 1749 pendant un service où le roi et d'autres membres de la famille royale étaient présents. Ecrit pour soli SAA (ou SAATB), Choeurs SATB et orchestre, cette partition vocale contient une réduction pour piano de la partition orchestrale. Edité par Donald Burrows. / Chant Et Piano / Partition

Vocal score based on the critical edition of the orchestral score edited by Paolo Fabbri, 2 volumes. Donizetti's Anna Bolena premiered at Milano's Teatro Carcano during Carnival season 1830-31 is considered the composer's first major success in serious opera, which brought him to the attention of all Europe. In terms of production, in Italy he was an anomaly, in that he remained actively involved in the evolution of his works and the performances of them, and went on making modifications to those works. Written expressly for the interpretative and vocal talents of great singers like Giuditta Pasta and Giovan Battista Rubini, the historically-based 'lyrical tragedy? by librettist Felice Romani is a classic of Lombard Romanticism. The present reduction for voice and piano derives from the critical edition of the score, recently published in this catalog: is based on the autograph score, (housed in the Ricordi Archives in Milan), on the libretto for the premiere, on the first vocal scores printed editions (Lucca and Ricordi in Milan and Marquerie Frères in Paris) and additional manuscript scores with autograph additional notes (housed in Naples and Rome). This edition presents for the first time all the music composed by Donizetti, in particular the sections crossed out or replaced either immediately before or after the first performances. There is also a synthetic reconstruction of the birth of Anna Bolena, with a description of sources and a selection of the Critical Notes from the full score edition. / Voix Et Piano

Herrscher des Himmels, erhöre das Lallen - BWV 248 III, BWV3 248.3. Par BACH JOHANN SEBASTIAN. The Christmas Oratorio with just organ instead of orchestral accompaniment' Can this work with such a festive and colorfully orchestrated piece' This arrangement shows that it can, and surprisingly well!Carsten Klomp has carefully transcribed the orchestral writing for organ. Staying close to the original score goes hand-in-hand with a transcription brilliantly suited to the organ, with full use of the tonal and performing possibilities of the instrument.The first three parts of the Christmas Oratorio are now available from Carus in this form. So for the first time, a complete performance of Parts I?III of the work can now be given in an arrangement for soloists, choir and organ.Each of the organ parts is available to match the scores. These allow for optimal page-turns, as the choral parts are not printed, but the da capo sections are always written out in full.The editions are available individually or as a set (including the three scores with the individual organ parts).The vocal parts (for soloists and choir) are identical to the original version, so that the vocal score and choral score of that version can be used.This work (original version) is also available in carus music, the choir app! / Date parution : 2022-10-12/ Répertoire / Solistes, SATB et Orgue

Opera seria in two acts - Urtext Edition - Couverture Rigide. Par MOZART WOLFGANG AMADEUS. Due to numerous customer requests, Bärenreiter will be successively offering vocal scores to major Mozart operas in hardback editions again. This means you now have the choice: perhaps you prefer a lower-priced and slightly lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a musician’s life. The vocal score to Mozart’s „La clemenza di Tito“ is available in this hardcover edition as well as in a soft-cover edition (BA 4554-90). This means that you have the choice: perhaps you prefer a lower-priced and slightly lighter soft-cover edition with excellent lay-flat characteristics or you feel that sturdier hardcover editions of important repertoire works are more likely to survive the rigours of a musician’s life. Mozart’s last two operas, „The Magic Flute“ and „La clemenza di Tito“, are not only remarkable for their outstanding quality but also for the astonishingly short period of time Mozart needed to write them: From the first sketches and drafts to the completed scores Mozart put on paper approximately 800 pages of music between April and September of 1791, a six month period./ Répertoire / Chant et Piano

Par MENDELSSOHN-BARTHOLDY FELIX. Felix Mendelssohn’s oratorio Elijah caused a sensation at its world première performance, sung in English, in Birmingham UK in August 1846. The huge forces marshalled for the occasion delighted the audience, who demanded no fewer than eight encores and loudly acclaimed the composer despite an injunction to observe the solemnity of the occasion by refraining from applause. Elijah has been an essential repertoire work for choral societies ever since. Published on the 175th anniversary of that famous premiere, Edition Peters is proud to present a new English-language Urtext edition of the vocal score containing the original libretto by William Bartholomew. Edited and with a preface by the highly respected musicologist Klaus Burmeister, the edition also includes a foreword ‘Mendelssohn and Birmingham’ by Simon Halsey, one of the world’s foremost choral directors (Chorus Director City of Birmingham Symphony Orchestra Choruses; Artistic Director, Orfeó Català Choirs and Artistic Adviser, Palau de la Música, Barcelona; Choral Director, London Symphony Orchestra and Chorus; Artistic Director, Berliner Philharmoniker ‘Vokalhelden’ Programme). The edition complements and is designed to be used in conjunction with the existing German/English full score (EP11345) and orchestral parts. An associated German language vocal score is also available (EP11347). Edition Peters Vocal Scores are the choice of the world’s leading choirs and chorus masters. They are practical, reliable, high-quality editions containing expert piano reductions. / Date parution : 2022-07-20/ Répertoire / Solistes, Choeur et Orchestre