Composed by Gabriel
Musella. SWS. Full score.
With Standard notation.
40 pages. Carl Fischer
Music #SPS60F. Published
by Carl Fischer Music
(CF.SPS60F).
ISBN
9781491141069. UPC:
680160629121. 9 x 12
inches.
Choral SATB choir, piano SKU: PR.312419280 From Terra Nostra. Comp...(+)
Choral SATB choir, piano
SKU: PR.312419280
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 12
pages. Duration 5:30.
Theodore Presser Company
#312-41928. Published by
Theodore Presser Company
(PR.312419280).
ISBN
9781491137925. UPC:
680160692613.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Fanfare Band - Grade 3 SKU: BT.DHP-1104944-020 Composed by Jacob De Haan....(+)
Fanfare Band - Grade 3
SKU:
BT.DHP-1104944-020
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2010. De
Haske Publications #DHP
1104944-020. Published by
De Haske Publications
(BT.DHP-1104944-020).
9x12
inches.
’
t Ministerie van
Fanfare is een
interessant hersenspinsel
van Jacob de Haan dat hij
omzette in muziek: hoe
zou het zijn, als we een
ministerie van
blaasmuziek hadden? Met
als taak de promotie en
de verspreiding van
muziekin het land?
Zo’n ministerie
zou het land een echt
groepsgevoel kunnen geven
en de burgers amusement,
kracht, trots en geluk
brengen. Al deze aspecten
komen terug in deze
compositie van Jacob de
Haan. Een compositie
waarin het volkjubelt
over het geluk dat hen
ten deel is gevallen door
de inspanningen van het
ministerie!
High Flight Chorale SATB SATB, Piano Theodore Presser Co.
Choral SATB Choir and Piano SKU: PR.312419020 From Terra Nostra. C...(+)
Choral SATB Choir and
Piano
SKU:
PR.312419020
From
Terra Nostra.
Composed by Stacy Garrop.
Sws. Performance Score.
12 pages. Duration 3:15.
Theodore Presser Company
#312-41902. Published by
Theodore Presser Company
(PR.312419020).
ISBN
9781491131862. UPC:
680160680474. 6.875 x
10.5 inches.
English.
Commission
ed by the San Francisco
Choral Society and the
Piedmont East Bay
Children’s Choir,
Terra Nostra is a
70-minute oratorio on the
relationship between our
planet and humankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. Part
I: Creation of the World
explores various creation
myths from different
cultures, culminating in
a joyous celebration of
the beauty of our planet.
Part II: The Rise of
Humanity examines human
achievements,
particularly since the
dawn of our Industrial
Age, and how these
achievements have
impacted the planet. Part
III: Searching for
Balance questions how to
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. In addition to
the complete oratorio,
stand-alone movements for
mixed chorus, and for
solo voice with piano,
are also available
separately. Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s
World†by Edna St.
Vincent Millay, which
describes the world in
exuberant and vivid
detail. Percy Bysshe
Shelley’s
“On thine own
child†praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O
voluptuous cool-breathed
earth!†Part I ends
with “A Blade of
Grass†in which
Whitman muses how our
planet has been spinning
in the heavens for a very
long time.Part II: The
Rise of Humanity examines
the achievements of
mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley
Hall†sets an
auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s
“Railways
1846,†William
Ernest Henley’s
“A Song of
Speed,†and John
Gillespie Magee,
Jr.’s “High
Flight,†each of
which celebrates a new
milestone in
technological
achievement. In
“Binsey
Poplars,†Gerard
Manley Hopkins takes note
of the effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A
Dirge†concludes
Part II with a warning
that the planet is
beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s
plight, re-establish a
deeper connection to it,
and find a balance for
living within our
planet’s
resources. Three texts
continue the
earth’s plea that
ended the previous
section: Lord
Byron’s
“Darknessâ€
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s
“Earth
Screaming†gives
voice to the modern
issues of our changing
climate; and William
Wordsworth’s
“The World Is Too
Much With Us†warns
us that we are almost out
of time to change our
course.
Contemporary/agrarian
poet Wendell
Berry’s “The
Want of Peaceâ€
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts
(“A Child said,
What is the grass?â€
and “There was a
child went forth every
dayâ€) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s
“A Blade of
Grass†from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states,
“I bequeath myself
to the dirt to grow from
the grass I
love…â€My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?
Surfin' Dolphin Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Forton Music
Concert Band - Intermediate SKU: FT.FM502 Composed by John Hulaton. Arran...(+)
Concert Band -
Intermediate
SKU:
FT.FM502
Composed by
John Hulaton. Arranged by
Kevin Riley. Concert
Band. Score and parts.
Forton Music #FM502.
Published by Forton Music
(FT.FM502).
ISBN
9790570484010.
Surf
in' Dolphin was inspired
by the amazing and
humorous antics of
dolphins and their human
fans at an amusement
park. This clever
arrangement captures not
only the excitement and
fun that only dolphins
can generate, but also
the joy and laughter of
all who are lucky enough
to watch them.
Chorus with inst. (choir: SATB - org - glsp or trg(ad lib) - str(without va)) (+)
Chorus with inst. (choir:
SATB - org - glsp or
trg(ad lib) - str(without
va))
SKU:
BR.CHB-3566-02
Pastorella.
Composed by Jiri Ignaz
Linek. Edited by Diethard
Hellmann. Choir; stapled.
Chor-Bibliothek (Choral
Library). Baroque period.
Choral score. 4 pages.
Duration 4'. Breitkopf
and Haertel #ChB 3566-02.
Published by Breitkopf
and Haertel
(BR.CHB-3566-02).
ISBN
9790004404942. 7.5 x 10.5
inches.
Die
Veroffentlichung der
Weihnachts-Pastorella
erfolgt nach den alten
Stimmen, die das
Nationalmuseum in Prag
unter der Signatur XII A
148 aufbewahrt.Der
Bibliothek sei an dieser
Stelle fur die
Anfertigung der
Photokopien herzlichst
Dank gesagt. Der
Originaltext ist in
tschechischer Sprache
abgefasst, dessen Anfang
lautet ,,Narodil se
Kristus Pan; das alte,
tschechische
Weihnachtslied gleichen
Textanfangs ist in der
Komposition verarbeitet.
In Deutschland ist dieser
Weihnachtsgesang mit dem
Text ,,Freu dich, Erd und
Sternenzelt bekannt und
weit verbreitet.Die
wortliche Ubersetzung,
die der gereimten Version
dieser Ausgabe als
Unterlage diente,
erstellte
dankenswerterweise Herr
Peter Geeringer,
Frankfurt/Main; sie hat
folgenden
Wortlaut:,,Christus, der
Herr, ist geboren, freut
euch, der Rose ist eine
Blute entsprossen, freut
euch. Eia, also freuen
wir uns alle miteinander,
durch Christi Geburt
werden wir alle
getrostet. Freuen wir
uns, feiern wir diesen
Geburtstag, lasst uns
wohlklingende Musik
machen! - Michel, wo hast
du deinen Dudelsack?
Saume nicht, geh ihn
holen! lgnaz, sei auch
bereit, hole schnell den
Dudelsack! Ruft gleich
den Tobias, er soll nicht
zaudern und sein
Instrument nehmen und
sogleich mit euch kommen!
Michel, lgnaz und Tobias,
seid ihr da? - Christus,
der Herr, ist geboren,
freut euch, der Rose ist
eine Blute entsprossen,
freut euch. Eia, also
freuen wir uns alle
miteinander, lasst uns
zusammen zur Krippe
gehen, lasst uns diesen
Geburtstag feiern, auf
dem Dudelsack lasst uns
spielen! Dem kleinen
Jesulein erweisen wir
Ehre, Lob und Preis.Die
vorliegende
Veroffentlichung teilt
die Lesart der alten
Stimmen mit. Zusatzliche,
analoge Bogensetzungen
sind durch Strichelungen,
originale Angaben zur
Dynamik durch
Ausschreibung als solche
kenntlich gemacht.
Voice & Piano SKU: ST.LS18 Edited by David Greer. Vocal music. Edited by ...(+)
Voice & Piano
SKU:
ST.LS18
Edited by
David Greer. Vocal music.
Edited by David Greer. No
Lute Tablature is
printed. Vocal score.
Stainer & Bell Ltd.
#LS18. Published by
Stainer & Bell Ltd.
(ST.LS18).
ISBN
9790220215193.
CONT
ENTS
ANONYMOUS As at noon
Dulcina rested (E -
G) Go now, my soul,
to thy desired rest (C -
D) How now, shepherd,
what means that? (E -
E) If I freely may
discover (C - C) If I
seek t'enjoy the fruits
(D - D) I prithee
leave, love me no more (G
- A) Music, thou soul
of heav'n (D - D)
Shall I weep, or shall I
sing? (D - D) Sweet
Muses, nurses of delights
(C - C) Sweet, stay
awhile! (F sharp - G)
Solo Piano SKU: AP.36-M381591 Composed by Cecile Chaminade. Performance M...(+)
Solo Piano
SKU:
AP.36-M381591
Composed by Cecile
Chaminade. Performance
Music Ensemble; Solo
Piano. Ludwig Masters.
Score and Part(s).
LudwigMasters
Publications #36-M381591.
Published by
LudwigMasters
Publications
(AP.36-M381591).
UPC:
660355172717.
English.
With
evolving colors and
quickly shifting moods,
Cecile Chaminade's
"Etude
Humoristique" is
certain to amuse
audiences, as the title
implies. With technically
challenging passages and
a folk dance-esque B
section, this piece would
be a perfect opening for
a recital.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Patsy Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0870080-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3
SKU:
BT.DHP-0870080-015
Composed by Dizzy
Stratford. Applause
Series. Set (Score &
Parts). Composed 1987. De
Haske Publications #DHP
0870080-015. Published by
De Haske Publications
(BT.DHP-0870080-015).
Dizzy
Stratford’s name
has become synonymous
with concert band music
of the highest quality.
Stratford’s
characteristically
simple, accessible
harmonies and zesty
melodies guarantee
exciting musical
entertainment. Patsy is
no exception and also
provides ample
opportunity to feature
individual sections or
soloists.
Dizzy
Stratford? Dat staat
gelijk aan originele
amusementsmuziek voor
blaasorkest van grote
kwaliteit! De typische,
eenvoudige en goed in het
gehoor liggende
harmonieën en de
swingende melodieën
staan garant voor succes.
Met Patsyhebt u bovendien
de mogelijkheid om
bepaalde registers en
solisten in een
aantrekkelijk wisselspel
voor het voetlicht te
plaatsen.
Der Name
Dizzy Stratford steht
für originale
unterhaltsame
Blasorchesterkompositione
n von hoher Qualität.
Stratfords typische
einfache, eingängige
Harmonik und schwungvolle
Melodien sind Garant
für erfolgreiche
Unterhaltungsmusikkonzert
e. Mit Patsy haben Sie
zudem die Möglichkeit,
einzelne Register und
Solisten in einem
reizvollen Wechselspiel
zu präsentieren.
Dizzy Stratford
è sinonimo di alta
qualit nel campo della
musica da
intrattenimento. Le
armonie semplici
accompagnate da
accattivanti melodie,
garantiscono il successo
del vostro concerto.
Patsy offre la possibilit
di presentare vari
registri e solisti
dell’orchestra.
Diamond Concerto Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Anglo Music
Concert Band/Harmonie and Euphonium Solo - Grade 5 SKU: BT.AMP-354-010 (+)
Concert Band/Harmonie and
Euphonium Solo - Grade 5
SKU:
BT.AMP-354-010
Euphonium Concerto No.
3. Composed by Philip
Sparke. Elite Series. Set
(Score & Parts). Composed
2012. Anglo Music Press
#AMP 354-010. Published
by Anglo Music Press
(BT.AMP-354-010).
9x12
inches.
English-German-French-Dut
ch.
Diamond
Concerto was
commissioned by
Musikverein Mörschied
from Germany - Dr. Eric
Grandjean, conductor -
for a special concert
featuring Steven Mead as
guest soloist. Together
they gave the world
premiere on 28th April
2012 in the town theatre
of Idar-Oberstein.The
commission is a highlight
in the 30-year friendship
between composer and
soloist, which has
included many mutual CD
projects and concerts
and, now, a concerto.
Sparke had Steven
Mead’s special
euphonium sound in his
head throughout the
composition process and
made free use of the
variety of styles which
the world-renowned
virtuoso has made his own
during his highly
successful solo
career.The village
ofMörschied lies to
the west of Frankfurt am
Main in the area known as
the German Road of
Precious Stones, which is
famous for its thriving
gem industry. Because of
this it was decided to
give the commission a
local connection by
choosing the title,
Diamond Concerto.
Each of the three
movements is named after
a famous diamond:1 EARTH
STARis rather stern in
mood, opening with a free
fantasy for the soloist
over a static chord from
the band. This leads to
an Allegro Moderato in
minor mode where small
motives are gradually
repeated and developed by
both band and soloist.2
OCEAN DREAMuses a varied
quote from the
composer’s
Music for Battle
Creek, including a
melting slow melody that
was originally written
with Steven Mead in
mind.3 BLUE HEARTwas
written, at Steven
Mead’s suggestion,
in bebop style and takes
the form of a jazz waltz.
The quasi-improvisatory
central section features
a call-and-response
passage for the soloist
and upper
woodwinds.Soloist:
Difficulty 6Diamond
Concerto is available
for euphonium and piano
(AMP 374-401) as well as
for euphonium and brass
band (AMP 354-030).
Diamond
Concerto is
geschreven in opdracht
van de Duitse Musikverein
Mörschied - met
dirigent Eric Grandjean -
voor een speciaal concert
met Steven Mead als
gastsolist. De
wereldpremière vond
plaats op 28 april 2012
in het Stadttheater van
Idar-Oberstein.De
opdracht vormt een
hoogtepunt in de dertig
jaar lange vriendschap
van de componist en de
solist - waarin ze aan
vele gezamenlijke
cd-projecten en concerten
werkten. En nu is er dan
dit concert. Sparke heeft
het gecomponeerd met
Steven Meads geheel eigen
euphoniumklank in het
achterhoofd. Hij paste
daarbij de diverse
stijlen toe die de
wereldberoemde virtuoos
zich heeft eigen gemaakt
tijdens zijn
succesvollesolocarrièr
e.Het plaatsje
Mörschied ligt ten
westen van Frankfurt am
Main, in het gebied dat
bekendstaat als de
Deutsche
Edelsteinstrasse. Het is
beroemd vanwege zijn
bloeiende
edelstenenindustrie. Om
het werk een lokaal
tintje te geven is een
toepasselijke titel
gekozen: Diamond
Concerto. Elk van de
drie delen is genoemd
naar een beroemde
edelsteen:1 EARTH STARDit
deel is tamelijk sober
van sfeer. Het opent met
een vrije fantasie van de
solist over een statisch
akkoord in het orkest.
Dan volgt een allegro
moderato in mineur, met
kleine motieven die
geleidelijk worden
herhaald en uitgewerkt
door zowel het orkest als
de solist.2 OCEAN
DREAMHierin wordt een
citaat van
Sparke’s werk
Music for Battle
Creek naar voren
gebracht, met een
vloeiende, langzame
melodie die van oorsprong
werd geschreven met het
spel van Steven Mead in
gedachten.3 BLUE
HEARTNaar een suggestie
van Steven Mead zelf is
dit deel geschreven in
bebopstijl. Het neemt de
vorm aan van een
jazzwals. De
quasi-improvisatorische
centrale passage omvat
een vraag-en-antwoordspel
voor de solist en het
hoge hout.Solo:
moeilijkheidsgraad
6Diamond
Concertois eveneens
verkrijgbaar voor
euphonium en piano (AMP
374-401) en voor
euphonium en brass band
(AMP 354-030).
Geschrieben
für den Musikverein
Mörschied, westlich
von Frankfurt am Main an
der Deutschen
Edelsteinstraße
gelegen, wurde jeder der
drei Sätze von
Diamond Concerto
nach einem berühmten
Diamanten benannt: 1
EARTH STAR ist eher
stimmungstechnisch ein
Stern. Der Satz beginnt
mit einer freien Fantasie
des Solisten über
einem statischen Akkord
des Orchesters. Dieses
führt zu einem Allegro
Moderato in Moll, in
welchem kurze Motive von
sowohl Orchester als auch
Solist nach und nach
wiederholt und entwickelt
werden.2 OCEAN DREAM
verwendet ein variiertes
Zitat aus Music for
Battle Creek von
Philip Sparke, das ein
schmelzende Melodie
enthält, die schon im
Gedanken an
Stevengeschrieben worden
war.3 BLUE HEART wurde
auf Steven Meads Anregung
hin im Bebop-Stil
komponiert und weist die
Form eines Jazz Waltz
auf. Der
quasi-improvisatorische
Mittelteil enthält
eine Passage im
Call-and-Response-Muster,
die sich zwischen Solist
und den hohen
Holzbläsern
abspielt.Solist:
Schwierigkeitsgrad
6Diamond Concerto
ist für Euphonium und
Klavier erhältlich
(AMP 374-401) sowie
für Euphonium und
Brass Band (AMP 354-030).
This Is It Orchestre d'harmonie [Conducteur] - Facile Music Sales
Concert Band/Harmonie - Grade 3 SKU: BT.1919-12-140-MS Composed by Michae...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.1919-12-140-MS
Composed by Michael
Jackson and Paul Anka.
Arranged by Hideaki
Miura. Pop & Rock. Score
Only. Composed 2012. 20
pages. Music Sales
#1919-12-140 MS.
Published by Music Sales
(BT.1919-12-140-MS).
9x12 inches.
English.
This Is
It is the title track
from the film of the same
name that first appeared
after the death of
Michael Jackson. The
title, that should have
represented the climax of
a great career, has now
taken on a second,
unintentionally sadder
meaning. In a brand new
arrangement for wind
orchestra by Hideaki
Miura, the last hit of
the ‘King of
Pop’ is a must for
your entertaining
repertoire!
This Is It
is de titelsong van de
gelijknamige film die pas
na de dood van Michael
Jackson werd uitgebracht.
De titel was eigenlijk
bedoeld als afsluiting
van een grootse
carrière van de grote
Michael Jackson.
Onbedoeld heeft het door
zijn vroegtijdige dood
een treurige bijbetekenis
gekregen. De laatste hit
van de King of Pop geven
wij nu uit in een
gloednieuwe bewerking
voor orkest. Een
must-have voor op uw
amusementsrepertoire!
This Is It
ist das Titellied zum
gleichnamigen Film, der
erst nach dem Tod von
Michael Jackson
veröffentlicht wurde.
Der Titel Das
war’s“, der
eigentlich den Abschluss
einer großartigen
Karriere markieren
sollte, hat nun ungewollt
eine zweite, traurige
Bedeutung bekommen. Der
letzte Hit des King of
Pop“ für
Blasorchester von Hideaki
Miura ist ein Muss
für Ihr
unterhaltsames
Repertoire!
This Is It
è il titolo della
canzone che accompagna
l’omonimo
documentario del 2009, in
gran parte realizzato
utilizzando il materiale
girato da Michael Jackson
nei giorni immediatamente
precedenti il suo
decesso, mentre preparava
le coreografie per il
tour. Un titolo, che dopo
la tragica morte del
grande artista, suonò
come una premonizione.
L’arrangiamento di
Hideaki Miura è un
must del repertorio di
musica da
intrattenimento.
ISBN
9790006558131. 33.5 x
25.5 cm inches. Text
Language: French.
Preface: Sylvie Bouissou.
Text: Louis
Fuzelier.
The main
body of the new edition
of Les Indes galantes,
published in Opera Omnia
Rameau (OOR IV.2, 7),
restores the version
authorised by Rameau in
1736. This basic
editorial decision has
made it possible to
present a fully coherent
and authenticated reading
of the work (after the
adjustments from the
earliest performances).
All other versions before
and after 1736 are
gathered together in 19
complements.
Sylvi
e Bouissou's new edition
differs markedly from
previous modern editions
and all existing
recordings. With its
complements she does
justice to the
performer's need for
Rameau's various
revisions while finally
making accessible a
version actually
authorised by Rameau. For
the first time it is
presented in its complete
stylistic and dramatic
context.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Concert Band/Harmonie - Grade 3.5 SKU: BT.DHP-1165716-140 As performed...(+)
Concert Band/Harmonie -
Grade 3.5
SKU:
BT.DHP-1165716-140
As performed by The
Police. Composed by
Sting. Arranged by
Richard Johnsen. DHP Pop,
Film and Show. Pop &
Rock. Score Only.
Composed 2016. De Haske
Publications #DHP
1165716-140. Published by
De Haske Publications
(BT.DHP-1165716-140).
The Police was
one of the most prominent
bands during the
80’s, dominating
the charts with numerous
hits. The Norwegian
Richard Johnsen has been
around the block as an
arranger in the pop and
jazz band genre and is
well known for making
colourful orchestrations
and arrangements that
stay very close to the
original song. Enjoy one
of the biggest hits from
The Police - Every
Little Thing She Does Is
Magic!
The
Police was een van de
belangrijkste bands van
de jaren tachtig; de
groep domineerde de
hitlijsten met talloze
nummers. De Noorse
arrangeur Richard
Johnsen, die al een
tijdje actief is in het
pop- en jazzgenre, staat
bekend om zijn kleurrijke
instrumentaties en
arrangementen die dicht
bij de originele song
blijven. Dat wordt
genieten geblazen met een
van de grootste hits van
The Police: Every
Little Thing She Does Is
Magic!
The
Police war eine der
erfolgreichsten Bands in
den 1980er-Jahren, die
die Charts mit
zahlreichen Hits
eroberte. Der Norweger
Richard Johnson ist als
Arrangeur im Bereich der
Pop- und Jazzmusik
bekannt für seine
lebendigen
Orchestrierungen und
Arrangements, die sehr
nah am Original bleiben.
Genießen Sie einen der
größten Hits von
The Police: Every
Little Thing She Does Is
Magic!
I
Police sono stati una
delle band più
importanti degli anni
’80 e hanno
dominato le classifiche
con numerose hit. Richard
Johnsen è un
arrangiatore norvegese
che ha all’attivo
numerose collaborazioni
nel panorama musicale pop
e jazz ed è
particolarmente
apprezzato per le sue
orchestrazioni ricche di
colore e per gli
arrangiamenti
particolarmente fedeli
all’originale.
Godetevi quindi una delle
più grandi hit dei
Police: Every Little
Thing She Does Is
Magic!
By Gabe Musella. For Full Orchestra (Flute 1 & 2, Oboe, Clarinet in Bb 1 & 2, Ba...(+)
By Gabe Musella. For Full
Orchestra (Flute 1 & 2,
Oboe, Clarinet in Bb 1 &
2, Bass Clarinet,
Bassoon, Alto Saxophone
(optional), Horn in F,
Trumpet in C 1 & 2,
Trombone 1 & 2, Tuba,
Glockenspiel, Vibraphone,
Percussion (Suspended
Cymbal, 2 Triangles),
Piano, Violin I, Violin
II, Viola, Violo).
Orchestra Music. Score
and parts. Duration 4:20.
Published by C. Alan
Publications
ISBN
9790006567560. 33 x 24.3
cm inches. Text: Duplat
de Monticourt,
Pierre-Jacques.
Thi
s edition unites all the
purely instrumental parts
of Rameau’s
comdie-ballet “Les
Paladins†for
performance as a suite in
the concert
hall.
In view of
the wealth of the
work’s musical
treasures and the
stylistic innovations
– similar to the
“Boradesâ€
– the rather
frosty reception of the
premiere series in the
spring of 1760 seems
completely
incomprehensible to us
today. It led to this
stage work not being
performed again until
well into the 20th
century. The story that
the comdie-ballet tells
is based on a fable by La
Fontaine, “Le Petit
chien qui secoue de
l’argent et des
pierreries†(i.e.
“The little dog who
shakes silver and
stonesâ€). In
medieval Veneto, the
guardian Anselme
undermines the love
affairs of his ward
Argies. Scenes of tragic
expression are contrasted
with folk-comic ones; and
last but not least, the
sexually ambiguous fairy
Manto may have caused
difficulties for the bold
work at the Paris
Opra.
This
critical edition is based
on the corresponding
volume issued in the
series “Opera omnia
Rameau†(BA
8870-01). Since
“Les
Paladins†remained
unpublished during
Rameau’s lifetime
and was also not included
in the “Œuvres
complètesâ€, this
is the first edition of
the work. It satisfies
both scholarly demand and
the practical needs of
musicians.
The
orchestral parts are
available on
hire.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding