| 300 Sacred Songs Piano, Voix et Guitare [Fake Book] - Facile Creative Concepts
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Sacred. 182 pages.
9x12 inches. Published by
Creative Concepts
(3)$16.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.41641576L For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.41641576L For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Peter
Schickele. Large Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576L. Published by
Theodore Presser Company
(PR.41641576L). UPC:
680160636549. 11 x 17
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $80.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Starters for Clarinet Clarinette et Piano - Facile ABRSM Publishing
By LEWIN. For clarinet, piano. Published by ABRSM (Associated Board of the Royal...(+)
By LEWIN. For clarinet,
piano. Published by ABRSM
(Associated Board of the
Royal Schools of Music).
$15.99 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 250 Rock'n'roll All Hits Music Sales
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| 150 American Folk Songs Voix seule [Partition] Boosey and Hawkes
To Sing, Read and Play. By Katalin Komlos. Arranged by Peter Erdei. (JOS Elemen...(+)
To Sing, Read and Play.
By Katalin Komlos.
Arranged by Peter Erdei.
(JOS Elementary Edition).
Boosey and Hawkes Kodaly.
Softcover. Size 7x10.5
inches. 136 pages.
Published by Boosey and
Hawkes.
(1)$23.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ladies of Song Piano, Voix et Guitare [Partition] Hal Leonard
(Inspiring Ballads and Romantic Standards Sung by Great Female Vocalists). By Va...(+)
(Inspiring Ballads and
Romantic Standards Sung
by Great Female
Vocalists). By Various.
Piano/Vocal/Guitar
Songbook. Softcover. 312
pages. Published by Hal
Leonard
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| Showboat (Karaoke CD) Karaoke CD [Karaoke CDG] Pocket Songs
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| Ol' Man River (from ShowBoat) Piano, Voix [Feuillet] Hal Leonard
By Oscar Hammerstein, Jerome Kern. Vocal. Size 9x12 inches. 6 pages. Published b...(+)
By Oscar Hammerstein,
Jerome Kern. Vocal. Size
9x12 inches. 6 pages.
Published by Hal Leonard.
(1)$3.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Greater Acoustic Guitar White Pages Guitare notes et tablatures [Partition] - Intermédiaire Warner Brothers
Edited by Aaron Stang. Fretted instrument mixed folio (guitar). Published by Wa...(+)
Edited by Aaron Stang.
Fretted instrument mixed
folio (guitar). Published
by Warner Brothers.
(4)$19.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Broadway Hits for Dummies Piano, Voix et Guitare Hal Leonard
Learning Made Easy. Composed by Various. Edited by Adam Perlmutter and J. Mark...(+)
Learning Made Easy.
Composed
by Various. Edited by
Adam
Perlmutter and J. Mark
Baker.
Piano/Vocal/Guitar
Songbook.
Broadway. Softcover. 296
pages. Published by Hal
Leonard
$19.99 - Voir plus => AcheterDélais: 3 to 5 business days | | |
| Pop Goes the Cello Violoncelle - Intermédiaire Oxford University Press
Composed by Aaron Minsky. For solo cello. Published by Oxford University Pre...(+)
Composed by Aaron Minsky.
For
solo cello. Published by
Oxford University Press
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| Showboat, Choral Selections from Chorale SATB SATB, Piano Hal Leonard
(SATB). Broadway Choral. Size 6.75x10.5 inches. 48 pages. Published by Hal Leona...(+)
(SATB). Broadway Choral.
Size 6.75x10.5 inches. 48
pages. Published by Hal
Leonard.
(1)$2.95 $2.8025 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Ol' Man River (from ShowBoat) Hal Leonard
Composed by Jerome Kern and Oscar Hammerstein. For Vocal. Vocal Solo. 6 pages. P...(+)
Composed by Jerome Kern
and Oscar Hammerstein.
For Vocal. Vocal Solo. 6
pages. Published by Hal
Leonard
$3.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Disney Fake Book - 4th Edition Ligne De Mélodie, Paroles et Accords [Fake Book] Hal Leonard
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| The Showboat Came To Town Chorale TTBB TTBB A Cappella [Octavo] Bourne Music Co.
Arranged by Hicks. Barbershop Quartets for Men. A cappella. Choral Music. Barber...(+)
Arranged by Hicks.
Barbershop Quartets for
Men. A cappella. Choral
Music. Barbershop. Octavo
$1.40 $1.33 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Ol' Man River Chorale TTBB TTBB Hal Leonard
(from Showboat). Arranged by Russell L. Robinson. (TTBB). Broadway Choral. Size...(+)
(from Showboat). Arranged
by Russell L. Robinson.
(TTBB). Broadway Choral.
Size 6.75x10.5 inches. 12
pages. Published by Hal
Leonard.
$2.25 $2.1375 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| The Showboat Came To Town Chorale SSAA SSAA A Cappella [Octavo] Bourne Music Co.
By Hicks. Barbershop Quartets for Women (SSAA). For SSAA Voices (a cappella). Ch...(+)
By Hicks. Barbershop
Quartets for Women
(SSAA). For SSAA Voices
(a cappella). Choral
Music. Barbershop. Octavo
$1.70 $1.615 (- 5%) Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Piano Adventures - Performance Book (Level 1)
Piano seul [Partition] - Débutant Faber Music Limited
(A Basic Piano Method) Written by Nancy Faber, Randall Faber. For piano. Format:...(+)
(A Basic Piano Method)
Written by Nancy Faber,
Randall Faber. For piano.
Format: piano solo
songbook. With
introductory text, easy
piano notation,
fingerings, lyrics (on
some songs), harmony part
(for the teacher) and
illustrations. Solos. 32
pages. 9x12 inches.
Published by The FJH
Music Company Inc.
$8.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
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