Blessing Wind Orchestre d'harmonie - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.50869 Composed by Yukiko Nishimura. Concer...(+)
Concert Band - Grade 2
SKU: AP.50869
Composed by Yukiko
Nishimura. Concert Band;
Performance Music
Ensemble; Single Titles.
Developing Band Series.
Form: Chorale. Score and
Part(s). Duration 2:50.
Alfred Music #00-50869.
Published by Alfred Music
(AP.50869).
ISBN
9781470666804. UPC:
038081585413.
English.
This
stunningly beautiful
lyrical work provides a
peaceful moment in our
complex and complicated
lives. With gorgeous
melodic lines and perfect
harmonic progressions,
your students will fall
in love with Blessing
Wind. There are many
teachable moments, and it
is the perfect level for
young band. Everyone
struggles with burdens
from time to time. We
need hope in our
complicated lives. This
piece provides a peaceful
moment, calming the storm
that sometimes surrounds
you while sharing in the
beauty of music. May you
grow to be the person you
hope to be, following
your true spirit.
(2:50).
Blessing Wind Orchestre d'harmonie [Conducteur] - Facile Alfred Publishing
Concert Band - Grade 2 SKU: AP.50869S Composed by Yukiko Nishimura. Conce...(+)
Concert Band - Grade 2
SKU: AP.50869S
Composed by Yukiko
Nishimura. Concert Band;
Performance Music
Ensemble; Single Titles.
Developing Band Series.
Form: Chorale. Score.
Duration 2:50. Alfred
Music #00-50869S.
Published by Alfred Music
(AP.50869S).
ISBN
9781470666811. UPC:
038081585420.
English.
This
stunningly beautiful
lyrical work provides a
peaceful moment in our
complex and complicated
lives. With gorgeous
melodic lines and perfect
harmonic progressions,
your students will fall
in love with Blessing
Wind. There are many
teachable moments, and it
is the perfect level for
young band. Everyone
struggles with burdens
from time to time. We
need hope in our
complicated lives. This
piece provides a peaceful
moment, calming the storm
that sometimes surrounds
you while sharing in the
beauty of music. May you
grow to be the person you
hope to be, following
your true spirit.
(2:50).
From Piano Quintet in A Major. Composed by Franz Schubert (1797-1828). Ar...(+)
From Piano Quintet in
A Major. Composed by
Franz Schubert
(1797-1828). Arranged by
Andrew H. Dabczynski.
Masterworks; Part(s);
Score; String Orchestra.
Highland/Etling String
Explorer. Form:
Transcription. Classical;
Masterwork Arrangement;
Romantic. 140 pages.
Published by
Highland/Etling
(AP.44831).
Orchestra - Grade 1.5 SKU: AP.44831S From Piano Quintet in A Major...(+)
Orchestra - Grade 1.5
SKU: AP.44831S
From Piano Quintet in
A Major. Composed by
Franz Schubert. Arranged
by Andrew H. Dabczynski.
Masterworks; Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Explorer. Form:
Transcription. Classical;
Masterwork Arrangement;
Romantic. Score. 12
pages. Duration 3:05.
Highland/Etling
#00-44831S. Published by
Highland/Etling
(AP.44831S).
UPC:
038081518237.
English.
Based on
one of the most famous
themes in classical
literature, this
arrangement by Andrew
Dabczynski captures the
essence of the Trout
Quintet. This music will
fall under the fingers of
the entire orchestra,
with solos for all and
special features for the
basses! It provides an
excellent opportunity to
learn many important
techniques and concepts,
and is a perfect
selection for introducing
Shubert's glorious
melodies to students and
audiences alike.
(3:05).
Composed by
Kyle Pederson. Jbc. 8
pages. Duration 3
minutes, 41 seconds. Carl
Fischer Music #CM9722.
Published by Carl Fischer
Music (CF.CM9722).
ISBN 9781491161012.
UPC: 680160919611. Key: C
major. English. Kyle
Pederson.
Original.
Stars was
born out of a life-long
fascination with the
night sky, and the text
is a meditation on the
interconnectedness of
creation. The light from
distant stars takes eons
to reach our eyes,
connecting us with an
ancient past. Many
elements that comprise
our bodies were cast out
of stars million years
ago. Since we are the
stuff of stars, where
will we cast our own
light? Whose world will
we impact? Harmonically,
the piece seeks to evoke
the vastness and mystery
of space, simultaneously
capturing the intimacy of
connection. Stars
Legacies of light Ages
ago, you spun light into
the bleak Ancient light
falls on my eye And I? A
star sacred stellar dust
casting light out through
time In whose sky will my
light fall?
 . Stars was born
out of a life-long
fascination with the
night sky, and the text
is a meditation on the
interconnectedness of
creation. The light
from distant stars takes
eons to reach our eyes,
connecting us with an
ancient past. Many
elements that comprise
our bodies were cast out
of stars million years
ago. Since we are the
stuff of stars, where
will we cast our own
light? Whose world will
we impact?Harmonically,
the piece seeks to evoke
the vastness and mystery
of space, simultaneously
capturing the intimacy of
connection.StarsLegacies
of lightAges ago, you
spun light into the
bleakAncient light falls
on my eyeAnd I?A
starsacred stellar
dustcasting light out
through timeIn whose sky
will my light fall?
Tuba Concerto Orchestre d'harmonie [Conducteur] - Intermédiaire Anglo Music
Concert Band/Harmonie and Tuba Solo - Grade 5 SKU: BT.AMP-173-140 Compose...(+)
Concert Band/Harmonie and
Tuba Solo - Grade 5
SKU:
BT.AMP-173-140
Composed by Philip
Sparke. Elite Series.
Solo & Concerto. Score
Only. Composed 2007. 56
pages. Anglo Music Press
#AMP 173-140. Published
by Anglo Music Press
(BT.AMP-173-140).
9x12
inches.
English-German-French-Dut
ch.
When writing
his tuba concerto, Philip
Sparke wanted to create a
work which explored the
many aspects of the
instrument’s
technical and vocal
qualities but without
resorting to caricature.
The result is a concerto
in two joined movements,
which can both be
programmed individually,
that contains both many
lyrical lines together
with stunning virtuosic
passages. An outstanding
concerto that tuba
players and brass band
audiences alike will
enjoy and
applaud.
Philip
Sparke schuf mit seinem
Tuba Concerto ganz
bewusst ein Stück, das
der Tuba als
Soloinstrument voll und
ganz gerecht wird. Aus
diesem Grund deckt die
Solostimme fast
dreieinhalb Oktaven ab
und nutzt die technischen
und klanglichen
Qualitäten des
Instruments voll und ganz
aus. Das Konzert besteht
aus zwei
zusammenhängenden
Sätzen, die beide
einzeln aufgeführt
werden können: einem
langsamen Satz und einem
Scherzo. Noten für
eine Aufführung mit
Tuba und Klavier sind
ebenfalls
erhältlich.
Concert Band/Harmonie and Tuba Solo - Grade 5 SKU: BT.AMP-173-010 Compose...(+)
Concert Band/Harmonie and
Tuba Solo - Grade 5
SKU:
BT.AMP-173-010
Composed by Philip
Sparke. Elite Series.
Solo & Concerto. Set
(Score & Parts). Composed
2007. Anglo Music Press
#AMP 173-010. Published
by Anglo Music Press
(BT.AMP-173-010).
9x12
inches.
English-German-French-Dut
ch.
When writing
his tuba concerto, Philip
Sparke wanted to create a
work which explored the
many aspects of the
instrument’s
technical and vocal
qualities but without
resorting to caricature.
The result is a concerto
in two joined movements,
which can both be
programmed individually,
that contains both many
lyrical lines together
with stunning virtuosic
passages. An outstanding
concerto that tuba
players and brass band
audiences alike will
enjoy and
applaud.
Philip
Sparke schuf mit seinem
Tuba Concerto ganz
bewusst ein Stück, das
der Tuba als
Soloinstrument voll und
ganz gerecht wird. Aus
diesem Grund deckt die
Solostimme fast
dreieinhalb Oktaven ab
und nutzt die technischen
und klanglichen
Qualitäten des
Instruments voll und ganz
aus. Das Konzert besteht
aus zwei
zusammenhängenden
Sätzen, die beide
einzeln aufgeführt
werden können: einem
langsamen Satz und einem
Scherzo. Noten für
eine Aufführung mit
Tuba und Klavier sind
ebenfalls
erhältlich.
Composed by R. Anne
Svendsen. Performance
Music Ensemble; String
Orchestra. Latham Music.
Score and Part(s). Latham
Music Enterprises
#36-52250368. Published
by Latham Music
Enterprises
(AP.36-52250368).
ISBN
9781628761542. UPC:
746241249289.
English.
This
lyrical work will show
off your strings
expressive side. The
music, set in 3/4 time,
moves seamlessly between
a D major and B minor
tonalities, and uses the
notes string players
learn first and know
best. It's quiet and
reflective, a nice change
of pace!
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134748
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Solo Violin
Part. Kalmus Orchestra
Library. Part(s).
LudwigMasters
Publications #36-A134748.
Published by
LudwigMasters
Publications
(AP.36-A134748).
ISBN
9798888529850. UPC:
659359935244.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134702
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor Score
& Parts. Kalmus Orchestra
Library. Score and
Part(s). LudwigMasters
Publications #36-A134702.
Published by
LudwigMasters
Publications
(AP.36-A134702).
UPC:
659359985690.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Concert Band; Orchestra 2.2.2.2: 4.2.0.0: Timp: Str (9-8-7-6-5 in set): Solo Vio...(+)
Concert Band; Orchestra
2.2.2.2: 4.2.0.0: Timp:
Str (9-8-7-6-5 in set):
Solo Violin in set
SKU: AP.36-A134701
Composed by Johannes
Brahms. Full Orchestra,
Solo Strings with
Ensemble, Conductor
Score. Kalmus Orchestra
Library. Score.
LudwigMasters
Publications #36-A134701.
Published by
LudwigMasters
Publications
(AP.36-A134701).
ISBN
9798888529843. UPC:
659359537080.
English.
Johannes
Brahms (1833-1897) wrote
his Violin Concerto in D
major, Op. 77, in 1878.
He composed the work for
his longtime friend,
famed violinist Joseph
Joachim, who premiered it
in Leipzig with the
Gewandhaussaal on January
1, 1879, Brahms himself
conducting. The program
also included, at
Joachim's insistence,
Beethoven's Violin
Concerto in D major, Op.
61, on which Brahms
modeled his own concerto.
While the critical
reception of the time was
mixed, the audiences at
the various early
performances received the
work well. Most
complaints directed at
the concerto addressed
the role of the solo
violin, noting that the
soloist does not offer
much of the melodic
material or include much
in the way virtuosic
passages, a consequence
of looking more towards
Beethoven's serious
aesthetic rather than
Paganini's flashy one.
Joachim himself, before a
falling out with the
composer over personal
reasons, included Brahms'
concerto among the best
German offered, saying:
The Germans have four
violin concertos. The
greatest, most
uncompromising is
Beethoven's. The one by
Brahms vies with it in
seriousness. The richest,
the most seductive, was
written by Max Bruch. But
the most inward, the
heart's jewel, is
Mendelssohn's.
Instrumentation: 2.2.2.2:
4.2.0.0: Timp: Str
(9-8-7-6-5 in set): Solo
Violin in set.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Manuel de
Falla/ Libretto by
Gregorio MartÃnez Sierra
and MarÃa MartÃnez
Sierra. Full Orchestra,
Solo Voice(s) with
Ensemble, Conductor Score
& Parts. Kalmus Ballet
Library. Score and
Part(s). LudwigMasters
Publications #36-A932890.
Published by
LudwigMasters
Publications
(AP.36-A932890).
UPC:
676737618148.
English.
This
edition of EL AMOR BRUJO
(LOVE, THE SORCERER) is
the 1924 revision of the
1915 version by Spanish
composer Manuel de Falla
(1876 - 1946). Originally
a collaboration between
de Falla, the flamenco
dancer Pastora Imperio,
and librettist MarÃa
MartÃnez Sierra, the
ballet follows Candela, a
recent widow who attempts
to dispel her abusive
late husband's ghost so
she can remarry. The
original version of the
ballet was not
well-received, so de
Falla dialed back the
Roma cultural elements
prominent in the original
version and expanded the
size of the orchestra to
appeal to contemporary
audiences. The 1924
version premiered in
Paris on May 1925.
Reprint Edition.
Instrumentation: 2(2nd
dPicc).1(dEH).2.1:
2.2.0.0: Timp.Perc(1):
Pno: Str (4-4-3-3-3 in
set): Contralto
Voice.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Manuel de
Falla/ Libretto by
Gregorio MartÃnez Sierra
and MarÃa MartÃnez
Sierra. Full Orchestra,
Solo Voice(s) with
Ensemble, Conductor
Score. Kalmus Ballet
Library. Score.
LudwigMasters
Publications #36-A932801.
Published by
LudwigMasters
Publications
(AP.36-A932801).
ISBN
9781638879886. UPC:
676737912154.
English.
This
edition of EL AMOR BRUJO
(LOVE, THE SORCERER) is
the 1924 revision of the
1915 version by Spanish
composer Manuel de Falla
(1876 - 1946). Originally
a collaboration between
de Falla, the flamenco
dancer Pastora Imperio,
and librettist MarÃa
MartÃnez Sierra, the
ballet follows Candela, a
recent widow who attempts
to dispel her abusive
late husband's ghost so
she can remarry. The
original version of the
ballet was not
well-received, so de
Falla dialed back the
Roma cultural elements
prominent in the original
version and expanded the
size of the orchestra to
appeal to contemporary
audiences. The 1924
version premiered in
Paris on May 1925.
Reprint Edition.
Instrumentation: 2(2nd
dPicc).1(dEH).2.1:
2.2.0.0: Timp.Perc(1):
Pno: Str (4-4-3-3-3 in
set): Contralto
Voice.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed
by Carl Maria von Weber.
Edited by Frank Ziegler
and Johannes Kepper. This
edition: Full-cloth
binding. Sheet music.
Edition Schott. Score and
critical commentary,
complete edition. 306
pages. Schott Music
#WGA1021. Published by
Schott Music
(HL.49042434).
ISBN
9783795794491.
10.25x13.5x1.141 inches.
German.
Carl Maria
von Weber's fame rests
mainly on 'Der
Freischutz'. The
unprecedented success of
this opera overshadowed
all his other works and
contributed to their
increasing fall into
oblivion. Certain works
such as 'Preciosa',
'Oberon', and
'Euryanthe', the
overtures, solo concertos
and piano sonatas, the
lieder and chamber works
enjoyed great popularity
and were widely known in
Germany and abroad as
late as the second half
of the 19th century.
However, any chance of a
revival of Weber's
influential and
substantial oeuvre was
wasted in the 1920s, when
a complete edition -
begun by Hans Joachim
Moser and with potential
contributors including
Wilhelm Kempff, Hans
Pfitzner, Max von
Schillings, Fritz Stein
and Richard Strauss -
failed after the third
volume.Ever since there
have been numerous
attempts to restart a
complete edition of
Weber's works, but as
this kind of project
would have required the
co-operation of scholars
from both sides of the
inter-German border, the
political situation after
1945 was not conducive to
any such enterprise.
Careful negotiations led
to the first tangible
steps in the 1980s. The
intention, right from the
beginning, was to place
Weber's work in context,
and not to separate his
musical output from his
influential work as a
writer, critic and
organiser in the musical
field, but to publish his
compositions together
with his letters, diaries
and other literary output
as the best way to
document the
cross-fertilisation
between his musical,
literary and practical
activities.Since the
German re-unification
both working-parties
concerned - at the
Staatsbibliothek zu
Berlin, and at the
Musikwissenschaftliches
Seminar,
Detmold/Paderborn - have
co-operated on the
complete edition of the
musical works (c. 45
volumes in 10 series:
sacred music; cantatas,
odes and other occasional
works; stage works;
lieder and vocal works;
orchestral works; chamber
music; music for piano;
piano reductions;
miscellanea, arrangements
and orchestrations; works
of doubtful attribution).
The diaries (6-8 vols.)
are edited in Berlin and
the letters (8-10 vols.)
and other writings (2
vols.) in Detmold. This
complete edition aims to
be a reliable basis of
scholarly debate as well
as for the authentic
performance practice of
Carl Maria von Weber's
music. Conforming to the
standards of recent
historico-critical
editions, the textual
material will be based on
all available authentic
sources, accompanied by a
detailed documentation of
the genesis and a list of
variants for each work.
The musicological
importance of the works
will be evaluated by
placing them in their
historical context, the
presentation of their
genesis, history and
Critical Commentaries.
The letters, writings and
diaries will be treated
as inter-related and
relevant to each other in
the commentaries,
therefore readers should
benefit from a wealth of
concise information and
cross-references.
Inspiring Kids to Play and Sing for Keeps. By Jessica Baron Turner. String Lette...(+)
Inspiring Kids to Play
and Sing for Keeps. By
Jessica Baron Turner.
String Letter Publishing.
Softcover. 240 pages.
Published by String
Letter Publishing.
Concert band - Grade 4 SKU: MH.0-931329-53-1 Composed by Gregory B.Rudger...(+)
Concert band - Grade 4
SKU:
MH.0-931329-53-1
Composed by Gregory
B.Rudgers. Suitable for
high school, community,
and college bands.
Conductor score and set
of parts. Duration 7:30.
Published by Manhattan
Beach Music
(MH.0-931329-53-1).
ISBN
9780931329531.
Jour
ney back to ancient
Greece and view a place
of long-gone legend.
Follow the trail to the
Kingdom of Ithaca, from
the heroic palace, to a
place of tranquility, to
a reckless dance of
abandon, to the return of
Odysseus. The melodic
material used in 200 B.C.
is from a two thousand
year old Greek hymn to
Apollo. The legendary
adventures of Odysseus as
described by Homer in the
Odyssey (ca. 700 B.C.)
provide the programmatic
material. The music is
freely based upon the
First Delphic Hymn (or
Paen to Apollo), composed
ca. 200 B.C. The source
is a transcription
appearing on pages 363 -
367 of Ancient and
Oriental Music, Edited by
Egon Wellesz (Oxford
University Press: London,
1957). Each movement of
the work depicts a key
event in the epic Homeric
poem, as described below.
Movement I: Intrada - The
first four notes of this
movement, C - Bb - G -
Bb, are the melodic and
harmonic foundation for
the entire work. These
pitches, introduced in a
simple and direct manner,
are subsequently
developed in more complex
fashions throughout the
suite. Following this
stately introduction is a
militaristic fanfare that
introduces the
dotted-eighth and
sixteenth-note figure
later reprised in the
second and fourth
movements. Indeed, all
the musical ideas which
will be central to the
remaining movements first
appear in the Intrada.
This movement depicts the
grandeur of Odysseus and
his kingdom in Ithaca,
and establishes the
heroic mood of the entire
work. Movement II: Ballad
- After a brief
restatement of the
opening
dotted-eighth-and-sixteen
th fanfare, the second
movement extracts the
falling third (Bb to G)
from the C - Bb - G - Bb
motif and extends it and
expands it into a
haunting solo for alto
saxophone. The C - Bb - G
- Bb motif appears again
(see measures 23 - 33 in
trumpets) as counterpoint
to this melody, now
pulsing through the thick
texture of the band. Many
performers have come to
view the Ballad as the
emotional epicenter of
the entire suite; my
conception of the Ballad
is to achieve a union of
pathos and strength.
Programmatically, this
movement depicts
Odysseus's son,
Telemachos, as he both
longs for Odysseus's
return and stoically
defends his father's
kingdom. Movement III:
Dance - It will take
Odysseus twenty years to
return to Ithaca. During
his absence, noblemen
besiege his palace,
violating the sanctity of
the household and seeking
the hand of his wife,
Penelope. This movement
depicts the wanton
revelries that result.
The original four-note
motif is chromatically
altered and the meter is
made irregular. The rapid
tempo, driving
percussion, and angular
meter and melodies
combine in an explosion
of reckless abandon.
Movement IV: March
Building from a delicate
woodwind ensemble
accompanied by finger
cymbals to a fully
orchestrated statement
replete with thundering
percussion, this is a
resounding march of
victory. Odysseus has
returned in triumph to
restore dignity to his
household and to reclaim
the throne of the Kingdom
of Ithaca. Ensemble
instrumentation: 1
Piccolo, 8 Flute 1 - 2, 2
Oboe 1 - 2, 4 Bb Clarinet
1, 4 Bb Clarinet 2, 4 Bb
Clarinet 3, 1 Eb Alto
Clarinet, 3 Bb Bass
Clarinet, 2 Bassoon 1 -
2, 3 Eb Alto Saxophone 1,
3 Eb Alto Saxophone 2, 2
Bb Tenor Saxophone, 1 Eb
Baritone Saxophone, 3 Bb
Trumpet 1, 3 Bb Trumpet
2, 3 Bb Trumpet 3, 2 F
Horn 1-2, 2 F Horn 3-4, 2
Trombone 1, 2 Trombone 2,
2 Trombone 3, 3 Euphonium
(B.C.), 2 Euphonium T.C.,
4 Tuba, 1 Timpani, 2
Mallet Percussion: Bells,
Xylophone, 2 Percussion
1: Snare Drum,
Tambourine, 2 Percussion
2: Crash Cymbals,
Suspended Cymbal,
Tom-Tom, Finger Cymbals,
1 Percussion 3: Bass
Drum.
(Trumpet and Piano). Composed by Johann Stamitz (1717-1757). Edited by Alan Bous...(+)
(Trumpet and Piano).
Composed by Johann
Stamitz (1717-1757).
Edited by Alan Boustead.
For Trumpet, Piano
Accompaniment. Music
Sales America. Classical.
Novello and Co Ltd.
#NOV950520. Published by
Novello and Co Ltd.
Troja (Troy) Fake Book [Conducteur] - Facile Hal Leonard
Fanfare Band (Score) - Grade 2 SKU: HL.4008028 For Fanfare Band. C...(+)
Fanfare Band (Score) -
Grade 2
SKU:
HL.4008028
For
Fanfare Band.
Composed by Otto M.
Schwarz. Duration 135
seconds. Hal Leonard
#SDP129-22-101. Published
by Hal Leonard
(HL.4008028).
The Greek poet
Homer wrote about Troy
and the Trojan War -
which probably took place
in what is now Asia Minor
- in his Iliad in the 8th
century B.C. Nowadays,
the term 'Trojan'
generally refers to a
malware program that is
used to gain unauthorized
access to computers. This
use comes from the
legendary Trojan Horse,
which saw the turning
poing in the battle
between Greeks and
Trojans through the
cunning of Odysseus. Let
us return to the
beginning of the story:
Paris, son of the king of
Troy, is tasked by Zeus
with judging the beauty
of the three goddesses
Aphrodite, Pallas Athena,
and Hera. Aphrodite, the
goddess of love, flatters
Paris by promising him
the most beautiful woman
in the world. Soon
afterwards, on a journey
to Greece, Paris meets
the beautiful Helen, who
immediately falls in love
with him. Since however
she is the wife of
Spartan king Menelaus,
she eventually lets
herself be kidnapped by
Paris voluntarily. The
Greeks then form a large
army and go to war
against Troy to retrieve
Helen, leading to a
ten-year siege of the
city. The city is
eventually conquered not
through combat, however,
but through Odysseus'
cunning ploy. He has the
idea of building an
enormous wooden horse
with warriors hidden
inside. The horse is
placed at the gates of
the city. Thus, the
Trojans are tricked into
giving up the siege when,
despite various warnings,
they bring the horse into
the city to dedicate it
to the goddess Athena. At
night, the soldiers climb
out of the horse and open
the gate for the Greek
army. The troops storm
the city and raze it to
the ground. The royal
family and all the Trojan
warriors are killed -
only Aeneas, the son of
Aphrodite, escapes.
Later, following many
years' wanderings he and
his acolytes will become
known as the founders of
the Roman people.
Score and Parts Fanfare Band (Score & Parts) - Grade 2 SKU: HL.4008029 (+)
Score and Parts Fanfare
Band (Score & Parts) -
Grade 2
SKU:
HL.4008029
For
Fanfare Band.
Composed by Otto M.
Schwarz. Duration 135
seconds. Hal Leonard
#SDP129-22-102. Published
by Hal Leonard
(HL.4008029).
The Greek poet
Homer wrote about Troy
and the Trojan War -
which probably took place
in what is now Asia Minor
- in his Iliad in the 8th
century B.C. Nowadays,
the term 'Trojan'
generally refers to a
malware program that is
used to gain unauthorized
access to computers. This
use comes from the
legendary Trojan Horse,
which saw the turning
poing in the battle
between Greeks and
Trojans through the
cunning of Odysseus. Let
us return to the
beginning of the story:
Paris, son of the king of
Troy, is tasked by Zeus
with judging the beauty
of the three goddesses
Aphrodite, Pallas Athena,
and Hera. Aphrodite, the
goddess of love, flatters
Paris by promising him
the most beautiful woman
in the world. Soon
afterwards, on a journey
to Greece, Paris meets
the beautiful Helen, who
immediately falls in love
with him. Since however
she is the wife of
Spartan king Menelaus,
she eventually lets
herself be kidnapped by
Paris voluntarily. The
Greeks then form a large
army and go to war
against Troy to retrieve
Helen, leading to a
ten-year siege of the
city. The city is
eventually conquered not
through combat, however,
but through Odysseus'
cunning ploy. He has the
idea of building an
enormous wooden horse
with warriors hidden
inside. The horse is
placed at the gates of
the city. Thus, the
Trojans are tricked into
giving up the siege when,
despite various warnings,
they bring the horse into
the city to dedicate it
to the goddess Athena. At
night, the soldiers climb
out of the horse and open
the gate for the Greek
army. The troops storm
the city and raze it to
the ground. The royal
family and all the Trojan
warriors are killed -
only Aeneas, the son of
Aphrodite, escapes.
Later, following many
years' wanderings he and
his acolytes will become
known as the founders of
the Roman people.
Troja (Troy) Orchestre d'harmonie - Facile Hal Leonard
Concert Band; Concert Band Set (Score) - Grade 2 SKU: HL.4008026 For C...(+)
Concert Band; Concert
Band Set (Score) - Grade
2
SKU: HL.4008026
For Concert Band,
Grade 2 6:00 Score.
Composed by Otto M.
Schwarz. Concert.
Softcover. Duration 360
seconds. Hal Leonard
#SDP1282201. Published by
Hal Leonard (HL.4008026).
The Greek poet
Homer wrote about Troy
and the Trojan War -
which probably took place
in what is now Asia Minor
- in his Iliad in the 8th
century B.C. Nowadays,
the term 'Trojan'
generally refers to a
malware program that is
used to gain unauthorized
access to computers. This
use comes from the
legendary Trojan Horse,
which saw the turning
poing in the battle
between Greeks and
Trojans through the
cunning of Odysseus. Let
us return to the
beginning of the story:
Paris, son of the king of
Troy, is tasked by Zeus
with judging the beauty
of the three goddesses
Aphrodite, Pallas Athena,
and Hera. Aphrodite, the
goddess of love, flatters
Paris by promising him
the most beautiful woman
in the world. Soon
afterwards, on a journey
to Greece, Paris meets
the beautiful Helen, who
immediately falls in love
with him. Since however
she is the wife of
Spartan king Menelaus,
she eventually lets
herself be kidnapped by
Paris voluntarily. The
Greeks then form a large
army and go to war
against Troy to retrieve
Helen, leading to a
ten-year siege of the
city. The city is
eventually conquered not
through combat, however,
but through Odysseus'
cunning ploy. He has the
idea of building an
enormous wooden horse
with warriors hidden
inside. The horse is
placed at the gates of
the city. Thus, the
Trojans are tricked into
giving up the siege when,
despite various warnings,
they bring the horse into
the city to dedicate it
to the goddess Athena. At
night, the soldiers climb
out of the horse and open
the gate for the Greek
army. The troops storm
the city and raze it to
the ground. The royal
family and all the Trojan
warriors are killed -
only Aeneas, the son of
Aphrodite, escapes.
Later, following many
years' wanderings he and
his acolytes will become
known as the founders of
the Roman people.