(1+1.2.2.2/4.2.3.1,perc,s tr,TBari soli,SATB chorus)

SKU: TM.14092SC

Composed by Giuseppe Verdi. Score. Lucks Music Library #E1043. Published by Lucks Music Library (TM.14092SC).

Solo (no piano).

(nach der Abschrift von J. S. Bach). By George Frideric Handel (1685-1759). Edited by Traub, Andreas. For STB soli, SATB choir, 2 oboes, taille, 2 bassoon, 2 violins, viola and basso continuo. This edition: paperbound. HWV 48. Full score available separately - see item CA.5504800. Oratorios, Passions; Stuttgart Urtext editions; Use during church year: Lent and Passiontide, Holy Week. Piano/Vocal score. Language: German. 152 pages. Duration 150 min

By Johannes Brahms; Michael Pilkington (Editor). For Soprano and Baritone Soli, SATB Choir, Piano Accompaniment. Romantic, Sacred. Sheet Music. 104 pages. Published by Novello and Co Ltd.

(1+1.2.2.2/4.2.3.1,perc,s tr,TBari soli,SATB chorus)

SKU: TM.14092SET

Composed by Giuseppe Verdi. Set Type: D. Set of parts. Lucks Music Library #E1043. Published by Lucks Music Library (TM.14092SET).

Solo (no piano).

Cantata/Oratorio 0.0.0.0: 0.1.3.0: Org: Str (2-2-2-1-1 in set): Soli SATB: Mixed Chor

SKU: AP.36-A249391

Arranged by Johann Sebastian Bach and ed./arr. by Gustav Schreck/ John Ebenezer West/ German libretto by Martin Luther. English translation by Paul England. Choral Octavo. Kalmus Choral Library. Score. LudwigMasters Publications #36-A249391. Published by LudwigMasters Publications (AP.36-A249391).

ISBN 9781932419481. UPC: 659359518904. English.

The CANTATA No. 4: CHRIST LAG IN TODES BANDEN, BWV 4, is one of the earliest church cantatas by J.S. Bach (1685-1750). Bach wrote it for an application to a job opportunity at a Lutheran church in Mulhausen. It is the first of his cantatas to construct its textual and melodic material on a chorale. His first cantata for Easter Sunday, it was later revised in Leipzig in 1724 and 1725 with additional instrumental parts in order to harness the rich musical resources available to the composer. The original version has not survived. The piano reduction for this vocal score was completed by Gustav Schreck, and the edition was edited by John Ebenezer West.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

By Alfred Schnittke. For SAT soli, SATB choir, Trumpet, Trombone, Timpani, percussion, Celeste, Piano, Organ, Electric Guitar, Eletric cBass. Modern. Full Score. Duration 35 minutes. Published by Edition Peters.

Composed by Cecilia McDowall. New Horizons. Vocal score. 36 pages. Duration 18'. Published by Oxford University Press (OU.9780193411487).

Soprano voice solo, tenor voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0063

Composed by Howard Goodall. 21st Century, Trust/Guidance, Word of God. MorningStar Music Publishers #56-0063. Published by MorningStar Music Publishers (MN.56-0063).

UPC: 688670220661. English. Matthew 25:35-40.

Soprano voice solo, SATB choir, and piano - Intermediate

SKU: MN.56-0064

Composed by Howard Goodall. 21st Century, Commitment/Discipleship, Word of God. MorningStar Music Publishers #56-0064. Published by MorningStar Music Publishers (MN.56-0064).

UPC: 688670220678. English. Matthew 5:3-11.

Soloists, Mixed choir (SATB), Orchestra (Soprano solo, Alto solo, Tenor solo, Bass solo, Mixed choir (SATB), Orchestra)

SKU: BA.BA11310-90

Composed by Wolfgang Amadeus Mozart. Edited by Michael Ostrzyga. This edition: urtext edition. Paperback. New Completion. Vocal Score. Baerenreiter Verlag #BA11310_90. Published by Baerenreiter Verlag (BA.BA11310-90).

ISBN 9790006569267. 27 x 19 cm inches. Text Language: Latin.

This publication offers a source-critical edition of Mozartâ??s fragmentary â??Requiemâ? as well as an alternative to the traditional SüÃ?mayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozartâ??s idiom taking into account historical additions by SüÃ?mayr and Eybler.

When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozartâ??s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the â??Requiemâ? fragment, is taken into account in those sections requiring completion or fresh composition.

At two points readers may choose between alternative movements (or sections), since proceeding from SüÃ?mayrâ??s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozartâ??s intentions: the â??Lacrimosaâ? may end with or without â??Amenâ? fugue, and the â??Sanctusâ? may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major â??Hosannaâ? from SüÃ?mayrâ??s autograph, a movement which, until now, has not been appreciated as compositionally flawless.

â?¢ Scholarly-critical edition of the â??Requiemâ? fragment
â?¢ With performance material for presentation of
1) the fragment,
2) a version with completions of the authentic Mozart sections or
3) a full completion consistent with Mozartâ??s musical idiom
â?¢ Missing sections were completed by drawing from other fragmentary sacred works by Mozart
â?¢ Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment
â?¢ Alternative performance options for the â??Lacrimosaâ?, â??Sanctusâ? and â??Benedictusâ?
â ?¢ Easy-to-play piano reduction
â?¢ Extensive foreword (Ger/Eng) on the workâ??s history, reception and modern completions, with analytical stylistic critique
� Detailed Critical Commentary (Eng), partly available on the Bärenreiter website
â?¢ Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (â??Le Disque classique du jourâ? from francemusique.fr and three nominations for Opus Klassik 2021 in the categories â??Ensembleâ?, â??Choral Recordingâ? and â??Editorial Achievementâ?)

You will find a detailed brochure on the new completion of Mozart's Requiem here.

Two Part Chorus and Piano (SA, TB, SB, or SATB). By Vincent Persichetti. Text: E.E. Cummings. Mixed choir. For 2-part voices, piano. (2-part). Four Cummings Choruses: For Two-Part Mixed Voices. Choral. Piano/Vocal Score. Opus 98. 6 pages. Published by Theodore Presser Company.

By Franz Joseph Haydn. Edited by Schulze, Willi. For Soli SS, SATB Choir, 2 Violins, Cello/Contrabass, Organ. Hob. XXII:1. Full score available separately - see item CA.4060100. Missa brevis, Latin. Piano/Vocal score. Language: Latin. Composed 1749-50 (?) (dazwischen). 24 pages. Duration 13 min. Published by Carus Verlag (German import).

Weihnachtskantate. By Josef Gabriel Rheinberger. Edited by Wanger, Harald / Wanger, Harald. For Soli SBar, SATB Choir, 2 Flutes, 2 Oboes, English Horn, 2 Clarinets, 2 Bassoons, 2 Horns, 2 Trumpets, 3 Trombones, Timpani, 2 Violins, Viola, Cello, Contrabass, Organ, Harp. Full score available separately - see item CA.5016400. Christmas. Piano/Vocal score. Language: German/English. Composed 1890. 164. 84 pages. Duration 48 min. Published by Carus Verlag (German import).

(nach Worten der Heiligen Schrift). By Johannes Brahms (1833-1897). Arranged by Johannes Brahms. For Soli SB, SATB Choir, Piccolo, 2 Flute, 2 Oboe, 2 Clarinet, 2 Bassoon, 4 Horn, 2 Trumpet, 3 Trombone, Tuba, 3 Timpani, Harp, 2 Violin, Viola, Cello, Contrabass, [Organ]. This edition: paperbound. Full score available separately - see item CA.2705500. Requiem; Occasions: Mourning, Death; Use during church year: End of the church year. Piano/Vocal score. Language: German. 45. 96 pages. Duration 70 min

By Wolfgang Amadeus Mozart (1756-1791). Edited by Schulze, Willi. Arranged by Paul Horn. For Soli STB, SATB Choir, 2 Clarinos/Trumpets, Timpani, 2 Violins, Basso continuo, [3 Trombones]. This edition: paperbound. KV 193. Full score available separately - see item CA.4005200. Magnificat, Psalms, Latin; Stuttgart Urtext editions; Occasions: Praise and thanks, Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary, Psalms, Daily hours; Use during church year: Epiphany. Level 2. Piano/Vocal score. Language: Latin. Composed 1774. 24 pages. Duration 10 min

Aus: Drei Gedichte. By Robert Schumann. Edited by Graulich, Gunter. For Soli SSATTB, SATB Choir, Piano, [Triangel, Tamburin]. Romantic Choral Music; Secular Choral Music. Score. Language: German/English. Composed 1840. 29 no. 3. 8 pages. Duration 3 min. Published by Carus Verlag (German import).

By Josef Gabriel Rheinberger. Edited by Theill, Han. For Soli STB, SATB Choir, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Trombone, 2 Violins, Viola, Cello, Contrabass. Full score available separately - see item CA.5001600. Occasions: Feasts of the Blessed Virgin Mary, Hymns in praise of the Virgin Mary; Use during chuch year: Lent and Passiontide. Level 2. Piano/Vocal score. Language: Latin/German. Composed 1864. 16. 32 pages. Duration 16 min

By Johann Adolf Hasse (1699-1783). For Soli SSAATTB, SATB Choir, 2 Horns, 2 Flutes, 2 Oboes, Strings, Basso continuo. This edition: paperbound. Full score available separately - see item CA.5070900. Piano/Vocal score. Language: Latin. Composed 1763/64. 64 pages. Duration 42 min

(Kantate zum Epiphaniasfest). By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul Horn. For Soli TB, SATB Choir, 2 Horns, 2 Recorders f1, 2 Oboe d'Amore, Strings, Organ. This edition: paperbound. BWV 65. Full score available separately - see item CA.3106500. Cantatas; Stuttgart Urtext editions; Use during church year: Epiphany. Level 3. Piano/Vocal score. Language: German/English. Composed 1724. 32 pages. Duration 18 min

(2.2.2.2/2.0.0.0,str,SSAT B chorus)

SKU: TM.05029SC

Composed by Ludwig van Beethoven. Score. Lucks Music Library #A2560. Published by Lucks Music Library (TM.05029SC).

Chorus sold as individual SS, A, T, B choral parts. Piano not in choral parts.

(2.2.2.2/2.0.0.0,str,SSAT B chorus)

SKU: TM.05029SET

Composed by Ludwig van Beethoven. Set Type: A. Set of parts. Lucks Music Library #A2560. Published by Lucks Music Library (TM.05029SET).

Chorus sold as individual SS, A, T, B choral parts. Piano not in choral parts.

(2.2.2.2/4.0.2+1.0,str,SA TB chorus)

SKU: TM.07360SC

Composed by Niels W. Gade. Score. Published by Lucks Music Library (TM.07360SC).

No pf in chorus. Solo = Piano solo (1 piano, 4 hands).

(2.2.2.2/4.0.2+1.0,str,SA TB chorus)

SKU: TM.07360SET

Composed by Niels W. Gade. Set Type: D. Set of parts. Published by Lucks Music Library (TM.07360SET).

No pf in chorus. Solo = Piano solo (1 piano, 4 hands).

(2.2.2.2/2.2.0.0,timp,str ,pf solo,chorus)

SKU: TM.00017SC

Composed by Ludwig van Beethoven. Score. Lucks Music Library #A1166. Published by Lucks Music Library (TM.00017SC).

Vocal score uses portion of piano solo instead of piano reduction of orchestra. Transposed: cl 1&2 hn 1&2, tpt 1&2. Score: SAT in C clefs, B in bass clef. VS: SATB in modern clefs.