(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to
Nearly 1200 Songs 9x12
Spiral Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to
Nearly 1200 Songs
Spiral-Bound). Edited by
Annie Patterson and Peter
Blood. For Vocal. Vocal.
Softcover. 304 pages.
Published by Hal Leonard
Arranged by Witt. Set
Type: C. Set of parts.
Published by Lucks Music
Library (TM.06878SET).
Minstrel Boy,
Savourneen Delish,
Killarney, Come Back to
Erin, Believe Me If All
Those Endearing Young
Charms, The Meeting of
the Waters, The Last Rose
of Summer, The Pretty
Girl Milking Her Cow, The
Dear Little Shamrock,
Wearing the Green, The
Harp that.
69 Traditional Pieces. Edited by Kevin McCrae and Neil Johnstone. Arranged by Ke...(+)
69 Traditional Pieces.
Edited by Kevin McCrae
and Neil Johnstone.
Arranged by Kevin McCrae
and Neil Johnstone. This
edition: Saddle
stitching. Sheet music
with CD. String.
Scottish. Edition with
CD. 60 pages. Schott
Music #ED 12830.
Published by Schott Music
Musical Resource for Meditation and Worship. Arranged by Kiran Young Wimb...(+)
Musical Resource for
Meditation and
Worship. Arranged by
Kiran Young Wimberly.
Sacred. With guitar chord
names. 56 pages. GIA
Publications #9354.
Published by GIA
Publications (GI.G-9354).
SKU: GI.G-CD-1016 Ten More Psalms Set to Traditional Irish and Scottis...(+)
SKU: GI.G-CD-1016
Ten More Psalms Set to
Traditional Irish and
Scottish Melodies.
Sacred. CD. GIA
Publications #1016.
Published by GIA
Publications
(GI.G-CD-1016).
Celtic
Psalms, volumes 1
and 2, promises to be a
long-standing resource
for meditation and
worship. By pairing the
wisdom of the psalms with
timeless melodies,
delicate harmonies, and
instrumentation, these
arrangements bring to
mind the Celtic
landscapes of Ireland and
Scotland with sincerity,
integrity, and
tenderness. Set in a
traditional/folk style
that easily lends them to
inspiring and meaningful
worship, these psalms
offer a much needed
healing balm for today's
world.
This is the
recording for volume 2.
Kiran
Young Wimberly
is an American
Presbyterian minister who
lived in Belfast,
Northern Ireland, for
over six years. While
serving in congregational
and ecumenical ministry
in Northern Ireland,
Kiran pursued her keen
interest in Irish and
Scottish traditional song
and its connection to
spiritual
life.
Contains:
The Lord's My
Shepherd, Psalm 23 (The
Parting Glass) &bull, You
Have Turned My Sorrow,
Psalm 30 (Green Grows the
Laurel) &bull, Hear My
Cry, O God, Psalm 61
(Caislé,an an
Ó,ir) &bull, How
Lovely, Psalm 84
(Carrickfergus) &bull,
Love Is Lord of All,
Psalm 86 (My Lagan Love)
&bull, O Give Thanks,
Psalm 107 (The Meeting of
the Waters) &bull, From
the Depths, Psalms 130,
131 (The Quiet Land of
Erin) &bull, You Have
Searched Me, Psalm 139
(The Banks of Claudy)
&bull, Come, Spirit,
Come, Psalm 144 (The
King's Shilling) &bull,
Praise God from Whom All
Blessings Flow, Psalm 147
(Mo Ghile Mear).
Piano and orchestra SKU: FG.55011-372-5 Composed by Matthew Whittall. Stu...(+)
Piano and orchestra
SKU:
FG.55011-372-5
Composed by Matthew
Whittall. Study score.
Fennica Gehrman
#55011-372-5. Published
by Fennica Gehrman
(FG.55011-372-5).
ISBN
9790550113725.
Imag
es of the sea figure
prominently throughout my
life and memories: from
holidays on the Atlantic
coast during my Canadian
childhood to my current
Baltic home, and the
imagined, only later
experienced Mediterranean
of my ancestral heritage.
As an immigrant (son of
an immigrant) bound to
two northern countries,
the sea is emblematic of
my twin homelands, from
the expanses of water
surrounding them to those
separating them. A Mari
usque ad Mare. The sea is
also an enduring image of
the unknown, of expanses
unexplored, of the raw
power of nature and, for
too many currently, of
terror holding a hope of
refuge - or the pain of
loss. Such disparate
ideas were captured for
me in the seascapes of
the New York painter
MaryBeth Thielhelm, whom
I met in 2008 during a
residency on the Gulf of
Mexico. Her vast,
abstract, nearly
monochromatic depictions
of imaginary seas in
wildly varying moods were
the catalyst for a
concerto where the piano
is frequently far from a
hero battling a
collective, but rather
acts as a channel for
elemental forces surging
up from the orchestra,
floating - sometimes
barely so - on its
constantly shifting
surface. There are few
themes to speak of,
beyond a handful of
iconic ideas that
periodically cycle
upward. Rather, the
piano's material is
largely an ornamentation
of the more primal
rhythmic and harmonic
impulses from the
orchestra below - a
poetic interpretation, if
you will, of the more
immediate experience of
facing the vastness of
some unknown body of
water. The title
Nameless Seas is borrowed
from one of Thielhelm's
exhibitions, as are those
of the four movements,
which are bridged
together into two halves
of roughly equal weight -
one rhapsodic and free,
the other more
single-minded and direct,
separated only by a short
breath. The opening
movement, Nocturne, is
predominantly calm, if
brooding, darkness and
light alternating
throughout. Lyrical
arabesques sparkle over
gently lapping
cross-currents in the
strings and mirrored
timpani, the piano's full
power only rarely
deployed. The waves
gradually build, drawing
in the full orchestra for
a meeting of forces in
Land and Sea, a brighter,
more warmly lyrical scene
that unfolds in series of
dreamlike, sometimes even
nostalgic visions, which
for me carry strong
memories of sitting on
rocks above surging
Atlantic waves. The third
movement, Wake, is a
fast, perpetual-motion
texture of glinting,
darting rhythms and
sudden shafts of light,
with a prominent part for
the steel drums, limning
the piano's quicksilver
figurations. An ecstatic
climax crashes into a
solo cadenza that grows
progressively calmer and
more introspective rather
than virtuosic. Much of
the tension finally
releases into Unclaimed
Waters, a drifting,
meditative seascape in
which the piano is
progressively engulfed by
a series of ever-taller
waves, ultimately
dissolving into a
tolling, rippling
continuum of sound.
It has been a great
privilege to realize such
a long-held dream as this
piece, and to write it
for not one, but two
great pianists.
Risto-Matti Marin and
Angela Hewitt, both of
whose friendship and
support have been
unfailing and humbling,
share the dedication.
Nameless Seas was
commissioned by the
PianoEspoo festival and
Canada's National Arts
Centre, with the
premieres in Ottawa and
Helsinki led by Hannu
Lintu and Olari Elts.
Thanks are due also to
the Jenny and Antti
Wihuri fund, whose
generous grant provided
me with much-needed time,
and Escape to Create in
Seaside, Florida, the
source to which I
returned to do a large
part of the work.
37 Favourite Songs. By Margery Hargest Jones. (Voice and Piano). Boosey and Haw...(+)
37 Favourite Songs. By
Margery Hargest Jones.
(Voice and Piano). Boosey
and Hawkes Voice. Book
only. Size 8.25x11.75
inches. 88 pages.
Published by Boosey &
Hawkes.
By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with g...(+)
By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 322 pages.
Published by Hal Leonard.
By Various. E-Z Play Today (Easy big-note right-hand-only arrangements for piano...(+)
By Various. E-Z Play
Today (Easy big-note
right-hand-only
arrangements for piano,
organ, and electronic
keyboard). Softcover.
Published by Hal Leonard.
by Patrick Conway. For tin whistle. Celtic/Irish, songbook. Level: Beginning-Int...(+)
by Patrick Conway. For
tin whistle.
Celtic/Irish, songbook.
Level:
Beginning-Intermediate.
Book. Solos. Size
8.75x5.75. 88 pages.
Published by Mel Bay
Pub., Inc.
Compiled by Robert Gogan. Fake book and examples CD for voice and guitar. With v...(+)
Compiled by Robert Gogan.
Fake book and examples CD
for voice and guitar.
With vocal melody,
lyrics, chord names and
guitar chord chart. 50
pages. Published by Music
Sales.
Irish Ballads Piano, Voix et Guitare [Partition] Hal Leonard
By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with g...(+)
By Various.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords).
Softcover. Size 9x12
inches. 144 pages.
Published by Hal Leonard.