Composed by William R. Brophy. Instructional book for horn in F (French Horn). Published by Carl Fischer.

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

By David R. Holsinger. For Concert Band. Grade 5 . Score and parts. Published by TRN Music Publisher

Trumpet - intermediate

SKU: BT.AMP-091-400

Arranged by Philip Sparke. Educational Tool. Book with CD. Composed 2004. 24 pages. Anglo Music Press #AMP 091-400. Published by Anglo Music Press (BT.AMP-091-400).

ISBN 9789043153362. English-German-French-Dut ch.

In Classic Hymns, Philip Sparke has taken 10 of the best-loved hymn tunes, popular around the world, and used them as the basis of a collection of short recital pieces, ranging from simple descant arrangements to a full-blown theme and variations. Ideal for concert or contest use, these charming pieces range in mood from triumphal to reflective and can provide that ‘musical moment’ and a time for meditation in church services and religious occasions of all kinds.

Anglo Music PressBij de keuze van de hymnen voor deze verzameling heeft Philip Sparke grotendeels geput uit de grote Engelse hymnen van de 18e en 19e eeuw - melodieën die niet alleen geschikt zijn voor samenzang, maar ook veel muzikalemogelijkheden bieden voor uitbreiding en variatie. De bijgevoegde cd bevat zowel volledige uitvoeringen als begeleidingstracks. Deze hymnen zijn uitstekend geschikt voor het spelen in concert- of wedstrijdverband, of als muzikaalintermezzo tijdens een kerkdienst.

Bei der Auswahl der Hymnen für diese Sammlung bediente sich Philip Sparke größtenteils der großen, englischen Hymnen aus dem 18. und 19. Jahrhundert. Die beiliegende CD enthält sowohl vollständige Aufnahmen als auch reine Begleitversionen. Diese Hymnen eigenen sich perfekt für den Einsatz im Gottesdienst, Konzert und Wettbewerb, aber auch für das Spiel zum eigenen Vergnügen.

Concert Band/Harmonie/Fanfare Band - Grade 2.5

SKU: BT.DHP-1084573-015

Composed by R.T. Böhmer. On Parade! March. Set (Score & Parts). Composed 2008. De Haske Publications #DHP 1084573-015. Published by De Haske Publications (BT.DHP-1084573-015).

MARS (135X180) inches. English-German-French-Dut ch.

William Blueheart March is een hommage aan een van die bestuursleden die al hun vrije tijd opofferen aan datgene waaraan zij hun hart hebben verpand: de plaatselijke muziekvereniging. Het begin van deze fraaie mars is in mineur.Verder is de opbouw traditioneel, met een inleiding, thema, bassolo en trio. Er zijn lange melodische lijnen gebruikt. De mars stelt technisch niet al te hoge eisen aan het orkest, maar in muzikaal opzicht valt er veel te genieten.William Bluehart March is een ideaal werk voor plechtige gelegenheden - zowel op straat als in de concertzaal.

Wi lliam Blueheart March wurde zum Gedenken an all die Menschen geschrieben, die einen großen Teil ihrer Freizeit dem widmen, woran ihr Herz am meisten hängt: dem Blasorchester und dem Musikvereinsleben. Aus gegebenem Anlass beginnt der Marsch in Moll und folgt im weiteren Verlauf der traditionellen Marschform: Einleitung, Thema, Basssolo, Trio. Besonderes Kennzeichen dieses Marsches, der technisch keine zu hohen Anforderungen stellt, sind lange melodische Linien. Ein Stück, das jedes Blasorchester einmal braucht!

Willia m Blueheart March de Rudy Böhmer est une marche (de concert ou de plein air) idéale en toute circonstance solennelle. Structurée de façon conventionnelle avec une introduction (en mineur), une ligne mélodique, un solo de basse et un trio, cette marche est techniquement peu exigeante, mais pleine de charmantes couleurs sonores.

For One Piano, 4 Hands. By Bert R. Anthony; C.C. Crammond; C.S. Morrison; Cecil Burleigh; Ethelbert Nevin; Frederick Keats; G.O. Hornberger; Richard Krentzlin; William Baines; William Scher. Edited by George Walter Anthony. Arranged by Preston Ware Orem; Walter Eckard; William Hodson. Piano (1 piano, 4 hands). For Piano Duet. Performance score. 61 pages. Published by Theodore Presser Company.

27 Christmas Favorites (Alto Sax Book - Includes CD). By Benjamin R. Hanby; Felix Mendelssohn Bartholdy; Franz Gruber; George Frideric Handel; James Pierpont; James R. Murray; John Francis Wade; John Henry Hopkins; Lewis Redner; Richard Storrs Willis; Theodoricus Petrus Of Nyland; Thomas Helmore. Arranged by Sandy Feldstein. Text: Charles Wesley; Edward H. Sears; John Francis Wade; John Mason Neale; William Sandy. For Alto Saxophone. Score and Audio CD. 32 pages. Published by Carl Fischer.

By David R. Gillingham. Percussion Ensemble. For Marimba (4-mallet) (marimba (5-octave)). Medium to difficult. Duration 20:00. Published by C. Alan Publications

Composed by Adoniram J. Gordon. Arranged by Emily Lund. For SATB choir. Text: Song of Solomon 5:16|Luke 7:47|John 14:1-4|John 15:12|John 17:10|John 21:15-19|2 Timothy 4:8|James 1:12|1 Peter 1|1 Peter 5:4|1 John 4:10-19. Choral octavo. Published by Hope Publishing Company

SATB choir

SKU: BP.1226

Composed by William R. Character. Arranged by William R Character. Sacred octavos. Sacred. Octavo. Beckenhorst Press #1226. Published by Beckenhorst Press (BP.1226).

This pensive SATB anthem utilizes text from Romans 12:1 and I Thessalonias 5: 23. The part writing is accessible for choirs of all levels and offers insight into service.

Piano - beginner

SKU: BT.1684-11-400-M

Klavierschule Band 4. Composed by Aniko Drabon. Tastenzauberei. Method. Book, CD and Audio Online. Composed 2011. 100 pages. Mitropa Music #1684-11-400 M. Published by Mitropa Music (BT.1684-11-400-M).

ISBN 9789043134613. 9x12 inches. German.

Ein zauberhafter Einstieg ins Klavierspiel!

Das ist Tastenzauberei:
• für Kinder ab dem Vor- und Grundschulalter
• sowohl für den Einzel- als auch für den Gruppenunterricht
• Quereinstieg in die Arbeit mit jedem der Bände ist möglich
• kindgerechtes Lerntempo
• Motivation der Schüler durch die ansprechende Gestaltung und Smiley-Aufkleber als Bonbon“
• viele Spielstücke (oft vierhändig für Schüler und Lehrer oder zwei Schüler) machen Tastenzauberei von Anfang an zu einem klangvollen Erlebnis
• professionelle Mitspiel- und Demo-CDs, eingespielt von der Autorin selbst

Der neueste und letzte Band 4 enthält etwas anspruchsvolleres Material sowie Anregungen zum Improvisieren, Lieder begleiten oder vierhändigen Musizieren. Die Stücke bilden die Grundlage für die Erweiterung der musiktheoretischen Kenntnisse, wozu u.a. Begriffe wie Konsonanz, Dissonanz, Funktionen, Kadenz oder Modulation zählen.

Performed by William Sheller. By William Sheller. Arranged by Patrice Bourges. For piano with lyrics. This edition: Editions Bourges R. Crock Music. French Chanson. Level: 7. Sheet music. Size 8.19 x 11.583. 4 pages. Published by Editions Bourges (French import).

(for Woodwind Quintet). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by William Purvis. Score and Parts. Southern Music. Hal Leonard #SU786. Published by Hal Leonard

(for Woodwind Quintet). Composed by Wolfgang Amadeus Mozart (1756-1791). Edited by William Purvis. Score and Parts. Southern Music. Hal Leonard #SU787. Published by Hal Leonard

Composed by William Billingsley, edited by Richard R. Hahn. Instrumental solo book for flute solo and piano accompaniment. With solo part, standard notation and piano accompaniment. 3 pages. Published by Alfred Publishing.

By William Byrd (1540-1623). Arranged by Bruce R. Smith. Flute Choir. For 4 Flutes, Alto, Bass. Grade 3.5

(from The Spitfire). By William Walton (1902-1983). Arranged by Gerhart Drijvers. For Concert Band. Grade 5. Full score and set of parts. Duration 8:00

By Benjamin R. Hanby. Arranged by William Owens. FJH Starter Series. The piece from beginning to end has a special festive quality, and should be bouncy, not heavy. At measure 6, percussion and low voices must be considerate of the upper woodwind melody. Play the sections at measures 14 and 26 in the same festive manner as the introduction. The slide whistle and the "Ho!, Ho!, Ho!" parts should be bold and without reservation. The section at measure 34 (especially the last three notes) should be climactic in nature but not overplayed. Score for this title: B1294S. Extra part for this title: B1294P. Concert Band. Level: 0.5. Score and Set of Parts. Published by The FJH Music Company Inc.

3-5 octave handbells - Grade 4

SKU: BP.HB267

Composed by Hart Morris. Arranged by Hart Morris. Handbell choir music. Sacred. Handbell part. Beckenhorst Press #HB267. Published by Beckenhorst Press (BP.HB267).

Arranged for 3-5 octave handbell choir. Based on FAITHFULNESS by William R. Runyan and PROMISES by R. Kelso Carter. Level 4-.

Composed by Johann Herbeck. Edited by William E. Hettrick. Score. Published by A-R Editions (A2.S048).