Bassoon - late intermediate SKU: BT.AMP-366-401 Composed by Philip Sparke...(+)
Bassoon - late
intermediate
SKU:
BT.AMP-366-401
Composed by Philip
Sparke. Tuition. Book
Only. Composed 2013. 48
pages. Anglo Music Press
#AMP 366-401. Published
by Anglo Music Press
(BT.AMP-366-401).
ISBN
9789043138857.
English-German-French-Dut
ch.
Super
Studies brings this
series to a close with 26
more advanced studies
which introduce such
things as double and
triple tonguing, lip
flexibility, breath
control and finger
strength. By the time you
have mastered the studies
in this book you will be
a ready to face any
advanced solo work.
Super
Studies is na
Starter Studies en
Skilful Studies
het derde deel in Philip
Sparkeâ??s serie
etudeboeken voor jonge
blazers. Ook deze uitgave
bevat interessant
studiemateriaal van een
hoge kwaliteit -
uiteraard toegespitst op
de gevorderde blazer.
Voor een verdere muzikale
en speltechnische
ontplooiing op weer een
wat hoger niveau.
Während Philip
Sparke an diesen drei
Etüdenbüchern
arbeitete, beriet er sich
mit vielen Musiklehrern,
wie man jungen Bläsern
am besten neue Noten
beibringt und zugleich
einen Rahmen schafft, in
welchen sich neue
musikalische Elemente in
einer logischen
Reihenfolge einfügen
lassen. Starter
Studies für
Anfänger und
Skilful Studies
sowie Super
Studies für etwas
fortgeschrittenere
Bläser enthalten
motivierende Etüden,
mit deren Hilfe die
Schüler strukturiert
ihren Tonumfang erweitern
und technische
Fähigkeiten, wie
Ansatzvariationen oder
Griffe erwerben
können. Die Etüden
sind jeweils genau auf
die technischen und
musikalischen
Anforderungen der
einzelnenInstrumente
zugeschnitten. Damit
bekommen interessierte
Schüler schon ab einem
frühen Lernstadium
optimales
Ã?bungsmaterial an die
Hand, so dass sie schnell
zu guten Musikern
heranreifen können.
Die drei Bücher
können ergänzend zu
jeder Instrumentalschule
eingesetzt werden.
â??Gli
inizi
dellâ??apprendimento
musicale sono decisivi.
Un buon insegnante è
un elemento chiave, ma
è indispensabile avere
a disposizione materiale
pedagogico complementare
che motivi gli allievi e
che allo stesso tempo
offra una presentazione
completa delle tecniche
del suono. Starter
Studies è il primo
volume di questa serie di
studi strumentali: una
collana che offre un
ambiente adeguato
allâ??introduzione di
nuovi elementi musicali.
Skilful Studies
è il motore
indispensabile per
procedere nel mondo della
musica. Per diventare un
musicista completo, gli
studi proposti in Super
Studies si concentrano su
unâ??esigenza
particolare relativa alla
specificit del
vostrostrumentoâ?.
40
Progressive Studies.
Composed by Philip
Sparke. Exam Material.
Book Only. Composed 2004.
28 pages. Anglo Music
Press #AMP 096-401.
Published by Anglo Music
Press (BT.AMP-096-401).
English-German-French-
Dutch.
Following on
from Starter
Studies, this
collection generally
contains longer pieces
suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Studies introduces
the concept of phrasing
by suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges. New
notes are introduced in a
gradual and logical
manner; woodwind players
are taken into their
second octave, learning
to cross the
‘break’ as
smoothly as
possible.
Skilf
ul Solos past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een
succesvolle reeks van
Philip Sparke. Net als de
eerdergenoemde uitgaven
bevat Skilful
Soloswaardevol,
motiverend speelmateriaal
dat de keuze voor een
methode aanvult. Nieuwe
muzikale elementen komen
in een logische volgorde
aan de orde - om de
ontwikkeling van de
complete muzikant te
bevorderen.
Wäh
rend Philip Sparke an
diesen drei
Etüdenbüchern
arbeitete, beriet er sich
mit vielen Musiklehrern,
wie man jungen Bläsern
am besten neue Noten
beibringt und zugleich
einen Rahmen schafft, in
welchen sich neue
musikalische Elemente in
einer logischen
Reihenfolge einfügen
lassen. Starter
Studies für
Anfänger und
Skilful Studies
sowie Super
Studies für etwas
fortgeschrittenere
Bläser enthalten
motivierende Etüden,
mit deren Hilfe die
Schüler strukturiert
ihren Tonumfang erweitern
und technische
Fähigkeiten, wie
Ansatzvariationen oder
Griffe erwerben
können. Die Etüden
sind jeweils genau auf
die technischen und
musikalischen
Anforderungen der
einzelnenInstrumente
zugeschnitten. Damit
bekommen interessierte
Schüler schon ab einem
frühen Lernstadium
optimales
Ãœbungsmaterial an die
Hand, so dass sie schnell
zu guten Musikern
heranreifen können.
Die drei Bücher
können ergänzend zu
jeder Instrumentalschule
eingesetzt werden.
“Gli inizi
dell’apprendimento
musicale sono decisivi.
Un buon insegnante è
un elemento chiave, ma
è indispensabile avere
a disposizione materiale
pedagogico complementare
che motivi gli allievi e
che allo stesso tempo
offra una presentazione
completadelle tecniche
del suono. Starter
Studies è il primo
volume di questa serie di
studi strumentali: una
collana che offre un
ambiente adeguato
all’introduzione
di nuovi elementi
musicali. Skilful
Studies è il
motore indispensabile
perprocedere nel mondo
della musica. Per
diventare un musicista
completo, gli studi
proposti in Super Studies
si concentrano su
un’esigenza
particolare relativa alla
specificit del vostro
strumentoâ€.
Bass TC/BC - late intermediate SKU: BT.AMP-119-401 Composed by Philip Spa...(+)
Bass TC/BC - late
intermediate
SKU:
BT.AMP-119-401
Composed by Philip
Sparke. Studies &
Exercises. Book Only.
Composed 2004. 96 pages.
Anglo Music Press #AMP
119-401. Published by
Anglo Music Press
(BT.AMP-119-401).
International.
S
uper Studies brings this
series to a close with 26
more advanced studies
which introduce such
things as double and
triple tonguing, lip
flexibility, breath
control and finger
strength. By the time you
have mastered the studies
in this book you will be
a ready to face any
advanced solo work.
Super
Studies is na
Starter Studies en
Skilful Studies
het derde deel in Philip
Sparke’s serie
etudeboeken voor jonge
blazers. Ook deze uitgave
bevat interessant
studiemateriaal van een
hoge kwaliteit -
uiteraardtoegespitst op
de gevorderde blazer.
Voor een verdere muzikale
en speltechnische
ontplooiing op weer een
wat hoger
niveau.
Während
Philip Sparke an diesen
drei Etüdenbüchern
arbeitete, beriet er sich
mit vielen Musiklehrern,
wie man jungen Bläsern
am besten neue Noten
beibringt und zugleich
einen Rahmen schafft, in
welchen sich neue
musikalische Elemente in
einer logischen
Reihenfolge einfügen
lassen. Starter
Studies für
Anfänger und
Skilful Studies
sowie Super
Studies für etwas
fortgeschrittenere
Bläser enthalten
motivierende Etüden,
mit deren Hilfe die
Schüler strukturiert
ihren Tonumfang erweitern
und technische
Fähigkeiten, wie
Ansatzvariationen oder
Griffe erwerben
können. Die Etüden
sind jeweils genau auf
die technischen und
musikalischen
Anforderungen der
einzelnenInstrumente
zugeschnitten. Damit
bekommen interessierte
Schüler schon ab einem
frühen Lernstadium
optimales
Ãœbungsmaterial an die
Hand, so dass sie schnell
zu guten Musikern
heranreifen können.
Die drei Bücher
können ergänzend zu
jeder Instrumentalschule
eingesetzt werden.
“Gli inizi
dell’apprendimento
musicale sono decisivi.
Un buon insegnante è
un elemento chiave, ma
è indispensabile avere
a disposizione materiale
pedagogico complementare
che motivi gli allievi e
che allo stesso tempo
offra una presentazione
completadelle tecniche
del suono. Starter
Studies è il primo
volume di questa serie di
studi strumentali: una
collana che offre un
ambiente adeguato
all’introduzione
di nuovi elementi
musicali. Skilful
Studies è il
motore indispensabile
perprocedere nel mondo
della musica. Per
diventare un musicista
completo, gli studi
proposti in Super Studies
si concentrano su
un’esigenza
particolare relativa alla
specificit del vostro
strumentoâ€.
40
Progressive Studies.
Composed by Philip
Sparke. Tuition. Book
Only. Composed 2013. 28
pages. Anglo Music Press
#AMP 365-401. Published
by Anglo Music Press
(BT.AMP-365-401).
ISBN
9789043138840. 9x12
inches.
English-German-French-Dut
ch.
Following on
from Starter
Studies, this
collection generally
contains longer pieces
suitable for the
developing young
musician. Specifically
tailored for each
instrument, Skilful
Studies introduces
the concept of phrasing
by suggesting suitable
breathing points and
takes the player into new
keys with extended
instrumental ranges. New
notes are introduced in a
gradual and logical
manner; woodwind players
are taken into their
second octave, learning
to cross the
â??breakâ?? as smoothly
as
possible.
Skilf
ul Solo past in het
rijtje Starter
Studies, Skilful
Studies, Super
Studies en Starter
Solos, een
succesvolle reeks van
Philip Sparke. Net als de
eerdergenoemde uitgaven
bevat Skilful Solos
waardevol, motiverend
speelmateriaal dat de
keuze voor een methode
aanvult. Nieuwe muzikale
elementen komen in een
logische volgorde aan de
orde - om de ontwikkeling
van de complete muzikant
te bevorderen.
Während Philip
Sparke an diesen drei
Etüdenbüchern
arbeitete, beriet er sich
mit vielen Musiklehrern,
wie man jungen Bläsern
am besten neue Noten
beibringt und zugleich
einen Rahmen schafft, in
welchen sich neue
musikalische Elemente in
einer logischen
Reihenfolge einfügen
lassen. Starter
Studies für
Anfänger und
Skilful Studies
sowie Super
Studies für etwas
fortgeschrittenere
Bläser enthalten
motivierende Etüden,
mit deren Hilfe die
Schüler strukturiert
ihren Tonumfang erweitern
und technische
Fähigkeiten, wie
Ansatzvariationen oder
Griffe erwerben
können. Die Etüden
sind jeweils genau auf
die technischen und
musikalischen
Anforderungen der
einzelnenInstrumente
zugeschnitten. Damit
bekommen interessierte
Schüler schon ab einem
frühen Lernstadium
optimales
Ã?bungsmaterial an die
Hand, so dass sie schnell
zu guten Musikern
heranreifen können.
Die drei Bücher
können ergänzend zu
jeder Instrumentalschule
eingesetzt werden.
â??Gli inizi
dellâ??apprendimento
musicale sono decisivi.
Un buon insegnante è
un elemento chiave, ma
è indispensabile avere
a disposizione materiale
pedagogico complementare
che motivi gli allievi e
che allo stesso tempo
offra una presentazione
completa delle tecniche
del suono. Starter
Studies è il primo
volume di questa serie di
studi strumentali: una
collana che offre un
ambiente adeguato
allâ??introduzione di
nuovi elementi musicali.
Skilful Studies
è il motore
indispensabile per
procedere nel mondo della
musica. Per diventare un
musicista completo, gli
studi proposti in Super
Studies si concentrano su
unâ??esigenza
particolare relativa alla
specificit del
vostrostrumentoâ?.
Onze Retrats Piano seul Editorial de Musica Boileau
Piano SKU: BO.EI0314 Composed by jordi Vilaprinyo. Published by Editorial...(+)
Piano
SKU:
BO.EI0314
Composed by
jordi Vilaprinyo.
Published by Editorial de
Musica Boileau
(BO.EI0314).
Within musical
activities there exists a
great diversity of
different aspects that
often go far beyond any
particular
specialization. Of all
cultural activities
clearly music is one that
manifests numerous
multidisciplinary
features which not only
enriches music itself but
also all who are involved
in it. This is certainly
the case of Jordi
Vilaprinyo, an excellent
pianist, brilliant
composer and a dedicated
pedagogue with a
remarkable career as a
professor at the
Conservatorio Municipal
de Musica de Barcelona
and in other educational
institutions. All of this
is all in addition to his
role as a tireless
advocate of everything
relating to the piano,
which reveals his
exceptional personality
completely dedicated to
his greatest
passion-music.
T
he academic year 2011-12
marked the celebration of
the 125th anniversary of
the Conservatorio
Municipal de Musica de
Barcelona. In honor of
the occasion, Jordi
Vilaprinyo composed a
series of eleven short
pieces which present a
pianistic-musical
portrait of each
professor of the Piano
Department in our
Conservatory. This piece,
written in the form of a
suite, brings together
eleven imaginative
musical sketches which
reflect the personal
qualities and musical
personalities of his
colleagues as seen
through the eyes of Mr.
Vilaprinyo. These eleven
portraits reveal the
respect which Jordi feels
for his colleagues and at
the same time they are
ideal teaching
pieces.
The
various portraits are
written in a free and
diverse musical language
which is always
effective. Certain
moments are quite
evocative while others
are more descriptive and,
at times, more energetic.
The varied textures and
sonic balance are always
highly controlled and
affecting. However, I
would like to emphasize,
that although the work
could be considered as
program music due to its
personal nature, the
pieces stand apart for
their musical
quality.
Publish
ed by Editorial Boileau,
the work was premiered in
a student concert which
Professor Maria Rosa
Ribas organizes each
year. Professor Ribas is
one of the members of the
Piano Department depicted
in the musical portraits.
The premiere, performed
by students of the
Conservatory, took place
in the Auditorio Eduard
Toldra on May 30,
2011.
The Onze
retrats [Eleven
Portraits] are dedicated
respectively to the
following professors:
Carolina Saldana, Merce
Molero, Maria Drets,
Montserrat Cabero, Maria
Jesus Crespo, Carles
Marques, Maria Rosa
Ribas, Albada Olaya,
Montse Padros, Carme Poch
and Mireia Planas.
SKU: UT.LB-47 Mario Ancillotti Collection. Classical. Books and Journals....(+)
SKU: UT.LB-47
Mario Ancillotti
Collection. Classical.
Books and Journals. Ut
Orpheus #LB 47. Published
by Ut Orpheus (UT.LB-47).
ISBN 9788881095360.
6.5 x 9.5
inches.
Vi è
nella formazione di ogni
adepto un periodo
fondamentale in cui la
musica può essere
percepita solo come la
realizzazione di una
splendida tecnica
strumentale, oppure come
l’espressione
delle più intime
sensibilità :
Appunti di un
flautista indirizza
verso questa seconda
attitudine, quella più
significativa per chi
sceglie di coltivare
un’arte profonda e
certamente ineffabile.
Il libro è la
raccolta di tantissime
esperienze maturate
durante un’intera
carriera che ha visto
Mario Ancillotti nelle
più diverse
attività di solista,
camerista, orchestrale,
insegnante,
organizzatore, direttore:
tutte attività che
derivano da una sete mai
saziata di conoscenze
nell’immenso campo
della musica. Da queste
nasce e si fonda dapprima
la parte dedicata ai
segreti
dell’interpretazio
ne e dell’ascolto,
con esempi pratici
corredati da esecuzioni
ad opera dello stesso
Ancillotti;
successivamente ci si
indirizza verso la parte
più tecnica e
strumentale, e poi verso
i suggerimenti preziosi
che l’esperienza
di flautista e musicista
eclettico ha dettato
all’autore. Sempre
nella consapevolezza che
la musica è arte
sublime ma sfuggente ad
ogni rigida prescrizione
e che tutto è
determinato soltanto dal
buon gusto raggiungibile
solo con studio e
sacrificio. Il lavoro
presenta infine un
Repertorio
ragionato denso di
indicazioni,
anch’esso
suggerimento personale su
tutti quei brani
fondamentali per la
formazione musicale e
tecnica di ogni flautista
che vuole divenire un
interprete di
quest’arte
indagatoria e rivelatrice
della sfera emotiva.
Bass Clarinet Solo SKU: IS.BC6927EM Composed by Gareth Churchill. Woodwin...(+)
Bass Clarinet Solo
SKU: IS.BC6927EM
Composed by Gareth
Churchill. Woodwinds -
Bass Clarinet / Basset
Horn. Metropolis Music
Publishers #BC6927EM.
Published by Metropolis
Music Publishers
(IS.BC6927EM).
ISBN
9790365069279.
Gare
th Churchill trained in
London with Rhian Samuel
and in Cardiff with
Anthony Powers (PhD
Composition 2007); other
teachers having included
Peter Maxwell Davies,
Judith Weir, John Metcalf
and Charles Camilleri.
Commissions include works
for Vale of Glamorgan
Festival for Arvo
Pärt's 75th birthday,
Aberystwyh Musicfest,
Bangor New Music
Festival, Mavron Quartet
and South Wales Gay Men's
Chorus. Performances have
reached audiences in
Belgium, Estonia, Italy,
Japan, Norway, Spain, the
USA and throughout the
UK. His output reflects
an interest in musical
cryptography with many
works' titles providing
the key to understanding
their musical means. He
has taught at Cardiff
University School of
Music, at Aberystwyth
Musicfest and is
composition teacher for
Cardiff University Centre
for Continuing and
Professional
Education.This
composition was written
for bass clarinet soloist
Sarah Watts, who did
extensive research on
bass clarinet
multiphonics. This piece
is a great illustration
on the integration of
multiphonics in
contemporary music.
SKU: GI.WAS22 Sacred. Walton Music #WAS22. Published by Walton Music (GI....(+)
SKU: GI.WAS22
Sacred. Walton Music
#WAS22. Published by
Walton Music (GI.WAS22).
Word &
Song is a
subscription-based
resource. For information
on quantity pricing
, contact Suzanne Orland,
Sales and Customer
Relationship Manager at
708.552.9815 or email
hymnalsandmissals@giamusi
c.com Word &
Song is the resource
of choice for energetic
and vibrant parishes.
This comprehensive annual
volume provides the
ease-of-use of a missal
and the repertory of a
hymnal and songbook under
one durable cover. No
extra charge for
readings. No extra charge
for weekdays. Word &
Song continues to be
the most complete and
most affordable
one-volume annual
available. Readings and
Sacramentary prayers,
responsorial psalms and
gospel acclamations, and
Entrance and Communion
antiphons are provided
for Sundays and Holy
Days. The weekday section
includes scripture
citations, Entrance and
Communion antiphons, and
Psalm Responses. Even
texts for Optional
Memorials are included.
The generous 6 X 9 format
is easy to hold and easy
to read. Scripture texts
are even printed in
larger type. Word &
Song includes the core
Catholic musical
repertory your parish
needs, as well as a wider
selection of contemporary
music for worship. More
than 700 musical items
are included every year.
The annual format
of Word &
Song ensures that your
community will always
have an up-to-date
liturgical resource
containing the best in
contemporary music! For
more information, to
request a sample copy, or
to place an order,
contact our Sales and
Customer Relationship
Manager, Suzanne
Orland
at suzanneo@giamusic.c
om Click here for more
detailed information or
to download the most
current indexes for this
publication.
SKU: GI.WAS21 Sacred. Walton Music #WAS21. Published by Walton Music (GI....(+)
SKU: GI.WAS21
Sacred. Walton Music
#WAS21. Published by
Walton Music (GI.WAS21).
Word &
Song is a
subscription-based
resource. For information
on quantity pricing
, contact Suzanne Orland,
Sales and Customer
Relationship Manager at
708.552.9815 or email
hymnalsandmissals@giamusi
c.com Word &
Song is the resource
of choice for energetic
and vibrant parishes.
This comprehensive annual
volume provides the
ease-of-use of a missal
and the repertory of a
hymnal and songbook under
one durable cover. No
extra charge for
readings. No extra charge
for weekdays. Word &
Song continues to be
the most complete and
most affordable
one-volume annual
available. Readings and
Sacramentary prayers,
responsorial psalms and
gospel acclamations, and
Entrance and Communion
antiphons are provided
for Sundays and Holy
Days. The weekday section
includes scripture
citations, Entrance and
Communion antiphons, and
Psalm Responses. Even
texts for Optional
Memorials are included.
The generous 6 X 9 format
is easy to hold and easy
to read. Scripture texts
are even printed in
larger type. Word &
Song includes the core
Catholic musical
repertory your parish
needs, as well as a wider
selection of contemporary
music for worship. More
than 700 musical items
are included every year.
The annual format
of Word &
Song ensures that your
community will always
have an up-to-date
liturgical resource
containing the best in
contemporary music! For
more information, to
request a sample copy, or
to place an order,
contact our Sales and
Customer Relationship
Manager, Suzanne
Orland
at suzanneo@giamusic.c
om Click here for more
detailed information or
to download the most
current indexes for this
publication.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-485-010 From The Greatest ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-485-010
From The Greatest
Showman. Arranged by
Philip Sparke. Anglo
Music Midway Series.
TV-Film-Musical-Show. Set
(Score & Parts). Composed
2018. Anglo Music Press
#AMP 485-010. Published
by Anglo Music Press
(BT.AMP-485-010).
The Greatest
Showman is definitely
one of the most popular
movie musicals of recent
years. The film’s
stunning lead performance
by Hugh Jackman and its
touching score have made
this picture an instant
classic. The mind-blowing
theme song ‘The
Greatest Show’ is
here arranged for concert
band by Philip
Sparke.
The
Greatest Showman is
verreweg de populairste
musicalfilm van de
afgelopen jaren. Niet
alleen het geweldige
acteerwerk van Hugh
Jackman maar ook de
treffende muziek maakt
deze film een blijvertje.
De meeslepende titelsong
‘The Greatest
Show’ is door
Philip Sparke
gearrangeerd voor
harmonieorkest.
The Greatest Showman
gehört eindeutig zu
den beliebtesten
Musicalfilmen der letzten
Jahre. Die fantastische
Leistung von Hugh Jackman
in der Hauptrolle und die
berührende Musik
machten aus diesem Film
innerhalb kürzester
Zeit einen Klassiker.
Philip Sparke hat die
unglaublich tolle
Titelmelodie The Greatest
Show“ für
Blasorchester
arrangiert.
Brass Band - Grade 3 SKU: BT.AMP-485-130 From The Greatest Showman...(+)
Brass Band - Grade 3
SKU:
BT.AMP-485-130
From The Greatest
Showman. Arranged by
Philip Sparke. Anglo
Music Midway Series.
TV-Film-Musical-Show.
Score Only. Composed
2018. 28 pages. Anglo
Music Press #AMP 485-130.
Published by Anglo Music
Press (BT.AMP-485-130).
The Greatest
Showman is definitely
one of the most popular
movie musicals of recent
years. The film’s
stunning lead performance
by Hugh Jackman and its
touching score have made
this picture an instant
classic. The mind-blowing
theme song ‘The
Greatest Show’ is
here arranged for brass
band by Philip
Sparke.
The
Greatest Showman is
verreweg de populairste
musicalfilm van de
afgelopen jaren. Niet
alleen het geweldige
acteerwerk van Hugh
Jackman maar ook de
treffende muziek maakt
deze film een blijvertje.
De meeslepende titelsong
‘The Greatest
Show’ is door
Philip Sparke
gearrangeerd voor
brassband.
The
Greatest Showman
gehört eindeutig zu
den beliebtesten
Musicalfilmen der letzten
Jahre. Die fantastische
Leistung von Hugh Jackman
in der Hauptrolle und die
berührende Musik
machten aus diesem Film
innerhalb kürzester
Zeit einen Klassiker.
Philip Sparke hat die
unglaublich tolle
Titelmelodie The Greatest
Show“ für Brass
Band
arrangiert.
Brass Band - Grade 3 SKU: BT.AMP-485-030 From The Greatest Showman...(+)
Brass Band - Grade 3
SKU:
BT.AMP-485-030
From The Greatest
Showman. Arranged by
Philip Sparke. Anglo
Music Midway Series.
TV-Film-Musical-Show. Set
(Score and Parts).
Composed 2018. Anglo
Music Press #AMP 485-030.
Published by Anglo Music
Press (BT.AMP-485-030).
The Greatest
Showman is definitely
one of the most popular
movie musicals of recent
years. The filmâ??s
stunning lead performance
by Hugh Jackman and its
touching score have made
this picture an instant
classic. The mind-blowing
theme song â??The
Greatest Showâ?? is here
arranged for brass band
by Philip
Sparke.
The
Greatest Showman is
verreweg de populairste
musicalfilm van de
afgelopen jaren. Niet
alleen het geweldige
acteerwerk van Hugh
Jackman maar ook de
treffende muziek maakt
deze film een blijvertje.
De meeslepende titelsong
â??The Greatest Showâ??
is door Philip Sparke
gearrangeerd voor
brassband.
The
Greatest Showman
gehört eindeutig zu
den beliebtesten
Musicalfilmen der letzten
Jahre. Die fantastische
Leistung von Hugh Jackman
in der Hauptrolle und die
berührende Musik
machten aus diesem Film
innerhalb kürzester
Zeit einen Klassiker.
Philip Sparke hat die
unglaublich tolle
Titelmelodie The Greatest
Showâ?? für Brass
Band
arrangiert.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-485-140 From The Greatest ...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-485-140
From The Greatest
Showman. Arranged by
Philip Sparke. Anglo
Music Midway Series.
TV-Film-Musical-Show.
Score Only. Composed
2018. 24 pages. Anglo
Music Press #AMP 485-140.
Published by Anglo Music
Press (BT.AMP-485-140).
The Greatest
Showman is definitely
one of the most popular
movie musicals of recent
years. The film’s
stunning lead performance
by Hugh Jackman and its
touching score have made
this picture an instant
classic. The mind-blowing
theme song ‘The
Greatest Show’ is
here arranged for concert
band by Philip
Sparke.
The
Greatest Showman is
verreweg de populairste
musicalfilm van de
afgelopen jaren. Niet
alleen het geweldige
acteerwerk van Hugh
Jackman maar ook de
treffende muziek maakt
deze film een blijvertje.
De meeslepende titelsong
‘The Greatest
Show’ is door
Philip Sparke
gearrangeerd voor
harmonieorkest.
The Greatest Showman
gehört eindeutig zu
den beliebtesten
Musicalfilmen der letzten
Jahre. Die fantastische
Leistung von Hugh Jackman
in der Hauptrolle und die
berührende Musik
machten aus diesem Film
innerhalb kürzester
Zeit einen Klassiker.
Philip Sparke hat die
unglaublich tolle
Titelmelodie The Greatest
Show“ für
Blasorchester
arrangiert.
Brass Sextet (BRASS SEXTET) SKU: HL.50487224 For brass sextet. Com...(+)
Brass Sextet (BRASS
SEXTET)
SKU:
HL.50487224
For
brass sextet.
Composed by Frigyes
Hidas. EMB. Volume 2.
Studies. Playing score.
Editio Musica Budapest
#Z12564. Published by
Editio Musica Budapest
(HL.50487224).
ISBN
9790080125649. K/4
(23,5x31) inches.
Hungarian, English.
Frigyes
Hidas.
Written for
brass quintet and sextet
this series presents a
unique venture. The
volumes contain the basis
of chamber music for
young brass players which
lend themselves for
teaching purposes as
well. The works provide
young musicians with the
possibility of starting
chamber music already as
beginners and of getting
acquainted at an early
phase with the exciting
world of instrumental
ensemble playing. The
composer states the aim
of the series in the
Preface as follows:
'Through forms easy to
survey, clear build-up
and last but not least
with ideas' provoking'
the young musicians to
use their own fantasy
this series intends to
serve as a kind of
'warming up training' to
the 'Decisive Matches' of
professional ensemble
playing.' Territorial
restrictions may apply.
Please ask before
ordering.
Training Patterns Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba EMB (Editio Musica Budapest)
Brass Quintet (Brass Quintet) SKU: HL.50487222 For brass quintet. ...(+)
Brass Quintet (Brass
Quintet)
SKU:
HL.50487222
For
brass quintet.
Composed by Frigyes
Hidas. EMB. Volume 2.
Studies. Playing score.
Editio Musica Budapest
#Z12562. Published by
Editio Musica Budapest
(HL.50487222).
ISBN
9790080125625. K/4
(23,5x31) inches.
Hungarian, English.
Frigyes
Hidas.
Written for
brass quintet and sextet
this series presents a
unique venture. The
volumes contain the basis
of chamber music for
young brass players which
lend themselves for
teaching purposes as
well. The works provide
young musicians with the
possibility of starting
chamber music already as
beginners and of getting
acquainted at an early
phase with the exciting
world of instrumental
ensemble playing. The
composer states the aim
of the series in the
Preface as follows:
'Through forms easy to
survey, clear build-up
and last but not least
with ideas' provoking'
the young musicians to
use their own fantasy
this series intends to
serve as a kind of
'warming up training' to
the 'Decisive Matches' of
professional ensemble
playing.' Territorial
restrictions may apply.
Please ask before
ordering.
Brass Sextet SKU: HL.50487223 For brass sextet. Composed by Frigye...(+)
Brass Sextet
SKU:
HL.50487223
For
brass sextet.
Composed by Frigyes
Hidas. EMB. Volume 1.
Classical. Playing score.
Editio Musica Budapest
#Z12563. Published by
Editio Musica Budapest
(HL.50487223).
ISBN
9790080125632. K/4
(23,5x31) inches.
Hungarian, English.
Frigyes
Hidas.
Written for
brass quintet and sextet
this series presents a
unique venture. The
volumes contain the basis
of chamber music for
young brass players which
lend themselves for
teaching purposes as
well. The works provide
young musicians with the
possibility of starting
chamber music already as
beginners and of getting
acquainted at an early
phase with the exciting
world of instrumental
ensemble playing. The
composer states the aim
of the series in the
Preface as follows:
'Through forms easy to
survey, clear build-up
and last but not least
with ideas' provoking'
the young musicians to
use their own fantasy
this series intends to
serve as a kind of
'warming up training' to
the 'Decisive Matches' of
professional ensemble
playing.' Territorial
restrictions may apply.
Please ask before
ordering.
Orequesta sinfonica,
Orquesta camara, voces y
coro (Symphony Orchestra,
Chamber Orchestra, Solo
Voices and Choir)
SKU:
BO.B.3472
A la
memoria de Salvador
Espriu. Composed by
Xavier Benguerel. Vocal
Music. Choir. Duration
85:00. Published by
Editorial de Musica
Boileau (BO.B.3472).
ISBN
9788480208130.
Engl
ish comments: The Requiem
in memory of Salvador
Espriu by Xavier
Benguerel was
commissioned by the
Torroella de Montgri
International Music
Festival for a double
commemoration: on the one
hand, to celebrate the
tenth anniversary of the
Festival, and on the
other, in remembrance of
Catalan poet Salvador
Espriu in the fifth year
after his death. This
concert, which was held
on 5 October, was a
brilliant closing gala
performance and it was
repeated twice on 6 and 7
October at the Palau de
la Musica Catalana in
Barcelona. It was
performed by the
Orchestra and Choir of
the Gran Teatro del
Liceo, with soloists
Enriqueta Tarres,
soprano; Nelibel
Martinez, mezzo soprano;
Eduard Gimenez, tenor;
and Carlos Chausson,
baritone, with the
additional collaboration
of baritone Lluis Llach,
conducted by Romano
Gandolfi.
In my
opinion, this work by
Benguerel is a piece that
was written with passion
and sincerity, with great
strength and depth, and
it contains some very
beautiful passages. It is
written in a language
through which, without
abandoning his current
musical thoughts,
Benguerel manages to
communicate with the
audience in a dense work
that lasts for an hour
and a half. It is
interspersed with seven
poems by Espriu on the
subject of death, some
sung and others recited,
which gives the Requiem
great contrasts from a
musical and linguistic
point of view -in
comparison with the Latin
texts normally used in a
requiem mass-, but within
a successful and coherent
unity. The performers
certainly proved their
worth, but much of the
hard work that went into
preparing the piece can
be attributed not only to
the performers, the
composer and the poet in
tribute to whom the work
was written, but also to
the conductor Romano
Gandolfi, who is largely
responsible for the
success of the three
performances of this
Requiem. Benguerel
himself says of the work:
This Requiem is linked to
my previous work, the
Llibre Vermell, and it
has been written without
making any concessions,
but with a true wish to
communicate with the
audience. I've got past
the stage of musical
experiments and I'm now
working on bridging the
gap between composer and
audience, which I'm sure
will be good for
both. --Comments
written by Jordi Codina
in the December 1990
issue of Nexus
magazine
Comentario
s del Espanol: El Requiem
a la memoria de Salvador
Espriu de Xavier
Benguerel ha sido
compuesto por encargo del
Festival Internacional de
Musica de Torroella de
Montgri para una doble
conmemoracion: por una
parte, el decimo
aniversario del Festival;
por otra, el recuerdo de
la figura del poeta
catalan Salvador Espriu
en el quinto ano de su
fallecimiento. Este
concierto, celebrado el
dia 5 de octubre,
constituyo una sesion de
gala y de clausura
brillante y tuvo una
doble repeticion los dias
6 y 7en el Palau de la
Musica Catalana de
Barcelona. Fueron sus
interpretes la Orquesta y
el Coro del Gran Teatro
del Liceo, con los
solistas vocales
Enriqueta Tarres,
soprano; Nelibel
Martinez, mezzo; Eduard
Gimenez, tenor; y Carlos
Chausson, baritono, con
la colaboracion del
tambien baritono Lluis
Llach. Todos bajo la
direccion de Romano
Gandolfi.
A mi
entender, la obra de
Benguerel es una
partitura escrita con
pasion y sinceridad,
posee una gran solidez,
es profunda y contiene
pasajes de una gran
belleza. Esta escrita en
un lenguaje con el que
Benguerel, sin renunciar
a su actual pensamiento
musical, alcanza la
comunicacion con el
publico en una obra densa
que dura una hora y
media. La intercalacion
de siete poemas de Espriu
relacionados con el tema
de la muerte, en una
interpretacion cantada o
recitada, segun los
casos, otorga al Requiem
grandes contrastes desde
un punto de vista musical
y lingŸistico à en
contraposicion con los
textos latinos propios de
una misa de requiem Ã,
pero dentro de una unidad
conseguida y coherente.
La labor de los
interpretes demostro su
categoria y el trabajo
exhaustivo en la
preparacion de la obra,
que, ademas de los
interpretes, el
compositor y el poeta
homenajeado, tuvo otro
gran protagonista en la
persona del director
Romano Gandolfi, a quien
se debe una gran parte
del exito obtenido en las
tres audiciones de este
Requiem. El propio
Benguerel ha dicho de la
obra: Este Requiem
entronca con mi obra
anterior, el Llibre
Vermell, y ha sido
escrito sin concesiones,
pero con una voluntad
real de comunicacion con
el publico. La epoca de
los experimentos
musicales ya se me paso y
he entrado en una nueva
etapa de acercamiento
entre el compositor y el
publico que, estoy
convencido, beneficiara a
ambos. --Comentario
escrito por Jordi Codina
en la revista Nexus en
diciembre de 1990
Coro, Voces y Piano (Choir, Solo Voices, and Piano) SKU: BO.B.3473 A l...(+)
Coro, Voces y Piano
(Choir, Solo Voices, and
Piano)
SKU:
BO.B.3473
A la
memoria de Salvador
Espriu. Composed by
Xavier Benguerel. Vocal
Music. Piano reduction.
Choir. Duration 85:00.
Published by Editorial de
Musica Boileau
(BO.B.3473).
ISBN
9788480208147.
Engl
ish comments: The Requiem
in memory of Salvador
Espriu by Xavier
Benguerel was
commissioned by the
Torroella de Montgri
International Music
Festival for a double
commemoration: on the one
hand, to celebrate the
tenth anniversary of the
Festival, and on the
other, in remembrance of
Catalan poet Salvador
Espriu in the fifth year
after his death. This
concert, which was held
on 5 October, was a
brilliant closing gala
performance and it was
repeated twice on 6 and 7
October at the Palau de
la Musica Catalana in
Barcelona. It was
performed by the
Orchestra and Choir of
the Gran Teatro del
Liceo, with soloists
Enriqueta Tarres,
soprano; Nelibel
Martinez, mezzo soprano;
Eduard Gimenez, tenor;
and Carlos Chausson,
baritone, with the
additional collaboration
of baritone Lluis Llach,
conducted by Romano
Gandolfi.
In my
opinion, this work by
Benguerel is a piece that
was written with passion
and sincerity, with great
strength and depth, and
it contains some very
beautiful passages. It is
written in a language
through which, without
abandoning his current
musical thoughts,
Benguerel manages to
communicate with the
audience in a dense work
that lasts for an hour
and a half. It is
interspersed with seven
poems by Espriu on the
subject of death, some
sung and others recited,
which gives the Requiem
great contrasts from a
musical and linguistic
point of view -in
comparison with the Latin
texts normally used in a
requiem mass-, but within
a successful and coherent
unity. The performers
certainly proved their
worth, but much of the
hard work that went into
preparing the piece can
be attributed not only to
the performers, the
composer and the poet in
tribute to whom the work
was written, but also to
the conductor Romano
Gandolfi, who is largely
responsible for the
success of the three
performances of this
Requiem. Benguerel
himself says of the work:
This Requiem is linked to
my previous work, the
Llibre Vermell, and it
has been written without
making any concessions,
but with a true wish to
communicate with the
audience. I've got past
the stage of musical
experiments and I'm now
working on bridging the
gap between composer and
audience, which I'm sure
will be good for
both. --Comments
written by Jordi Codina
in the December 1990
issue of Nexus
magazine
Comentario
s del Espanol: El Requiem
a la memoria de Salvador
Espriu de Xavier
Benguerel ha sido
compuesto por encargo del
Festival Internacional de
Musica de Torroella de
Montgri para una doble
conmemoracion: por una
parte, el decimo
aniversario del Festival;
por otra, el recuerdo de
la figura del poeta
catalan Salvador Espriu
en el quinto ano de su
fallecimiento. Este
concierto, celebrado el
dia 5 de octubre,
constituyo una sesion de
gala y de clausura
brillante y tuvo una
doble repeticion los dias
6 y 7en el Palau de la
Musica Catalana de
Barcelona. Fueron sus
interpretes la Orquesta y
el Coro del Gran Teatro
del Liceo, con los
solistas vocales
Enriqueta Tarres,
soprano; Nelibel
Martinez, mezzo; Eduard
Gimenez, tenor; y Carlos
Chausson, baritono, con
la colaboracion del
tambien baritono Lluis
Llach. Todos bajo la
direccion de Romano
Gandolfi.
A mi
entender, la obra de
Benguerel es una
partitura escrita con
pasion y sinceridad,
posee una gran solidez,
es profunda y contiene
pasajes de una gran
belleza. Esta escrita en
un lenguaje con el que
Benguerel, sin renunciar
a su actual pensamiento
musical, alcanza la
comunicacion con el
publico en una obra densa
que dura una hora y
media. La intercalacion
de siete poemas de Espriu
relacionados con el tema
de la muerte, en una
interpretacion cantada o
recitada, segun los
casos, otorga al Requiem
grandes contrastes desde
un punto de vista musical
y lingŸistico à en
contraposicion con los
textos latinos propios de
una misa de requiem Ã,
pero dentro de una unidad
conseguida y coherente.
La labor de los
interpretes demostro su
categoria y el trabajo
exhaustivo en la
preparacion de la obra,
que, ademas de los
interpretes, el
compositor y el poeta
homenajeado, tuvo otro
gran protagonista en la
persona del director
Romano Gandolfi, a quien
se debe una gran parte
del exito obtenido en las
tres audiciones de este
Requiem. El propio
Benguerel ha dicho de la
obra: Este Requiem
entronca con mi obra
anterior, el Llibre
Vermell, y ha sido
escrito sin concesiones,
pero con una voluntad
real de comunicacion con
el publico. La epoca de
los experimentos
musicales ya se me paso y
he entrado en una nueva
etapa de acercamiento
entre el compositor y el
publico que, estoy
convencido, beneficiara a
ambos. --Comentario
escrito por Jordi Codina
en la revista Nexus en
diciembre de 1990
Lyrical Flute Miniatures Flûte traversière et Piano [Partition + Accès audio] Music Distribution Services
Flute and piano SKU: M7.APUE-516315 Edited by Karen North. Score with onl...(+)
Flute and piano
SKU:
M7.APUE-516315
Edited
by Karen North. Score
with online audio files.
Score and part. 160
pages. MDS (Music
Distribution Services)
#APUE 516315. Published
by MDS (Music
Distribution Services)
(M7.APUE-516315).
ISBN
9781875516315.
Thes
e musical gems offer a
diverse array of musical
styles, ensuring a rich
and engaging journey into
the world of flute music.
From lyrical melodies to
lively dances, each piece
has been crafted to
nurture both technique
and expressive playing,
exploring the beauty and
versatility of the flute.
There are biographies of
all the composers at the
end of the flute part, as
well as notes and helpful
performance suggestions
for each work. Free Flute
and Piano recordings, and
Piano backing tracks for
every piece can be found
on YouTube at
'theyoungfluteplayer' (no
spaces) channel, see the
playlist for Lyrical
Flute Miniatures. You can
also find the link and
further information at
www.allegromusicpublishin
g.com/flutemusic Lyrical
Flute Miniatures will
delight students, flute
teachers, and audiences
alike, a valuable
addition to your Flute
repertoire!
Guitars solo SKU: BR.EB-8461 PRO MUSICA NOVA. Composed by Wilhelm ...(+)
Guitars solo
SKU:
BR.EB-8461
PRO
MUSICA NOVA. Composed
by Wilhelm Bruck. Edited
by Wilhelm Bruck. Solo
instruments; Softbound.
Edition Breitkopf.
Guitarists who have
not yet ventured forth
into the world of
'contemporary music' for
their instrument can now
prove their mettle with
the help of a competent
guide. The guitarist
Wilhelm Bruck has made a
name for himself with his
interpretations.
Music pedagogy; Music
post-1945. Score. 92
pages. Breitkopf and
Haertel #EB 8461.
Published by Breitkopf
and Haertel (BR.EB-8461).
ISBN 9790004177570. 9
x 12 inches. German /
English.
The series
Studies for Playing
Contemporary Music for
... offers a collection
of short contemporary
pieces for the resp. Solo
instrument. The series
addresses musicians who
are particularly
interested in
contemporary music and
seek ways of becoming
familiar with this
domain. Many pieces were
written especially for
these collections. The
editors have especially
stressed that the
contributions should, on
the one hand, correspond
to the personality of the
composer and, on the
other hand, treat
definite technical and
musical problems.
Meanwhile, several have
made it into the
repertoire of solo
literature. Other pieces
have been drawn from
larger works. Particular
on the notation of the
respective pieces are
contained in the
comments. There the
instructions of the
editor for the
instrumental realization
as well as, if necessary,
the composers' own
explanations are
given.
String orchestra SKU: BO.B.3292 Composed by Jordi Cervello. Instrumental ...(+)
String orchestra
SKU:
BO.B.3292
Composed by
Jordi Cervello.
Instrumental Sets.
Duration 17:35. Published
by Editorial de Musica
Boileau (BO.B.3292).
English
comments: This is
the definitive version of
Biogenesis, a piece that
Cervello had written in
1976, together with his
friend Jorge Wagensberg,
and which was awarded the
First Prize at the
Spanish Ministry for
Education and Science's
Permanent Composition and
Musical Research
Competition. The new
version was made at
1984-85 Lux et umbra is
written for a string
group consisting of four
first and four second
violins, three violas,
three cellos and a double
bass. The conceptual
battle between darkness
and light is represented
by the instability
between the notes B and
C, and by the
compartmentation of the
group of fifteen strings
into divisi that provide
an independent
arrangement for each
instrument, thus
bestowing great substance
upon the texture of the
music. A cello cadence
emerges from a slow and
straightforward
beginning. A process of
contrasts then begins,
culminating in a molto
vivace passage of a
scherzando nature, which
alludes to the Baroque
concerti grossi. The
music once again plays
with chiaroscuro until
reaching its climax, from
which point the
conclusion slowly begins,
establishing itself in
the high register until
fading away. The work was
first performed at
Barcelona's Palau de la
Musica by the English
Chamber Orchestra,
directed by Enrique
Garcia Asensio, in 1987.
That same year, in the
newspaper El Pais, the
observations of the
composer and critic
Francesc Taverna-Bech
paid tribute to the
work's intelligence as
regards the use of and
search for instrumental
resources (in this case,
string instruments, about
which Cervello knows a
great deal), the skill
involved in endowing the
lyrical line with
tension, and a singular
touch that confers formal
essence upon the musical
discourse. In La
Vanguardia, Jordi Llovet
wrote that this is a work
in which, as is the case
with most of Cervello's
compositions, the
listener finds something
covertly religious, a
mysterious secret, a
transcendence linked to
the origins of
communication requiring
more than a single being,
which provides
excitement. In 1990, when
the Orquesta de Granada
(Orchestra of Granada)
performed the work at
Barcelona's Grec
festival, the critic
Cesar Calmell opined, in
the same newspaper, that
inch by inch, surely and
imperturbably, Cervello
built up a perfect world
that reflects the image
of the craftsman who, so
astonished at the
delights of his trade, is
unable to do anything but
turn the very backdrop of
tragedy into something
pleasant. Lux et umbra
was recorded by the
Orchestra Estatal of the
Hermitage, conducted by
Alexis Soriano (CD
SA01210 Fundacion Autor).
--Xavier Casanoves Danes
Music
critic
Comentari
os del Espanol: Se
trata de la version
definitiva de Biogenesis,
obra que habia escrito en
1976 en colaboracion con
su amigo Jorge Wagensberg
y que obtuvo el Primer
Premio, en el ano de su
creacion, en el Concurso
Permanente de Composicion
e Investigacion Musical
del Ministerio de
Educacion y Ciencia. La
nueva version fue
realizada en 1984-85. Lux
et umbra esta escrita
para un grupo de cuerda
integrado por cuatro
primeros violines, cuatro
segundos, tres violas,
tres violoncelos y un
contrabajo. El combate
filosofico entre la
oscuridad y la luz lo
lleva a cabo la
inestabilidad entre las
notas si y do y la
compartimentacion del
grupo de quince cuerdas
en unos divisi que llegan
a una escritura
independiente para cada
instrumento, otorgando
una gran importancia a la
textura sonora. De un
principio lento y
descarnado emerge una
cadencia del violonchelo.
A continuacion da
comienzo un proceso de
contrastes que culmina en
un pasaje molto vivace de
caracter scherzando que
alude a los concerti
grossi del barroco. La
musica juega de nuevo con
el claroscuro hasta
llegar a la cumbre sonora
iniciando el final
lentamente que se instala
en el registro agudo
hasta desvanecerse. La
estreno en el Palau de la
Musica de Barcelona la
English Chamber Orchestra
en el ano 1987 bajo la
direccion de Enrique
Garcia Asensio. Ese mismo
ano, en el periodico El
Pais, el compositor y
critico Francesc
Taverna-Bech reconocia en
sus comentarios la
inteligencia en el uso y
la busqueda de los
recursos instrumentales
-en este caso la cuerda,
de la que Cervello es
profundo conocedor-, la
destreza para revestir de
tension la linea lirica y
un tacto particular para
conferir entidad formal
al discurso sonoro. Jordi
Llovet, en La Vanguardia,
escribia que en esta
obra, se encuentra, como
en la mayor parte de la
produccion de Cervello,
algo secretamente
religioso, un arcano
misterioso, una
trascendencia vinculada a
los origenes de la
comunicacion
impracticable con el ser
unico que resulta
apasionante. En el ano
1990, cuando la Orquesta
de Granada la toco en el
Grec de Barcelona, era el
critico Cesar Calmell
quien, en el mismo
periodico consideraba que
Cervello construyo palmo
a palmo, segura e
imperturbablemente, un
mundo perfecto que
refleja la imagen del
artesano que, de tan
admirado con las delicias
de su oficio, no puede
hacer otra cosa que
convertir en agradable el
fondo mismo de la
tragedia. Lux et umbra
esta grabada por la
Orquesta Estatal del
Hermitage, dirigida por
Alexis Soriano (CD
SA01210 Fundacion Autor).
--Xavier Casanoves Danes
Critico musical.
SKU: GI.G-J383 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H....(+)
SKU: GI.G-J383
Composed by Alison
Reynolds, Cynthia
Taggart, and Wendy H.
Valerio. Jump Right In.
Music Education. 494
pages. GIA Publications
#J383. Published by GIA
Publications (GI.G-J383).
ISBN
9781622775408.
Thro
ugh engaging children
using Music Play 2,
adults may build
relationships with
newborn and young
children, additional
family members, and other
adults as they joyfully
make music together,
affirm and nurture
newborn and young
children’s innate
capacities for expressive
musicking and movement,
and honor and extend
young children’s
expressed musical
curiosities, ideas, and
audeas (musical thoughts
and ideas), helping them
realize that their
musical identities are
worth sharing,
developing, and
preserving. Music Play 2
materials function in
companion with Music Play
(GIA, 1998) and Edwin
Gordon’s Music
Learning Theory for
Newborn and Young
Children (GIA, 2013).
Music Play 2Â (494
pages) is bundled into
two parts, Part A and
Part B. The following are
the features of each
part: Â Part A (264
pages) Part B (229 pages)
Tribute to Edwin Gordon
Guiding Newborn and Young
Children’s Innate
Music Capacities Guiding
Young Children Through
Types and Stages of
Preparatory Audiation:
The Materials Using Music
Play 2 Inclusion: All
Children and Their
Families (Salvador) 45
Extended Music Engagement
Plans, each with a music
selection (i.e., song,
song/chant combination,
or chant) in a wide
variety of tonalities and
meters, and prototypical
examples of social-music
and movement play in
relation to
Gordon’s three
types of preparatory
audiation. Each song has
a chord root or bass-line
melody notated, singable
as an additional part, as
well as chord functions
to guide harmonic
accompaniment to the
melody. Each plan
features More Audeas for
Music Play, such as tonal
pattern and/or rhythm
pattern examples for each
type of preparatory
audiation, supplemental
harmonic and rhythm
accompaniments to add to
the music selection, and
More Ideas for Music
Play, such as examples of
ways to connect Music
Play 2 activities to
PK–2 2014 Music
Standards, and one
inclusion strategy in a
Domain of Learning.
Guidance for teaching
chord root or bass line
melodies and additional
harmony parts, and
chordal accompaniments.
Complete listing of all
PK–2 2014 Music
Standards, along with
which extended music
engagement plans feature
each standard. Indices:
Comprehensive Index
Headings, Music Play
(1998) and Music Play 2
Comprehensive Index of
Music Selections
Alphabetized by Type and
Title: Music Play (1998)
and Music Play 2 Modified
Comprehensive Index,
Music Play 2: Parts A and
B Music Play 2: Part A
Music Selections
Alphabetized by Type and
Title Music Play 2: Part
A Music Selections
Alphabetized by Title 71
Music Engagement Plans,
each with a music
selection (i.e., song,
song/chant combination,
or chant) in a wide
variety of tonalities and
meters, and prototypical
examples of social-music
and movement play in
relation to
Gordon’s three
types of preparatory
audiation. Each song has
a chord root or bass-line
melody notated, singable
as an additional part, as
well as chord functions
to guide harmonic
accompaniment to the
melody. Apply More Audeas
and More Ideas you
discover using Part A to
music selections and
engagement plans in Part
B. Part B features
tonalites and meters
unique to music
selections in Part B, and
“Helloâ€
and/or
“Goodbyeâ€
music selections.
Guidance for teaching
chord root or bass line
melodies and additional
harmony parts, and
chordal accompaniments.
Editor and Contributor
List (83 total) An
11-page, comprehensive
bibliography and resource
list to support
researchers and
practitioners and promote
their audiation-based
social-music and movement
play with others,
especially during early
childhood. Indices:
Comprehensive Index
Headings: Music Play
(1998) and Music Play 2
Comprehensive Index of
Music Selections
Alphabetized by Type and
Title: Music Play (1998)
and Music Play 2 Modified
Comprehensive Index,
Music Play 2: Parts A and
B Music Play 2: Part B
Music Selections
Alphabetized by Type and
Title Music Play 2: Part
B Music Selections
Alphabetized by Title
Download Music Play 2
Extended Indexes (free)
 Music Play 2 is a
welcomed contribution for
all who are concerned
with appropriately
guiding children’s
musical
understandings—par
ents, teachers, and
caregivers. The book is
extremely well organized
with an excellent balance
of theory and practice.
The theoretical
underpinnings of Music
Play 2 are presented in a
“user
friendly†manner,
the lessons are easy to
follow and adapt for
individual
children’s needs
and level of development,
the numerous songs and
chants represent a wide
variety of tonalities and
meters, and an extensive
section on inclusion and
inclusive practices has
been added. Music Play 2
will be the resource I
use for my early
childhood music classes!
—Joanne Rutkowski,
Ph.D., Professor
Emeritus, Music Education
  The
Pennsylvania State
University This book had
me interested from the
table of contents onward.
The lessons are detailed
and ready to use in the
classroom. I love that
there are tonal and
rhythmic patterns to go
with each song or chant.
This is truly a resource
that will delight
children and teachers as
it is easy to use,
appropriate for young
children, and
pedagogically sound. When
I finished, I was ready
to jump back into
teaching early childhood
music. Fantastic!
—Alice M. Hammel,
Ph.D. Â Â James
Madison University Music
Play 2 is devoted to the
wonder of young
children’s musical
development. The authors
have adeptly woven theory
and practice, offering a
treasure trove of fresh,
accessible lesson plans
developed by leading
researchers and
practitioners in the
field of early childhood
music. An excellent,
indispensable resource
with original and
high-quality music
content, Music Play 2 is
essential for all
providers of music for
young children, and sure
to be used time and time
again. —Suzanne L.
Burton, Ph.D., Professor
of Music Education Â
 University of
Delaware.
(Serie I - France 1600-1800 - Integrale de l'oeuvre theorique en 3 volumes). Edi...(+)
(Serie I - France
1600-1800 - Integrale de
l'oeuvre theorique en 3
volumes). Edited by Jean
Saint-Arroman, Bertrand
Porot. Facsimiles.
Methodes and Traites.
Grade 0. 304 pages
Viola(s) solo SKU: BR.EB-8531 PRO MUSICA NOVA. Composed by Eckart ...(+)
Viola(s) solo
SKU:
BR.EB-8531
PRO
MUSICA NOVA. Composed
by Eckart Schloifer.
Edited by Eckart
Schloifer. Solo
instruments; Softbound.
Edition Breitkopf.
Eckart Schloifer, solo
violist of the Saarland
Radio Orchestra and
co-founder of the 'trio
basso', is an uncontested
authority on viola
composition today:
Music pedagogy; Music
post-1945. Score. 84
pages. Breitkopf and
Haertel #EB 8531.
Published by Breitkopf
and Haertel (BR.EB-8531).
ISBN 9790004178232. 9
x 12 inches. German /
English.
The series
Studies for Playing
Contemporary Music for
... offers a collection
of short contemporary
pieces for the resp. Solo
instrument. The series
addresses musicians who
are particularly
interested in
contemporary music and
seek ways of becoming
familiar with this
domain. Many pieces were
written especially for
these collections. The
editors have especially
stressed that the
contributions should, on
the one hand, correspond
to the personality of the
composer and, on the
other hand, treat
definite technical and
musical problems.
Meanwhile, several have
made it into the
repertoire of solo
literature. Other pieces
have been drawn from
larger works. Particular
on the notation of the
respective pieces are
contained in the
comments. There the
instructions of the
editor for the
instrumental realization
as well as, if necessary,
the composers' own
explanations are
given.
Eckart
Schloifer, solo violist
of the Saarland Radio
Orchestra and co-founder
of the 'trio basso', is
an uncontested authority
on viola composition
today.
Piano SKU: BR.BG-780 PRO MUSICA NOVA. Composed by Alfons Kontarsky...(+)
Piano
SKU:
BR.BG-780
PRO
MUSICA NOVA. Composed
by Alfons Kontarsky.
Edited by Alfred
Kontarsky. Solo
instruments; Softbound.
Edition Gerig. Music
pedagogy; Music
post-1945. Score. 66
pages. Breitkopf and
Haertel #BG 780.
Published by Breitkopf
and Haertel (BR.BG-780).
ISBN 9790004131541. 9
x 12 inches. German /
English.
The series
Studies for Playing
Contemporary Music for
... offers a collection
of short contemporary
pieces for the resp. Solo
instrument. The series
addresses musicians who
are particularly
interested in
contemporary music and
seek ways of becoming
familiar with this
domain. Many pieces were
written especially for
these collections. The
editors have especially
stressed that the
contributions should, on
the one hand, correspond
to the personality of the
composer and, on the
other hand, treat
definite technical and
musical problems.
Meanwhile, several have
made it into the
repertoire of solo
literature. Other pieces
have been drawn from
larger works. Particular
on the notation of the
respective pieces are
contained in the
comments. There the
instructions of the
editor for the
instrumental realization
as well as, if necessary,
the composers' own
explanations are
given.