(A Comprehensive Curriculum for Use During Fundamentals Time). Composed by Scott...(+)
(A Comprehensive
Curriculum for Use During
Fundamentals Time).
Composed by Scott Rush.
For viola. Habits of a
Successful Musician.
Music Education - Method.
Method book. 72 pages.
Published by GIA
Publications
(Viola). Arranged by Various. For Viola. Book; CD; Play-Along; String Series. To...(+)
(Viola). Arranged by
Various. For Viola. Book;
CD; Play-Along; String
Series. Top Hits
Instrumental Solos. Pop;
Rock. Grade 2; Grade 3.
28 pages. Published by
Alfred Music
Viola. Arranged by
Various.
Book; CD; Play-Along;
String
Series; Worship
Resources.
Instrumental Solo Series.
Contemporary Christian;
Pop;
Sacred. 32 pages.
Published
by Alfred Music
Viola Solos. Arranged by Various and ed. Bill Galliford. Play-Along; SmartMus...(+)
Viola Solos. Arranged by
Various and ed. Bill
Galliford. Play-Along;
SmartMusic; String
Series.
Pop Instrumental Solos
Series. Broadway; Movie.
Book; Digital Download;
Software. 28 pages.
Alfred
Music #00-47981.
Published
by Alfred Music
By Aaron Copland. Arranged by Quincy C. Hilliard. (Viola). Boosey and Hawkes Ch...(+)
By Aaron Copland.
Arranged by Quincy C.
Hilliard. (Viola).
Boosey and Hawkes Chamber
Music. Book only. Size
9x12 inches. 16 pages.
Published by Boosey &
Hawkes.
Viola Play-Along Pack. Composed by Alain Boublil and Claude-Michel Schonberg. In...(+)
Viola Play-Along Pack.
Composed by Alain Boublil
and Claude-Michel
Schonberg. Instrumental
Play-Along. Play Along.
Softcover with CD. 16
pages. Published by Hal
Leonard
Viola SKU: HL.48024561 Composed by Robin Holloway. Boosey & Hawkes Chambe...(+)
Viola
SKU:
HL.48024561
Composed
by Robin Holloway. Boosey
& Hawkes Chamber Music.
Classical. Softcover. 18
pages. Duration 1440
seconds. Boosey & Hawkes
#M060134159. Published by
Boosey & Hawkes
(HL.48024561).
ISBN
9781784543518. 0.078
inches.
This Sonata
for Viola (unaccompanied)
was written in 1999. The
soloists C-string is
tuned down a semitone for
the entire piece, giving
a duskier quality to the
tone-colour, and setting
up in the very first bar
the characteristic
melodic/harmonic shape
that infiltrates all four
movements. I - slowish
and thoughtful -
gradually expands this
opening idea into
cantilena and pattern, as
prelude to II -
Vivacissimo - played
muted throughout, a
tremolando tarantella,
with contrasting section,
chunky double-stops,
alternating withsomething
of a gigue. III - adagio
- rhapsodic and
quasi-improvisando,
enclosing a simple
self-contained melody,
and linking into IV,
where the gigue-like
material from the scherzo
provides the principal
substance, expanding into
an ardent cantabile, and
calminginto the Coda not
just the finale but, in
its reminiscences of I,
to the sonata as a
whole.
Written by Shinichi Suzuki. Instructional book for viola. With fingerings, instr...(+)
Written by Shinichi
Suzuki. Instructional
book for viola. With
fingerings, instructional
text and introductory
text. 44 pages. Published
by Alfred Publishing.
(Viola Part). Composed by Dr. Shinichi Suzuki. For Viola. This edition: Revised....(+)
(Viola Part). Composed by
Dr. Shinichi Suzuki. For
Viola. This edition:
Revised. Book; CD;
Method/Instruction;
String - Viola (Suzuki);
Suzuki. Suzuki Viola
School. 36 pages.
Published by Alfred Music
Arranged by Deborah Greenblatt. Viola Duet. For 2 violas. Tunes for Two. Classic...(+)
Arranged by Deborah
Greenblatt. Viola Duet.
For 2 violas. Tunes for
Two. Classical. Tune
book. Standard Notation.
66 pages. Published by
Greenblatt & Seay
Viola SKU: BR.OB-5293-19 Book 1. Composed by Wolfgang Amadeus Moza...(+)
Viola
SKU:
BR.OB-5293-19
Book
1. Composed by
Wolfgang Amadeus Mozart.
Edited by Johann Nepomuk
David. Stapled.
Orchester-Bibliothek
(Orchestral Library).
The Six Three-Part
Preludes and Fugues are
regarded as a unique
testimony to Mozart's
profound interest in the
works of Bach.
Classical period. Part.
KV 404a, Nos. 1-3. 12
pages. Breitkopf and
Haertel #OB 5293-19.
Published by Breitkopf
and Haertel
(BR.OB-5293-19).
ISBN
9790004337998. 9 x 12
inches.
I am
presently collecting the
fugues of Bach - not only
of sebastian, but also of
Emanuel and friedeman,
wrote Mozart to his
father in April 1782.
This could be a hint that
the Six Three-Part
Preludes and Fugues were
derived from this
collection: Mozart wrote
string-trio arrangements
of two preludes and five
fugues by Johann
Sebastian Bach, and of
one fugue by Wilhelm
Friedemann Bach. This
apparently plunged him
into such a creative mood
that he simply wrote the
missing preludes himself.
It is to Johann Nepomuk
David that we owe the
first edition of this
work, which introduced
this unique document to a
broad public for the
first time. The present
edition has retained
David's basic editorial
decision to adapt the
divergent passages of
Mozart's arrangement to
Bach's original music
text.Contents:No. 1 -
Adagio by Wolfgang
Amadeus Mozart Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Das Wohltemperirte
Clavier I, Fuga 8 in D#
minor BWV 853No. 2 -
Adagio by Wolfgang
Amadeus Mozart Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Das Wohltemperirte
Clavier II, Fuga 14 in F#
minor BWV 883No. 3 -
Adagio by Wolfgang
Amadeus Mozart Fuga
Mozart's arrangement of
Johann Sebastian Bach,
Das Wohltemperirte
Clavier II, Fuga 13 in F#
major BWV 882.
Viola SKU: CA.3710413 Passions-Cantate, nach der Poesie des Herrn Busc...(+)
Viola
SKU:
CA.3710413
Passions-Cantate, nach
der Poesie des Herrn
Buschmann. Composed
by Gottfried August
Homilius. Edited by Uwe
Wolf. This edition:
Complete edition.
Gottfried August Homilius
- Selected Works.
Passionskantate I Ein
Lammlein Ga 4. Sacred
vocal music, Cantatas,
Lent and Passiontide.
Individual part. HoWV
I.2. 36 pages. Duration
95 minutes. Carus Verlag
#CV 37.104/13. Published
by Carus Verlag
(CA.3710413).
ISBN
9790007214319. Language:
German.
He was
without argument our
greatest church composer,
wrote the lexicographer
E. L. Gerber a few years
after Homilius's death in
1785. As a result of the
destruction of the
Kreuzkirche during the
Seven Years War, the
longtime Kreuzkantor, a
pupil of Bach, performed
his professional musical
duties primarily at the
Frauenkirche in Dresden.
The Passionskantate was
well received and widely
disseminated during the
18th and 19th centuries:
Thanks to its popularity
it was published in 1775
by Breitkopf as a full
score - a rare honor,
accorded to only one
other Passion in the 18th
century (Graun's Tod
Jesu). The text describes
the events of the Passion
from a very personal
point of view: The story
focuses less on the
actual events, then upon
the feelings of the
observers of these
events. The subjective
nature of the narrative
is reflected in a very
dramatically marked style
of recitative, which
presents a charming
contrast to the
expressive choral writing
and the melodically
accented arias. With the
release of a new music
editions and a SACD/CD
the Passionskantate can
now be rediscovered..
Score and part available
separately - see item
CA.3710400.
