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Ritt, David
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Chorale SATB
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Carols For Choirs 2 (WILLCOCKS DAVID / RUTTER JOHN)
31.40
Carols For Choirs 2 (WILLCOCKS DAVID / RUTTER JOHN)
Chorale SATB
[Partition]
Oxford University Press
Fifty Carols for Christmas and Advent. Par WILLCOCKS DAVID / RUTTER JOHN. Un deu...
(+)
Fifty Carols for Christmas and Advent. Par WILLCOCKS DAVID / RUTTER JOHN. Un deuxième recueil de 50 chants de Noël, principalement pour SATB, certains non accompagnés, et quelques accompagnements ayant pour piano, ou un organe, ou un orchestre, ou ensemble de cuivres. Beaucoup de chants de Noël sont à partir de sources traditionnelles, réarrangées: parmi les éléments composée spécialement pour ce volume sont des chants par William Walton, Benjamin Britten, Richard Rodney Bennett et William Mathias. Matériau instrumental pour la plupart des articles accompagnés est disponible à la location. Huit Chants pour cuivres pour les 5 et 8 cuivres partie (pour accompagner des chants des chorales de chants de 1 et Carols for Choirs 2) sont également en vente. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres. Né en 1919, David Willcocks a commencé sa carrière musicale comme choriste à l'Abbaye de Westminster, plus tard, remportant des bourses à Clifton College et King 's College, Cambridge. Après son service de guerre, il a été élu Fellow du Collège King, et plus tard devint organiste de Salisbury et de cathédrales de Worcester, alors que la conduite des Three Choirs Festival à Worcester. Willcocks retourné à Kings College, à Cambridge en tant que Directeur de la Musique de 1957-1974, avec la première collection de ses arrangements dans le Carols pour les séries chorales d'édition en 1961. Il a été Directeur de la Musique du Royal College of Music de 1974-1984, et a été anobli en liste de la Reine du Jubilé d'argent de spécialisation en 1977. Willcocks a également mené le Bach Choir pendant 38 ans, prend sa retraite en 1998. Sir David conserve un calendrier chargé de concerts et d'enregistrements, y compris les récentes visites aux Etats-Unis, au Canada et en Europe./ Recueil / Chant
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Carols For Choirs 3 (WILLCOCKS DAVID / RUTTER JOHN)
31.40
Carols For Choirs 3 (WILLCOCKS DAVID / RUTTER JOHN)
Chorale SATB
[Partition]
Oxford University Press
Fifty Carols. Par WILLCOCKS DAVID / RUTTER JOHN. Un troisième recueil de 50 cha...
(+)
Fifty Carols. Par WILLCOCKS DAVID / RUTTER JOHN. Un troisième recueil de 50 chants de Noël, principalement pour SATB, certains non accompagnés, et quelques accompagnements ayant pour piano ou orgue ou orchestre. Les chants de Noël reflètent une diversité de styles et d'époques, tout en restant dans la capacité d'un groupe moyen des interprètes amateurs. Comprend des compositions et des arrangements de Britten, Holst, Howells, Hurford, Vaughan Williams, et Walton. Accompagnements d'orchestre et cuivres pour la plupart des articles sont disponibles en location. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres. Né en 1919, David Willcocks a commencé sa carrière musicale comme choriste à l'Abbaye de Westminster, plus tard, remportant des bourses à Clifton College et King 's College, Cambridge. Après son service de guerre, il a été élu Fellow du Collège King, et plus tard devint organiste de Salisbury et de cathédrales de Worcester, alors que la conduite des Three Choirs Festival à Worcester. Willcocks retourné à Kings College, à Cambridge en tant que Directeur de la Musique de 1957-1974, avec la première collection de ses arrangements dans le Carols pour les séries chorales d'édition en 1961. Il a été Directeur de la Musique du Royal College of Music de 1974-1984, et a été anobli en liste de la Reine du Jubilé d'argent de spécialisation en 1977. Willcocks a également mené le Bach Choir pendant 38 ans, prend sa retraite en 1998. Sir David conserve un calendrier chargé de concerts et d'enregistrements, y compris les récentes visites aux Etats-Unis, au Canada et en Europe. / Niveau : Facile à Moyennement Difficile / Recueil / Chant
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100 Carols For Choirs (WILLCOCKS DAVID / RUTTER JOHN)
36.60
100 Carols For Choirs (WILLCOCKS DAVID / RUTTER JOHN)
Chorale SATB
[Partition]
Oxford University Press
Arrangeur: David Willcocks_John Rutter. Par WILLCOCKS DAVID / RUTTER JOHN. Cette...
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Arrangeur: David Willcocks_John Rutter. Par WILLCOCKS DAVID / RUTTER JOHN. Cette sélection des 100 les plus populaires et chants de cantiques de l'Avent, Noël, l'Epiphanie et Pâques, est idéal pour des occasions sacrées, et comprend des documents accompagnés et non accompagnés. / Recueil / Chant
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Encores For Choirs 2 (GRITTON PETER)
31.40
Encores For Choirs 2 (GRITTON PETER)
Chorale SATB
[Partition]
Oxford University Press
Par GRITTON PETER. Pour SATB accompagnés et non accompagnés 30 pièces variée...
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Par GRITTON PETER. Pour SATB accompagnés et non accompagnés 30 pièces variées allant dans le style du classique et sentimentale à l'humour et folle. Avec les normes du répertoire sont de nouveaux morceaux et arrangements frais par certains des plus beaux arrangeurs. Le volume offre un kaléidoscope inégalée de rappels de concert. Peter Gritton étudié la musique au Clare College, Cambridge avant de prendre un poste à Christ Church, Oxford comme un contre-ténor Lay greffier. Pierre a chanté avec une variété de groupes, dont The Sixteen, Le Cambridge Singers, Gabrieli Consort, je Fagiolini, et un groupe étroite harmonie, le blues léger, avec qui il a voyagé dans le monde entier. Il est actuellement Directeur de la Musique à l'école St-Paul. Londres, ainsi que bénéficiant d'un horaire chargé de composer, arranger, et le chant. / Niveau : Facile à Difficile / Recueil / Chant
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The World Of The Spirit
17.70
The World Of The Spirit
Chorale SATB
SATB, Piano
Chester
Britten C'est le monde de l'Esprit a été écrit pour BBC Radio en 1938, sa deu...
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Britten C'est le monde de l'Esprit a été écrit pour BBC Radio en 1938, sa deuxième collaboration avec R. Ellis Roberts. Les textes de grande envergure de livres religieux, de la poésie et des articles de journaux sur la Première Guerre mondiale et 'Troubles' irlandais sont complétées par une riche variété de styles musicaux du compositeur prodigieux.La première représentation de cette version de concert a été donné le 27 Juin 1998 dans la Snape Maltings Concert Hall dans le cadre du Festival d'Aldeburgh, par Janice Watson (Soprano), Catherine Wyn-Rogers (mezzo-soprano), Timothy Robinson (ténor), Neal Davies (baryton), et David Evans (enceintes), avec le Joyful Company of Singers and the City of London Sinfonia, menée par Steuart Bedford. / Choeur Mixte (SATB)
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Together At Christmas
3.30
Together At Christmas
Chorale SATB
Hal Leonard
Written for and first performed at the Macy's Thanksgiving Day Parade. The music...
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Written for and first performed at the Macy's Thanksgiving Day Parade. The music celebrates the moments we share when making music together with friends and family during the holidays. / SATB
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The Novello Book Of Hymns
33.10
The Novello Book Of Hymns
Chorale SATB
Novello & Co Ltd.
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and...
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The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)
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The Novello Shakespeare Choral Collection
33.10
The Novello Shakespeare Choral Collection
Chorale SATB
Novello & Co Ltd.
Music played an enormous role in the works of William Shakespeare, while his own...
(+)
Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear.The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass.Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike.A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece.Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. / Choeur Mixte (SATB)
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We Have All The Time In The World
5.60
We Have All The Time In The World
Chorale SATB
SATB, Piano
Novello & Co Ltd.
We Have All the Time in the World is the classic James Bond theme featuring the ...
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We Have All the Time in the World is the classic James Bond theme featuring the warm, graceful vocals of Louis Armstrong. Beloved for its sophisticated, smooth sound, the track - written by John Barry and Hal David - has transcended its tie to cinema, becoming one of the most requested songs at weddings, anniversaries and other celebrations. This brand new arrangement by Thomas Lydon for SATB choir brings this standard to the Novello Choral Pops series - the perfect number for choirs seeking a stylish, soulful number to add to their repertoire. / Choeur Mixte (SATB) Et Piano
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Jubilate Deo. SATB Acc. (Css) (GOODALL HOWARD)
6.00
Jubilate Deo. SATB Acc. (Css) (GOODALL HOWARD)
Chorale SATB
SATB, Piano
[Partition]
Faber Music Limited
Par GOODALL HOWARD. Written for the St. David's Cathedral Festival, 'Jubilate De...
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Par GOODALL HOWARD. Written for the St. David's Cathedral Festival, 'Jubilate Deo' (for SATB with organ accompaniment) is an appropriately exuberant and joyful setting./ Feuillet / Choeur
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The Seven Arches (BULLEN RICHARD)
4.90
The Seven Arches (BULLEN RICHARD)
Chorale SATB
Stainer and Bell
Par BULLEN RICHARD. As well as traditional genres, Richard Bullen 's music embra...
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Par BULLEN RICHARD. As well as traditional genres, Richard Bullen 's music embraces several contemporary ones including video and electronics, and shows a keen interest in location both in its formal possibilities and in its genius loci - its spirit of place. A five-minute stand-alone piece for SATB chorus, The Seven Arches was written for a site-specific project at the Dartington International Summer School: an invocation of the rich cultural and mythic past of the celebrated gardens. In poet Steve Willey 's multi-layered text the remaining seven arches of the medieval courtyard become metaphors for this continuing presence. Bold arched melodiesspringing from resilient, purposeful chords likewise animate the music, a sonic tableau of the sites/sights and sounds of history. The premiere performance was conducted by David Lardi with the Finchley Chamber Choir./ Feuillet / SATB a Cappella
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Triptych (Vocal Score)
18.40
Triptych (Vocal Score)
Chorale SATB
SATB, Orchestre
Novello & Co Ltd.
Cantata for string orchestra and chorus. Triptych represents the concatenation a...
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Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes
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The Shakespeare Choral Collection
29.60
The Shakespeare Choral Collection
Chorale SATB
[Partition]
Novello & Co Ltd.
Music played an enormous role in the works of William Shakespeare, while his own...
(+)
Music played an enormous role in the works of William Shakespeare, while his own sonnets, poems and soliloquies have provided continuing inspiration for many composers through the years. The Novello Shakespeare Choral Collection, inspired by the 400th anniversary of the Bard's death in 2016, is an exciting anthology of choral works that are settings of Shakespeare's words. For choirs of all types and abilities, this collection has been edited by David Wordsworth so that all the pieces are fantastic both to sing and hear. The collection features some beautiful settings that have well and truly stood the test of time, such as Thomas Arne's Blow, Blow, Thou Winter Wind and Henry Leslie's How Sweet The Moonlight Sleeps. More recent settings from 20th century and contemporary composers include Ernest Moeran's Sigh No More, Ladies, Gary Carpenter's Lo, Here, The Gentle Lark and John Tavener's Fear No More and Look In Thy Glass. Not only this, the Shakespeare Choral Collection boasts several works that were specially commissioned, including John Joubert's Be Not Afeard, Richard Sisson's Light Thickens and Pawel Lukaszewki's Weary With Toil, I Haste Me To My Bed. Some pieces have never appeared before in print, such as those by Kevin Olsen, Bernard Hughes and John Gardner. These songs truly are a joy to perform, with some relatively simple arrangements that are purely fun to sing, while some more complex settings that will be thoroughly rewarding for choirs and audiences alike. A total of 26 fantastic works comprise The Novello Shakespeare Choral Collection, which would work as a wonderful concert programme on its own, or could provide a wealth of options for choirs looking to expand their repertoire with a range of unique settings. Also included is a fascinating introduction by editor David Wordsworth, and notes describing each piece. Words written by indisputably the greatest writer in the English language can only be matched with music by composers of talent and renown such as these. The Novello Shakespeare Choral Collection is an essential anthology of stunning settings of beautiful words which will be performed and enjoyed for many years to come. A Summer Sonnet [Olson, Kevin] Be Not Afeard [Joubert, John] Blow, Blow, Thou Winter Wind [Arne, Thomas] Daffodils [Wertsch, Nancy] Fear No More [Sondheim, Stephen] Fear No More [Tavener, John] Four Rounds To Shakespeare Texts [Gardner, John] Full Fathom Five [Wood, Charles] How Sweet The Moonlight Sleeps [Leslie, Henry] Hymn For Shakespeare's Birthday [Berkeley, Lennox] If We Shadows Have Offended [Hughed, Bernard] It Was A Lover And His Lass [Harris, Matthew] Light Thickens [Sisson, Richard] Lo, Here, The Gentle Lark [Carpenter, Gary] Look In Thy Glass [Tavener, John] O Mistress Mine [Wertsch, Nancy] O, How Much More [Crabtree, Paul] Ophelia's Lament [Mealor, Paul] Orpheus [Weir, Judith] Orpheus With His Lute [Schuman, William] Rosemary [Helldén, Daniel] Shall I Compare Thee To A Summer's Day? [Larsen, Libby] Sigh No More, Ladies [Moeran, Ernest] Tell Me Where Is Fancy Bred [Harris, Matthew] Weary With Toil, I Haste Me To My Bed [Lukaszewski, Pawel] Who Is Silvia? [Harris, Matthew]
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Threshold Of The Night
6.80
Threshold Of The Night
Chorale SATB
Novello & Co Ltd.
Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation...
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Threshold of Night (a setting one of Kathleen Raine's Three Poems of Incarnation) was commissioned by St John's College, Cambridge and was premièred under the direction of David Hill in the College chapel on 25th November 2006. Written for Advent, the work aims to highlight the yearning that all societies have, in their time of need, for guidance from beyond their community. By coincidence, however, this composition was completed on the eve of 29th August 2006, one year after Hurricane Katrina, one of the deadliest in the history of the United States, made landfall in Louisiana. Looking at Raine's words in this context ('Go back, my child, to the rain and storm', 'I will not go back for sorrow or pain'), the poem can be seen to echo the conflicted and anguished thoughts of displaced New Orleanians. The original Advent sense ofdesired guidance takes on a specific, if unintentional, significance with regards to the tragic outcome of that hurricane - this is emphasized by the bluesinflectedharmonies found throughout Threshold of Night . / SATB
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