SATB choir

SKU: GH.CG-7110S

Composed by Per Harling / Susanne Bagenfelt. Parts. With Language: Swedish. Gehrmans Musikforlag #CG 7110S. Published by Gehrmans Musikforlag (GH.CG-7110S).

By Traditional Spiritual. Arranged by Undine Smith Moore. For Voices: SATB, soprano and tenor solos. African American Church Music Series Sacred. Level: easy. 6 pages. Published by GIA Publications.

By Traditional Xhosa (South African). Arranged by Leonaorah; Munro Kunene. For Voices: SATB or SAB, opt. Assembly, soloist. Piano reduction. Celebration Series Sacred. Level: easy. 2 pages. Published by GIA Publications.

SATB choir, voice solo, piano accompaniment, cello - Early intermediate

SKU: GI.G-10931

Composed by Alan Wiseman. Emmanuel College. Sacred. Octavo. 12 pages. GIA Publications #10931. Published by GIA Publications (GI.G-10931).

UPC: 785147093114. English. Text Source: Trad. Celtic prayer and Isaiah 6:3. Scripture: Isaiah 6:3.

SATB choir, cantor, priest, assembly, organ accompaniment, trumpet 1 in B-flat, trumpet 2 in B-flat, trombone 1, trombone 2 - Early intermediate

SKU: GI.G-3134

A Setting for Eucharist. Composed by Howard Hughes. Mass. Mass. Sacred. Octavo. 48 pages. GIA Publications #3134. Published by GIA Publications (GI.G-3134).

Text Source: Trad.

Brass quartet part is optional.

SATB choir, voice solo, piano reduction - Early intermediate

SKU: GI.G-10687

Arranged by Garnet C.L. Mowatt. Advent, Lent. African American Church Music Series. Sacred. Octavo. 12 pages. GIA Publications #10687. Published by GIA Publications (GI.G-10687).

UPC: 785147068716. English. Text Source: Trad. spiritual.

Is a Light Shining in the Heaven? / Hold Out Your Light. Arranged by Brandon Waddles. Ordinary Time 4 A. Evoking Sound Series. Sacred. Octavo. 16 pages. Published by GIA Publications (GI.G-8872).

SATB Choir - Grade 2

SKU: BT.DHP-1012653-050

Composed by Traditional. Arranged by Jacob De Haan. Christmas. Set (Score & Parts). Composed 2001. De Haske Publications #DHP 1012653-050. Published by De Haske Publications (BT.DHP-1012653-050).

Jacob de Haan hat vier Weihnachtslieder bearbeitet und zu der Suite Vier weihnachtliche Hirtenlieder zusammengefasst. Das Medley, das Renso Propstra für Akkordeonorchester anpasste, enthält folgende Lieder: Als ich bei meinen Schafen wacht‘ , Inmitten der Nacht, Kommet, ihr Hirten und Ihr Hirten, erwacht.

Vier weihnachtliche Hirtenlieder (“Quatre noëls des bergers”) est une suite de quatre noëls traditionnels allemands : Als ich bei meinen Schafen wacht, Inmitten der Nacht, Kommet Ihr Hirten et Ihr Hirten, erwacht. Cette pièce peut également être interprétée avec un Chœur mixte (texte en allemand).

Choral SATB choir, piano

SKU: CF.CM9608

Composed by Jamey Ray. Fold. Performance. 12 pages. Duration 3 minutes, 33 seconds. Carl Fischer Music #CM9608. Published by Carl Fischer Music (CF.CM9608).

ISBN 9781491154304. UPC: 680160912803. 6.875 x 10.5 inches. Key: E major. English. Alfred, Lord Tennyson (1809-1892).

The beauty in Alfred, Lord Tennysons poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word deep in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word dark in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word embark, which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 5764, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word when. Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray.
The beauty in Alfred, Lord Tennysonas poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m.A 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word adeepa in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word adarka in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word aembark,a which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57a64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word awhen.a Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray.
The beauty in Alfred, Lord Tennyson's poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word deep in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word dark in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word embark, which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57-64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word when. Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray.
The beauty in Alfred, Lord Tennyson's poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m. 19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word deep in m. 27 gives another instance of text painting. Take advantage of the minor second suspension on the word dark in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word embark, which is to be an ascent to Heaven. The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57-64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word when. Lastly, be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter. I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it. ~Jamey Ray.
The beauty in Alfred, Lord Tennyson’s poem is reflected by the music with the use of text painting. The piano creates the sound of moving water in m.  19, providing the first instance of text painting. When the men enter, they continue this idea of the ocean tide while the descent into the word “deep” in m. 27 gives another instance of text painting.Take advantage of the minor second suspension on the word “dark” in m. 38 in order to achieve a feeling of suspense. The entrance at m. 41 is full, and while still minor, the text gives us hope for a change. The change comes in m. 45 with the staggered entrances creating a sense of building and ascent until the climax of this moment at m. 47 on the word “embark,” which is to be an ascent to Heaven.The melody moves between voice parts, even as early as m. 14 where the altos have the melody for only a single measure; it is then handed back to the sopranos. From mm. 57–64, the altos trade the melody back and forth with the sopranos. Take note that the alto melody should be brought out, but the line does not actually begin until the word “when.”Lastly , be intentional with syllabic stress (no two eighth notes or quarter notes alike) and to give direction to any note longer than a quarter.I hope you enjoy learning and performing Crossing the Bar as much as I enjoyed writing it.~Jamey Ray.

By Tomas Luis de Victoria. For SATB Choir. Choral, Sacred, Renaissance. Sheet Music. 56 pages. Published by Chester Music.

SATB choir

SKU: GH.GE-11904

Composed by Peter Thilander. Traditionella texter i nya frascha tonsattningar for SATB (nagra divisi). With Language: Swedish. Gehrmans Musikforlag #GE 11904. Published by Gehrmans Musikforlag (GH.GE-11904).

ISBN 979-0-070-11904-7.

Nu vaknen och gladjens, Staffan var en stalledrang, Staffansvisa fran Vaxmora. Nya frascha tonsattningar av traditionella texter. Smalter val in i den svenska Luciatraditionen.

SATB choir, piano

SKU: GH.GE-10947

Sanger ur Klezmertradition. Composed by Lars Hernqvist. Arranged by Lars Hernqvist. Sanger ur klezmertradition arrangerade for kor SATB och piano av LArs Hernqvist. With Language: Hebrew, Swedish. Gehrmans Musikforlag #GE 10947. Published by Gehrmans Musikforlag (GH.GE-10947).

ISBN 9790070109475. 185 x 262 mm inches. Text: Traditional / Birgitta Wennerberg-Berggren (Swedish).

Arrangem ang for kor och piano/instrument ad lib.

SATB choir, solo voice, organ/piano

SKU: GH.GE-11658

Composed by Anna Cederberg-Orreteg. With Language: Swedish. Gehrmans Musikforlag #GE 11658. Published by Gehrmans Musikforlag (GH.GE-11658).

ISBN 9790070116589. 185 x 262 mm inches. Text: Lars Bjorklund.

For sangsolist, blandad kor och piano eller orgel.
For att erbjuda ett alternativ till de traditionella verken for forsta advent uppmuntrade Sensus och Gehrmans skrivandet av detta verk. Forst togs texten fram och darefter uppmuntrades fyra upphovsman att tonsatta denna text.

SATB choir, solo voice, organ

SKU: GH.GE-11657

Composed by Rolf Martinsson. With Language: Swedish. Op. 85. Gehrmans Musikforlag #GE 11657. Published by Gehrmans Musikforlag (GH.GE-11657).

ISBN 9790070116572. 185 x 262 mm inches. Text: Lars Bjorklund.

For sangsolist, blandad kor och orgel.
For att erbjuda ett alternativ till de traditionella verken for forsta advent uppmuntrade Sensus och Gehrmans skrivandet av detta verk. Forst togs texten fram och darefter uppmuntrades fyra upphovsman att tonsatta denna text.

SATB choir, solo voice, organ

SKU: GH.GE-11660

Composed by Nils-Petter Ankarblom. With Language: Swedish. Gehrmans Musikforlag #GE 11660. Published by Gehrmans Musikforlag (GH.GE-11660).

ISBN 9790070116602. 185 x 262 mm inches. Text: Lars Bjorklund.

For sangsolist, blandad kor och orgel.
For att erbjuda ett alternativ till de traditionella verken for forsta advent uppmuntrade Sensus och Gehrmans skrivandet av detta verk. Forst togs texten fram och darefter uppmuntrades fyra upphovsman att tonsatta denna text.

SATB choir, soprano voice solo, organ

SKU: GH.GE-11659

Composed by Nils Lindberg. With Language: Swedish. Gehrmans Musikforlag #GE 11659. Published by Gehrmans Musikforlag (GH.GE-11659).

ISBN 9790070116596. 185 x 262 mm inches. Text: Lars Bjorklund.

For sopran, blandad kor och orgel.
For att erbjuda ett alternativ till de traditionella verken for forsta advent uppmuntrade Sensus och Gehrmans skrivandet av detta verk. Forst togs texten fram och darefter uppmuntrades fyra upphovsman att tonsatta denna text.

By David Conte (1955-). For SATB choir, chamber ensemble (version 1 or 2). SATB kbd/choral score for EC.7410 and EC.7414. Christmas, Choral. SATB keyboard/choral score. Composed 1995. 16 pages. Duration 5 minutes. Published by E.C. Schirmer Publishing (EC.7. SATB keyboard/choral score. Christmas, Choral.

SATB choir, piano

SKU: GH.GE-10948

Sanger i klezmertradition. Composed by Traditional. Arranged by Lars Hernqvist. Children / adults. Sanger ur Klezmertradition for kor och instrument ad lib i arrangemang av Lars Hernqvist. With Language: Yiddish. Gehrmans Musikforlag #GE 10948. Published by Gehrmans Musikforlag (GH.GE-10948).

ISBN 9790070109482. 185 x 262 mm inches. Text: Traditional / Birgitta Wennerberg-Berggren / Lars Hernqvist (Swedish).

Arrangem ang for kor i olika sattningar och piano/instrument ad lib.

Choral (SSATB)

SKU: HL.49046375

SSATB a cappella. Composed by Peter Gabriel. Edited by Bertrand Grö and ger. Choral. Classical, Jazz, Pop. Octavo. 16 pages. Duration 285 seconds. Schott Music #C54273. Published by Schott Music (HL.49046375).

ISBN 9781540084590. UPC: 840126908251.

Peter Gabriel's 1992 Gospel Ballad; as performed by Vocal Line. A new choral series that sets a new standard: Familiar traditionals are replaced by legendary pop and jazz classics, the arrangers - among them Jens Johansen, Bertrand Groger, Oliver Gies, Thierry Lalo, Dylan Bell - rank among the great figures of the European choral scene, and the book comes along in an absolutely choir-friendly format: as a handy, modern separate edition at an affordable price - a valuable addition for all jazz, pop and gospel ensembles looking to add new pieces to their repertoire. further editions: Straighten up and Fly right / Smells Like Teen Spirit / African Call / Blues on Sunday / As.

SATB choir

SKU: LP.OR-9152

A Dramatic Musical for Christmas. Composed by Dennis Allen & Nan Allen. Musical. Traditional, Christmas and Sacred. Score and parts. Published by Lillenas Publishing Company (LP.OR-9152).

UPC: 765762094604.

Telli ng the tradional Christmas story with a few nontraditional characters particularly Mary and Joseph's parents. The drama along with the dynamic blend of new and traditional music portrays how beautifully God works out His purposes in our lives. Arranged and written by Dennis and Nan Allen for SATB choir with drama. Song titles include: One Quiet Moment; He Is Born; Sing O Zion; Jesus Christ Is Born..

SATB choir

SKU: LP.765762181304

A Dramatic Musical for Christmas. Composed by Dennis Allen & Nan Allen. This edition: Paperback. Musical. Traditional, Christmas and Sacred. Bulk CDs (10 pack). Published by Lillenas Publishing Company (LP.765762181304).

UPC: 765762181304.

Telli ng the tradional Christmas story with a few nontraditional characters particularly Mary and Joseph's parents. The drama along with the dynamic blend of new and traditional music portrays how beautifully God works out His purposes in our lives. Arranged and written by Dennis and Nan Allen for SATB choir with drama. Song titles include: One Quiet Moment; He Is Born; Sing O Zion; Jesus Christ Is Born..

Sacred, Early Music - Renaissance. Choir part. 4 pages. Published by Editions a Coeur Joie (CJ.A110805014).

Choral (SATB)

SKU: HL.1197743

Arranged by Skip Stradtman. Gentry Publications. Octavo. 12 pages. Duration 240 seconds. Gentry Publications #JG2657. Published by Gentry Publications (HL.1197743).

UPC: 196288134749. 6.75x10.5x0.029 inches.

With its heartfelt, stunning poetry and stirring melody, “Be Thou My Vision” - beautifully arranged for SATB and piano by Skip Stradtman - is a refreshing setting of the familiar hymn that school, community, and church choirs alike will thoroughly enjoy.

By Morten Lauridsen (1943-). SATB A Cappella. Peermusic Classical. 12 pages. Peermusic #61919-121. Published by Peermusic