Arranged by Johnie Dean. For Choral (TTBB). Fred Bock Publications. 16 pages. Na...(+)
Arranged by Johnie Dean.
For Choral (TTBB). Fred
Bock Publications. 16
pages. National Music
Publishers #NM1010.
Published by National
Music Publishers
By W. S. Gilbert, music by Arthur Sullivan. Arranged by Michael Rosewall. Choir ...(+)
By W. S. Gilbert, music
by Arthur Sullivan.
Arranged by Michael
Rosewall. Choir Secular.
Men's Choir. Choral
Octavo. Choral Designs.
20 pages. Published by
Alfred Music
Dan Forrest : Hosanna Chorale TTBB TTBB A Cappella [Octavo] - Intermédiaire/avancé Hinshaw Music Inc.
(IV. from Words From Paradise). Composed by Dan Forrest. For TTBB choir, a ca...(+)
(IV. from Words From
Paradise). Composed by
Dan
Forrest. For TTBB choir,
a
cappella. Sacred,
concert.
Difficulty: advanced
(adult).
Octavo. 20 pages.
Duration 3
minutes. Published by
Hinshaw
Music Inc.
Composed by Donald Moore. Choir Sacred. Men's Choir. Choral Octavo. Cho...(+)
Composed by Donald Moore.
Choir Sacred. Men's
Choir.
Choral Octavo. Choral
Designs. Christmas;
Sacred;
Spiritual; Winter. 8
pages.
Published by Alfred Music
By Livingston Gearhart. For Men's Chorus. Traditional and Contemporary Spiritual...(+)
By Livingston Gearhart.
For Men's Chorus.
Traditional and
Contemporary Spirituals,
Contest/Festival Music
and Sacred. Sheet Music.
Published by Shawnee
Press.
Composed by David Javerbaum and Adam Schlesinger. Arranged by Alan Billingsley. ...(+)
Composed by David
Javerbaum and Adam
Schlesinger. Arranged by
Alan Billingsley. Choir
Secular. Men's Choir.
Choral Octavo. Pop
Choral. Christmas; Pop;
Secular; Winter. 16
pages. Published by
Alfred Music
Who's That Baby? Chorale TTBB TTBB A Cappella [Octavo] Alfred Publishing
By Jay Althouse. For Choir. (TTBB, a cappella). Choral Octavo. Choral Designs. ...(+)
By Jay Althouse. For
Choir. (TTBB, a
cappella). Choral Octavo.
Choral Designs.
Spiritual, Christmas.
Choral Octavo. 8 pages.
Published by Alfred
Publishing.
One Song Chorale TTBB TTBB, Piano Alfred Publishing
Composed by Alan and Marilyn Bergman, music by Marvin Hamlisch. Arranged by Mark...(+)
Composed by Alan and
Marilyn Bergman, music by
Marvin Hamlisch. Arranged
by Mark Hayes. Choral
Octavo. Alfred Pop
Series. Secular. 12
pages. Published by
Alfred Music (AP.45491).
By J. Paul Williams. For Men's Chorus. Bass/Percussion, Tracks, General Use, All...(+)
By J. Paul Williams. For
Men's Chorus.
Bass/Percussion, Tracks,
General Use, All Saints
Day, Homecomings,
Missions, Youth Choirs
and Sacred. Sheet Music.
Published by Shawnee
Press.
Choir Secular (Men's Choir) SKU: AP.47570 Composed by Charles Brown and G...(+)
Choir Secular (Men's
Choir)
SKU:
AP.47570
Composed by
Charles Brown and Gene
Redd. Arranged by Jay
Althouse. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Christmas;
Classic Pop; Holiday
Pops; Pop; Secular.
Choral Octavo. 12 pages.
Alfred Music #00-47570.
Published by Alfred Music
(AP.47570).
UPC:
038081542638.
English.
In 1960,
pianist and singer
Charles Brown first
recorded this Christmas
classic. Since then, the
Eagles, Kelly Clarkson,
Martina McBride, and Jon
Bon Jovi are among the
many artists who have
covered the blues-infused
tune about missing the
one you love during the
holidays. Opens with an
optional solo followed by
irresistible classic '60s
harmonies.
Mack the Knife Chorale TTBB TTBB, Piano Alfred Publishing
Choir Secular (Men's Choir) SKU: AP.47693 From The Threepenny Opera...(+)
Choir Secular (Men's
Choir)
SKU:
AP.47693
From
The Threepenny
Opera. Composed
by English. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Broadway; Great
American Songbook; Jazz;
Secular. Choral Octavo.
16 pages. Alfred Music
#00-47693. Published by
Alfred Music (AP.47693).
UPC: 038081543864.
English. Marc Blitzstein;
original German and Bert
Brecht; music by Kurt
Weill.
Originally
written for The
Threepenny Opera and
famously covered by the
likes of Louis Armstrong,
Bobby Darin, and Frank
Sinatra, this song has
become one of the
best-known jazz standards
of the twentieth century.
Mark's arrangement
captures all the style of
Kurt Weill's original
score, building in
excitement right to the
very end. Perform with
the swingin' piano
accompaniment, add live
horns and rhythm with the
optional SoundPax, or
check out our hip
live-instrument SoundTrax
CD.
About
Alfred Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Ave Maria Chorale TTBB TTBB A Cappella Alfred Publishing
Choir Sacred (Men's Choir) SKU: AP.43605 Composed by Sally K. Albrecht. P...(+)
Choir Sacred (Men's
Choir)
SKU:
AP.43605
Composed by
Sally K. Albrecht.
Performance Music
Ensemble; Single Titles.
Alfred Choral Designs.
Sacred. Choral Octavo. 8
pages. Alfred Music
#00-43605. Published by
Alfred Music (AP.43605).
UPC: 038081491455.
English.
A
plaintive opening expands
into lush four-part
harmony in this
compelling a cappella
concert selection.
Meditative and earnest,
Sally's glorious setting
of the prayerful text
will inspire your finest
singers.
Choir Secular (Men's Choir) SKU: AP.50300 Composed by Louis Prima. Arrang...(+)
Choir Secular (Men's
Choir)
SKU:
AP.50300
Composed by
Louis Prima. Arranged by
Mark Hayes. Performance
Music Ensemble; Single
Titles. Alfred Pop Choral
Series. Great American
Songbook; Jazz; Secular;
Standard. Choral Octavo.
24 pages. Alfred Music
#00-50300. Published by
Alfred Music (AP.50300).
UPC: 038081574707.
English. Mark
Hayes.
Louis
Prima's legendary big
band-era showstopper is
as exciting as ever in
Mark Hayes' sizzling
choral setting. Swinging
rhythms, scintillating
harmonies, independent
vocal lines, and a sassy
horns-and-rhythm
instrumentation bring the
heat. A few fresh lyrics
add to the bright music
theme, creating the
ultimate opener or closer
for school or community
choirs. Now you're
singin' with a swing!
About Alfred
Pop Choral
Series
The
Alfred Pop Series
features outstanding
arrangements of songs
from the popular music
genre. These publications
provide exciting,
contemporary, and
educationally-sound
arrangements for singers
of all ages, from
elementary through high
school, to college and
adult choirs.
Choir Secular (Men's Choir) SKU: AP.47722 Composed by Victor C Johnson. P...(+)
Choir Secular (Men's
Choir)
SKU:
AP.47722
Composed by
Victor C Johnson.
Performance Music
Ensemble. Alfred Choral
Designs. Secular. Choral
Octavo. 16 pages. Alfred
Music #00-47722.
Published by Alfred Music
(AP.47722).
UPC:
038081544151.
English.
A
triumphant unison fanfare
sounds a clarion call in
praise of music at the
start of this
concert/contest opener,
followed by a
contemplative, chant-like
middle section on a brief
Latin text. An
accelerating return to
the jubilant main theme
leads to a majestic and
satisfying conclusion. Be
sure to add the optional
trumpet part for full
effect.
Composed by
Greg Gilpin. Performance
Music Ensemble; Single
Titles. Alfred Choral
Designs. Secular. Choral
Octavo. 8 pages. Alfred
Music #00-49831.
Published by Alfred Music
(AP.49831).
UPC:
038081571454. English.
Words by Robert
Frost.
A lesser
known yet deeply poignant
Robert Frost poem. Greg's
emotional choral setting
is full of expressive
rubato that invites time
to thoughtfully process
the meaningful words.
Changing time signatures
make space for effortless
phrasing and sensitive
syllabic stress. A
consistently warm
harmonic palette and
several fully realized
suspensions leave us with
a feeling of resolution.
An exquisite selection
for SATB or TTBB choirs
and their responsive
accompanists.
About Alfred
Choral
Designs
Th
e Alfred Choral Designs
Series provides student
and adult choirs with a
variety of secular choral
music that is useful,
practical, educationally
appropriate, and a
pleasure to sing. To that
end, the Choral Designs
series features original
works, folk song
settings, spiritual
arrangements, choral
masterworks, and holiday
selections suitable for
use in concerts,
festivals, and
contests.
Pater noster Chorale TTBB [Conducteur] Carus Verlag
SSAATTBB Choir SKU: CA.967400 Composed by Jacek Sykulski. Edited by Stefa...(+)
SSAATTBB Choir
SKU:
CA.967400
Composed by
Jacek Sykulski. Edited by
Stefan Schuck. CARUS
CONTEMPORARY. Sacred
vocal music. Full score.
16 pages. Duration 8
minutes. Carus Verlag #CV
09.674/00. Published by
Carus Verlag (CA.967400).
ISBN 9790007187484.
Language:
Latin.
With the
publication of his
hypnotic Pater noster,
Carus proudly presents
Jacek Sykulski as a new
composer in the Carus
Contemporary series.
Whilst Sykulski has
achieved worldwide
success as Director of
the Academic Choir at the
University of Poznan and
the Poznan Boys' Choir,
as a composer he has
remained a well-guarded
secret until now. In his
sacred compositions he
combines in music the
deeply Catholic-imbued
tradition of his country
with his own
compositional technique,
characterized by a
tremendous vocal
sensuousness of sound and
a conscious use of
tonality enriched by
dissonance. His Pater
noster was composed in
2009 and revised in 2015
for a performance by the
RIAS Kammerchor in
Berlin. The first section
of this three-part work
for eight-part choir
(tenors and sopranos also
split into three) begins
with the invocation Pater
noster homophonically in
A minor. This then
introduces the Gregorian
liturgical melody of the
Our Father canonically
and aleatorically, like a
contemplative
congregational hymn. The
middle section calls out
Dein Reich komme in
increasingly insistent
rhythmic declamation,
more demanding, with
hypnotic repetitions and
intensifications. In the
last section, Sykulski
returns to the opening
harmonies, but now a
semitone lower on A flat,
followed by an
intensification at the
words sed libera nos a
malo - and delivery us
from evil once more; this
ends unresolved in a
diatonic cluster on A
flat as the paradigm of
our imperfect earthly
existence. The
eight-minute
unaccompanied composition
is extremely singable,
impressive, and not
difficult to master. The
piece is suitable for use
in the liturgy, as well
as in concerts and
competitions.
When David Heard Chorale TTBB TTBB, divisi, A Cappella Gentry Publications
Choral (TTBB Div A Cappella) SKU: HL.119077 Composed by Richard Burchard....(+)
Choral (TTBB Div A
Cappella)
SKU:
HL.119077
Composed by
Richard Burchard. Gentry
Publications. A Cappella,
Anthem, Concert, Contest,
Festival, Male Voices,
Sacred. Octavo. 12 pages.
Gentry Publications
#JG2426. Published by
Gentry Publications
(HL.119077).
UPC:
884088905057. 6.75x10.5
inches.
Many famous
composers have set the
heart-wrenching text of
King David's weeping over
the death of his son,
Absalom. Burchard's
setting is powerful and
stirring and will not
disappoint singer or
listener. Originally
released in SATB divisi
and selected for the
Bruce Rogers Choral
Series, the brilliance of
this composition is in
the musical suspensions
that capture the emotions
so completely.
Appropriate for college
and advanced male
choirs.
4 male voices (CtenTTBar) (TTBB Choir) SKU: HL.49003214 For four male ...(+)
4 male voices (CtenTTBar)
(TTBB Choir)
SKU:
HL.49003214
For
four male voices.
Composed by Gavin Bryars.
Sheet music. Edition
Schott. Classical. Score.
Composed 1988. 16 pages.
Duration 15'. Schott
Music #ED12461. Published
by Schott Music
(HL.49003214).
ISBN
9790220117282. UPC:
888680784249.
8.25x11.75x0.052 inches.
Latin.
Glorious
Hill may be performed by
a male choir.Text by Pico
della Mirandola
(1463-1497) from De
Hominis
Dignitate.Glorious Hill
was commissioned by the
Hilliard Ensemble and
first performed by them
at its summer Festival of
Voices in Lewes, Sussex,
in August 1988. It was
the first piece I wrote
for the ensemble and I
focused on the singers'
unique ability to move
with ease from early
music to tonal music of
the present day. There
were techniques which I
asked for which I hardly
needed to notate - the
staggered breathing of
the two tenors to supply
a continuous unbroken
held note for example -
and the piece moves
between passages for solo
voices and sections of
highly chromatic
homophony, almost as if
the music were switching
between the 12th century
of Perotin and the 16th
century of Gesualdo. Each
of the four voices is
given its own solo
passage, sometimes
accompanied, sometimes
quietly supported by the
other voices.The title,
Glorious Hill comes from
the name of the
small-town Mississippi
setting of Tennessee
Williams' Summer and
Smoke. I wrote the music
for the 1987 production
of this play at the
Leicester Haymarket
Theatre, the first time I
had written any
incidental music for the
stage. Williams makes
very specific demands in
terms of music and there
is one particularly
powerful scene, the
penultimate one,
throughout which music
and atmospheric sound
effects are continuous.
The principle character
Alma argues passionately
about the vital
importance of human
choice with the man to
whom she has, too late,
admitted her love. I
watched this section
every night throughout
the 4 week run of the
play watching the
different ways in which
the actress, Frances
Barber, played the scene.
There is a powerful
emotional and
philosophical connection
between the imagery of
this scene and a passage
from the Renaissance
philosopher Pico della
Mirandola's Oration on
the Dignity of Man which
forms the text of
Glorious Hill. This
passage has been
described as one of the
few passages in
Renaissance philosophy to
treat human freedom in a
modern way. The text,
which is sung in Latin,
is addressed by God to
Adam before the fall from
grace.Gavin Bryars.
Railways 1846 Chorale TTBB TTBB, Piano Theodore Presser Co.
Choral TTBB choir, piano SKU: PR.312419270 From Terra Nostra. Comp...(+)
Choral TTBB choir, piano
SKU: PR.312419270
From Terra Nostra.
Composed by Stacy Garrop.
Performance Score. 8
pages. Duration 2
minutes. Theodore Presser
Company #312-41927.
Published by Theodore
Presser Company
(PR.312419270).
ISBN
9781491137918. UPC:
680160692606. English.
Charles
Mackay.
Terra
Nostra focuses on the
relationship between our
planet and mankind, how
this relationship has
shifted over time, and
how we can re-establish a
harmonious balance. The
oratorio is divided into
three parts:Part I:
Creation of the World
celebrates the birth and
beauty of our planet. The
oratorio begins with
creation myths from
India, North America, and
Egypt that are integrated
into the opening lines of
Genesis from the Old
Testament. The music
surges forth from these
creation stories into
“God’s World” by
Edna St. Vincent Millay,
which describes the world
in exuberant and vivid
detail. Percy Bysshe
Shelley’s “On thine
own child” praises
Mother Earth for her role
bringing forth all life,
while Walt Whitman sings
a love song to the planet
in “Smile O voluptuous
cool-breathed earth!”
Part I ends with “A
Blade of Grass” in
which Whitman muses how
our planet has been
spinning in the heavens
for a very long time.Part
II: The Rise of Humanity
examines the achievements
of mankind, particularly
since the dawn of the
Industrial Age. Lord
Alfred Tennyson’s
“Locksley Hall” sets
an auspicious tone that
mankind is on the verge
of great discoveries.
This is followed in short
order by Charles
Mackay’s “Railways
1846,” William Ernest
Henley’s “A Song of
Speed,” and John
Gillespie Magee, Jr.’s
“High Flight,” each
of which celebrates a new
milestone in
technological
achievement. In “Binsey
Poplars,” Gerard Manley
Hopkins takes note of the
effect that these
advances are having on
the planet, with trees
being brought down and
landscapes forever
changed. Percy Bysshe
Shelley’s “A Dirge”
concludes Part II with a
warning that the planet
is beginning to sound a
grave alarm.Part III:
Searching for Balance
questions how we can
create more awareness for
our planet’s plight,
re-establish a deeper
connection to it, and
find a balance for living
within our planet’s
resources. Three texts
continue the earth’s
plea that ended the
previous section: Lord
Byron’s “Darkness”
speaks of a natural
disaster (a volcano) that
has blotted out the sun
from humanity and the
panic that ensues;
contemporary poet Esther
Iverem’s “Earth
Screaming” gives voice
to the modern issues of
our changing climate; and
William Wordsworth’s
“The World Is Too Much
With Us” warns us that
we are almost out of time
to change our course.
Contemporary/agrarian
poet Wendell Berry’s
“The Want of Peace”
speaks to us at the
climax of the oratorio,
reminding us that we can
find harmony with the
planet if we choose to
live more simply, and to
recall that we ourselves
came from the earth. Two
Walt Whitman texts (“A
Child said, What is the
grass?” and “There
was a child went forth
every day”) echo
Berry’s thoughts,
reminding us that we are
of the earth, as is
everything that we see on
our planet. The oratorio
concludes with a reprise
of Whitman’s “A Blade
of Grass” from Part I,
this time interspersed
with an additional
Whitman text that
sublimely states, “I
bequeath myself to the
dirt to grow from the
grass I love…”My hope
in writing this oratorio
is to invite audience
members to consider how
we interact with our
planet, and what we can
each personally do to
keep the planet going for
future generations. We
are the only stewards
Earth has; what can we
each do to leave her in
better shape than we
found her?