Volume 11, K. 507-555. Composed by Domenico Scarlatti (1685-1757). Leduc. Cla...(+)
Volume 11, K. 507-555.
Composed by Domenico
Scarlatti (1685-1757).
Leduc.
Classical. Softcover. 195
pages. Heugel and Cie
#HE32298.
Published by Heugel and
Cie
Volume 10, K.458-506. Composed by Domenico Scarlatti (1685-1757). Leduc. Baro...(+)
Volume 10, K.458-506.
Composed by Domenico
Scarlatti (1685-1757).
Leduc.
Baroque. Softcover. 210
pages. Heugel and Cie
#HE32210.
Published by Heugel and
Cie
Volume 4,
K.156-205. Composed
by Domenico Scarlatti.
Edited by Kenneth
Gilbert. Leduc. Baroque.
Softcover. 212 pages.
Heugel & Cie #HE32486.
Published by Heugel & Cie
(HL.48188386).
UPC:
888680866136.
9.0x12.0x0.565
inches.
Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
fourth volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The fourth
volume, comprising
Sonatas 156-205, includes
the popular and
recognisable Sonata in C
major (K. 159). Bearing
in mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed in the
service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre. .
Harpsichord SKU: HL.48188417 Composed by Domenico Scarlatti. Edited by Ke...(+)
Harpsichord
SKU:
HL.48188417
Composed
by Domenico Scarlatti.
Edited by Kenneth
Gilbert. Heugel. Baroque.
Softcover. 200 pages.
Heugel & Cie #HE32522.
Published by Heugel & Cie
(HL.48188417).
UPC:
888680866266.
9.0x12.0x0.53
inches.
“Ital
ian composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
second volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The second
volume, comprising
Sonatas 53-103, includes
the popular and
recognised Sonatas in F
minor (K. 69) and B minor
(K. 87). Bearing in mind
that Domenico Scarlatti
was a highly competent
and popular Keyboard
player in his day, so
much so that he was
employed in the service
of two royal families,
his Sonatas are composed
with much experience,
understanding and
expertise, creating an
essential addition to the
repertoire of all
Keyboard players of the
Baroque genre.
â€.
Volume 1, K.1-52.
Composed by Domenico
Scarlatti. Edited by
Kenneth Gilbert. Leduc.
Baroque. Softcover. 204
pages. Heugel and Cie
#HE32645. Published by
Heugel and Cie
(HL.48188514).
UPC:
888680872649.
9.0x12.0x0.562
inches.
â??Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
first volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. This first
volume, comprising
Sonatas 1-52, includes
the popular and
recognised Sonatas in D
minor (K. 9), E major (K.
20) and B minor (K. 27).
Bearing in mind that
Domenico Scarlatti was a
highly competent and
popular Keyboard player
in his day, so much so
that he was employed in
the service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre. â?.
Harpsichord SKU: BT.ALHE32201 By Kenneth Gilbert. By Domenico Scarlatti. ...(+)
Harpsichord
SKU:
BT.ALHE32201
By
Kenneth Gilbert. By
Domenico Scarlatti. Le
Pupitre - Heugel.
Classical. Book Only. 196
pages. Heugel & Cie
#ALHE32201. Published by
Heugel & Cie
(BT.ALHE32201).
French.
Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
ninth volume is
indispensable
toperformers of the
genre. Originally
composed for the
Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much ofScarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The ninth
volume, comprising
Sonatas 408-457,includes
many of the popular and
recognised Sonatas in a
variety of keys. Bearing
in mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed in the
service of tworoyal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre.
Harpsichord SKU: HL.48188166 K. 408-457. Composed by Domenico Scar...(+)
Harpsichord
SKU:
HL.48188166
K.
408-457. Composed by
Domenico Scarlatti.
Edited by Kenneth
Gilbert. Leduc.
Classical. Softcover. 202
pages. Heugel & Cie
#HE32201. Published by
Heugel & Cie
(HL.48188166).
UPC:
888680975623.
9.0x12.0x0.528
inches.
“Ital
ian composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
ninth volume is
indispensable to
performers of the genre.
Originally composed for
the Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much of Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. The ninth
volume, comprising
Sonatas 408-457, includes
many of the popular and
recognised Sonatas in a
variety of keys. Bearing
in mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed in the
service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre.
â€.
Harpsichord SKU: BT.ALHE32121 By Kenneth Gilbert. By Domenico Scarlatti. ...(+)
Harpsichord
SKU:
BT.ALHE32121
By
Kenneth Gilbert. By
Domenico Scarlatti. Le
Pupitre - Heugel.
Classical. Book Only. 208
pages. Heugel & Cie
#ALHE32121. Published by
Heugel & Cie
(BT.ALHE32121).
French.
Itali
an composer, Domenico
Scarlatti
(1685-1757) is well-known
for his Keyboard
compositions. His 555
Keyboard
Sonatas
remain ever popular to
this day, and it is for
this reason that this
eighth volumeis
indispensable to
performers of the genre.
Originally
composed for the
Harpsichord, Organ or
early Pianoforte, the
Sonatas
display the riveting use
of discords and
unconventional
modulations toremote
keys. It is also thought
that much of
Scarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese
royalfamilies.The eighth
volume, comprising
Sonatas
358-407,
includes the popular and
recognised Sonatas in B
minor (K. 377) and E
major (K. 380). Bearing
in mind that Domenico
Scarlatti was a
highly competentand
popular Keyboard player
in his day, so much so
that he was employed in
the service of two royal
families, his
Sonatas
are composed with much
experience, understanding
and expertise, creating
an essentialaddition to
the repertoire of all
Keyboard players of the
Baroque genre.
Harpsichord SKU: BT.ALHE32645 By Kenneth Gilbert. By Domenico Scarlatti. ...(+)
Harpsichord
SKU:
BT.ALHE32645
By
Kenneth Gilbert. By
Domenico Scarlatti. Le
Pupitre - Heugel.
Classical. Book Only. 204
pages. Heugel & Cie
#ALHE32645. Published by
Heugel & Cie
(BT.ALHE32645).
French.
Italian
composer, Domenico
Scarlatti (1685-1757) is
well-known for his
Keyboard compositions.
His 555 Keyboard Sonatas
remain ever popular to
this day, and it is for
this reason that this
first volume is
indispensable
toperformers of the
genre. Originally
composed for the
Harpsichord, Organ or
early Pianoforte, the
Sonatas display the
riveting use of discords
and unconventional
modulations to remote
keys. It is also thought
that much ofScarlatti's
Keyboard music contains
influences of Iberian
music, considering that
he spent much of his
working life in the
service of the Spanish
and Portuguese royal
families. This first
volume, comprising
Sonatas 1-52, includesthe
popular and recognised
Sonatas in D minor (K.
9), E major (K. 20) and B
minor (K. 27). Bearing in
mind that Domenico
Scarlatti was a highly
competent and popular
Keyboard player in his
day, so much so that he
was employed inthe
service of two royal
families, his Sonatas are
composed with much
experience, understanding
and expertise, creating
an essential addition to
the repertoire of all
Keyboard players of the
Baroque genre.
Harpsichord SKU: FZ.5835 Serie I - France 1600-1800. Edited by Phi...(+)
Harpsichord
SKU:
FZ.5835
Serie I -
France 1600-1800.
Edited by Philippe
Lescat, Jean
Saint-Arroman. This
edition: Facsimile.
Methodes & Traites.
Score. Published by Anne
Fuzeau Productions -
France (FZ.5835).
ISBN
9790230658355. 24.00 x
33.00 cm
inches.
These early
music methods are in
facsimile in two books.
ANCELET - Antoine
BEMETZIEDER (1-2) -
Jean-Laurent de BETHISY -
Michel CORRETTE (2) -
Denis DIDEROT - Jacques
DUPHLY (1-2) -
Encyclopedie -
Encyclopedie methodique -
Louis-Joseph le neveu
FRANCOEUR - Pierre Claude
FOUCQUET (1-2) -
Francois-Alexandre-Pierre
de GARSAULT -
Jean-Benjamin de LABORDE
- Philippe MACQUER -
Friedrich Wilhelm MARPURG
- Jean-Philippe RAMEAU
(4) - Jean-Jacques
ROUSSEAU - Simon SIMON.
Table of contents:
Corrette Michel: Les
amusements du Parnasse -
1749. Foucquet Pierre
Claude: Les caracteres de
la paix - 1749. Foucquet
Pierre Claude: Second
livre de pieces de
clavecin - 1751.
Encyclopedie:
Encyclopedie ou
dictionnaire raisonne -
1751/1772. Duphly
Jacques: Troisieme livre
de pieces de clavecin -
1756. Ancelet:
Observations sur la
musique - 1757. Rameau
Jean-Philippe: Code de
musique pratique - 1760.
Garsault
Francois-Alexandre-Pierre
de: Notionnaire - 1761.
Simon Simon: Pieces de
clavecin - 1761. Bethisy
Jean-Laurent de:
Exposition de la theorie
- 1764. Rousseau
Jean-Jacques:
Dictionnaire de la
musique - 1768. Duphly
Jacques: Du doigter - c.
1769. Diderot Denis:
Manuscrit autographe - s.
d. Bemetzrieder Antoine:
Lecons de clavecin -
1771. Francoeur
Louis-Joseph le neveu:
Diapason general - 1772.
Macquer Philippe:
Dictionnaire raisonne -
1773. Laborde
Jean-Benjamin de: Essai
sur la musique - 1780.
Bemetzrieder Antoine:
Nouvelles lecons de
clavecin - 1783.
Encyclopedie methodique:
Encyclopedie methodique,
arts et metiers
mecaniques - 1788.
Marpurg Friedrich
Wilhelm: L'art de toucher
le clavecin - c. 1797.
Collection supervised by
the musicologist Jean
Saint-Arroman, professor
at the Conservatoire
National Superieur de
Musique et de Danse of
Paris and at the CEFEDEM
Ile de France (Training
Centre for Music
Teachers). He is the
author of the majority of
our prefaces and has also
been involved in library
searches. Facsimile of
copies from:- National
Library of Paris
(France). - Fitzwilliam
Museum of Cambridge
(England). - Bayerische
Staatsbibliotheck of
Munich (Germany). -
British Library of London
(England). - In Private
collection. Anne Fuzeau
Classique propose the
complete theoretic
documentation, methods,
classical music scores on
the harpsichord.
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord
SKU:
OT.21125
Composed by
Daniel Akiva. 5 short
pieces for
harpsichord/cembalo.
Classical. Score. OR-TAV
Music Publications
#21125. Published by
OR-TAV Music Publications
(OT.21125).
ISBN
9789655051117. 8.27 x
11.69 inches.
The
five short movements for
solo cembalo are brief,
personal prayers that
depict how the subject
manages a range of
feelings and emotions.
The miniatures each
represent a different
emotional state:
reflection, searching,
meditation, agitation,
and resolution. Each is a
small-scale
representation of a
grand, wide-ranging
prayer of
supplication. As a
composer, performer, and
researcher of early
music, writing for
cembalo allows me not
only to express my
special connection to the
instrument and the period
in which it flourished,
but also to present its
contemporary dimensions
as a rich and versatile
instrument. The
piece was composed at the
request of Hagai Yodan,
who performs it with
great skill. Daniel
Akiva is a composer,
performer, and educator
whose performances on
guitar and lute have won
great acclaim. Mr. Akiva
graduated from the Rubin
Academy of Music in
Jerusalem in 1981, where
he studied classical
guitar with Haim Asulin
and composition with Haim
Alexander. In 1987 he
completed his studies at
the Geneva Conservatorium
in Switzerland where he
studied lute with
Jonathon Rubin and
composition with Jean
Ballisa. For many years,
he headed the Music
Department at the WIZO
High School for the Arts
in Haifa, which he
founded in 1986, and
served as the Artistic
Director of the Guitar
Gems Festival from
2006-2019. As part of his
work at WIZO High School,
he has developed a method
for teaching free
improvisation that has
been incorporated into
the music program at the
school. Mr. Akiva has
appeared in concert as a
guitarist and lutist and
given master classes in
Israel, Europe, Russia,
the United States, and
Latin America. Daniel
Akiva’s
compositional output
includes works for solo
instruments, chamber
ensembles, choir, voice
and guitar, piano, and
chamber orchestra. His
works have been recorded
on twelve CDs, the latest
of which, Malchut, was
issued by OR-TAV in
2014. A native of
Haifa whose family has
lived in Israel for over
five hundred years, he
was steeped in the
Sephardic
(Jewish-Spanish)
tradition from his youth.
Much of his compositional
output has been devoted
to a dialogue with the
music of the Sephardic
Jews. Daniel Akiva has
also maintained a
creative dialogue over
many years with the poets
and writers Amnon
Shamash, Rivka Miriam,
and Avner Peretz.