Heft 1: zusammengestellt aus den organ werken von Johann Sebastian Bach. ...(+)
Heft 1:
zusammengestellt aus den
organ werken von Johann
Sebastian Bach.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Heinrich Schneikart.
String music. Composed
1970. 28 pages pages.
Published by Doblinger
Music Publishers
(DB.03-00906).
For Double Bass. Includes a newly engraved solo part printed on acid-free ivory ...(+)
For Double Bass. Includes
a newly engraved solo
part printed on acid-free
ivory paper; as well as
four compact discs
featuring Mr. Kohn
performing each piece;
then the accompaniment
alone, for your
performance. Published by
Music Minus One.
Double bass SKU: HF.FH-5009 Edited by Schwabe and Starke. Arranged by Sch...(+)
Double bass
SKU:
HF.FH-5009
Edited by
Schwabe and Starke.
Arranged by Schwabe and
Starke. Sheet music.
Friedrich Hofmeister
Musikverlag #FH 5009.
Published by Friedrich
Hofmeister Musikverlag
(HF.FH-5009).
ISBN
9790203450092. 9 x 12
inches.
1. Franz
Schubert: Sinfonie C-Dur;
2. Friedrich Smetana: Die
verkaufte Braut; 3. Max
Reger: Variationen und
Fuge uber ein Thema von
Beethoven; 4. Max Reger:
Sinfonietta; 5. Max
Reger: Variationen und
eine Fuge fur grosses
Orchester uber ein Thema
von Hiller; 6. Georges
Bizet: Carmen, Danse
bohemienne; 7. Giuseppe
Verdi: La Traviata; 8.
Giuseppe Verdi: II
Trovatore; 9. Giuseppe
Verdi: La Forza del
Destino.
Pression Contre Basse [Conducteur] Breitkopf & Härtel
Double bass solo SKU: BR.EB-9268 Revised Version 2010. Composed by...(+)
Double bass solo
SKU:
BR.EB-9268
Revised
Version 2010.
Composed by Helmut
Lachenmann. Arranged by
Caleb Salgado. Solo
instruments; Folder.
Edition Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1969/2010. 26
pages. Duration 9'.
Breitkopf and Haertel #EB
9268. Published by
Breitkopf and Haertel
(BR.EB-9268).
ISBN
9790004185681. 12 x 9
inches.
This piece
originated as an
introduction to
instrumental
musique-concrete. In this
sort of piece it is
common for sound
phenomena to be so
refined and organised
that they are not so much
the results of musical
experiences as of their
own acoustic attributes.
Timbres, dynamics and so
on arise not of their own
volition but as
components of a concrete
situation characterised
by texture, consistency,
energy, resistance.This
does not come from within
but from a liberated
compositional technique.
At the same time it
implies that our
customary sharply-honed
auditory habit is
thwarted. The result is
aesthetic provocation:
beauty denying
habit.(Helmut
Lachenmann),,Cette
nouvelle edition est une
invitation faite aux
violoncellistes qui
souhaiteraient
redecouvrir leur
instrument et la maniere
de la faire sonner en
realisant dessus un
nouveau genre de
polyphonie: une
polyphonie d'actions.
(Francois-Xavier Feron,
Circuit, Heft 25, Juni
2015)CDs/LPs:Michael Bach
CD cpo 999 102-2 Lucas
Fels CD Montaigne Auvidis
MO 782075 Walter Grimmer
CD col legno WWE 31863
Taco Kooistra CD Attacca
Babel 9369-1 Pierre
Strauch CD Accord 202082
Michael Bach LP ABE ERZ
1003 Werner Taube LP ABE
ERZ 1003ensemble
phorminxCD WER 6682
2Michael M. KasperCD
Michael M. Kasper rounds
per minute, Ensemble
Modern Medien,
EMCD-006Michael Svoboda
(trombone)CD Wittener
Tage fur neue Kammermusik
2011Bibliography:Deltz,
Eberhard: begegnung im
grenzbereich. Zwei Werke
von Helmut Lachenmann und
Hideaki Yamanobe im
Spiegel eines Haiku von
Matsuo Basho, in: Neue
Zeitschrift fur Musik 167
(2006), Heft 1, pp.
36-41.Feron,
Francois-Xavier: Enjeux
et evolution du systeme
de notation dans
,,Pression pour un(e)
violoncelliste de Helmut
Lachenmann, in: Circuit,
Heft 25, 2015, pp.
55-65.GoGwilt, Keir:
Templates for Technique
in Mantel and Lachenmann.
Between Transcendence and
Immanence, in: The Dark
Precursor: Deleuze and
Artistic Research. Band
I: The Dark Precursor in
Sound and Writing, hrsg.
von Paulo de Assis und
Paolo Giudici, Leuven:
Leuven University Press
2017, pp.
105-113.Griffiths, Paul:
ModernMusic and After,
3rd edition, Oxford
University Press 2010,
pp. 216-219.Handschick,
Matthias: Musik als
,,Medium der sich selbst
erfahrenden Wahrnehmung.
Moglichkeiten der
Vermittlung Neuer Musik
unter dem Aspekt der
Auflosung und Reflexion
von Gestalthaftigkeit (=
Schriften der Hochschule
fur Musik Freiburg 3),
Hildesheim u. a.: Olms
2015, dort pp.
161-167.Hiekel, Jorn
Peter: Helmut Lachenmann
und seine Zeit, Laaber:
Laaber 2023, S. 169-172,
231-232.Jahn, Hans-Peter:
simultan eine Erinnerung,
in: Neue Zeitschrift fur
Musik 167 (2006), Heft 1,
pp. 12-15.Lessing,
Wolfgang: Musizieren als
Prozess. Zur didaktischen
Dimension von Helmut
Lachenmanns Pression, in:
Musik inszeniert.
Prasentation und
Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 73-83.ders.:
Verweigerung von
Gewohnheit.
Instrumentaldidaktische
Annaherungen an Pression
von Helmut Lachenmann,
in: Darstellen und
Mitteilen. Ein Handbuch
der musikalischen
Interpretation, hrsg. von
Ursula Brandstatter,
Martin Losert, Christoph
Richter und Andrea Welte,
Mainz: Schott 2010, pp.
111-122.ders.:
Interpretation, Verstehen
und Vermittlung, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 24-39.Mosch, Ulrich:
Das Unberuhrte beruhren
Anmerkungen zur
Interpretation von Helmut
Lachenmanns Werken
Pression und Allegro
sostenuto, in: Musik
inszeniert. Prasentation
und Vermittlung
zeitgenossischer Musik
heute, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 46),
Mainz u. a.: Schott 2006,
pp. 25-46.Musik als
Bildkritik Gesprach
zwischen Gottfried Boehm,
Helmut Lachenmann und
Matteo Nanni, in: Helmut
Lachenmann: Musik mit
Bildern? Hrsg. von Matteo
Nanni und Matthias
Schmidt (= eikones, hrsg.
von Nationalen
Forschungsschwerpunkt
Bildkritik an der
Universitat Basel),
Munchen: Wilhelm Fink
2012, pp.
237-269.Neuwirth, Markus:
Strukturell vermittelte
Magie.
Kognitionswissenschaftlic
he Annaherungen an Helmut
Lachenmanns Pression und
Allegro sostenuto, in:
Musik als
Wahrnehmungskunst.
Untersuchungen zu
Kompositionsmethodik und
Horasthetik bei Helmut
Lachenmann, hrsg. von
Christian Utz und Clemens
Gadenstatter (=
musik.theorien der
gegenwart 2),
Saarbrucken: Pfau 2008,
pp. 73-100.Orning, Tanja:
The Polyphonic Performer.
A Study of Performance
Practice in Music for
Cello Solo by Morton
Feldman, Helmut
Lachenmann, Klaus K.
Hubler and Simon
Steen-Andersen, Diss.
Oslo 2014, Oslo:
NMH-publikasjoner (mit
DVD).Sparrer,
Walter-Wolfgang: Wider
den geolten Gleichlauf.
Von der Notwendigkeit
strukturierender
Verfahrensweisen bei der
Interpretation von Musik.
Modell I: Kompositionen
fur Violoncello solo von
J. S. Bach, Isang Yun und
Helmut Lachenmann, in:
Musikalische Produktion
und Interpretation, hrsg.
von Otto Kolleritsch,
Wien/Graz 2003 (= Studien
zur Wertungsforschung,
Band 43), pp. 75-100.Utz,
Christian: Erinnerte
Gestalt und gebannter
Augenblick. Zur Analyse
und Interpretation
post-tonaler Musik als
Wahrnehmungspraxis
Klangorganisation und
Zeiterfahrung bei Morton
Feldman, Helmut
Lachenmann und Brian
Ferneyhough, in: Ans
Licht gebracht. Zur
Interpretation Neuer
Musik, hrsg. von Jorn
Peter Hiekel (=
Veroffentlichungen des
Instituts fur Neue Musik
und Musikerziehung
Darmstadt, Band 53),
Mainz u. a.: Schott 2013,
pp. 40-67.
World
premiere: Como (Autunno
musicale), September 30,
1970.
Double bass SKU: BA.BA08328-85 Motet for four-part choir and double ba...(+)
Double bass
SKU:
BA.BA08328-85
Motet for four-part
choir and double
bass. Composed by
Heinz Werner Zimmermann.
Folded. Single part. 3
pages. Baerenreiter
Verlag #BA08328_85.
Published by Baerenreiter
Verlag (BA.BA08328-85).
Double bass SKU: BA.BA09079-85 Composed by Felix Bartholdy Mendelssohn. E...(+)
Double bass
SKU:
BA.BA09079-85
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Single part. Opus 31, MWV
A 9. 7 pages.
Baerenreiter Verlag
#BA09079_85. Published by
Baerenreiter Verlag
(BA.BA09079-85).
ISBN
9790006531431. 32.5 x
25.5 cm inches. Text:
Felix Mendelssohn
Bartholdy.
Latin
text from the Vulgate
(Psalm 113). German text
by Felix Mendelssohn
Bartholdy after Psalm 115
from the Lutheran
Bible.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Composed by Felix Bartholdy Mendelssohn (1809-1847). Edited by John Michael Coop...(+)
Composed by Felix
Bartholdy Mendelssohn
(1809-1847). Edited by
John Michael Cooper. This
edition: urtext edition.
Stapled. Part(s). Opus
42. 8 pages. Published by
Baerenreiter Verlag
(BA.BA9074-85).
Double Bass SKU: PR.77640001M A Musical Celebration of the Life and Wo...(+)
Double Bass
SKU:
PR.77640001M
A
Musical Celebration of
the Life and Work of
Charles Wesley.
Composed by Andrew Fowler
Charles Wesley. Parts.
With Standard notation.
Abingdon Press
#776-40001M. Published by
Abingdon Press
(PR.77640001M).
ISBN
9780687644278.
Reno
wned composer Andrew
Fowler of South Carolina
has composed a work
celebrating the life and
writings of Charles
Wesley entitled
Directions for Singing,
the title taken from the
series of seven
instructions written by
Charles Wesley and
included in John Wesley's
Select Hymns, 1761. The
work is a 40 to 45 minute
piece in seven movements
with soloists and full
orchestra. Directions for
Singing is an accessible
and fresh choral and
orchestral work.
Bass. Composed by Jacquelyn Dillon, James Kjelland, and John O'Reilly. Method/In...(+)
Bass. Composed by
Jacquelyn Dillon, James
Kjelland, and John
O'Reilly.
Method/Instruction;
String Orchestra
Method/Supplement.
Strictly Strings. Book.
40 pages. Alfred Music
#00-5296. Published by
Alfred Music
By Anne Mcginty; John Edmondson. Orchestra. For Double Bass. Queenwood Beginning...(+)
By Anne Mcginty; John
Edmondson. Orchestra. For
Double Bass. Queenwood
Beginning String
Orchestra. Queenwood
Orchestra. Elementary.
String orchestra method
Double Bass SKU: BA.BA09092-85 A Symphony-Cantata after Texts from the...(+)
Double Bass
SKU:
BA.BA09092-85
A
Symphony-Cantata after
Texts from the Holy
Scriptures. Composed
by Felix Bartholdy
Mendelssohn. Edited by
John Michael Cooper. This
edition: urtext edition.
Stapled. Barenreiter
Urtext. Single part. Opus
52, MWV A 18. 21 pages.
Baerenreiter Verlag
#BA09092_85. Published by
Baerenreiter Verlag
(BA.BA09092-85).
ISBN
9790006565856. 32.5 x
25.5 cm inches. Text:
Mendelssohn Bartholdy,
Felix (nach der
Luther-Bibel und Martin
Rinckart) / Monicke,
Charles Henry.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Double bass SKU: BA.BA09071-85 Composed by Felix Bartholdy Mendelssohn. E...(+)
Double bass
SKU:
BA.BA09071-85
Composed by Felix
Bartholdy Mendelssohn.
Edited by John Michael
Cooper. This edition:
urtext edition. Stapled.
Barenreiter Urtext.
Oratorium (Oratorios).
Single part. Opus 36. 59
pages. Baerenreiter
Verlag #BA09071_85.
Published by Baerenreiter
Verlag (BA.BA09071-85).
ISBN 9790006527656.
32.5 x 25.5 cm
inches.
About
Barenreiter Urtext
Orchestral
Parts
Why musicians
love to play from
Bärenreiter Urtext
Orchestral
Parts
- Urtext
editions as close as
possible to the
composerâ€â„Â
¢s intentions - With
alternate versions in
full score and parts
- Orchestral parts in an
enlarged format of 25.5cm
x 32.5cm - With
cues, rehearsal letters,
and page turns where
players need them -
Clearly presented divisi
passages so that players
know exactly what they
have to play -
High-quality paper with a
slight yellow tinge which
does not glare under
lights and is thick
enough that reverse pages
do not shine
through
Arranged by Elliot Del Borgo. Bass solo songbook (no accompaniment) for string b...(+)
Arranged by Elliot Del
Borgo. Bass solo songbook
(no accompaniment) for
string bass. Series: Hal
Leonard Essential
Elements String Method.
24 pages. Published by
Hal Leonard.