Composed by Antonio Lauro (1917-1986), edited by Albert Valdes Blain. For solo guitar. Format: guitar solo single. With standard guitar notation (no tablature) and fingerings. 20th century. E Minor. 3 pages. 9x12 inches.

by Antonio Lauro. Level: Intermediate. Book. Size 9x12.25. 28 pages. Published by Caroni Music.

Composed by Vladimir Gorbach. For guitar. Saddle- stitched. Multiple Levels. Book. 68 pages. Published by Mel Bay Publications, Inc

Guitar

SKU: HL.14046615

Composed by Antonio Ongarello. CARISCH - MUSIC SALES. Jazz. General Merchandise. Carisch Edition #ML2351. Published by Carisch Edition (HL.14046615).

ISBN 9788850704460.

By Antonio Ongarello. Learn Bossa Nova Technique and play 15 brazilian standards. Includes play along CD with high quality backing tracks for solo and rhythm guitar.

Guitar

SKU: HL.14046766

Composed by Antonio Ongarello. CARISCH - MUSIC SALES. Jazz. General Merchandise. Carisch Edition #ML2602. Published by Carisch Edition (HL.14046766).

ISBN 9788850709878.

By Antonio Ongarello. Learn and play 12 Latin Standards arranged for jazz guitar.

Guitar

SKU: HL.14047498

Composed by Antonio Blanco Tejero. CARISCH - MUSIC SALES. Classical. General Merchandise. Play Music Spain #ML3556. Published by Play Music Spain (HL.14047498).

ISBN 9788850725960. Spanish.

Guitar

SKU: HL.14047368

Composed by Antonio Ongarello. CARISCH - MUSIC SALES. General Merchandise. Carisch Edition #ML3403. Published by Carisch Edition (HL.14047368).

ISBN 9788850723638.

Guitar or Lute

SKU: HL.50561156

Guitar Solo. Composed by Antonio Ruiz-Pipó. Editions Durand. Classical. Score Only. Composed 2001. Editions Durand #ME0766400. Published by Editions Durand (HL.50561156).

9.75x12.5x0.022 inches.

Guitar

SKU: HL.14047541

Composed by Antonio Blanco Tejero. CARISCH - MUSIC SALES. Tuition. General Merchandise. Play Music Spain #ML3615. Published by Play Music Spain (HL.14047541).

ISBN 9788850726493. Spanish.

Guitar

SKU: HL.14046901

Per chitarra o altri strumenti. Composed by Antonio Ongarello. CARISCH - MUSIC SALES. Tuition. General Merchandise. Carisch Edition #ML2816. Published by Carisch Edition (HL.14046901).

ISBN 9788850713417. Italian.

Guitar - Intermediate

SKU: DY.DO-1522

Composed by Francis Bebey. Arranged by Ingrid Riollot. Score. Les Editions Doberman-Yppan #DO 1522. Published by Les Editions Doberman-Yppan (DY.DO-1522).

ISBN 9782897963026.

Fran cis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.
Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux �tats-Unis.
Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.
Parallèle ment, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. � Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.
Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.
Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.
Progressivem ent, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.
Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !
Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.
Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.

Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.
We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.
After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.
In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didnâ??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.
Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.
He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.
Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism.
He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!
Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.
His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.

By Harvey Vinson (Editor). For Guitar. Classical. Sheet Music. 96 pages. Published by Music Sales.

Classical Guitar, Online Audio SKU: HU.ECH9781D Easy entertaining guitar pieces for beginners. Composed by Juan Antonio Muro. Standard Notation, Guitar and Folk, Repertoire, Collections. Basic Pieces Vol. 1. Softcover Book and Online Audio. 64 pages. Chanterelle #ECH9781D. Published by Chanterelle (HU.ECH9781D). UPC: 842819116769. 12 x 9 x 0.2 inches. Juan Antonio Muro's Basic Pieces consist of selected simple works progressively arranged, mainly with teacher's accompaniment. The pieces are simple and extremely attractive. Learning new notes and basic techniques go hand in hand. This book can be used as a repertoire book or as a method. One of the most popular guitar publications ever printed, complete with CMP 3 files for download, including those of volume 2.

Guitar - advanced

SKU: M7.KC-2008

La Gatica, Momoti, Merengue. Composed by Antonio Lauro. Arranged by Alirio Diaz. This edition: Saddle-wire stitching. Sheet music. 24 pages. MDS (Music Distribution Services) #KC 2008. Published by MDS (Music Distribution Services) (M7.KC-2008).

ISBN 9782848580135. English French Spanish.

The legendary figures of Antonio Lauro and Alirio Diaz are monuments of the Venezuelan spirit. It is important to remember the extraordinary course of fortune which brought together Antonio Lauro and Alirio Diaz - a great Composer and a great virtuoso who inspired each other with their creativity. This interaction was vital in the success of this wonderful Music, born of their common cultural heritage and presented to the world through the extraordinary talents of Alirio Diaz, the greatest performer of Lauro's guitar works. It is difficult not to draw parallels between this relationship and that Andrés Segovia with Manuel Ponce or Julian Bream with Benjamin Britten and William Walton.

Guitar - intermediate

SKU: M7.VOGG-816

Composed by Gernot Roedder. This edition: Ring/Spiral binding. Sheet music with 2 CDs. 152 pages. Voggenreiter #VOGG 816. Published by Voggenreiter (M7.VOGG-816).

ISBN 9783802408168. German.

Für Gitarristen der Mittelstufe Über 60 der bekanntesten und wichtigsten Stücke für die Konzertgitarre (Solo und Duo) aus drei Jahrhunderten in traditioneller Notation - die unentbehrliche Stückesammlung, die in keinem gutsortierten Notenregal fehlen darf! Endlich alle Stücke, die man sich bisher in Einzelausgaben anschaffen oder aus Dutzenden von Sammlungen zusammenstellen musste, in einem einzigen Band! Von Aguado und Bach bis zu Sor und Tárrega, hier findet sich für jeden Gitarristengeschmack das Richtige. Alle Stücke spielfertig eingerichtet mit Fingersätzen und Lagenangaben. Die beiden aufwendig produzierten Begleit-CDs sind nicht nur ein idealer Begleiter beim Üben, sondern auch ein absoluter Hörgenuss für jeden Liebhaber klassischer Gitarrenmusik.

Guitar (Guitar)

SKU: HL.50510157

Guitar Solo. By Miklos Mosoczi. By Antonio de Cabezon. Arranged by Mikló, czi, and s Mosó. Renaissance. EMB. Book Only. 11 pages. Editio Musica Budapest #Z13250. Published by Editio Musica Budapest (HL.50510157).

ISBN 9790080132500. UPC: 073999205435. 9.0x12.0x0.086 inches. Hungarian, English, German. De Antonio Cabezon; Miklos Mosoczi.

Composed by Antonio Vivaldi. Arranged by Guy Cuyvers. Plucked - Guitar. Metropolis Music Publishers #G7510EM. Published by Metropolis Music Publishers

Venezuelan Pieces, 3, Guitar by Antonio Lauro (1917-1986). Arranged by John W. Duarte. For Guitar. Guitar Series (J.W.Duarte). Full score (study). Standard notation. Published by Universal Edition

By Fernando Sor (1778-1839). Arranged by Antonio Pereira Arias. For guitar. Solo. Published by Van Teeseling

Guitar

SKU: UT.CH-58

Composed by Antonio Nava. Edited by Mario Martino. Saddle stitching. Classical. Ut Orpheus #CH 58. Published by Ut Orpheus (UT.CH-58).

ISBN 9790215304543. 9 x 12 inches.

Composed by Florence Membrado. Leduc. Classical. Softcover. Alphonse Leduc #AL26085. Published by Alphonse Leduc

Guitar or Lute (Guitar)

SKU: HL.50579215

Composed by Antonio Rotta. Max Eschig. Score Only. Composed 2001. Hal Leonard #ME7141. Published by Hal Leonard (HL.50579215).