By Forest Etling. For Violin. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.

By Forest Etling. For Violin. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.

By Robert Frost. Orchestra Method/Study. Primo Encores. Individual Methods and Studies. Level: Grade 2.5. Music Book. Published by Neil A. Kjos Music Company.

Violin and Orchestra

SKU: HL.14019472

Composed by Bent Lorentzen. Music Sales America. Classical. Score. 90 pages. Edition Wilhelm Hansen #WH30608. Published by Edition Wilhelm Hansen (HL.14019472).

ISBN 9788759811900. English.

By Gerald E. Anderson. Edited by Robert Frost. Orchestra Method/Study. All for Strings Method. Level: Intermediate. Music Book. Published by Neil A. Kjos Music Company.

By Gerald E. Anderson. Edited by Robert Frost. Orchestra Method/Study. All for Strings Method. Level: Elementary. Music Book. Published by Neil A. Kjos Music Company.

By Ralph Matesky and Ardelle Womack. For Violin. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.

By Andrew Dabczynski, Richard Meyer, and Bob Phillips. For Violin. String Orchestra Method/Supplement. Book. 48 pages. Published by Alfred Publishing.

By Samuel Applebaum. For Violin. String Orchestra Method/Supplement. Book. 32 pages. Published by Alfred Publishing.

By Samuel Applebaum. For Violin. String Orchestra Method/Supplement. Belwin Course for Strings. Book. 16 pages. Published by Alfred Publishing.

(New Edition - Hawkes Pocket Score 1424). Composed by Magnus Lindberg. For Orchestra, Violin (Study Score). Boosey and Hawkes Scores/Books. Softcover. Boosey and Hawkes #M060119828. Published by Boosey and Hawkes

SKU: BA.BVK01950

Composed by Andreas N. Tarkmann and Johannes Kohlmann. Paperback. Book. 240 pages. Baerenreiter Verlag #BVK01950_00. Published by Baerenreiter Verlag (BA.BVK01950).

ISBN 9783761819500. 19 x 12.5 cm inches. Language: German. Preface: Tarkmann, Andreas N.

Mendelssohn's Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the premiere; the 'child prodigy' Joseph Joachim; and Hubert Leonard, a young Belgian virtuoso about whom little is known.

As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Leonard.

The letter informs us that the composer invited Leonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David; now we know that he also gave some to Leonard.

The recently discovered proofs reveal how Leonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Leonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown.

It is safe to assume that all of this was done with Mendelssohn's approval. That the young violinist made a positive impression on the composer is confirmed in the latter's correspondence following their joint performance. Mendelssohn is full of praise for Leonard's playing and offers to lend his support in finding employment in Germany.

This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice.

The editor, Clive Brown, is an acknowledged expert on Romantic performance practice.

- New source situation owing to recently rediscovered proofs
- Revised Urtext edition
- With a separate booklet on performance practice (Eng/Ger).

By Gerald Finzi. (Score). Boosey and Hawkes Scores and Books. Book only. 20 pages. Published by Boosey and Hawkes.

Violin and Orchestra

SKU: HL.50485236

Composed by Ludwig van Beethoven. Classic. EMB. Solo & Concerto. Book [Softcover]. Op. 61. Editio Musica Budapest #Z40060. Published by Editio Musica Budapest (HL.50485236).

ISBN 9790080400609. A/5 (14,2x20) inches. Gabor Darvas.

Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.

Violin and Orchestra

SKU: BT.EMBZ40060

Composed by Ludwig van Beethoven. EMB Study Scores. Solo & Concerto. Book Only. Editio Musica Budapest #EMBZ40060. Published by Editio Musica Budapest (BT.EMBZ40060).

Though some themes of the D major Violin Concerto appear fragmentarily among Beethoven's earlier drafts, the score received its final shape - according to the autograph manuscript - in 1806 only. The first performance took place on December 23 of the same year in Vienna, the violon solo was played by Franz Clement. The concerto met with a rather cold reception: this critic of the Wiener Theaterzeitung admitted 'some beauty' in it but for the rest he found that '...the coherence often seems totally broken and the endless repetitions of some commonplace sections can easily become tedious.' The performance may have not been totally satisfying, it is certainly surprising that the setof parts published in 1808 is dedicated to Stephan von Breuning instead of Clement. It is not impossible that Beethoven lost faith in the value and future of his work, too, - his later attempt to change it into a piano concerto can be interpreted in this way.

Violin and Orchestra

SKU: BT.EMBZ40073

By Gabor Darvas. By Johannes Brahms. EMB Study Scores. Solo & Concerto. Book Only. 116 pages. Editio Musica Budapest #EMBZ40073. Published by Editio Musica Budapest (BT.EMBZ40073).

Violin and Orchestra

SKU: BT.EMBZ40049

By Gabor Darvas. By Felix Bartholdy Mendelssohn. EMB Study Scores. Solo & Concerto. Book Only. Composed 1984. 112 pages. Editio Musica Budapest #EMBZ40049. Published by Editio Musica Budapest (BT.EMBZ40049).

Violin and Orchestra

SKU: HL.14007461

Composed by David Blake. Music Sales America. Classical. Book [Softcover]. 112 pages. Music Sales #NOV890093. Published by Music Sales (HL.14007461).

8.75x11.75x0.683 inches.

Violin and Orchestra

SKU: BT.SCHRS806

Composed by Johannes Brahms. Book Only. Simrock #SCHRS806. Published by Simrock (BT.SCHRS806).

Violin, Piano. Brahms, J.

Violin and Orchestra

SKU: BT.EMBZ14872

Composed by László Dubrovay. EMB Contemporary Music. Book Only. Composed 2013. 76 pages. Editio Musica Budapest #EMBZ14872. Published by Editio Musica Budapest (BT.EMBZ14872).

The three movements reflect classical romantic concertos in not only their structure but also their character. The relations between soloist and orchestra echo the dramatic composition of traditional concertos besides providing a significant role for wind and percussion instruments in tonality, which creates a specific tone familiar from László Dubrovay's earlier compositions. His Violin Concerto No. 2, completed in April 2011, is dedicated to the internationally noted young Hungarian violinist, Kristóf Baráti, whose extraordinary performing skills inspired the flexible melodiousness and virtuoso perfection of the themes.