(Orchestra) SKU: HL.49013002 Ballett in drei Akten (frei nach De la Mo...(+)
(Orchestra)
SKU:
HL.49013002
Ballett in drei Akten
(frei nach De la
Motte-Fouque).
Composed by Hans Werner
Henze. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Study
Score. Composed
1956-1957. 432 pages.
Duration 110'. Schott
Music #ED 9106. Published
by Schott Music
(HL.49013002).
ISBN
9790001125703.
8.25x11.5x1.14
inches.
2 (2. auch
Picc.) * 1 * Engl. Hr. *
1 * Bassklar. * 1 * Kfg.
- 4 * 3 * 2 * 1 - P. S.
(Trgl. * hg. Beck. *
Beckenpaar * 2 Tamt. * 2
Tomt. * Schellentr. *
Militartr * gr. Tr. *
Vibr. * Gl.) (3 Spieler)
- 2 Hfn. * Cel. (auch
Klav.) * Git. - Str. *
Hinter der Buhne:
Glocke
2 (2. auch
Picc.) * 1 * Engl. Hr. *
1 * Bassklar. * 1 * Kfg.
- 4 * 3 * 2 * 1 - P. S.
(Trgl. * hg. Beck. *
Beckenpaar * 2 Tamt. * 2
Tomt. * Schellentr. *
Militartr * gr. Tr. *
Vibr. * Gl.) (3
Spieler) - 2 Hfn. * Cel.
(auch Klav.) * Git. -
Str. * Hinter der Buhne:
Glocke.
Orchestra SKU: HL.49015462 (Re-Visionen I5). Composed by Dieter Sc...(+)
Orchestra
SKU:
HL.49015462
(Re-Visionen I5).
Composed by Dieter
Schnebel. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1978/1989. 50
pages. Duration 18'.
Schott Music #ED 8251.
Published by Schott Music
(HL.49015462).
ISBN
9790001084208.
8.25x11.75x0.188
inches.
Orchester
I: 3 (1., 2. auch Picc.)
* 3 (3. auch Engl. Hr.) *
3 (1. auch Es-Klar., 3.
auch Bassklar.) * 2 *
Kfg. - 4 (2. u. 4. auch
Wagnertb. in F) * 3 * 3
(1 Tenor-, 2 Basspos.) *
1 - P. S. (Glsp. * Vibr.)
- Hfe. - Str. (2 (4) * 2
(4) * 2 (4) * 2 *
2)Orchester II: Str. (9 *
8 * 8 * 4 * 2)[Orch. II
spielt eine
selbststandige
Komposition fur
Streichorchester, die
unter dem Titel Blendwerk
auch als eigenes Stuck
aufgefuhrt werden
kann.]
Orchester
I: 3 (1., 2. auch Picc.)
* 3 (3. auch Engl. Hr.) *
3 (1. auch Es-Klar., 3.
auch Bassklar.) * 2 *
Kfg. - 4 (2. u. 4. auch
Wagnertb. in F) * 3 * 3
(1 Tenor-, 2 Basspos.) *
1 - P. S. (Glsp. * Vibr.)
- Hfe. - Str. (2 (4) * 2
(4) * 2 (4) * 2 *
2)
Orchester II:
Str. (9 * 8 * 8 * 4 *
2)
[Orch. II
spielt eine
selbststandige
Komposition fur
Streichorchester, die
unter dem Titel Blendwerk
auch als eigenes Stuck
aufgefuhrt werden
kann.].
New music
(post-2000). Full score.
Composed 2016/17/20. 48
pages. Duration 8'.
Breitkopf and Haertel #PB
5432. Published by
Breitkopf and Haertel
(BR.PB-5432).
ISBN
9790004212790. 10 x 12.5
inches.
Marche
fatale is an incautiously
daring escapade that may
annoy the fans of my
compositions more than my
earlier works, many of
which have prevailed only
after scandals at their
world premieres. My
Marche fatale has,
though, little
stylistically to do with
my previous compositional
path; it presents itself
without restraint, if not
as a regression, then
still as a recourse to
those empty phrases to
which modern civilization
still clings in its daily
utility music, whereas
music in the 20th and
21st centuries has long
since advanced to new,
unfamiliar soundscapes
and expressive
possibilities. The key
term is banality. As
creators we despise it,
we try to avoid it -
though we are not safe
from the cheap banal even
within new aesthetic
achievements.Many
composers have
incidentally accepted the
banal. Mozart wrote Ein
musikalischer Spass [A
Musical Jape], a
deliberately amateurishly
miscarried sextet.
Beethoven's Bagatellen
op. 119 were rejected by
the publisher on the
grounds that few will
believe that this minor
work is by the famous
Beethoven. Mauricio Kagel
wrote, tongue in cheek,
so to speak, Marsche, um
den Sieg zu verfehlen
[Marches for being
Unvictorious], Ligeti
wrote Hungarian Rock; in
his Circus Polka
Stravinsky quoted and
distorted the famous, all
too popular Schubert
military march, composed
at the time for piano
duet. I myself do not
know, though, whether I
ought to rank my Marche
fatale alongside these
examples: I accept the
humor in daily life, the
more so as this daily
life for some of us is
not otherwise to be
borne. In music, I
mistrust it, considering
myself all the closer to
the profounder idea of
cheerfulness having
little to do with humor.
However: Isn't a march
with its compelling claim
to a collectively martial
or festive mood absurd, a
priori? Is it even music
at all? Can one march and
at the same time listen?
Eventually, I resolved to
take the absurd seriously
- perhaps bitterly
seriously - as a
debunking emblem of our
civilization that is
standing on the brink.
The way - seemingly
unstoppable - into the
black hole of all
debilitating demons: that
can become serene. My old
request of myself and my
music-creating
surroundings is to write
a non-music, whence the
familiar concept of music
is repeatedly re-defined
anew and differently, so
that derailed here -
perhaps? - in a
treacherous way, the
concert hall becomes the
place of mind-opening
adventures instead of a
refuge in illusory
security. How could that
happen? The rest is -
thinking.(Helmut
Lachenmann, 2017)CD
(Version for
Piano):Nicolas Hodges CD
Wergo WER 7393 2
Bibliography:Ich bin
nicht ,,pietistisch
verformt. Ein Gesprach
[von Jan Brachmann] mit
dem Komponisten Helmut
Lachenmann, in: FAZ vom
7. Juni 2018, p.
15.
World premiere
of the piano version:
Mito/Japan, June 17,
2017, World premiere of
the orchestral version:
Stuttgart, January 1,
2018, World premiere of
the ensemble version:
Frankfurt, December 9,
2020.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library). Set
of parts. 72 pages.
Duration 8'. Breitkopf
and Haertel #OB 5624-30.
Published by Breitkopf
and Haertel
(BR.OB-5624-30).
ISBN
9790004348710. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Soli, Speakers, Mixed Choir, Children's Choir and Orchestra SKU: HL.49006396<...(+)
Soli, Speakers, Mixed
Choir, Children's Choir
and Orchestra
SKU:
HL.49006396
A
little Theatre of the
World. Composed by
Carl Orff. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical. Piano
reduction. Composed 1938.
176 pages. Duration 90'.
Schott Music #ED6529.
Published by Schott Music
(HL.49006396).
ISBN
9790001069472. UPC:
884088464165.
9.0x12.0x0.417 inches.
German -
English.
Carl
Orff's Der Mond (or The
Moon) is an opera in one
act, based on a fairy
tale written by The
Brothers Grimm.This Vocal
score contains a Piano
reduction of the original
Orchestral
accompaniment.
3
(auch 3 Picc.) * 3 (3.
auch Engl. Hr.) * 3 (3.
auch Bassklar.) * 2
(2. auch Kfg.) - 4 * 3 *
3 * 1 - P. S. (gr. Tr. *
kl. Tr. * Ruhrtr. * Tamb.
* Trgl. * Xyl. * Cymb. *
versch. Beck. * gr. Tamt.
* Ratsche * Rute *
Schlittenschellen * Kast.
* Uhrgl. * Rohrengl. *
Glasersp. * Glsp. * Met.)
(5 Spieler) - Hfe. * Cel.
* Klav. * Harm. * Akk. *
Zither -
Str. Buhnenmusik: gem.
Chor - Wachterhr. (Tuba)
- Org. - S. (Glocke * 3
Ruhrtr. * gr. Tr. * Beck.
* Tamt. * Donnermasch. *
Windmasch. * Blitz,
Einschlag).
By Philip P. Bliss. Arranged by Don Hart. For Orchestra. Atonement, Comfort, Con...(+)
By Philip P. Bliss.
Arranged by Don Hart. For
Orchestra. Atonement,
Comfort, Confidence,
Eternal Life, Hymntune,
Peace and Sacred. Print
Music Single
(Orchestration).
Published by Hope
Publishing Company.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-23. Published by
Breitkopf and Haertel
(BR.OB-5623-23).
ISBN
9790004348758. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-19. Published by
Breitkopf and Haertel
(BR.OB-5623-19).
ISBN
9790004348741. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Set
of parts. 66 pages.
Duration 10'. Breitkopf
and Haertel #OB 5623-30.
Published by Breitkopf
and Haertel
(BR.OB-5623-30).
ISBN
9790004348772. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-16. Published by
Breitkopf and Haertel
(BR.OB-5624-16).
ISBN
9790004348673. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-15. Published by
Breitkopf and Haertel
(BR.OB-5624-15).
ISBN
9790004348666. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
4 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-27. Published by
Breitkopf and Haertel
(BR.OB-5623-27).
ISBN
9790004348765. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-15. Published by
Breitkopf and Haertel
(BR.OB-5623-15).
ISBN
9790004348727. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Trumpet Overture -
Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Ralf Wehner.
Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Overture; Romantic. Part.
8 pages. Duration 10'.
Breitkopf and Haertel #OB
5623-16. Published by
Breitkopf and Haertel
(BR.OB-5623-16).
ISBN
9790004348734. 10 x 12.5
inches.
Certainly
Robert Schumann was right
when he stated soon after
Beethoven's death that
the latter's conception
of the symphony as a
great, universal
confessional work was
hardly to be continued by
the next generation of
composers. He saw a
solution to the dilemma
in the creation of
autonomous concert
overtures, such as those
written, for instance, by
Felix Mendelssohn
Bartholdy: Four of his
overtures were printed
during his lifetime, and
others were extant in
manuscript, though
frequently and
successfully performed by
the composer. Belonging
to the latter group is
the Trumpet Overture,
begun in 1825 and
performed three times
between 1828 und 1833 on
prominent occasions in
Berlin, Dusseldorf, and
London.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-23. Published by
Breitkopf and Haertel
(BR.OB-5624-23).
ISBN
9790004348697. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Concert Overture No. 3
- Urtext based on the
Leipzig Mendelssohn
Complete Edition.
Composed by Felix
Bartholdy Mendelssohn.
Edited by Christian
Martin Schmidt.
Orchestra; stapled.
Partitur-Bibliothek
(Score Library).
Overture; Romantic. Full
score. 80 pages. Duration
13'. Breitkopf and
Haertel #PB 5503.
Published by Breitkopf
and Haertel (BR.PB-5503).
ISBN 9790004211465. 10
x 12.5
inches.
Mendelssohn
s overture drew its
inspiration from two
poems by Goethe which had
already inspired Ludwig
van Beethoven to write a
choral work on them with
orchestral accompaniment.
The larger part of the
work on this piece must
have been carried out in
the summer of 1828. The
first public performance
took place in Berlin on 1
December 1832. The
revised version of the
work was first performed
in Leipzig on 20 April
1834. Its ranking as No.
3 of the concert
overtures was laid down
when the score was first
printed in 1835
(Breitkopf &
Hartel).(Ralf Wehner in
the Study Edition of the
Mendelssohn Work
Catalogue).
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-27. Published by
Breitkopf and Haertel
(BR.OB-5624-27).
ISBN
9790004348703. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
Overture - Urtext
based on the Leipzig
Mendelssohn Complete
Edition. Composed by
Felix Bartholdy
Mendelssohn. Edited by
Ralf Wehner. Orchestra.
Orchester-Bibliothek
(Orchestral Library).
Part. 8 pages. Duration
8'. Breitkopf and Haertel
#OB 5624-19. Published by
Breitkopf and Haertel
(BR.OB-5624-19).
ISBN
9790004348680. 10 x 12.5
inches.
The
Overture to Ruy Blas,
Felix Mendelssohn
Bartholdy's last
overture, was not
composed as an
autonomously conceived
score, but as the opening
piece of a stage work.
Nevertheless, its
immediate success at the
Leipzig first performance
in 1839, as well as the
fact that no further
contributions to Victor
Hugo's drama followed
from Mendelssohn's pen
soon made it well known
in the concert hall. The
work's special history,
including several
arrangements occasioned
by various performances,
led to the fact that the
overture had its largest
circulation in the
version of the posthumous
first edition on which
this edition is also
based.
By Claude T. Smith. For full orchestra. Full Orchestra Music. Print on demand. O...(+)
By Claude T. Smith. For
full orchestra. Full
Orchestra Music. Print on
demand. Original Concert
Work. Medium-easy. Full
score and parts.
Published by
Wingert-Jones
Publications
Composed
by Peter Illich
Tschaikowsky. Arranged by
Moses Tobani. Set Type:
B. Set of parts. Lucks
Music Library #A5747.
Published by Lucks Music
Library (TM.06885SET).
An American Cantata for Baritone, Chorus, and Orchestra. By William Schuman. Tex...(+)
An American Cantata for
Baritone, Chorus, and
Orchestra. By William
Schuman. Text: Richard P.
Wilbur. Orchestra. This
edition: full score.
Classical. Full Score -
Study. 147 pages.
Duration 40:00:00.
Published by Theodore
Presser Company.