Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowles. (Score and Parts). Fentone Play Along Books. Published by Fentone Music.

Based on Greensleeves. Arranged by Michael Story. 5 or More; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; SmartMusic; Solo Small Ensembles. Belwin Beginning Band. Form: March. Christmas; Winter. Part(s); Score. Duration 2:15. Alfred Music #00-49163. Published by Alfred Music

Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowles. (Score and Parts). Fentone Play Along Books. Published by Fentone Music.

Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowles. (Score and Parts). Fentone Play Along Books. Published by Fentone Music.

Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowles. (Score and Parts). Fentone Play Along Books. Published by Fentone Music.

Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowles. (Score and Parts). Fentone Play Along Books. Published by Fentone Music.

Flex-It Series for Variable Instrumentation Concert Band. Arranged by Colin Cowles. (Score and Parts). Fentone Play Along Books. Published by Fentone Music.

By Traditional. Arranged by Elliot Del Borgo. Beginning Band. FJH Beginning Band. Full set (score and parts). Score only also available: S. Christmas. Level: Grade 1. Score and Set of Parts. Composed 2004. Published by The FJH Music Company Inc.

For Wind Orchestra - Score and Parts. By Johan De Meij. (Score and Parts). Amstel Concert Bands. Published by Amstel Music.

(My Father Will Supply My Need). Composed by Traditional. Arranged by Randall D. Standridge. Concert Band. Concert Band Series. Grade 3. Full set. Published by Wingert-Jones Publications

Arranged by Donald Coakley. Concert Band. Concert Band (Flexible Instrumentation); Part(s); Score. Eighth Note Publications Flexible Band Series. Folk. Grade 2. Published by Eighth Note Publications

By Traditional French Carol. Arranged by William Ryden. Concert band. Suitable for elementary and middle school bands. Christmas. Grade 1. Conductor Full Score. Duration 1:45. Published by Manhattan Beach Music

Composed by Traditional. Arranged by Chris Sharp. For concert band. FJH Young Band. Level 2.5-3. Score and parts. Published by The FJH Music Company Inc

Grade 2

SKU: CL.015-2857-00

Composed by K. Harris. Young Concert Band. Command Series. Audio recording available separately (item CL.WFR183). March. Score and set of parts. Composed 1997. Duration 2 minutes, 24 seconds. C.L. Barnhouse #015-2857-00. Published by C.L. Barnhouse (CL.015-2857-00).

Ken Harris definitely has a long tradition of writing exceptional marches for younger bands and his latest, Winning Tradition is one of his nicest. Tuneful and playable with modest technical requirements, you simply can’t go wrong with this quality march. Perfect for contest or concert performances. A Real Winner! Recorded on the CD King’s Mountain Adventure by The Washington Winds.

About C.L. Barnhouse Command Series

The Barnhouse Command Series includes works at grade levels 2, 2.5, and 3. This series is designed for middle school and junior high school bands, as well as high school bands of smaller instrumentation or limited experience. Command Series publications have a slightly larger instrumentation than the Rising Band Series, and are typically of larger scope, duration, and musical content.

Concert Band/Harmonie - Grade 3.5

SKU: BT.AMP-481-010

Composed by Philip Sparke. Ceremonial Series. Concert March. Set (Score & Parts). Composed 2021. Anglo Music Press #AMP 481-010. Published by Anglo Music Press (BT.AMP-481-010).

English-German-French- Dutch.

Guardians of the Waves was commissioned by the Japan Coast Guard Band to celebrate their 30th anniversary in 2018. They gave the premiere as part of a 30th anniversary concert on November 8th that year. Set in traditionalmarch form, Guardians of the Waves opens with a short introduction, which leads to the main theme, played initially by the brass and then repeated with a florid woodwind descant. The theme is extended and morphs into asecond theme, first played tutti and then quietly repeated by bassoon, tenor sax and euphonium. This leads to a conventional ‘bass strain’, played twice with varying accompaniments. A quieter trio section follows, delicatelyscored and featuring the tenor instruments of the band. Taken up by the full band, this leads back to a recall of the introduction and a return to the main two themes, which lead to a triumphal close.

Guardian s of the Waves werd geschreven in opdracht van de Japan Coast Guard Band ter gelegenheid van het dertigjarig bestaan van dit orkest, in 2018. De première vond plaats tijdens het jubileumconcert op 8 november van datjaar. Het werk, dat is gecomponeerd in een traditionele marsvorm, begint met een korte introductie die het hoofdthema inleidt, dat aanvankelijk wordt gespeeld door het koper en dan wordt herhaald met een weelderige discant in hethout. Het thema wordt voortgezet en gaat over in een tweede thema, eerst tutti gespeeld en rustig herhaald door fagot, tenorsax en eufonium. Dit thema voert ons mee naar een conventionele baslijn, die twee keer wordt gespeeld metvariërende begeleiding. Daarna volgt een kalmer triogedeelte, dat delicaat is getoonzet en waarin de tenorinstrumenten van het orkest ruimschoots aan bod komen. Het wordt dan overgenomen door het complete orkest en brengt onsterug naar de inleiding en de twee hoofdthema’s, uitmondend in een triomfantelijk slot.

Guardians of the Waves wurde von der Japan Coast Guard Band anlässlich ihres 30-jährigen Bestehens im Jahr 2018 in Auftrag gegeben. Die Uraufführung fand am 8. November 2018 im Rahmen eines Jubiläumskonzertes statt.Guardians of the Waves wurde als traditioneller Marsch komponiert und beginnt mit einer kurzen Einleitung, die zum Hauptthema führt. Dieses wird zunächst von den Blechbläsern gespielt und dann von den Oberstimmen in denHolzbläsern mit Verzierungen wiederholt. Das Thema wird erweitert und geht in ein zweites Thema über, das zunächst vom Tutti gespielt und dann von Fagott, Tenorsaxophon und Euphonium leise wiederholt wird. Anschließend erklingteine traditionelle Melodie in den Bassinstrumenten, die mit unterschiedlicher Begleitung zweimal gespielt wird. Es folgt ein ruhigeres Trio, das zart besetzt ist und die Tenorinstrumente des Blasorchesters hervorhebt. Dies wirdschließlich vom gesamten Blasorchester aufgegriffen und führt zu einer Wiederholung der Einleitung und einer Rückkehr zu den beiden Hauptthemen, die in einen triumphalen Schluss überleiten.

Guardians of the Waves est une commande de l’Harmonie de la Gendarmerie maritime du Japon pour marquer son 30e anniversaire, en 2018. L’orchestre a créé l’œuvre dans le cadre d’un concert d’anniversaire le 8 novembre decette même année. Écrite en forme de marche traditionnelle, Guardians of the Waves s’ouvre avec une courte introduction qui mène au thème principal, interprété d’abord par les cuivres puis repris avec un déchant fleuri parles bois. Le thème est prolongé et se morphe en un second thème, d’abord en tutti, puis répété doucement par les bassons, saxophones ténor et euphoniums. Ce passage mène une mélodie conventionnelle dans les graves, jouée deuxfois avec divers accompagnements. Vient ensuite un trio plus calme, orchestré avec délicatesse et mettant en avant les instruments ténor. Repris par l’orchestre entier, ce passage est suivi d’un rappel de l’introduction avant unretour aux deux thèmes principaux, qui mènent une conclusion triomphale.

Concert Band/Harmonie - Grade 3.5

SKU: BT.AMP-481-140

Composed by Philip Sparke. Ceremonial Series. Concert March. Score Only. Composed 2021. 32 pages. Anglo Music Press #AMP 481-140. Published by Anglo Music Press (BT.AMP-481-140).

English-German-French- Dutch.

Guardians of the Waves was commissioned by the Japan Coast Guard Band to celebrate their 30th anniversary in 2018. They gave the premiere as part of a 30th anniversary concert on November 8th that year. Set in traditionalmarch form, Guardians of the Waves opens with a short introduction, which leads to the main theme, played initially by the brass and then repeated with a florid woodwind descant. The theme is extended and morphs into asecond theme, first played tutti and then quietly repeated by bassoon, tenor sax and euphonium. This leads to a conventional ‘bass strain’, played twice with varying accompaniments. A quieter trio section follows, delicatelyscored and featuring the tenor instruments of the band. Taken up by the full band, this leads back to a recall of the introduction and a return to the main two themes, which lead to a triumphal close.

Guardian s of the Waves werd geschreven in opdracht van de Japan Coast Guard Band ter gelegenheid van het dertigjarig bestaan van dit orkest, in 2018. De première vond plaats tijdens het jubileumconcert op 8 november van datjaar. Het werk, dat is gecomponeerd in een traditionele marsvorm, begint met een korte introductie die het hoofdthema inleidt, dat aanvankelijk wordt gespeeld door het koper en dan wordt herhaald met een weelderige discant in hethout. Het thema wordt voortgezet en gaat over in een tweede thema, eerst tutti gespeeld en rustig herhaald door fagot, tenorsax en eufonium. Dit thema voert ons mee naar een conventionele baslijn, die twee keer wordt gespeeld metvariërende begeleiding. Daarna volgt een kalmer triogedeelte, dat delicaat is getoonzet en waarin de tenorinstrumenten van het orkest ruimschoots aan bod komen. Het wordt dan overgenomen door het complete orkest en brengt onsterug naar de inleiding en de twee hoofdthema’s, uitmondend in een triomfantelijk slot.

Guardians of the Waves wurde von der Japan Coast Guard Band anlässlich ihres 30-jährigen Bestehens im Jahr 2018 in Auftrag gegeben. Die Uraufführung fand am 8. November 2018 im Rahmen eines Jubiläumskonzertes statt.Guardians of the Waves wurde als traditioneller Marsch komponiert und beginnt mit einer kurzen Einleitung, die zum Hauptthema führt. Dieses wird zunächst von den Blechbläsern gespielt und dann von den Oberstimmen in denHolzbläsern mit Verzierungen wiederholt. Das Thema wird erweitert und geht in ein zweites Thema über, das zunächst vom Tutti gespielt und dann von Fagott, Tenorsaxophon und Euphonium leise wiederholt wird. Anschließend erklingteine traditionelle Melodie in den Bassinstrumenten, die mit unterschiedlicher Begleitung zweimal gespielt wird. Es folgt ein ruhigeres Trio, das zart besetzt ist und die Tenorinstrumente des Blasorchesters hervorhebt. Dies wirdschließlich vom gesamten Blasorchester aufgegriffen und führt zu einer Wiederholung der Einleitung und einer Rückkehr zu den beiden Hauptthemen, die in einen triumphalen Schluss überleiten.

Guardians of the Waves est une commande de l’Harmonie de la Gendarmerie maritime du Japon pour marquer son 30e anniversaire, en 2018. L’orchestre a créé l’œuvre dans le cadre d’un concert d’anniversaire le 8 novembre decette même année. Écrite en forme de marche traditionnelle, Guardians of the Waves s’ouvre avec une courte introduction qui mène au thème principal, interprété d’abord par les cuivres puis repris avec un déchant fleuri parles bois. Le thème est prolongé et se morphe en un second thème, d’abord en tutti, puis répété doucement par les bassons, saxophones ténor et euphoniums. Ce passage mène une mélodie conventionnelle dans les graves, jouée deuxfois avec divers accompagnements. Vient ensuite un trio plus calme, orchestré avec délicatesse et mettant en avant les instruments ténor. Repris par l’orchestre entier, ce passage est suivi d’un rappel de l’introduction avant unretour aux deux thèmes principaux, qui mènent une conclusion triomphale.

Concert Band/Harmonie/Fanfare Band - Grade 2

SKU: BT.DHP-1074279-015

Arranged by Roland Kernen. Flexible 5 Series. Christmas. Set (Score & Parts). Composed 2007. De Haske Publications #DHP 1074279-015. Published by De Haske Publications (BT.DHP-1074279-015).

9x12 inches. English-German-French-Dut ch.

The well-known traditional melodies Rock My Soul, Go Tell It on the Mountain and Mary´s Boy Child have been put together by Roland Kernen in this attractive medley. Arranged in a way that enables flexible instrumentation this work isplayable by a non-standard brass band line-up. The percussion parts are optional. A lively work that will leave your audience rockin off to Christmas.

De wereldwijd bekende traditionals Rock My Soul, Go Tell It on the Mountain en Mary’s Boy Child zijn door Roland Kernen samengevoegd in een bijzonder geslaagde medley voor harmonieorkest. Rock in the Mountainsis fijn om te spelen voor het orkest en een feest der herkenning voor het publiek.

Die bekannten traditionellen Lieder Rock My Soul, Go Tell It on the Mountain und Mary's Boychild wurden von Roland Kernen zu einem sehr reizvollen Medley zusammengefügt. Die Instrumentierung für eine variable fünfstimmigeBesetzung macht das Werk vielen Kombinationen von Blasinstrumenten zugänglich. Die Schlagzeugstimmen sind ad libitum.

Roland Kernen a rassemblé les trois célébres traditionnels Rock My Soul, Go Tell It on the Mountain et Mary's Boy Child dans un medley frais et délicieusement agréable.

In questo medley Roland Kernen ha raggruppato tre note canzoni tradizionali: Rock My Soul, Go Tell It on the Mountain e Mary's Boy Child. Il risultato é un medley molto piacevole pensato per strumentazione variabile a cinquevoci e percussioni opzionali.

Concert Band/Harmonie - Grade 4

SKU: BT.DHP-0971085-010

Composed by Jacob De Haan. Inspiration Series. Festive and Solemn Music. Set (Score & Parts). Composed 1997. De Haske Publications #DHP 0971085-010. Published by De Haske Publications (BT.DHP-0971085-010).

Jacob de Haan was commissioned to compose this concert piece by the St. Peters Wind Symphony from Brisbane, Australia. Ross Roy is the monumental late 19th century villa where St. Peters Lutheran College was founded in 1945. The villa has always remained the school symbol. In this composition, Jacob de Haan sees the Ross Roy as a metaphor for the years spent at school (a monument in time), where one's personality is formed. So, the opening theme the artist calls the Ross Roy theme initially has monumental characteristics.The rhythmic motion, which strides along in the lower register and percussion at the beginning of the next section is typical of Tempo di Marcia. Thismovement, accompanied by repetitions of sound, is a metaphor for the structure and discipline in school. This is the introduction to a march theme, symbolic of passing through the classes up to the final examinations.Then, the Ross Roy theme is dealt with again, now in a playful, humorous variation. As if the composer is saying there should also be time for a smile in school. The same theme can be heard in major key and a slower tempo in the following section, expressing pride and self-confidence. This is also the introduction to the expressive middle section that represents love, friendship and understanding.We then return to the march theme in a slightly altered construction. The oriental sounds, constituting the modulation to the final theme, are symbols of the diversity of cultures in the school. The characteristic final theme first sounds solemn, but turns into a festive apotheosis. It is no coincidence that the final cadence is reminiscent of the close to a traditional overture, for the school years can be considered the overture to the rest of one's life. The premiere of Ross Roy was conducted by Jacob de Haan in Brisbane, on August 22, 1997.

Ross Roy is de naam van de monumentale villa in Brisbane (Australië) waar in 1945 het St. Peters Lutheran College is gesticht. In opdracht van het collegeorkest componeerde Jacob de Haan dit gevarieerde concertwerk vol metaforen.De structuur en discipline van de school horen we in de met toonherhaling gepaard gaande ritmische beweging in basregister en slagwerk. Het volgende, martiale thema staat symbool voor het doorlopen van de klassen. Een schertsende,humoristische versie van het hoofdthema ontbreekt niet: op school moet immers ook tijd zijn voor vrolijkheid. Het karakteristieke slotthema mondt uit in een feestelijke apotheose.

Ross Roy ist der Name einer monumentalen Villa in Brisbane, Australien, in der 1945 das St. Peter Lutheran College gegründet wurde. Im Auftrag dieses Schulorchesters komponierte Jacob de Haan dieses Konzertwerk, das voll von Metaphern ist. Die Struktur und Disziplin dieser Schule hören wir in der mit Tonwiederholungen gepaarten rhythmischen Bewegung des Bassregisters und des Schlagwerks. Das folgende martialische Thema steht als Symbol für das Durchlaufen der Klassen bis zum Ende der Schulzeit. Eine scherzhafte, humoristische Version des Hauptthemas darf nicht fehlen, denn in der Schule muss auch Zeit für kleine Späße und Lachen sein! Das charakteristische Schlussthemamündet in einem festlichen Höhepunkt.

Ross Roy est le symbole grandiose de l’excellence du compositeur. L’œuvre tient son nom de l’imposante villa éponyme située Brisbane en Australie et qui abrite en ses murs le Collège Saint Pierre, une institution luthérienne fondée en 1945. C’est pour l’Orchestre d’Harmonie de cet établissement que Jacob de Haan composa cette œuvre riche en métaphores. « J’ai tenté de décrire les valeurs de cette école. Ainsi, le thème initial se développe-t-il sur un motif rythmique imposant qui alterne entre les instruments graves et la batterie. Ce motif symbolise l’autorité et le cadre structuré de l’école. On retrouve ce thème plusieurs reprises et notamment sousune forme humoristique et espiègle : nous découvrons les bons côtés de l’école, la joie des élèves, les sentiments de fierté, d’amour et d’amitié. Autre élément thématique, une marche qui symbolise la progression des élèves dans leur cursus pour arriver leurs examens de fin d'étude. » En guise de conclusion, Jacob de Haan nous offre un thème grandiose qui s’élargit en apothéose.

Commissionato dalla St. Peter’s Wind Symphony Orchestra di Brisbane, è dedicato alla monumentale villa tardo-ottocentesca dove il collegio dell’orchestra ha avuto la sua storica sede. Metafora degli anni della formazione, è caratterizzato da un finale in stile ouverture, come se gli anni della scuola rappresentassero una sorta di ouverture al resto della vita.

Concert Band; Orchestra - Grade 1

SKU: AP.49164S

Arranged by Patrick Roszell. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Belwin Beginning Band. Folk; Multicultural; Traditional. Score. 16 pages. Duration 3:00. Belwin Music #00-49164S. Published by Belwin Music (AP.49164S).

UPC: 038081563664. English. Poem by William Butler Yeats (1865-1939); Traditional Irish Folk Song.

This version of Down by the Salley Gardens arranged by Patrick Roszell is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

The union of this glorious traditional Irish folk song with William Butler Yeats' compelling poem results in an expressive choice, arranged by Patrick Roszell. Lyrical in nature, there are musical teaching opportunities for slurring, sustaining phrases, intonation, and dynamic shading. Stunning! (3:00)

Percussion Accompaniment Track Downloads:
with click
without click This title is available in MakeMusic Cloud.

Concert Band; Orchestra - Grade 1

SKU: AP.49164

Arranged by Patrick Roszell. 5 or More; MakeMusic Cloud; Mixed Instruments - Flexible Instrumentation; Performance Music Ensemble; Quartet; Single Titles; Solo Small Ensembles. Belwin Beginning Band. Folk; Multicultural; Traditional. Score and Part(s). 73 pages. Duration 3:00. Belwin Music #00-49164. Published by Belwin Music (AP.49164).

UPC: 038081563657. English. Poem by William Butler Yeats (1865-1939); Traditional Irish Folk Song.

This version of Down by the Salley Gardens arranged by Patrick Roszell is part of our Belwin FLEX offerings and is designed with maximum flexibility for use by any mix of instruments---wind, strings, and percussion, including like- or mixed-ensembles with as few as 4 players. The suggested instrumentation and a customizable Teacher Map will help you plan out how to best assign parts to suit your ensemble's needs. The 4-part instrumentation will support balanced instrumentation of the lower voices. It also comes with supplemental parts for maximum flexibility. With the purchase of this piece, permission is granted to photocopy the parts as needed for your ensemble. A percussion accompaniment track is also available as a free download. String parts have been carefully edited with extra fingerings and appropriate bowings to support students in mixed ensembles playing in less familiar keys.

The union of this glorious traditional Irish folk song with William Butler Yeats' compelling poem results in an expressive choice, arranged by Patrick Roszell. Lyrical in nature, there are musical teaching opportunities for slurring, sustaining phrases, intonation, and dynamic shading. Stunning! (3:00)

Percussion Accompaniment Track Downloads:
with click.
without click.

This title is available in MakeMusic Cloud.

Band concert band - Grade 1

SKU: CF.BPS140

Composed by Joseph Compello. Set of Score and Parts. 12+8+2+8+2+5+2+2+8+3+6+2+ 3+1+1+2+1 pages. Duration 2 minutes, 21 seconds. Carl Fischer Music #BPS140. Published by Carl Fischer Music (CF.BPS140).

ISBN 9781491159750. UPC: 680160918348.

6-Not e Parade is intended for bands currently in the first year of lessons. It should be performed in a traditional march style and played at a tempo deemed suitable by the director. All wind instruments and bells have a passage containing the six-note melody. Measure 45 will introduce young students to independent part playing as the upper winds play a countermelody above the main melody played by the lower wind instruments. A percussion section solo occurs at m. 41. Thank you for choosing this composition.
6-Note Parade  is intended for bands currently in the first year of lessons. It should be performed in a traditional march style and played at a tempo deemed suitable by the director. All wind instruments and bells have a passage containing the six-note melody. Measure 45 will introduce young students to independent part playing as the upper winds play a countermelody above the main melody played by the lower wind instruments.  A percussion section solo occurs at m. 41.Thank you for choosing this composition. .

Band concert band - Grade 1

SKU: CF.BPS140F

Composed by Joseph Compello. Full score. 10 pages. Carl Fischer Music #BPS140F. Published by Carl Fischer Music (CF.BPS140F).

ISBN 9781491159767. UPC: 680160918355.

6-Not e Parade is intended for bands currently in the first year of lessons. It should be performed in a traditional march style and played at a tempo deemed suitable by the director. All wind instruments and bells have a passage containing the six-note melody. Measure 45 will introduce young students to independent part playing as the upper winds play a countermelody above the main melody played by the lower wind instruments. A percussion section solo occurs at m. 41. Thank you for choosing this composition.
6-Note Parade  is intended for bands currently in the first year of lessons. It should be performed in a traditional march style and played at a tempo deemed suitable by the director. All wind instruments and bells have a passage containing the six-note melody. Measure 45 will introduce young students to independent part playing as the upper winds play a countermelody above the main melody played by the lower wind instruments.  A percussion section solo occurs at m. 41.Thank you for choosing this composition. .

Grade 3

SKU: CL.012-3551-01

Composed by Antonio Vivaldi. Arranged by Glover. Concert Band. Spotlight Series. Audio recording available separately (items CL.WFR340 & CL.WFR354). Extra full score. Composed 2006. Duration 3 minutes, 6 seconds. Opus III Wind Orchestra Publications #012-3551-01. Published by Opus III Wind Orchestra Publications (CL.012-3551-01).

This famous Allegro movement from a Vivaldi concerto for two trumpets is presented here in an arrangement loaded with flexibility as to choice of soloists and even the accompanying ensemble. May be performed as a solo or as a duet, and it includes solo/duet parts for Bb instruments: Trumpets or Clarinets; C Instruments: Flutes, Oboes, or Violins; Eb Instruments: Alto Saxophones; F Instruments: Horns; and Bass Clef instruments: Bassoons or Trombones. The accompaniment is cleverly scored so that it is playable by a full, traditional concert band; or by a chamber wind ensemble of woodwinds, horns, and timpani (ideal for accompanying upper woodwind soloists.) A great way to feature outstanding soloists from your band!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments

By T. Phillips. Concert band. Young Band. Sound Foundations Series. Audio recording available separately (item CL.WFR374). Grade 1. Score and set of parts. Composed 2011. Duration 2 minutes, 3 seconds. Published by C.L. Barnhouse

Grade 1

SKU: CL.023-4061-01

Composed by T. Phillips. Young Concert Band. Sound Foundations Series. Audio recording available separately (item CL.WFR374). Extra full score. Composed 2011. Duration 2 minutes, 3 seconds. C.L. Barnhouse #023-4061-01. Published by C.L. Barnhouse (CL.023-4061-01).

In this fresh twist on the old classic Jingle Bells, your beginning band students are sure to have fun as the Latin rhythms and percussion instruments combine with the traditional melody. Todd Phillips seamlessly weaves familiar Latin themes with Jingle Bells to create a unique holiday arrangement. This arrangement will work well with students who have had two semesters of band. This setting provides an excellent opportunity for students to learn to play Latin rhythms while the percussion section learns to play the traditional Latin percussion instruments. A welcome change of pace for your next winter concert; Calypso Bells is the perfect opportunity to combine the warmth of the Latin sound with the coolness of Jingle Bells..

Concert band - Grade 1

SKU: CL.024-4213-01

Composed by Shaffer. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR380). Extra full score. Composed 2013. Duration 1 minute, 51 seconds. C.L. Barnhouse #024-4213-01. Published by C.L. Barnhouse (CL.024-4213-01).

As the title suggests, Clamor, Clang Clap & Clatter is a cacophonous concoction of crafty and clever sound effects generated between the winds and the metallic members of the percussion family of instruments. Utilizing traditional and non-traditional percussion instruments this entertaining novelty piece will spotlight your full percussion section. David Shaffer once again crafts a novelty piece that will be a sure favorite of both your students and your audiences.

Concert Band/Harmonie (Score) - Grade 5

SKU: HL.44012759

Composed by Philip Sparke. Anglo Music Concert Band. Softcover. Composed 2015. Anglo Music Press #AMP443140. Published by Anglo Music Press (HL.44012759).

UPC: 888680610456. 10.75x14.0x0.142 inches. English-German-French-Dut ch.

Reflections on an Old Japanese Folk Song is based on the tune Suiryo-Bushi, which comes from the shamisen tradition and opens with two contrasting statements of the melody followed by several variations each in an own style based uponthe same tune, or sometimes only fragments of it. In one of the variants, the pentatonic scale is used. The final section is in the form of a scherzo, which eventually forms the accompaniment to a final presentation of the folk tune.

Reflectio ns on an Old Japanese Folk Song is gebaseerd op het liedje Suiryo-Bushi, dat afkomstig is uit de shamisen-traditie en opent met twee contrasterende statements van de betreffende melodie, gevolgd door verschillende variatieshierop, in diverse stijlen, steeds gebaseerd op hetzelfde liedje of fragmenten eruit. In een van de variaties wordt de pentatonische toonladder gebruikt. Het slotgedeelte begint met een scherzo, dat uiteindelijk de begeleiding vormt van een laatsteuiteenzetting van het volksliedje.

Das Stuck Reflections on an Old Japanese Folk Song basiert auf der Melodie des Volksliedes Suiryo-Bushi, das in der Tradition des japanischen Saiteninstruments Schamisen steht. Es beginnt mit zwei gegensatzlichen Darstellungen derMelodie, gefolgt von verschiedenen Variationen: jede in einem eigenen Stil, aber alle auf der gleichen Melodie oder auf Fragmenten der Melodie beruhend. In einer Variation wird auch die pentatonische Tonleiter verwendet. Im Scherzo, demSchlussteil des Stuckes, erklingt das Volkslied schliesslich zum letzten Mal.

Reflection s on an Old Japanese Folk Song est base sur la melodie Suiryo-Bushi, qui est issue de la tradition de shamisen. L'oeuvre commence par deux versions differentes de la melodie, suivies par plusieurs variations sur le theme enentier ou en partie, chacune dans son propre style. La section finale est dans la forme d'un scherzo, qui prend le role d'accompagnement a la fin, lors de la derniere presentation du theme folklorique.

Re flections on an Old Japanese Folk Song, basata su un motivo di Suiryo-Bushi, originariamente concepito per shamisen, strumento a corde tipico della tradizione musicale giapponese. La struttura del brano e del tutto peculiare, basata sulladalla reiterazione melodica di un tema o frammenti di esso, con l'inserimento di brevi variazioni. In una delle varianti, e usata la scala pentatonica. La sezione finale e nella forma dello scherzo.

Concert Band/Harmonie - Grade 1.5

SKU: BT.AMP-377-010

Composed by Philip Sparke. Debut Series (Anglo). Concert Piece. Set (Score and Parts). Composed 2013. Anglo Music Press #AMP 377-010. Published by Anglo Music Press (BT.AMP-377-010).

9x12 inches. English-German-French-Dut ch.

England enjoys a rich folk song tradition. Composers such as Cecil Sharp and Vaughan Williams rekindled an interest in this heritage at the beginning of the 20th century by arranging numerous songs, some of which were transcribed for the _x001F_first time. Philip Sparke selected three songs from the 18th and 19 century for his Three Folk Song Miniatures: the _x001F_shermanâ??s song Dance to Your Daddy, the love song O Waly, Waly and Bobby Shafto, a song from the northwest of England.

Engeland heeft een rijke traditie op het gebied van volksmuziek die door de jaren heen een beetje in de vergetelheid raakte. Componisten als Cecil Sharp en Vaughan Williams brachten hierin verandering door voor het eerst talloze liederen bundelen en soms zelfs voor het eerst tenoteren in modern notenschrift. Philip Sparke koos voor dit werk drie liederen uit de 18e en 19e eeuw: het visserslied Dance to Your Daddy, het liefdeslied O Waly, Waly en Bobby Shafto, een lied uit het Noord-Westen van Engeland.

England kann auf eine lange Volkslied-Tradition zuru?ckblicken. Komponisten wie Cecil Sharp und Vaughan Williams weckten Anfang des 20. Jahrhunderts erneut das Interesse an diesem Erbe, indem sie zahlreiche Lieder sammelten und teilweise erstmals notierten. Philip Sparke wählte fu?r seine drei Volkslied-Miniaturenâ?? drei Lieder aus dem 18. und 19. Jahrhundert: das Fischerlied Dance to Your Daddy, das Liebeslied O Waly, Waly und Bobby Shafto, ein Lied aus dem Nordwesten Englands.

Comme beaucoup dâ??autres pays, lâ??Angleterre jouit dâ??une longue tradition de chansons traditionnelles transmises oralement au _x001C_fil des siècles. Three English Folk Song Miniatures rassemble trois airs populaires (Dance to you Daddy, O Waly, Waly et Bobby Shafto), prodigieusement arrangés pour orchestre junior ou formation incomplète. Comme dans toutes les publications de degré de diffi_x001F_culté 1 1 ½ des éditions Anglo Music, les parties des registres ténor et basse peuvent être jouées par diff_x001B_érents instruments, ce qui permettra aux orchestres incomplets de toujours produire un son ample et généreux.

L� �??Inghilterra è una nazione ricca di canti popolari. Allâ??inizio del XX secolo, compositori quali Cecil Sharp e Vaughan Williams risvegliarono lâ??interesse verso questa preziosa eredit raccogliendo e in parte arrangiando numerosi canti. Philip Sparke ha scelto per le sue â??tre miniatureâ?, altrettanti canti del XIII e XIX secolo: la canzone dei pescatori Dance to Your Daddy, O Waly, Waly, una canzone dâ??amore e Bobby Shafto, un canto proveniente dalla parte nord-occidentale del paese.