For Flute, Oboe, Viola, Violoncello and Glass Harmonica (Piano). By Wolfgang Ama...(+)
For Flute, Oboe, Viola,
Violoncello and Glass
Harmonica (Piano). By
Wolfgang Amadeus Mozart.
Edited by H. Wiese.
Chamber Music with Winds.
Pages: Score = VI and 21
* Fl = 3 * Ob = 3 * Va =
3 * Vc = 3 *
Glasharmonica = 8. Urtext
edition-paper bound.
Published by G. Henle.
For Viola and Orchestra - Piano Reduction (with Comments in English). By Johann ...(+)
For Viola and Orchestra -
Piano Reduction (with
Comments in English). By
Johann Nepumuk Hummel.
Edited by N.
Gertsch,Steiner. Viola.
Henle Music Folios.
Pages: Score = * Va Part
=. Urtext edition
(Paper-bound). Published
by Hal Leonard.
(for Piano Ensemble, or with Violin, Viola and/or Cello). By Constance and Willi...(+)
(for Piano Ensemble, or
with Violin, Viola and/or
Cello). By Constance and
William Starr. For Piano.
Piano - Suzuki Method
Supplement. Book. 44
pages. Published by
Alfred Publishing.
Viola/Piano SKU: HL.50483116 Composed by Franz Liszt. Arranged by Franz S...(+)
Viola/Piano
SKU:
HL.50483116
Composed
by Franz Liszt. Arranged
by Franz Schmidtner. This
edition: SIK304. String
Solo. 7 pages. Sikorski
#SIK304. Published by
Sikorski (HL.50483116).
Viola or 2 Viole and Piano SKU: HL.50494306 Per Viola E Orchestra (196...(+)
Viola or 2 Viole and
Piano
SKU:
HL.50494306
Per
Viola E Orchestra (1964)
- Riduzione Per Viola E
Pianoforte. Composed
by M. Zafred. MGB.
Contemporary Music. Score
Only. Composed 1984.
Ricordi #NR130818.
Published by Ricordi
(HL.50494306).
PER VIOLA E
ORCHESTRA (1964) -
RIDUZIONE PER VIOLA E
PIANOFORTE.
Perpetuum Mobile Piano seul [Conducteur] - Intermédiaire OR-TAV Music Publications
Piano - Late Intermediate, Advanced SKU: OT.21124 Composed by Maayan Tal....(+)
Piano - Late
Intermediate, Advanced
SKU: OT.21124
Composed by Maayan Tal. 7
etudes for piano.
Classical. Score. OR-TAV
Music Publications
#21124. Published by
OR-TAV Music Publications
(OT.21124).
ISBN
9789655050981. 8.27 x
11.69
inches.
Perpetuum
Mobile, meaning perpetual
motioni, is a Latin term
that describes an
impossible situation in
which a substance has
infinite energy. This
situation is impossible
because it violates the
first and second laws of
Newton. But it is
possible in music.
Imagine a musical piece
that is a continuous
stream of notes. These
are exactly the etudes in
this album. They do not
stop, they are always in
motion and they can be
played continuously.
Etudes are solo
pieces, purposed to help
the musician practice his
technique. In this album,
each etude is designed to
practice another
technique. In
addition, the etudes in
this album are arranged
according to the circle
of fifths - each etude
ends in a key which is
dominant to the beginning
of the next etude, even
the last etude to the
first one, and so on and
so forth. This further
emphasizes the infinite
mobility of the music in
this piece. Once you
enter the loop, you can't
get out of it. All the
etudes start in a minor
key, as a symbol of the
sadness of the matter,
and end in a major key,
to represent the hope, a
false hope, that perhaps
the next etude will take
you out of the loop.
This album is a
three-year-long project,
in which I gathered ideas
from the environment in
which I live, from the
people in it and from
their thoughts, from life
that continues all the
time, and the music that
will never stop.
Maayan Tal, 17, is a
young Israeli musician,
pianist and composer.
Piano SKU: PR.701175060 Arranged by Edison Quintana. Peermusic Classical ...(+)
Piano
SKU:
PR.701175060
Arranged
by Edison Quintana.
Peermusic Classical
#70117-506. Published by
Peermusic Classical
(PR.701175060).
UPC:
888680101268.
“Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon..
Piano SKU: PR.701185010 Arranged by Leticia Gómez-Tagle. Peermusic Class...(+)
Piano
SKU:
PR.701185010
Arranged
by Leticia Gómez-Tagle.
Peermusic Classical
#70118-501. Published by
Peermusic Classical
(PR.701185010).
UPC:
888680101275.
“Th
e idea of writing the
Danzón No.2 originated
in 1993 during a trip to
Malinalco with the
painter Andrés Fonseca
and the dancer Irene
Martínez, both of whom
are experts in salon
dances with a special
passion for the danzón,
which they were able to
transmit to me from the
beginning, and also
during later trips to
Veracruz and visits to
the Colonia Salon in
Mexico City. From these
experiences onward, I
started to learn the
danzón’s rhythms, its
form, its melodic
outline, and to listen to
the old recordings by
Acerina and his Danzonera
Orchestra. I was
fascinated and I started
to understand that the
apparent lightness of the
danzón is only like a
visiting card for a type
of music full of
sensuality and
qualitative seriousness,
a genre which old Mexican
people continue to dance
with a touch of nostalgia
and a jubilant escape
towards their own
emotional world; we can
fortunately still see
this in the embrace
between music and dance
that occurs in the State
of Veracruz and in the
dance parlors of Mexico
City. The Danzón No.2 is
a tribute to the
environment that
nourishes the genre. It
endeavors to get as close
as possible to the dance,
to its nostalgic
melodies, to its wild
rhythms, and although it
violates its intimacy,
its form and its harmonic
language, it is a very
personal way of paying my
respects and expressing
my emotions towards truly
popular music. Danzón
No.2 was written on a
commission by the
Department of Musical
Activities at Mexico’s
National Autonomous
University and is
dedicated to my daughter
Lily.” -- Arturo
Marquez About the danzon
genre, Lidice Valenzuela
writes in Cubanow: The
history of the danzon
goes back to the arrival
in Cuba of the European
contradance. It came in
three different ways:
directly from Spain, the
colonial metropolis; with
the British, who occupied
Havana in 1762; and the
French colonizers and
their slaves who landed
in Cuba's Eastern shores
after fleeing from the
Haitian Revolution. From
all of that
trans-cultural process
the Danzon was born. This
new Cuban dance,
naturalized by the
Creoles, had much more
expressive freedom: the
couple danced in each
other's arms, and the
dancing time was
extended. People began
calling it Danzon and it
was in Matanzas, in the
1870s that figure dancing
also began to be called
Danzon. Thus, Failde, an
outstanding musician,
named his composition
with the generic name of
Danzon..
Viola or 2 Viole and Piano SKU: HL.50494417 Improvvisazione Per Viola ...(+)
Viola or 2 Viole and
Piano
SKU:
HL.50494417
Improvvisazione Per
Viola E Pianoforte.
Composed by Mauro
Bortolotti. MGB.
Contemporary Music. Score
Only. Composed 1984.
Ricordi #NR131426.
Published by Ricordi
(HL.50494417).
Viola or 2 Viole and Piano SKU: HL.50494373 Riduzione Per Viola E Pian...(+)
Viola or 2 Viole and
Piano
SKU:
HL.50494373
Riduzione Per Viola E
Pianoforte. Composed
by Virgilio Mortari. MGB.
Contemporary Music. Score
Only. Composed 1984.
Ricordi #NR131243.
Published by Ricordi
(HL.50494373).
Viola or 2 Viole and Piano SKU: HL.50495203 Per Viola E Pianoforte...(+)
Viola or 2 Viole and
Piano
SKU:
HL.50495203
Per
Viola E Pianoforte.
Composed by Sandro Gorli.
MGB. Contemporary Music.
Score Only. Composed
1987. Ricordi #NR134275.
Published by Ricordi
(HL.50495203).
Piano SKU: SU.96010570 Composed by Wolfgang Amadeus Mozart. Score. Subito...(+)
Piano
SKU:
SU.96010570
Composed
by Wolfgang Amadeus
Mozart. Score. Subito
Music Corporation
#96010570. Published by
Subito Music Corporation
(SU.96010570).
Transcribed and
arranged for Piano by
Lawrence RosenA new,
3-volume set of Mozart
Dances for Piano, 14 of
these dance suites are
faithfully transcribed
for piano at the early to
advanced intermediate
level. Almost all appear
as new Mozart music for
piano (except for the Six
German Dances, K. 509,
which Mozart himself
arranged for piano.)
Within each volume, they
are arranged by
increasing difficulty.
They are eminently suited
for teaching, recital and
concert performance,
encores, recording,
sight-reading practice,
and theoretical study. We
sincerely hope you enjoy
them as much as we did in
discovering and creating
these little
masterpieces.
CONTENTS Four German
Dances, K. 602
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins,
Violoncello/Contrabass,
Timpani)
Twelve
German Dances, K. 586
(originally for 2 Flutes,
Piccolo, 2 Oboes, 2
Clarinets, 2 Bassoons, 2
Horns, 2 Violins,
Violoncello/Contrabass,
Tambourine, Timpani)
Minuet, K. 409
(originally for 2 Flutes,
2 Oboes, 2 Bassoons, 2
Horns, 2 Trumpets, 2
Violins, Viola,
Violoncello/Contrabass) Les Petits Riens
(excerpts,) K. 299b
(originally for 2 Flutes,
2 Oboes, 2 Clarinets, 2
Bassoons, 2 Horns, 2
Trumpets, 2 Violins,
Viola,
Violoncello/Contrabass,
Timpani)
Instrumentation:
Piano
Piano Accompaniment Viola (Piano) SKU: HL.48010849 Piano Accompaniment...(+)
Piano Accompaniment Viola
(Piano)
SKU:
HL.48010849
Piano
Accompaniments.
Composed by Sheila
Nelson. Boosey & Hawkes
Chamber Music.
Educational. 53 pages.
Boosey & Hawkes
#M060071126. Published by
Boosey & Hawkes
(HL.48010849).
UPC:
073999639926.
8.25x11.75x0.13
inches.
Various
ensemble performances are
possible using one first
part with second violin,
viola, cello and/or
piano. The first string
parts duplicate the
melodic material
Contents: Menuetto and
Trio (Mozart) * Ballet
Music (Schubert) * A Pair
of Hornpipes
(Traditional) *
Watchman's Song (Grieg) *
Siciliana (Stanley) *
Variations on a Russian
Theme (Beethoven) * Waltz
(von Weber) * Bonnie
Dundee Variations
(Nelson) * Rigaudon 1
(Rameau) * Rigaudon 2
(Rameau).
Cello; Piano SKU: HL.49045013 For Cello (Viola) and Piano. Compose...(+)
Cello; Piano
SKU:
HL.49045013
For
Cello (Viola) and
Piano. Composed by
Wolfgang Koehler.
Arranged by Christiane
Kohler and Tassilo
Kaiser. This edition:
Saddle stitching. Sheet
music. String Solo.
Classical. Softcover. 16
pages. Schott Music
#ED22300. Published by
Schott Music
(HL.49045013).
ISBN
9790001203890. UPC:
841886025813.
9.25x12.0x0.07
inches.
Wolfgang
Kohler is professor of
piano at the Department
of Jazz and Popular Music
of the Berlin Academy of
Music. His Romance for
violoncello (or viola)
and piano is a 'love song
without words' with
rather agitated middle
and final sections.
Klavierkonzert.
Composed by Johann
Christoph Friedrich Bach.
Edited by Ulrich
Leisinger. Stuttgart
Urtext Edition: Bach
vocal. Klavierkonzert In
Es Brc43/Wf Ii/5. Single
Part, Viola. BR JCFB C
43. 12 pages. Carus
Verlag #CV 34.402/13.
Published by Carus Verlag
(CA.3440213).
ISBN
9790007212650. Key: E
flat major. Language: all
languages.
Works
for keyboard with and
without accompaniment
make up the core of
Johann Christoph
Friedrich Bach's oeuvre.
The Concerto in E flat
major belongs to Bach's
last creative period
during which he once
again concerned himself
intensely with orchestral
music in the form of
symphonies, keyboard
concertos and concertos
for keyboard with another
solo instrument. Score
and part available
separately - see item
CA.3440200.
Piano (Piano) - very easy SKU: HL.49015170 33 Christmas Songs (very ea...(+)
Piano (Piano) - very easy
SKU: HL.49015170
33 Christmas Songs
(very easy). Composed
by Draths. Arranged by
Marianne Magolt and Willi
Draths. This edition:
Saddle stitching. Sheet
music. Edition Schott.
Fur Klavier (sehr
leicht). Classical. 32
pages. Schott Music #ED
5325. Published by Schott
Music (HL.49015170).
ISBN 9783795716868.
German. Wilfried
Blecher.
Die
bekanntesten
Weihnachtslieder in
leichten Satzen fur
Unterricht und Hausmusik,
mit Illustrationen von
Wilfried Blecher. In der
Kombination mit parallel
erschienenen Heften
ergeben sich vielfaltige
Besetzungs- und
Auffuhrungsmoglichkeiten.
Zusatzliche
Harmonie-Symbole
ermoglichen auch eine
Begleitung mit Gitarre
(ad lib.). Folgende
Besetzungsmoglichkeiten
sind moglich: 1. Stimme
(Melodie): Querflote I,
Sopranblockflote I,
Violine I, Viola I,
Violoncello I, Gesang -
2. Stimme: Querflote II,
Sopranblockflote II,
Violine II, Viola II,
Violoncello II - dazu:
Klavier, Gitarre ad
lib.
Piano; Viola; Violin (Piano) SKU: HL.48020421 Accompaniments for Violi...(+)
Piano; Viola; Violin
(Piano)
SKU:
HL.48020421
Accompaniments for
Violin/Viola - Books 1
and 2. Composed by
Adrian Thorne, Catherine
Elliott, Gerald Howard,
and Sheila Nelson. This
edition: M060105067.
Boosey & Hawkes Chamber
Music. Classical,
Contemporary,
Educational. 80 pages.
Boosey & Hawkes
#M060105067. Published by
Boosey & Hawkes
(HL.48020421).
UPC:
884088166281.
9.0x12.0x0.236
inches.
The
Essential String Method
offers an exciting
advance in the teaching
of stringed instruments,
integrating musical
awareness, creativity and
technical development
from the outset. Based on
the Guildhall School's
String Curriculum, The
Essential String Method
provides a proven
framework that draws on
recognized concepts in
good teaching practice,
laying reliable
foundations for future
musical development.
Composed
by Josef Gabriel
Rheinberger. Edited by
Sebastian Hammelsbeck.
German title: Die Nacht.
Secular choral music.
Single Part, Viola.
Composed 1871. Op. 56. 4
pages. Duration 6
minutes. Carus Verlag #CV
50.056/12. Published by
Carus Verlag
(CA.5005612).
ISBN
9790007223007. Key: D
flat major. Language:
German. Text: von
Eichendorff, Joseph.
Text: Joseph von
Eichendorff.
Cantata. Composed
by Gunther Kretzschmar.
Children's music and
musicals. German title:
Das Hemd des Glucklichen.
Cantatas, Cantatas and
Singspiele for children,
Secular choral music.
Single Part, Viola. 12
pages. Duration 28
minutes. Carus Verlag #CV
12.416/12. Published by
Carus Verlag
(CA.1241612).
ISBN
9790007028251. Language:
German. Text: Tolstoi,
Leo. Text: Leo
Tolstoi.
Piano - very easy to easy SKU: HL.49045334 33 Christmas Songs for Pian...(+)
Piano - very easy to easy
SKU: HL.49045334
33 Christmas Songs for
Piano. Arranged by
Marianne Magolt and Willi
Draths. This edition:
Saddle stitching. Sheet
music. Piano. Fur Klavier
(leicht bis
mittelschwer). Classical.
Softcover. 40 pages.
Schott Music #ED22507.
Published by Schott Music
(HL.49045334).
ISBN
9783795709877. Wilfried
Blecher.
The series
Morgen kommt der
Weihnachtsmann has been
conceived for making
music together in the
Christmas season. Special
emphasis is placed on
duet playing with 2
identical instruments:
with 2 violins (ED 5475),
2 violas (ED 7935), 2
violoncellos (ED 5548), 2
descant recorders (ED
7934), and 2 flutes (ED
8026). Since words have
been set to the upper
part (melody part), the
obvious thing to do would
be to perform the pieces
with voice and
accompaniment. The
settings are easy so that
even musicians with
little practice can play
along.This series
includes two editions for
piano which can be
combined with all
instrumental volumes: In
addition to the known
very easy edition for
piano beginners with
mainly two-part settings
in five-note range ('very
easy', ED 5325), there is
for the first time a more
sonorous two- or
three-part edition for
moderately advanced
players ('easy to
intermediate', ED 22507).
This new edition is ideal
for accompanying the
instrumental parts.
A Progressive Collection Celebrating 29 Female Composers. Composed by compile...(+)
A Progressive Collection
Celebrating 29 Female
Composers. Composed by
compiled, edited by Karen
Marshall, and Written.
Graded
Standard Repertoire;
Masterworks; Piano
Collection;
Piano Resources.
Classical;
Masterwork. Book. Faber
Music
#12-0571542379. Published
by
Faber Music
For Piano. Contains a newly engraved, complete music score, printed on high-qual...(+)
For Piano. Contains a
newly engraved, complete
music score, printed on
high-quality ivory paper;
and a digital stereo
compact disc containing a
complete reference
version of the quartet,
then a recording of the
accompaniments minus you,
the soloist!. Published
by Music Minus One.