Musique de Chambre, Quatuor String Quartet: 2 Violins 1 Alto 1 Cello - Grade 4 <...(+)
Musique de Chambre,
Quatuor String Quartet: 2
Violins 1 Alto 1 Cello -
Grade 4
SKU:
FL.FX074113
Composed
by Johann Sebastian Bach.
Arranged by Sarah
Labrousse-Baert.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074113.
Published by FLEX
Editions (FL.FX074113).
Musique de Chambre, Quatuor String Quartet: 2 Violins 1 Alto 1 Cello - Grade 3 <...(+)
Musique de Chambre,
Quatuor String Quartet: 2
Violins 1 Alto 1 Cello -
Grade 3
SKU:
FL.FX074106
Composed
by Johann Sebastian Bach.
Arranged by Sarah
Labrousse-Baert.
Arrangement. Classical.
Score and Set of Parts.
FLEX Editions #FX074106.
Published by FLEX
Editions (FL.FX074106).
For Mezzo soprano and
string quartet.
Composed by David Philip
Hefti. Edited by David
Philip Hefti. Bach format
(230 x 302). In A Folder.
Full score, parts. 160
pages. Duration 30
minutes. Edition
Kunzelmann #GM-1894b.
Published by Edition
Kunzelmann (KU.GM-1894B).
ISBN 9790206206283. 9
x 12 inches. German.
Aebli,
Kurt.
An
durchsichtigen Faden
(On transparent threads)
for mezzo-soprano and
string quartet was
composed in 2018 for
Maria Riccarda Wesseling
and the Amaryllis
Quartet. The original
version of this work (for
mezzo-soprano and cello)
was composed in 2013 for
Andrea Del Favero and
Thomas Grossenbacher, to
a commission from the
Tonhalle Society and the
Literaturhaus in Zurich.
This work lasts about 30
minutes and is based on
the poem „Endloser
Anfang von allem“
(„Endless beginning
of everything“) by
Kurt Aebli.
Grade 3.5 SKU: AP.36-52703156 Composed by Lynne Latham. This edition: Lat...(+)
Grade 3.5
SKU:
AP.36-52703156
Composed by Lynne Latham.
This edition: Latham
Music. Performance Music
Ensemble; Quartet; String
Quartet. LudwigMasters -
Latham Music. Score and
Part(s). 96 pages. Latham
Music Enterprises
#36-52703156. Published
by Latham Music
Enterprises
(AP.36-52703156).
ISBN
9781621567424. UPC:
679360602362.
English.
This
collection includes:
Alleluja from
"Exultate
Jubilate" (Mozart);
Traumeri (Schumann);
Wachet Auf (Bach); Sheep
May Safely Graze (Bach);
Ode To Joy (Beethoven);
Arioso (Bach); Panis
Angelicus (Franck);
Andante from "Piano
Concerto No. 21"
(Mozart) and Sleeping
Beauty Waltz
(Tchaikovsky).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
Composed by Lynne Latham.
Performance Music
Ensemble; String Quartet.
Ludwig Masters. Score.
Latham Music Enterprises
#36-52703173. Published
by Latham Music
Enterprises
(AP.36-52703173).
ISBN
9781621568650. UPC:
660355061004.
English.
This
collection includes: Te
Deum (Charpentier); Bist
Du Bei Mir (Bach); If
With All Your Hearts
(from "Elijah,"
Mendelssohn); My Heart
Ever Faithful (Bach);
Meditation from
"Thais"
(Massenet); Ave Maria
(Bach/Gounod); and Suite
from "The Fairy
Queen"
(Purcell).
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.
String Quartet (2vl,va,vc) SKU: BR.EB-9259 Composed by Manuela Kerer. Cha...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9259
Composed
by Manuela Kerer. Chamber
music; stapled. Edition
Breitkopf.
World
premiere: Stockholm
(Festival O/MODERNT),
June 19, 2017
Music
post-1945; New music
(post-2000). Full score.
Composed 2016/17. 32
pages. Duration 15' -
18'. Breitkopf and
Haertel #EB 9259.
Published by Breitkopf
and Haertel (BR.EB-9259).
ISBN 9790004185599. 9
x 12 inches.
When
Hugo Ticciati asked me to
write a new piece for his
quartet, I was
immediately enthusiastic
about this project. I
love how Hugo and his
O/MODERNT String Quartet
unite old and new music
in a completely natural
way. So, I was absolutely
excited about Hugo`s idea
of having my piece based
on two of my idols, Bach
and Beethoven,
deconstructing the one
and constructing the
other. With all my
respect for these great
composers I gave to the
piece a very personal
inner part consisting of
my own music that
influenced and inspired
the other parts. For the
whole piece I felt very
close to Beethoven, who
said: To make a fugue is
not art, which [is
something] I have made
dozens of times in my
study. But the
imagination will assert
its rights and must come
today, in light of the
old traditional form, to
another truly poetic
element. De/Con is a
travel into different
centuries with different
sound-languages. For me,
it was like having a
wonderful constructive
discussion with Johann
Sebastian Bach and Ludwig
van Beethoven, each of us
trying to speak our own
language, approaching the
others step by step. The
piece could be defined as
a Love Letter to two of
the greatest composers
ever. De/Con could be
preceded by (parts of)
Johann Sebastian Bach's
Die Kunst der Fuge (The
Art of the Fugue) and
succeeded by Ludwig van
Beethoven's Grosse Fuge
(Great Fugue). Ideally,
then, all parts should be
played attacca. It could,
but it hasn't to be
played with these two
pieces. (Manuela
Kerer)
World
premiere: Stockholm
(Festival O/MODERNT),
June 19, 2017.
String Quartet (2vl,va,vc) SKU: BR.EB-9260 Composed by Manuela Kerer. Cha...(+)
String Quartet
(2vl,va,vc)
SKU:
BR.EB-9260
Composed
by Manuela Kerer. Chamber
music; Folder. Edition
Breitkopf.
World
premiere: Stockholm
(Festival O/MODERNT),
June 19, 2017
Music
post-1945; New music
(post-2000). Set of
parts. Composed 2016/17.
32 pages. Duration 15' -
18'. Breitkopf and
Haertel #EB 9260.
Published by Breitkopf
and Haertel (BR.EB-9260).
ISBN 9790004185605. 9
x 12 inches.
When
Hugo Ticciati asked me to
write a new piece for his
quartet, I was
immediately enthusiastic
about this project. I
love how Hugo and his
O/MODERNT String Quartet
unite old and new music
in a completely natural
way. So, I was absolutely
excited about Hugo`s idea
of having my piece based
on two of my idols, Bach
and Beethoven,
deconstructing the one
and constructing the
other. With all my
respect for these great
composers I gave to the
piece a very personal
inner part consisting of
my own music that
influenced and inspired
the other parts. For the
whole piece I felt very
close to Beethoven, who
said: To make a fugue is
not art, which [is
something] I have made
dozens of times in my
study. But the
imagination will assert
its rights and must come
today, in light of the
old traditional form, to
another truly poetic
element. De/Con is a
travel into different
centuries with different
sound-languages. For me,
it was like having a
wonderful constructive
discussion with Johann
Sebastian Bach and Ludwig
van Beethoven, each of us
trying to speak our own
language, approaching the
others step by step. The
piece could be defined as
a Love Letter to two of
the greatest composers
ever. De/Con could be
preceded by (parts of)
Johann Sebastian Bach's
Die Kunst der Fuge (The
Art of the Fugue) and
succeeded by Ludwig van
Beethoven's Grosse Fuge
(Great Fugue). Ideally,
then, all parts should be
played attacca. It could,
but it hasn't to be
played with these two
pieces. (Manuela
Kerer)
World
premiere: Stockholm
(Festival O/MODERNT),
June 19, 2017.
Composed by Johann
Sebastian Bach and ed.
Arranged by Michael
McLean. Performance Music
Ensemble. Latham Music.
Score. LudwigMasters
Publications
#36-52703038. Published
by LudwigMasters
Publications
(AP.36-52703038).
ISBN
9781682962220. UPC:
654690580573.
English.
Bach's
organ works seem to work
perfectly for string
quartet, with everyone
getting in on the
thematic material. These
two works are among his
best-known and are a nice
addition to the concert
and contest repertoire.
Contents: Little Fugue in
G minor, BWV 578;
Passacaglia and Fugue in
C minor, BWV 582.
These products
are currently being
prepared by a new
publisher. While many
items are ready and will
ship on time, some others
may see delays of several
months.