Soloists, Mixed choir, Orchestra SKU: BA.BA10726-01 Oratorio in three ...(+)
Soloists, Mixed choir,
Orchestra
SKU:
BA.BA10726-01
Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. This edition:
Complete edition. Linen.
Complete edition, Score.
HWV 46. Baerenreiter
Verlag #BA10726-01.
Published by Baerenreiter
Verlag (BA.BA10726-01).
ISBN 9790006575596. 33
x 26 cm inches. Text
Language: Italian.
Preface: Pacholke,
Michael.
In the
brief half-year period
from August 14, 1736, to
January 27, 1737, Georg
Friedrich Handel achieved
an unprecedented level of
productivity in his opera
compositions, creating
three operas.
Additionally, in March
1737, he also composed a
largely new oratorio
titled â??Il trionfo del
Tempo e della
Verità â? (â??The
Triumph of Time and
Truthâ?) HWV 46b. The
libretto of this oratorio
closely corresponds to
that of the oratorio
â??La Bellezza ravveduta
nel trionfo del Tempo e
del Disingannoâ?
(â??Beauty Reconciled in
the Triumph of Time and
Enlightenmentâ?) HWV
46a written in 1707. With
â??La Bellezza
ravvedutaâ?, Handel
composed an allegorical
and particularly dramatic
oratorio right at the
beginning of his oratorio
compositions. In this
work, there is no chorus
inclined towards
reflection. Not only do
the four allegorical
figures, Bellezza
(Beauty), Piacere
(Pleasure), Tempo (Time),
and Disinganno
(Enlightenment), listen
to each other and react
to the ideas presented by
the others, but this
prevailing dramatic
principle of dispute is
also found in the
recitatives.
In
1737, when reworking the
oratorio material as
â??Il trionfo del Tempo
e della Verità â?,
Handel approached the
task pragmatically. He
needed a new non-dramatic
work to fulfill the
eveningâ??s program for
his audience at the
Covent Garden Theatre
during the fasting season
when theatrical
performances were
prohibited. Although he
had excellent Italian
vocal soloists, notorious
for their pronunciation
in Handelâ??s English
oratorios and who
naturally preferred
singing in Italian,
Handel found a solution.
It was evident to Handel
that, in response to the
ban on performances of
his Italian operas during
the fasting season of
1737, he should promptly
create a new oratorio in
the Italian language but
following the three-part
â??Englishâ? oratorio
form that he had
developed in
â??Estherâ? HWV 50b
in 1732. Unlike in Rome
in 1707, he had access to
a chorus in London in
1737, and the English
oratorio, with its
substantial choral
sections, a preference
for concert-like rather
than dramatic
composition, and frequent
inclusion of organ
concertos loosely related
to the narrative, was
already
established.
The
new volume of the HHA
includes the original
version of the 1737
premiere as well as all
the surviving early and
later versions (the
latter being exceptional
highlights) of individual
musical pieces from
â??Il trionfo del Tempo
e della
Verità â?.
Arrangement for
chamber orchestra (arr.
J. Linckelmann).
Composed by Franz
Schubert. Arranged by
Joachim Linckelmann.
Carus digital: Extra
digital products. Full
Score. D 950. 216 pages.
Duration 50 minutes.
Carus Verlag #4066050.
Published by Carus Verlag
(CA.4066050).
ISBN
9790007294533. Key: E
flat major.
Latin.
Schubertâ??
s Mass in E-flat major is
the last of his six
settings of the
Ordinarium Missae (Mass
ordinary) and also his
most important work in
this genre. The mass is
full of color and drama,
infused with the spirit
of confession. For many
choirs, it is on the wish
list of those works they
would like to sing
someday. But what happens
if you donâ??t have
enough singers, money is
tight, and your venue is
on the small side?
Here the experienced
arranger and orchestral
musician Joachim
Linckelmann has a great
solution. His version for
soloists, choir and
chamber orchestra
requires only 7 winds
rather than the original
13. The string parts,
while identical to the
original, can now also be
scaled back. The vocal
parts (soloists and
chorus) are completely
untouched by the
arrangement, so that the
vocal scores and choral
scores of the Carus
Urtext edition can also
be used for
performanceâ?¢,A
large-scale work now
arranged for smaller
choirs â?¢,13 winds
of the original version
reduced to 7
instrumentsâ?¢,Voca
l scores and choral
scores of the original
version can still be
usedâ?¢,carus plus:
The work (original
version) is available in
the app carus music, the
Choir Coach, as well as
in our Carus Choir Coach
series (audio only)..
Score available
separately - see item
CA.4066000.
Gloria in E flat major Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre [Conducteur] - Facile Carus Verlag
By Felix Bartholdy Mendelssohn (1809-1847). Edited by Pietro Zappala. For Soli S...(+)
By Felix Bartholdy
Mendelssohn (1809-1847).
Edited by Pietro Zappala.
For Soli SSATB, SATB
Choir, 2 Flutes, 2 Oboes,
2 Clarinets, 2 Bassoons,
2 Horns, 2 Trumpets,
Timpani, 2 Violins,
Viola, Cello/Contrabass.
This edition: Paperbound.
Es-Dur (E-flat major).
Stuttgart Urtext
editions. Mass sections,
Christmas. Level 3. Full
score. Language: Latin.
Composed 1822. 128 pages.
Duration 21 min.
Published by Carus Verlag
By Johann Sebastian Bach; Neil Jenkins (Editor). For 2 Sopranos, Alto soli, SATB...(+)
By Johann Sebastian Bach;
Neil Jenkins (Editor).
For 2 Sopranos, Alto
soli, SATB Choir, Piano
Accompaniment. Baroque,
Sacred. Sheet Music. 144
pages. Published by
Novello and Co Ltd.
Litaniae Lauretanae
B.M.V. in der Bearbeitung
von Wolfgang Amadeus
Mozart. Composed by
Leopold Mozart. Edited by
Ernst Hintermaier.
Arranged by Wolfgang
Amadeus Mozart. This
edition: complete
edition, urtext edition.
Linen. New Mozart Edition
(Neue Mozart Ausgabe -
NMA) Series X, Workgroup
28, Vol. 3-5, No. 1a.
Complete edition, Score,
Critical commentary.
Baerenreiter Verlag
#BA04609_01. Published by
Baerenreiter Verlag
(BA.BA04609-01).
ISBN
9790006451975. 33.2 x
25.8 cm inches. Key:
E-flat major.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Oratorio in two
Parts. Composed by
George Frideric Handel.
Edited by Michael
Pacholke. Arranged by
Christopher Sokolowski.
This edition: urtext
edition. Paperback.
Barenreiter Urtext. Rome
1707. Vocal Score. HWV
46A. Baerenreiter Verlag
#BA10721_90. Published by
Baerenreiter Verlag
(BA.BA10721-90).
ISBN
9790006568680. 27 x 19 cm
inches. Text Language:
Italian. Preface: Annette
Landgraf. Text: Pamphili,
Benedetto.
Handel
composed his first
Italian oratorioLa
Bellezza ravveduta nel
trionfo del Tempo e del
DisingannoHWV 46a in
1707. It is based on an
allegorical moral
libretto written by
Cardinal Benedetto
Pamphili who also
commissioned this
work.
Disinganno
(Illumination) and Tempo
(Time) try to get the
young, beautiful and
frivolous Bellezza
(Beauty) to recognise the
true values of life and
to act accordingly. The
audience accompanies
Bellezza in her spiritual
development, in which she
increasingly distances
herself from Piacere
(Pleasure) and listens
more and more to Tempo
and
Disinganno.
The
oratorio contains some of
the most beautiful music
Handel ever composed.
This includes the
enchanting ariaLascia la
spina, in which he uses
the music of the
sarabande from the
operaAlmira, composed in
Hamburg in 1704, and
which then achieved
immortal fame
inRinaldo(1711) asLascia
ch'io pianga.
O my God, when shall I perish Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] Carus Verlag
(16th Sunday after Trinity). Composed by Johann Sebastian Bach (1685-1750). Edit...(+)
(16th Sunday after
Trinity). Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For SATB
vocal soli, SATB choir,
flute, 2 oboe d'amore,
[horn], 2 violins, viola,
basso continuo. This
edition: Paperbound.
E-Dur (E major). German
title: Liebster Gott,
wenn werd ich sterben.
Cantatas, Special days,
Mourning, death. Level 4.
Full score. Language:
German/English. Composed
1724. BWV 8. Duration 23
minutes. Published by
Carus Verlag
Composed
by Heinrich von
Herzogenberg. Edited by
Bernd Wiechert. This
edition: Paperbound.
Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. Awards / Prizes:
Deutscher
Musikeditionspreis Best
Edition. German title:
Messe In E. Streicher
Leihweise 20. Sacred
vocal music, Masses,
Latin. Full score. Op.
87. Duration 60 minutes.
Carus Verlag #CV
27.020/00. Published by
Carus Verlag
(CA.2702000).
ISBN
9790007088958. Key: E
minor. Language:
Latin.
The
musically convincing and,
in many respects,
original setting of the
liturgical text in
Herzogenberg's Mass
represents a final
culmination in the late
romantic repertoire of
the genre Missa solemnis.
The full score, which is
published here for the
first time, makes this
most inspiring work by
Herzogenberg accessible
for performance.
Composed by Franz
Schubert. Edited by
Rudolf Faber. Arranged by
Andreas Kohs. This
edition: urtext edition.
Paperback. Vocal Score.
Baerenreiter Verlag
#BA05576-90. Published by
Baerenreiter Verlag
(BA.BA05576-90).
ISBN
9790006575961. 27 x 19 cm
inches. Key: E-flat
major. Text Language:
Latin.
During the
last summer of his life,
Franz Schubert completed
the Mass in E-flat D 950.
The occasion for the
composition of this Missa
solemnis cannot be
clarified with certainty.
Schubert did not live to
see the premiere of his
sixth mass, which was
first performed
posthumously in 1829
under the baton of his
brother
Ferdinand.
Among
other things, the editor
has paid particular
attention to the
articulation. In order to
be able to present
Schubertâ??s
differentiated use of
accents in the edition, a
new symbol has been
introduced: an accent
which is flexible with
regard to its length,
thus making it possible
to precisely visualize
its compositionally
intended
duration.
(Missa in honorem Beatissimae Virginis Mariae). Composed by Franz Joseph Haydn (...(+)
(Missa in honorem
Beatissimae Virginis
Mariae). Composed by
Franz Joseph Haydn
(1732-1809). Edited by
Christoph Grosspietsch.
For SATB vocal soli, SATB
choir, 2 english horn, 2
horns, 2 violins,
cello/contrabass, organ
solo, [2
clarinos/trumpets,
timpani]. This edition:
Paperbound. Es-Dur
(E-flat major). Stuttgart
Urtext Edition. Score
available separately -
see item CA.4060300.
Latin Masses. Vocal
score. Language: Latin.
Hob. XXII:4. 64 pages.
Duration 40 minutes.
Published by Carus Verlag
Composed
by Johann David
Heinichen. German title:
Requiem in Es. Sacred
vocal music, Requiem,
Mourning, death. Single
Part, Viola. Composed
1726. 12 pages. Duration
40 minutes. Carus Verlag
#CV 27.309/13. Published
by Carus Verlag
(CA.2730913).
ISBN
9790007201470. Key: E
flat major. Language:
Latin.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Violin 1.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Violin 1.
Composed 1821/22. MWV A
1. 8 pages. Duration 21
minutes. Carus Verlag #CV
40.483/11. Published by
Carus Verlag
(CA.4048311).
ISBN
9790007218768. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Viola. Op.
107. 12 pages. Duration
25 minutes. Carus Verlag
#CV 23.007/13. Published
by Carus Verlag
(CA.2300713).
ISBN
9790007037703. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Composed
by Franz Schubert. Edited
by Werner Bodendorff.
This edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Tantum ergo in Es. Sacred
vocal music, Tantum ergo.
Single Part, Violin 1. D
962. 2 pages. Duration 4
minutes. Carus Verlag #CV
70.052/11. Published by
Carus Verlag
(CA.7005211).
ISBN
9790007228224. Key: E
flat major. Language:
Latin.
Composed
by Franz Schubert. Edited
by Werner Bodendorff.
This edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Tantum ergo in Es. Sacred
vocal music, Tantum ergo.
Choral Score. D 962. 2
pages. Duration 4
minutes. Carus Verlag #CV
70.052/05. Published by
Carus Verlag
(CA.7005205).
ISBN
9790007107833. Key: E
flat major. Language:
Latin.
Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. German
title: Gloria. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas. Set
of Orchestra Parts.
Composed 1821/22. MWV A
1. Duration 21 minutes.
Carus Verlag #CV
40.483/19. Published by
Carus Verlag
(CA.4048319).
ISBN
9790007137953. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
parts available
separately - see item
CA.4048300.
Tantum ergo in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre Carus Verlag
Composed by Franz Schubert (1797-1828). Edited by Werner Bodendorff. For SATB vo...(+)
Composed by Franz
Schubert (1797-1828).
Edited by Werner
Bodendorff. For SATB
vocal soli, SATB choir, 2
oboes, 2 clarinets, 2
bassoons, 2 horns, 2
trumpets, 3 trombones,
timpani, 2 violins,
viola, cello, contrabass.
Es-Dur (E-flat major).
Stuttgart Urtext Edition.
German title: Tantum ergo
in Es. Tantum ergo. Level
1. Reduction for organ.
Language: Latin. D 962.
Duration 4 minutes.
Published by Carus Verlag
Composed
by Franz Schubert. Edited
by Werner Bodendorff.
This edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Tantum ergo in Es. Sacred
vocal music, Tantum ergo.
Single Part, Double Bass.
Composed 1815. D 962. 2
pages. Duration 4
minutes. Carus Verlag #CV
70.052/15. Published by
Carus Verlag
(CA.7005215).
ISBN
9790007228262. Key: E
flat major. Language:
Latin.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn.
Violoncello/double bass.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Cello/Double
Bass. Composed 1821/22.
MWV A 1. 8 pages.
Duration 21 minutes.
Carus Verlag #CV
40.483/14. Published by
Carus Verlag
(CA.4048314).
ISBN
9790007218799. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300.
Composed
by Franz Schubert. Edited
by Werner Bodendorff.
This edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Tantum ergo in Es. Sacred
vocal music, Tantum ergo.
Single Part, Viola. D
962. 2 pages. Duration 4
minutes. Carus Verlag #CV
70.052/13. Published by
Carus Verlag
(CA.7005213).
ISBN
9790007228248. Key: E
flat major. Language:
Latin.
Composed
by Franz Schubert. Edited
by Werner Bodendorff.
This edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Tantum ergo in Es. Sacred
vocal music, Tantum ergo.
Full score. D 962. 12
pages. Duration 4
minutes. Carus Verlag #CV
70.052/00. Published by
Carus Verlag
(CA.7005200).
ISBN
9790007107819. Key: E
flat major. Language:
Latin.
Composed by Anton
Diabelli. German title:
Messe in Es. Sacred vocal
music, Masses, Latin.
Single Part, Violin 2.
Op. 107. 12 pages.
Duration 25 minutes.
Carus Verlag #CV
23.007/12. Published by
Carus Verlag
(CA.2300712).
ISBN
9790007037697. Key: E
flat major. Language:
Latin.
In the
musical-historical
context Anton Diabelli is
among a transitional
group of Biedermeier
composers who cannot be
classed as either
classical or romantic.
Diabelli's intention was
to publish this Mass in
accordance with the
tradition of his teacher
Michael Haydn as a
Country Mass, although
its technical demands and
also its length far
exceeded those customary
in a Country Mass and
Missa brevis. The extant
sources offer scope for
performance in various
different versions as
regards the
instrumentation used, all
these versions having the
right to be considered
authentic. Score and part
available separately -
see item CA.2300700.
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext.
Stuttgart Urtext Edition:
Mendelssohn. Viola.
Innovative practice aids,
Sacred vocal music, Mass
sections, Christmas.
Single Part, Viola.
Composed 1821/22. MWV A
1. 8 pages. Duration 21
minutes. Carus Verlag #CV
40.483/13. Published by
Carus Verlag
(CA.4048313).
ISBN
9790007218782. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
part available separately
- see item
CA.4048300.
Composed
by Franz Schubert. Edited
by Werner Bodendorff.
This edition: urtext.
Stuttgart Urtext Edition:
Schubert. German title:
Tantum ergo in Es. Sacred
vocal music, Tantum ergo.
Single Part, Cello. D
962. 2 pages. Duration 4
minutes. Carus Verlag #CV
70.052/14. Published by
Carus Verlag
(CA.7005214).
ISBN
9790007228255. Key: E
flat major. Language:
Latin.
Gloria in E flat major Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Facile Carus Verlag
Composed
by Felix Bartholdy
Mendelssohn. Edited by
Pietro Zappala. This
edition: urtext. 1x
40.483/21 flute 1, 1x
40.483/22 flute 2, 1x
40.483/23 oboe 1, 1x
40.483/24 oboe 2, 1x
40.483/25 clarinet 1, 1x
40.483/26 clarinet 2, 1x
40.483/27 bassoon 1, 1x
40.483/28 bassoon 2, 1x
40.483/31 horn 1, 1x
40.483/32 horn 2, 1x
40.483/33 trumpet 1, 1x
40. Stuttgart Urtext
Edition: Mendelssohn.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Mass
sections, Christmas. Set
of Orchestra Parts.
Composed 1821/22. MWV A
1. 42 pages. Duration 21
minutes. Carus Verlag #CV
40.483/09. Published by
Carus Verlag
(CA.4048309).
ISBN
9790007218751. Key: E
flat major. Language:
Latin.
The Gloria,
composed in early 1822 at
the age of 13, is
Mendelssohn's first
creative venture in the
field of church music on
a larger scale. It is a
direct result of his
composition studies under
the director of the
Berlin Singakademie Carl
Friedrich Zelter, but was
no longer wholly a
student work because the
young composer hoped that
Zelter would provide him
with an opportunity to
perform this work with
the Singakademie. The
enthusiasm for Handel and
Bach which was sustained
by the performances at
the Singakademie
influenced Mendelssohn's
early creative style. In
the Gloria Mendelssohn
sought to emulate the
model of the large-scale
baroque cantata. The
concluding fugue, the
mysterious Qui tollis and
lyrical solos ensembles
in the place of solo
arias give testimony to
Mendelssohn's great
talent and willingness to
experiment. Score and
parts available
separately - see item
CA.4048300.