Cantata for the inauguration of a new town council. Composed by Johann Se...(+)
Cantata for the
inauguration of a new
town council.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Hans Grischkat, Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Wir danken dir, Gott, wir
danken dir. Sacred vocal
music, Cantatas, Praise
and thanks. Study score.
Composed 1731. BWV 29. 64
pages. Duration 28
minutes. Carus Verlag #CV
31.029/07. Published by
Carus Verlag
(CA.3102907).
0.5
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Vocal score. Composed
1725. BWV 168. 24 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/03. Published by
Carus Verlag
(CA.3116803).
ISBN
9790007166724. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
2x 31.168/21 oboe d'amore
1 + 2. Stuttgart Urtext
Edition: Bach vocal. Tue
Rechnung, Donnerwort.
Sacred vocal music,
Cantatas, Trinity. Set of
Orchestra Parts. Composed
1725. BWV 168. Duration
17 minutes. Carus Verlag
#CV 31.168/09. Published
by Carus Verlag
(CA.3116809).
ISBN
9790007209254. Language:
German/English. Text:
Franck, Salomo.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Choral Score. Composed
1725. BWV 168. 2 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/05. Published by
Carus Verlag
(CA.3116805).
ISBN
9790007166731. Text
language: German/English.
Text: Franck,
Salomo.
The text of
Bach's cantata Tue
Rechnung! Donnerwort was
published in 1715, that
is during Bach's Weimar
period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Cantata
for the 9th Sunday after
Trinity. Composed by
Johann Sebastian Bach.
Edited by Ulrich Bartels.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Tue Rechnung,
Donnerwort. Sacred vocal
music, Cantatas, Trinity.
Set of Orchestra Parts.
Composed 1725. BWV 168.
Duration 17 minutes.
Carus Verlag #CV
31.168/19. Published by
Carus Verlag
(CA.3116819).
ISBN
9790007166786. Language:
German/English. Text:
Franck, Salomo. Text by
Salomo Franck.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
and parts available
separately - see item
CA.3116800.
Cantata for the 9th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Ulrich Bartels. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas, Trinity.
Study score. Composed
1725. BWV 168. 28 pages.
Duration 17 minutes.
Carus Verlag #CV
31.168/07. Published by
Carus Verlag
(CA.3116807).
ISBN
9790007242220. Language:
German/English. Text:
Franck, Salomo.
The
text of Bach's cantata
Tue Rechnung! Donnerwort
was published in 1715,
that is during Bach's
Weimar period, in the
Evangelisches
Andachts-Opffer by
Salomon Frank. This
concisely-written but
powerful work was,
however, only composed
ten years later in
Leipzig, and was heard
for the first time on 29
July 1725, the 9th Sunday
after Trinity. Its main
dramatic-musical emphasis
lies clearly in the first
movement, a dark, almost
operatic movement for
baritone and string
orchestra in B minor. By
contrast, the ensuing
aria for tenor with
obbligato oboe
accompaniment is
distinctly more intimate,
and the duet between
soprano and alto - just
accompanied by continuo -
is more restrained in its
musical language and
expression than the first
movement. In between
there are two extended
recitatives, the first of
which leads into an
arioso. The breadth of
expression within the
cantata is striking, its
opening movement a
masterpiece of Bach's
dramatic writing. Score
available separately -
see item CA.3116800.
Dramma
per musica in three
Acts. Composed by
George Frideric Handel.
Edited by Terence Best.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Serie II,
Band 15. Complete
edition, Score. HWV 18.
Duration 3 hours.
Baerenreiter Verlag
#BA04052_00. Published by
Baerenreiter Verlag
(BA.BA04052).
ISBN
9790006495702. 33.1 x 26
cm inches. Nicola
Francesco
Haym.
Handel began
the composition of
Tamerlano, one of the
supreme masterpieces of
Baroque opera seria, on
3rd July 1724. The
libretto was an
adaptation by Nicola Haym
of Agostino Piovene's
Tamerlano, Tragedia per
musica, which had been
set to music by Francesco
Gasparini, and performed
in Venice in 1711. When
Handel dated the last
page of the autograph on
4rd July the work
appeared to be complete;
but during the three
months which passed
before the premiere at
the King's Theatre in the
Haymarket on 31 October,
so many alterations and
revisions were made that
a fresh performing-score
had to be writtern very
late in the proceedings,
to replace an earlier one
which is now
1ost.
There were
twelve performances
between 31 October 1724
and 8 May 1725. Handel
revived the opera only
once, in 1731, for three
performances. For this
revival he marked in the
performing score a number
of cuts in the
recitatives, which are
reproduced in the present
edition; there is more
recitative in Tamerlano
than in any other Handel
opera.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Cantata
for the inauguration of a
new town council.
Composed by Johann
Sebastian Bach. Edited by
Hans Grischkat, Uwe Wolf.
This edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. German title:
Wir danken dir, Gott, wir
danken dir. Sacred vocal
music, Cantatas, Praise
and thanks. Choral Score.
Composed 1731. BWV 29. 8
pages. Duration 28
minutes. Carus Verlag #CV
31.029/05. Published by
Carus Verlag
(CA.3102905).
ISBN
9790007042394. Key: D
major. Language:
German/English.
Bac
h's cantata Wir danken
dir, Gott, wir danken dir
of 1731, composed for the
inauguration of the
Leipzig town council, is
one of the cantatas which
has an obbligato organ
part. In the introductory
Sinfonia (an arrangement
of the opening movement
of the Partita in E for
solo violin) and the
final aria, the organ has
a prominent solo part.
The final aria is a
transposed repetition of
the first aria in the
cantata, which frames its
central section as a
motto Halleluja, Stark
und Macht sei dem
allerhochsten Namen.
However, the high point
of the cantata is the
magnificent choral
movement which precedes
the first Halleluja. Bach
also re-used this music
later in the Gratias and
Dona nobis pacem sections
of the Mass in B minor.
New revised edition.
Score available
separately - see item
CA.3102900.
Kantate für
Männerchor und
Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
Composed by Leos Janacek.
Edited by Jan Hanus and
Miloš Štedron. This
edition: complete
edition, urtext edition.
Linen. Complete Critical
Edition of the Works of
Leos Janacek B/3.
Complete edition, Score.
Composed 1920. Duration 7
minutes. Baerenreiter
Verlag #BA06844_00.
Published by Baerenreiter
Verlag (BA.BA06844).
ISBN 9790006483266.
34.3 x 27 cm inches. Text
Language: Czech, German,
English. Translation:
Kurt Honolka / Bernard
Keeffe. Text: Martin
(Pseudonym fur Maximilian
Kunert)
Kurt.
Kantate fur
Mannerchor und Orchester
(tschechisch/deutsch/engl
isch) mit Supplement:
Erste Fassung 1911,
(tschechisch).
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
By George Frideric Handel ; Donald Burrows (Editor). For Soprano, Tenor, Bass, S...(+)
By George Frideric Handel
; Donald Burrows
(Editor). For Soprano,
Tenor, Bass, SATB Choir,
Piano Accompaniment.
Baroque. Sheet Music. 168
pages. Published by
Novello and Co Ltd.
Cantata for a wedding. Composed by Johann Sebastian Bach (1685-1750). Edi...(+)
Cantata for a
wedding. Composed by
Johann Sebastian Bach
(1685-1750). Edited by
Solvej Donadel. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music, Cantatas;
Wedding. Full score.
Composed 1708. 36 pages.
Duration 14 minutes.
Carus Verlag #CV
31.196/00. Published by
Carus Verlag
(CA.3119600).
Messen, Band 5 Soli, choeur mixte et accompagnement Soli, chœur mixte et orchestre Barenreiter
Urtext der Neuen Mozart-Ausgabe. By Wolfgang Amadeus Mozart. Edited by Holl, Mon...(+)
Urtext der Neuen
Mozart-Ausgabe. By
Wolfgang Amadeus Mozart.
Edited by Holl, Monika;
Kohler, Karl-Heinz. For
Soli, Mixed Choir,
Orchestra. Neue
Mozart-Ausgabe. Serie I,
Werkgruppe 1/1, 5. Score;
Urtext Edition; Complete
Edition (cloth bound).
Published by
Baerenreiter-Ausgaben
(German import). (BA4592
01)
Cantata
for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Study score. Composed
1725. BWV 183. 32 pages.
Duration 15 minutes.
Carus Verlag #CV
31.183/07. Published by
Carus Verlag
(CA.3118307).
ISBN
9790007050382. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score available
separately - see item
CA.3118300.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Full score. Composed
1725. BWV 183. 32 pages.
Duration 15 minutes.
Carus Verlag #CV
31.183/00. Published by
Carus Verlag
(CA.3118300).
ISBN
9790007050351. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Single Part, Cello
piccol. Composed 1725.
BWV 183. 4 pages.
Duration 15 minutes.
Carus Verlag #CV
31.183/14. Published by
Carus Verlag
(CA.3118314).
ISBN
9790007050436. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and part
available separately -
see item CA.3118300.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Choral Score. Composed
1725. BWV 183. 2 pages.
Duration 15 minutes.
Carus Verlag #CV
31.183/05. Published by
Carus Verlag
(CA.3118305).
ISBN
9790007050375. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score available
separately - see item
CA.3118300.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Single Part, Cello/Double
Bass. Composed 1725. BWV
183. 4 pages. Duration 15
minutes. Carus Verlag #CV
31.183/15. Published by
Carus Verlag
(CA.3118315).
ISBN
9790007050443. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and part
available separately -
see item CA.3118300.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Set of Orchestra Parts.
Composed 1725. BWV 183.
Duration 15 minutes.
Carus Verlag #CV
31.183/19. Published by
Carus Verlag
(CA.3118319).
ISBN
9790007136956. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and parts
available separately -
see item CA.3118300.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Single Part, Viola.
Composed 1725. BWV 183. 4
pages. Duration 15
minutes. Carus Verlag #CV
31.183/13. Published by
Carus Verlag
(CA.3118313).
ISBN
9790007050429. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and part
available separately -
see item CA.3118300.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Single Part, Violin 1.
Composed 1725. BWV 183. 4
pages. Duration 15
minutes. Carus Verlag #CV
31.183/11. Published by
Carus Verlag
(CA.3118311).
ISBN
9790007050405. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and part
available separately -
see item CA.3118300.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn. 1x
31.183/21 oboe d'amore 1,
1x 31.183/22 oboe d'amore
2, 1x 31.183/23 English
horn 1, 1x 31.183/24
English horn 2. German
title: Sie werden euch in
den Bann tun 4. Sacred
vocal music, Cantatas,
Special days, Easter and
Eastertide. Set of
Orchestra Parts. Composed
1725. BWV 183. 12 pages.
Duration 15 minutes.
Carus Verlag #CV
31.183/09. Published by
Carus Verlag
(CA.3118309).
ISBN
9790007050399. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and parts
available separately -
see item CA.3118300.
Cantata for the Sunday
Exaudi. Composed by
Johann Sebastian Bach.
Edited by Reinhold Kubik.
Arranged by Paul Horn.
German title: Sie werden
euch in den Bann tun.
Sacred vocal music,
Cantatas, Special days,
Easter and Eastertide.
Single Part, Violin 2.
Composed 1725. BWV 183. 4
pages. Duration 15
minutes. Carus Verlag #CV
31.183/12. Published by
Carus Verlag
(CA.3118312).
ISBN
9790007050412. Key: A
minor. Language:
German/English. Text: von
Ziegler, Christiane
Mariane. Text: Christiane
Mariane von
Ziegler.
The
cantata Sie werden euch
in den Bann tun [They
will banish you] BWV 183
for Exaudi Sunday is one
of the cantatas composed
on texts by the Leipzig
poetess Christiane
Mariane von Ziegler with
which Bach concluded his
second annual cycle of
cantatas after he had
abandoned the annual
cycle of chorale cantatas
at Easter 1725. The
cantata opens with
Jesus's words from the
Sunday gospel reading in
an accompagnato
recitative for bass -
representing the vox
Christi - accompanied by
four oboes which,
together with the
strings, are also
deployed in the cantata's
second accompagnato
recitative. The first of
the virtuoso arias is
accompanied by
violoncello piccolo, the
second by two oboes da
caccia together with the
string ensemble. The
cantata concludes with an
unusually animated final
chorale. Score and part
available separately -
see item CA.3118300.
Voice soli, choir, orchestra SKU: BA.BA04550-41 Dramma giocoso in zwei...(+)
Voice soli, choir,
orchestra
SKU:
BA.BA04550-41
Dramma giocoso in zwei
Akten. Composed by
Wolfgang Amadeus Mozart.
Edited by Wolfgang Plath
and Wolfgang Rehm. This
edition: Complete
edition. Linen. New
Mozart Edition (NMA).
II/5/17. Complete
edition, Critical
commentary. K. 527. 250
pages. Duration 2 hours,
45 minutes. Baerenreiter
Verlag #BA04550_41.
Published by Baerenreiter
Verlag (BA.BA04550-41).
ISBN 9790006546473. 24
x 17.5 cm inches.
Language: German. Lorenzo
Da Ponte.
This
separately published
Critical Commentary
offers extensive
information on the
genesis, reception,
sources, and readings of
the works included in the
music volume.
Composed by Johann
Sebastian Bach. Edited by
Robert L. Marshall. This
edition: complete
edition, urtext edition.
Linen. New Bach Edition
(NBA) I/19. Complete
edition, Score,
anthology. Baerenreiter
Verlag #BA05060_01.
Published by Baerenreiter
Verlag (BA.BA05060-01).
ISBN 9790006462964.
33.8 x 26.7 cm
inches.
Urtext der
Neuen Mozart-Ausgabe.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding