Oratorio in three
parts. Composed by
George Frideric Handel.
Edited by Merlin Channon.
This edition: complete
edition, urtext edition.
Linen. Halle Handel
Edition (HHA) Series I,
Volume 23. Complete
edition, Score. HWV 62.
Duration 2 hours, 20
minutes. Baerenreiter
Verlag #BA04089_00.
Published by Baerenreiter
Verlag (BA.BA04089).
ISBN 9790006550081. 33
x 26 cm inches. Text
Language: English. Text:
Newburgh
Hamilton.
The
“Occasional
Oratorio†was
composed as a reaction to
a political event which
shook the whole of
England : the Jacobite
rebellion of 1745-46
against the Hanoverian
monarchy was crushed
under the leadership of
the Duke of Cumberland.
Handel, who was working
on the oratorio “
Judas Maccabaeusâ€
at the time, composed the
oratorio quickly and
reused some movements
from earlier works. With
the choice of a libretto
by Newburgh Hamilton he
demonstrated his support
for the monarchy. The
work was first performed
on 14 February 1746 at
the Covent Garden Theatre
in London .
For
the first time this
seldomly performed
oratorio which
nevertheless contains
wonderful music is
available in an Urtext
edition based on the
“ Halle Handel
Edition†. All
available sources have
been consulted. Further
movements which Handel
added for later
performances are included
in the appendix.
About
Barenreiter
Urtext
What can I
expect from a Barenreiter
Urtext
edition?<
/p>
MUSICOLOGICA
LLY SOUND - A
reliable musical text
based on all available
sources - A
description of the
sources -
Information on the
genesis and history of
the work - Valuable
notes on performance
practice - Includes
an introduction with
critical commentary
explaining source
discrepancies and
editorial decisions
... AND
PRACTICAL -
Page-turns, fold-out
pages, and cues where you
need them - A
well-presented layout and
a user-friendly
format - Excellent
print quality -
Superior paper and
binding
Composed by George
Frideric Handel. Carus
Choir Coach. Messiah.Ccc
(3 Cds). Sacred vocal
music, Oratorios. Compact
Disc. Composed 1742. HWV
56. Duration 150 minutes.
Carus Verlag #CV
55.056/94. Published by
Carus Verlag
(CA.5505694).
Text
language: English. Text:
Jennens,
Charles.
George
Frideric Handel is
considered England's
first and foremost
composer of oratorios.
Above all, the Messiah is
regarded as the epitome
of sacred music and in
German-speaking countries
it is also one of the
most often performed
works in the genre. The
version of the Messiah
which is most often
performed today is a
combination of various
versions. Consequently,
the present critical
edition by Ton Koopman
contains all the
surviving alternative
versions of the solo
movements. A concordance
makes it possible to
assign these movements to
those various
performances of the work
conducted by Handel
between the Dublin
premiere in 1742 and the
London concerts which
took place up to 1759. In
accordance with the
wishes voiced by many
choral conductors and
singers, the vocal score
is available in separate
English and German
versions. Score available
separately - see item
CA.5505600.
By George Frideric Handel (1685-1759). Edited by Ton Koopman / Jan Siemons. Arra...(+)
By George Frideric Handel
(1685-1759). Edited by
Ton Koopman / Jan
Siemons. Arranged by
Siegfried Petrenz. For
SATB soli, S(S0ATB choir,
2 oboes, 2 bassoons, 2
trumpets, timpani, 2
violins, viola, basso
continuo. This edition:
Paperbound. Stuttgart
Urtext Edition. German
title: Messiah kart
GA-Format. Oratorios.
Full score. Language:
English/German. Composed
1742. HWV 56. 328 pages.
Duration 150 minutes.
Published by Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir, 2 Horn
(2 Trumpets), Timpani,
Flute, Oboe d'Amore,
Strings, Organ. BWV 100.
Full score available
separately - see item
CA.3110000. Cantatas;
Stuttgart Urtext
editions. Level 3. Part:
Bassoon/Violoncello.
Language: German/English.
Composed 1732 /1735. 12
pages. Duration 25 min.
Published by Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir, 2 Horn
(2 Trumpets), Timpani,
Flute, Oboe d'Amore,
Strings, Organ. BWV 100.
Full score available
separately - see item
CA.3110000. Cantatas;
Stuttgart Urtext
editions. Level 3. Set of
instrumental parts
(except strings).
Language: German/English.
Composed 1732 /1735. 36
pages. Duration 25 min.
Published by Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir, 2 Horn
(2 Trumpets), Timpani,
Flute, Oboe d'Amore,
Strings, Organ. This
edition: paperbound. BWV
100. Full score available
separately - see item
CA.3110000. Cantatas;
Stuttgart Urtext
editions. Level 3.
Piano/Vocal score.
Language: German/English.
Composed 1732 /1735. 48
pages. Duration 25 min
By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir, 2 Horn
(2 Trumpets), Timpani,
Flute, Oboe d'Amore,
Strings, Organ. BWV 100.
Full score available
separately - see item
CA.3110000. Cantatas;
Stuttgart Urtext
editions. Level 3. Part:
Violin 2. Language:
German/English. Composed
1732 /1735. 8 pages.
Duration 25 min.
Published by Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir, 2 Horn
(2 Trumpets), Timpani,
Flute, Oboe d'Amore,
Strings, Organ. BWV 100.
Full score available
separately - see item
CA.3110000. Cantatas;
Stuttgart Urtext
editions. Level 3. Part:
Violin 1. Language:
German/English. Composed
1732 /1735. 8 pages.
Duration 25 min.
Published by Carus Verlag
By Johann Sebastian Bach (1685-1750). Edited by Reinhold Kubik. Arranged by Paul...(+)
By Johann Sebastian Bach
(1685-1750). Edited by
Reinhold Kubik. Arranged
by Paul Horn. For Soli
SATB, SATB Choir, 2 Horn
(2 Trumpets), Timpani,
Flute, Oboe d'Amore,
Strings, Organ. BWV 100.
Full score available
separately - see item
CA.3110000. Cantatas;
Stuttgart Urtext
editions. Level 3. Part:
Viola. Language:
German/English. Composed
1732 /1735. 8 pages.
Duration 25 min.
Published by Carus Verlag
Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Gr...(+)
Soli SAATBB, Coro SATB
(auch SSAATB), 2 Bfl, 2
Ob, 2 Tr, Timp, 2 Vl, Va,
Bc - Grade 3
SKU:
CA.1025000
Composed
by Henry Purcell. Edited
by Julia Rosemeyer. Carus
digital: Extra digital
products. Full Score.
Composed 1692. Z 328.
Duration 55 minutes.
Carus Verlag #1025000.
Published by Carus Verlag
(CA.1025000).
ISBN
9790007251826. Key: D
major.
English.
â??Hail!
bright Cecilia, hail to
thee. Great patroness of
us and harmony!â? â??
this exclamation opens
the final chorus of Henry
Purcellâ??s eponymous
Ode to St. Cecilia from
1692. A paean to the
power of music, the work
is one of the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Ceciliaâ??s Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexanderâ??s Feast, HWV
75 (Carus 55.075), and
his Ode for St.
Ceciliaâ??s Day, HWV 76
(Carus
55.076).Purcellâ
??s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
â??Orpheus
Britannicusâ?, as
Purcell was admiringly
called by
contemporaries.-
Festive, rousing ode to
music- Highlight of
the choral ode genre in
the 17th century
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - ...(+)
(Soli SAATBB, Coro SATB
(auch SSAATB), 2 Bfl, 2
Ob, 2 Tr, Timp, 2 Vl, Va,
Bc) - Grade 3
SKU:
CA.1025014
Composed
by Henry Purcell. Edited
by Julia Rosemeyer.
Single Part, basso
continuo. Composed 1692.
Z 328. Duration 55
minutes. Carus Verlag
#1025014. Published by
Carus Verlag
(CA.1025014).
ISBN
9790007329792. Key: D
major.
English.
�Hail
! bright Cecilia, hail to
thee. Great patroness of
us and harmony!�
� this exclamation
opens the final chorus of
Henry Purcell�s
eponymous Ode to St.
Cecilia from 1692. A
paean to the power of
music, the work is one of
the undoubted
masterpieces of English
choral odes of that time.
A resolution of
the Musical Society of
London in 1683 launched
the great tradition of
annual celebrations for
St. Cecilia�s Day
(November 22), featuring
a church service followed
by performances of
specially composed music.
Over the years, Purcell
wrote several odes for
the occasion, of which
this example from 1692 is
one of the most popular.
Four decades later,
Handel would also
contribute to the
celebrations with his
Alexander�s Feast,
HWV 75 (Carus 55.075),
and his Ode for St.
Cecilia�s Day, HWV
76 (Carus
55.076).
Purcellï
¿½s magnificent music,
which features a huge
range of tonal color and
form, offers delightful
parts for a variety of
solo, ensemble, and
choral settings. With its
richly expressive
palette, the Ode to St.
Cecilia is an extremely
rewarding work by the
�Orpheus
Britannicus�, as
Purcell was admiringly
called by
contemporaries.
-
Festive, rousing ode to
music - Highlight of
the choral ode genre in
the 17th century .
Score and part available
separately - see item
CA.1025000.
1843. Composed by
Robert Schumann. Edited
by Antal Jancsovics.
Letter format (190 x
270). Hardback. Full
score. Op. 50. 320 pages.
Edition Kunzelmann
#OCT-10171. Published by
Edition Kunzelmann
(KU.OCT-10171).
German.
Octav
o size - hard
bound)
In Persian
mythology, the Peri are
descended from fallen
angels, and are denied
entry into Paradies until
they have done penance.
They are described as
exquisite, fairy-like
beings, and rank
somewhere between the
Angels and evil
spirits.
(2D1.2+1.2.3+1/4.3.3.1,ti mp,perc,hp,str) SKU: TM.04907SET Composed by Er...(+)
(2D1.2+1.2.3+1/4.3.3.1,ti
mp,perc,hp,str)
SKU:
TM.04907SET
Composed
by Ermanno Wolf-Ferrari.
Arranged by Otto Langey.
Set Type: D. Set of
parts. Lucks Music
Library #A6650. Published
by Lucks Music Library
(TM.04907SET).
Includes: Era
eguale la voce (reh. 48).
Vs = reh. 40-41.
