High Voice. Composed by Franz Schubert (1797-1828). Edited by Walther Durr. Th...(+)
High Voice. Composed by
Franz Schubert
(1797-1828).
Edited by Walther Durr.
This
edition: urtext edition.
Paperback. Vocal score,
anthology. Published by
Baerenreiter Verlag
High voice and piano - advanced to difficult SKU: M7.AST-54 12 songs f...(+)
High voice and piano -
advanced to difficult
SKU: M7.AST-54
12 songs for high
voice and piano.
Composed by Wilhelm
Rettich. This edition:
Saddle-wire stitching.
Sheet music. Op. 128. 28
pages. Duration 26'. MDS
(Music Distribution
Services) #AST 54.
Published by MDS (Music
Distribution Services)
(M7.AST-54).
Voix haute, Piano [Partition] IMC (International Music Co.)
(200 Songs ) Selected by Sergius Kagen, composed by Franz Schubert (1797-1828). ...(+)
(200 Songs ) Selected by
Sergius Kagen, composed
by Franz Schubert
(1797-1828). Collection
for high voice and piano.
Text language German.
Published by
International Music Co..
(200 Songs. ) Selected by Sergius Kagen, composed by Franz Schubert (1797-1828)....(+)
(200 Songs. ) Selected by
Sergius Kagen, composed
by Franz Schubert
(1797-1828). Collection
for high voice and piano.
Text language German.
Published by
International Music Co..
(200 Songs) Selected by Sergius Kagen, composed by Franz Schubert (1797-1828). C...(+)
(200 Songs) Selected by
Sergius Kagen, composed
by Franz Schubert
(1797-1828). Collection
for high voice and piano.
Text language German.
Published by
International Music Co..
Ave Maria - High Voice * Schubert composed by Franz Schubert (1797-1828). Arrang...(+)
Ave Maria - High Voice *
Schubert composed by
Franz Schubert
(1797-1828). Arranged by
Walter Scott. For voice
solo. Solo. Choral. Sheet
Music. Text Language:
English. 4 pages.
Published by Santorella
Publications
Composed by Franz Schubert (1797-1828). D797-D852. Collection for high voice and...(+)
Composed by Franz
Schubert (1797-1828).
D797-D852. Collection for
high voice and piano
accompaniment. With
introductory text and
translations. Urtext
edition. Text language
German and English. 236
pages. Published by
Baerenreiter Verlag
(German import).
High Voice and Piano Piano; Voice (High Voice) SKU: HL.49009003 Composed ...(+)
High Voice and Piano
Piano; Voice (High Voice)
SKU: HL.49009003
Composed by Johannes
Brahms. This edition:
Saddle stitching. Sheet
music. Einzelausgaben
(Single Sheets).
Classical. Op. 106/1 u.
84/4. 8 pages. Schott
Music #ED07677. Published
by Schott Music
(HL.49009003).
ISBN
9790001090315. UPC:
073999242287.
9.0x12.0x0.046
inches.
High Voice; Piano Accompaniment (High Voice) SKU: HL.49046714 5 Songs ...(+)
High Voice; Piano
Accompaniment (High
Voice)
SKU:
HL.49046714
5
Songs Based on Poems by
Friedrich Holderlin High
Voice and Piano.
Composed by Stefan
Heucke. Vocal. Classical.
Softcover. 48 pages.
Duration 1020 seconds.
Schott Music #ED23332.
Published by Schott Music
(HL.49046714).
Chamber Music High voice, Piano SKU: PR.111402890 Composed by Ricky Ian G...(+)
Chamber Music High voice,
Piano
SKU:
PR.111402890
Composed
by Ricky Ian Gordon. Full
score. 44 pages. Duration
20 minutes. Theodore
Presser Company
#111-40289. Published by
Theodore Presser Company
(PR.111402890).
ISBN
9781491134672. UPC:
680160685264.
What
??s in a name? While the
title is French for
â??Eight Flower
Songs,â? the texts are
all in English. The
poemsâ?? flowers
metaphorically evoke
fragrance, love and loss,
life and death, rebirth
and regrowth. Perhaps the
texture and beauty of
Gordonâ??s music are
themselves French. The
20-minute song cycle
draws on poems from
Wordsworth to Dorothy
Parker, as well as from
contemporary poets
including the composer
himself. When So-Chung
Shinn came to me with the
idea of commissioning a
song cycle with her
spectacular husband Tony
Lee, she had in mind
something having to do
with flowers. Tony had
asked her what she wanted
for her birthday, and she
said she wanted to be
behind the creating of a
new work. Lucky me, I was
the recipient of the
commission. So-Chung sent
me a little description
of all the flowers she
loves, but I had to take
the idea and create a
narrative in my head.It
is always a matter of
pleasing the
commissioner, yet coming
up with something you can
get behind and hear music
for as well. I already
knew I wanted to use my
â??Tulipsâ? poem
which is really about the
arc of a relationship as
represented through the
life span of the Tulips,
and, in many ways,
disappointment; and
Dorothy Parkerâ??s
â??One Perfect
Rose,â? which is wry,
bitter, cynical, and
funny, in a way only
Dorothy Parker can so
pithily express.I thought
of Jane Kenyonâ??s
exquisite â??Peonies at
Dusk,â? because
knowing she died so young
(46) of leukemia, the
poem has such a
particular resonance,
almost humanizing the
Peonies, casting the moon
as a sentient being,
illustrating so
beautifully how connected
everything is, alive
here, and revolving
around these exquisite
blossoms. Then, I
remembered her husband
Donald Hallâ??s poem
â??Her Garden,â?
which he wrote after Jane
died, his grief
intermingled with his
inability to care for
what she had created, to
keep alive what so
represented her
aliveness, broken as he
was, and I felt I already
had a story.I found the
Wordsworth, because it
felt like pure joy to me,
but also, if each of the
songs has a color in my
head, â??The
Daffodilsâ? is pure
yellow and a good place
to start. My partner
Kevin and I live on a
lake, and every year, the
first Daffodils, the
shock of yellows, the
oranges, the blinding
whites, after the long
snowy winters, sing of
the newness that is about
to enfold us in its green
miraculousness.At first,
the cycle ended with the
Langston Hughes poem
â??Cycle,â? or
â??New Flowers,â?
because it was lovely,
and about rebirth, which
is obviously optimistic,
and apt, but then, my
friend Telmo Dos Santos,
a wonderful Canadian poet
whom I met at Banff, sent
me his poem â??Afterlife
With Lilacs,â? having
no idea what I was
working on. I felt I had
to add it because it is
so dazzling, and it
immediately felt like the
missing link. Finally,
there were unfortunately
rights issues, namely, we
could not, no how, get in
touch with the Langston
Hughes Estate, after so
many happy
collaborations.After
almost a yearâ??s
frustration, I wrote my
own text, â??Play,
Orpheus,â? which ended
up being fortuitous,
because the first time I
met So-Chung, she entered
the room and the most
exquisite scent of
Lillies of the Valley,
Muguet de Bois, filled
the room. I went right
over to her and rudely
put my nose to her neck,
for the intoxication of
the scent. So â??Play,
Orpheusâ? is for
So-Chung, to remind us of
the precious treasures of
this world flowers remind
us of. Everything and
everyone lives and dies,
lives and dies. Death and
resurrection.And of
course, this is music,
this is song, so the
inclusion of the God of
music, Orpheus, seems
apt. Huit Chansons de
Fleurs is really about
what flowers represent,
their radiance, their
flickering impermanence,
the way they are used to
celebrate, as well as to
mourn...... and of
course, their fragrance.
Their fragrance.Ricky Ian
GordonJuly 28, 2021.
Chamber Music High voice, Piano SKU: PR.141401010 Selected Songs for H...(+)
Chamber Music High voice,
Piano
SKU:
PR.141401010
Selected Songs for
High Voice and Piano.
Composed by David
Leisner. Sws. Collection
- Performance. 28 pages.
Theodore Presser Company
#141-40101. Published by
Theodore Presser Company
(PR.141401010).
ISBN
9781491130612. UPC:
680160676415. 9 x 12
inches. English. Emily
Dickinson, Emily Bronte,
Elissa Ely, Kenneth
Patchen, Wendell
Berry.
First known
to the music world as a
guitar recitalist, David
Leisner turned to
composing his own guitar
repertoire, and soon
expanded his work to
create a rich catalog in
the grand tradition of
art songs for voice with
guitar. Much beloved by
singers for his poignant
lyricism and powerful
cultivation of meaningful
texts, Leisner has also
composed a wealth of art
songs for voice with
piano. The present
collection is a selection
of six songs from
existing cycles for high
voice, on texts by Emily
Dickinson, Emily Bronte,
Elissa Ely, Kenneth
Patchen, and Wendell
Berry.
(High Voice and Piano Trio). Composed by Erich Wolfgang Korngold (1897-1957). Ar...(+)
(High Voice and Piano
Trio). Composed by Erich
Wolfgang Korngold
(1897-1957). Arranged by
Hans Fuhlbom and Klaus
Simon. For Piano Trio,
High Voice (Score &
Parts). Ensemble.
Softcover. 28 pages.
Schott Music #ED21736.
Published by Schott Music
High voice, piano SKU: BA.BA11081 Eleven Lieder on texts by Friedrich ...(+)
High voice, piano
SKU:
BA.BA11081
Eleven
Lieder on texts by
Friedrich Schlegel for
high voice and piano.
Composed by Manfred
Trojahn. Stapled. Singing
Score. Composed 2012. 28
pages. Duration 12 hours.
Baerenreiter Verlag
#BA11081_00. Published by
Baerenreiter Verlag
(BA.BA11081).
ISBN
9790006563678. 29.8 x
20.8 cm inches. Language:
German. Text: Schlegel,
Friedrich.
With
their very accessible
style and expressive
interpretation of the
words, these contemporary
works continue in the
tradition of classical
and romantic song cycles
and will form a form a
welcome addition to every
song recital.
Abendröte is a cycle
that brooks comparison
with the songs Schubert
wrote on the same set of
Schlegel poems: Trojahn
has composed the poems
Schubert chose not to
set.
(Selected Songs on poems by Heine, Goethe, Lenau). By Josephine Lang (1815-1880)...(+)
(Selected Songs on poems
by Heine, Goethe, Lenau).
By Josephine Lang
(1815-1880). Edited by
Barbara Gabler. For
medium/high voice and
piano . Collection (with
pictures). 84 pages.
Published by Furore
Verlag