| La Méthode de Darbouka Derbouka [Partition + CD] - Facile Editions J.J. Rébillar
Percussion - easy SKU: BT.REBDM2006 22 Leçons Et 25 Rythmes � Con...(+)
Percussion - easy SKU:
BT.REBDM2006 22
Leçons Et 25 Rythmes
Ã? Connaitre.
Composed by Habib
Yammine. Method. Book
with CD. Composed 2020.
80 pages. Editions J.J.
Rebillard #REBDM2006.
Published by Editions
J.J. Rebillard
(BT.REBDM2006).
French. Une
méthode unique pour
aborder les nombreuses
techniques de la darbouka
et les divers rythmes
arabes du Proche-Orient,
dâ??Arabie et du
Maghreb. Au sommaire :
Théorie du rythme dans
la musique arabe â?¢ La
périodicité �
Le juzâ?? (Cellule
rythmique minimale) â?¢
Le temps premier ou temps
de référence �
La darbouka, organologie
et histoire â?¢ Statut
général de
lâ??instrument â?¢
Origine de la darbouka
dans le monde arabe â?¢
Les différents noms de
la darbouka (tabla,
dumbek ou doumbek ,
derbakkeâ?¦) â?¢ Les
frappes de bases (Dum,
Tak, Ka, Sak) â?¢ Les
frappes de blocages et de
changement de timbre
� 22 Leçons pour
progresser rapidement :
Mesures 2 temps, 3 temps,
4 temps, 6/8 â?¢
Divisions binaire et
ternaire du temps â?¢
Les accents â?¢
Roulements de triples
croches â?¢ Ras des 4
doigts â?¢ Les
glissements â?¢ Les 25
rythmes les plus connus
du monde arabe : Rythmes
2 temps (Ayy b, Malfouf,
Gubb hî�) �
Rythmes 4 temps (Masm
dî saghîr, Maqs m,
Wahdaâ?¦) â?¢ Rythmes
3 temps (Sam °î d
rijâ?¦) â?¢ Rythmes
en 6/8 (Yuruk Sam
°î, Berw
lî�) � Rythmes
8 temps (Chobî, Masm
dî kabîr�)
â?¢ Rythmes impairs
(Dawr hindî, Aqs q
ifranjî�) �
Rythmes 10 temps (Sam
°î thaqîl,
Jorjina) â?¢ Rythmes 12
temps (Dal° na, Hadd
wî) � Et des liens
internet audio et
vidéo pour illustrer
tous les rythmes de la
méthodeâ?¦. $24.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Magnificent Darbuka Rhythms Chart Derbouka [Partition + Accès audio] - Débutant Mel Bay
A beginner's guide to learning how to play popular Middle Eastern rhyth...(+)
A beginner's guide
to
learning how to play
popular
Middle Eastern rhythms.
Theory and Reference,
Folded.
World Music. Chart and
online
audio. 4 pages. Mel Bay
Publications, Inc
#21461M.
Published by Mel Bay
Publications, Inc
$9.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Darabukka Piano seul [Conducteur] Breitkopf & Härtel
Piano SKU: BR.EB-9385 Composed by Nicolaus A. Huber. Solo instruments; st...(+)
Piano SKU:
BR.EB-9385 Composed
by Nicolaus A. Huber.
Solo instruments;
stapled. Edition
Breitkopf. Music
post-1945; New music
(post-2000). Score.
Composed 1976. 12 pages.
Duration 15'. Breitkopf
and Haertel #EB 9385.
Published by Breitkopf
and Haertel (BR.EB-9385).
ISBN 9790004188552. 12
x 9
inches. Darabukka
ist eine arabische
Vasentrommel - heute
vorzugsweise vom
fahrenden Volk gebraucht
- die zwei Klange
erzeugt: einen hohen und
einen tiefen (+ hohen).
Durch Abdecken der
unteren Offnung
verschwindet der tiefere
Klang, und der hohere
bleibt allein ubrig.
Diese Eigenschaften sind
auf das Klavier
ubertragen: 1. Die Taste
wird wie eine Trommel
behandelt, und alle
moglichen Finger- und
Handkombinationen werden
zur
Rhythmus-Instrumentation
herangezogen. 2. Durch
subharmonische
Teilschwingungen wird der
Tastenton zusatzlich
klanglich aufgebrochen.
Ihre Klangfarben
unterliegen den
Rhythmusmodellen. 3. Ich
habe dieses Stuck von
verschiedenen
Volks-Musiken gelernt,
und am Ende erklingt eine
Solidaritats-Klangaktion
fur das Volk von Chile:
,,El pueblo unido jamas
sera vencido! - ,,Das
Volk wird niemals besiegt
werden, wenn es einig
ist. In Darabukka wird
mit drei verschiedenen
Struktur- und
Klang-Charakteren
gearbeitet. Unter den
vielen Techniken der
Rhythmuskomposition ist
vielleicht die der
rhythmischen Modulation
am interessantesten:
Durch Umdeutung einer
Dauer kann von einem
Modell x zu einem Modell
y ubergeleitet werden.
(Nicolaus A. Huber, 1976)
CDs: Kristine Scholz CD
Alice musicproduction
ALCD 011 Catherine
Vickers CD Koch Aulos
3-1817-2 Bibliografie:
Dudda , Friedrich:
Nicolaus A. Hubers
,,Darabukka, in: Feedback
Papers 15, Koln 1978, S.
19-21. Schick , Tobias
Eduard: Weltbezuge in der
Musik Mathias Spahlingers
(Beihefte zum Archiv fur
Musikwissenschaft, Band
80), Stuttgart; Franz
Steiner 2018, dort S.
97-99
World
premiere: Paris, March
14, 1977. $34.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Etudes Miniatures A Memoriser (32) Saxophone [Conducteur] - Intermédiaire Lemoine, Henry
Saxophone - Level 3 SKU: LM.27907 Composed by A. Lecapelain and N. Prost....(+)
Saxophone - Level 3
SKU: LM.27907
Composed by A. Lecapelain
and N. Prost. Claude
Delangle. Method,
studies. Score. Editions
Henry Lemoine #27907.
Published by Editions
Henry Lemoine (LM.27907).
ISBN
9790230979078. P'ti
t lutin - Marionnette -
Tcha-Tcha - Ressort -
Pirouette - Hard'Folie -
Balade - Staccato-Chinois
- En fanfare - Noctambule
- Rock - Pied de nez -
Paso Doble - Priere -
Adagio en forme de choral
- Slow - Melopee - Clair
de lune - Chant du soleil
- Soldats de plomb -
Drapeaux - Batignolles -
Rouli-Roula - Valse
triste - Tourbillon - En
revant - Octobre - Secret
- Delire clownesque -
Cauchemar - Cadence -
Berceuse. $26.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Kemit. Solo De Derbouka De Nubie, Pour Percussion Ensemble de Percussions [Conducteur] Salabert
Percussion Ensemble SKU: BT.SLB-00203900 Composed by Franc-Bernard Mache....(+)
Percussion Ensemble
SKU:
BT.SLB-00203900
Composed by Franc-Bernard
Mache. Contemporary
Music. Score Only.
Composed 2002. Editions
Salabert #SLB 00203900.
Published by Editions
Salabert
(BT.SLB-00203900).
$14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Siedi. Concerto for solo percussion and orchestra (score) Orchestre SATB, Orchestre Fennica Gehrman
Orchestra SKU: FG.55011-315-2 Composed by Kalevi Aho. Study score. Fennic...(+)
Orchestra SKU:
FG.55011-315-2
Composed by Kalevi Aho.
Study score. Fennica
Gehrman #55011-315-2.
Published by Fennica
Gehrman (FG.55011-315-2).
ISBN
9790550113152. The
Sieidi concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normal
ly, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time. The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell. The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time. The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell. The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time. The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell. The Sieidi
concerto is in one
movement but divided into
several sections both
faster and slower, wildly
rhythmic, lyrical and
more static. For the
soloist it is extremely
demanding because he is
constantly having to
switch from one technique
to another - for djembe
and darabuka playing with
the hands differs
radically from that of
tom-tom or drumstick
technique or the playing
of pitched percussion
instruments such as the
marimba and
vibraphone.
Normally, in a percussion
concerto, the soloist has
to play surrounded by a
huge battery of
instruments, often behind
the orchestra. In Sieidi
he uses only nine
instruments, and he is in
front of the orchestra
the whole time. The
instruments are in a row
in front of the platform,
starting with the djembe
on the far right (as
viewed by the audience)
and ending with the
tam-tam on the far left.
The soloist plays only
one instrument at a
time. The title
of the concerto, Sieidi,
is Sami - a language
spoken in the northern
region of Finland, Sweden
and Norway known as
Lapland. It denotes an
ancient cult place such
as an unusually-shaped
rock, sometimes also a
special rock face or even
a whole mountain
fell. $79.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| De temporum fine comoedia Chorale, Orchestre [Conducteur] Schott
Soloists, speakers, choir and orchestra (Score) SKU: HL.49007179 Das S...(+)
Soloists, speakers, choir
and orchestra (Score)
SKU: HL.49007179
Das Spiel vom Ende der
Zeiten. Composed by
Carl Orff. This edition:
Paperback/Soft Cover.
Sheet music. Edition
Schott. Classical.
Conductor's/study score.
Composed 1971-1979/1981.
188 pages. Duration 65'.
Schott Music #ED 7365.
Published by Schott Music
(HL.49007179). ISBN
9790001076814. UPC:
884088095208.
10.5x13.0x0.585 inches.
Ancient Greek - Latin -
German. 6 (auch 6
Picc.) * 0 * 6 Klar. in
Es (auch 3 Klar. in B) *
0 * Kfg. - 6 * 8 * 6 * 1
- P. S. (3 kl. Tr. * 6
Tamb. * 3 Ruhrtr. * 2 gr.
Tr. * 3 Darabukka * 3
Tomt. * 6 Cng. * tiefe
Cng. * 4 Holzpk. * 5
Crot. * Beckenp. * hang.
Beck. * 5 Tamt. * Gong *
Dobaci * 5 Bronzegl. * 2
RohrenGlsp. * Guiro *
Peitsche * Mar. * 6 Kast.
* Hyoshigi * Anklung *3
Holzgl. * 5 Holzbl. * 2
Ratschen * 3
Kirchenratschen * 11
Glaser * 2 Glockchen *
Steinsp. * Met. * 3 Xyl.
* 2 Marimb.) - 3 Hfn. *
Cel. * 3 Klav. * Org. *
elektr. Org. - 8 Kb. -
Tonband
6 (auch 6
Picc.) * 0 * 6 Klar. in
Es (auch 3 Klar. in B) *
0 * Kfg. - 6 * 8 * 6 * 1
- P. S. (3 kl. Tr. * 6
Tamb. * 3 Ruhrtr. * 2 gr.
Tr. * 3 Darabukka * 3
Tomt. * 6 Cng. * tiefe
Cng. * 4 Holzpk. * 5
Crot. * Beckenp. * hang.
Beck. * 5 Tamt. * Gong *
Dobaci * 5 Bronzegl.
* 2 RohrenGlsp. * Guiro *
Peitsche * Mar. * 6 Kast.
* Hyoshigi * Anklung
* 3 Holzgl. * 5
Holzbl. * 2 Ratschen * 3
Kirchenratschen * 11
Glaser * 2 Glockchen *
Steinsp. * Met. * 3 Xyl.
* 2 Marimb.) - 3 Hfn. *
Cel. * 3 Klav. * Org. *
elektr. Org. - 8 Kb. -
Tonband. $88.00 - Voir plus => Acheter | | |
| NOUR - Holy Land Rhapsody [Conducteur] United Music Publishers
Orchestra: 1.1.1.1/1.0.0.0/Tamburin. Darbouka.Daf.Qanoun/Strin gs SKU: UM.174...(+)
Orchestra:
1.1.1.1/1.0.0.0/Tamburin.
Darbouka.Daf.Qanoun/Strin
gs SKU: UM.17432A4
Composed by Naji Hakim.
Full score. United Music
Publishing #17432A4.
Published by United Music
Publishing (UM.17432A4).
A4 inches. $45.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Romanó Drom (Romany Caravan) for Accordion, Voice and Orchestra [Conducteur] Ut Orpheus
Orchestra; Accordion SKU: UT.ROM-1A Composed by Alexian Santino Spinelli....(+)
Orchestra; Accordion
SKU: UT.ROM-1A
Composed by Alexian
Santino Spinelli.
Paperback (Soft Cover).
Classical. Score. Ut
Orpheus #ROM 1A.
Published by Ut Orpheus
(UT.ROM-1A). ISBN
9790215315860. 9 x 12
inches. RomanÃ
dives; Murdevèlë
Mèngre; A briglie
sciolte; La danza del
fuoco; Romanó
bravalipé; Ave Maria
romanà (musica: Paolo
di Biase); Melologo
(musica: Fabio Neri);
Echi d’oriente;
Romanó sunó; La
danza del Beng; Pri ni
thèm fiddèrë
(Domenico Arcieri -
Santino
Spinelli)
P
erformance Material on
Hire
[S
olo: Voice - 2.1.2.1 -
2.2.0.0 -
Timp.Perc.Glock.Darabukka
- Acn.Buzuki.Gtr.Pf -
Str]
Al
exian website:
www.alexian
.it
CNI
Music website:
www.cnimusi
c.it Et
hnoworld
website: www.ethnowo
rldmusic.com
You can hear
the pieces from this
collection on
iTunes
at the following
links:
Roman&oacut
e; dives
Murdev&egra
ve;lë
Mèngre
Ave
Maria
romaní
Roman&oacut
e; sunó
Pri
ni thèm
fiddère
$94.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| The Violinist’s Daily Warm-Ups and Scale System Violon Carl Fischer
Chamber Music Violin SKU: CF.BF131 Composed by Roland Vamos. With Standar...(+)
Chamber Music Violin
SKU: CF.BF131
Composed by Roland Vamos.
With Standard notation.
168 pages. Carl Fischer
Music #BF131. Published
by Carl Fischer Music
(CF.BF131). ISBN
9781491153765. UPC:
680160911264. 9 x 12
inches. Inspired by
Clarence Cameron
White’s book The
Violinist’s Daily
Dozen, The
Violinist’s Daily
Sixteen is a collection
of daily exercises
compiled by Roland Vamos.
Intended for student and
professional violinists,
the collection provides
the performer with a
variety of exercises for
daily warm-ups. Mr. Vamos
also focuses on
developing dexterity and
flexibility in the
fingers and joints, the
first and fourth fingers
in particular. Each of
the sixteen exercises is
notated for each of the
four strings, and Vamos
recommends that the
exercises be practiced as
warm-ups, choosing a
different string for each
day of practice.Also
included with the Daily
Sixteen is a
comprehensive set of
studies for developing
fluency with scales and
arpeggios. Mr.
Vamos’ unique
methodology is to begin
with major scales and
arpeggios, followed by
minor scales and
arpeggios, all of which
are notated in two, three
and four octaves.
Alternate fingers are
provided, as well as a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. It is
a remarkably systematic
approach to performing
scales and arpeggios on
the violin and will
surely benefit students
and professionals
alike. ForewordThis
short hand-setting set of
exercises was inspired by
a book entitled The
Violinist’s Daily
Dozen, conceived by
Clarence Cameron White, a
prominent
African-American
violinist, composer and
arranger who enjoyed the
bulk of his career in the
first half of the
twentieth century.I have
practiced this set of
exercises since I was
twelve years old. It has
served me as a superb
warm-up and hand setting
tool. Over the years, I
have found that there are
some aspects of this
warm-up routine that were
not given sufficient
attention or not
addressed at all.
Consequently, I have
expanded the Daily Dozen
to create a new work
entitled The
Violinist’s Daily
Sixteen.I have also paid
particular attention in
this work as to how these
exercises are to be
practiced. In exercises
one and two, I have
indicated some notes to
be played before the
actual written exercises.
This is to ensure that
the fourth finger will be
over the string in a
position ready to strike
even though it is not
being used. Before
playing exercises three,
four, nine, ten, eleven
and twelve, I have
indicated silent fingers
to be placed on the notes
they would be playing if
they were being used.I
have replaced Mr.
White’s grace
notes with notes of
specific value and have
slowed down the exercises
so that the first joint
(the joint nearest the
string) of each finger
can move with flexibility
and strength. At no time
should the first joint
buckle.In Mr.
White’s version,
the last exercise gave
the first finger some
very valuable backward
extensions. In this
exercise (number 14 in
this book), I caution the
student not to move the
hand along with the first
finger. The hand should
remain in position while
the first finger
independently moves back
and forth.It became
obvious to me that if the
first finger were given
the opportunity to
develop the dexterity
that Mr. White’s
twelfth exercise
emphasizes, the fourth
finger could benefit from
an exercise that gives it
a forward extension.
Consequently, I added
another exercise to
create a Baker’s
Dozen (thirteen).Several
years later, I felt that
the second and third
fingers should also have
an exercise to further
develop their
dexterity…hence
exercise fourteen was
added to create a
“Vamos
Dozen.â€Because the
first finger did not have
sufficient practice in
the development of the
first joint in the
original version, I have
added two exercises to
precede White’s
fifth exercise. After
re-working and
re-numbering these
exercises, I have come up
with a total of sixteen
exercises. It is my
suggestion that these be
practiced as a warm-up,
choosing a different
string each
day.—Roland
VamosEvanston, Illinois
2017Â PrefaceScales are
a means of teaching a
person the fingerboard on
his or her instrument.
The fingers move across
the strings and are
required to make shifts,
all in highly organized
patterns. Scales and
arpeggios are the
foundation upon which our
repertoire is built. Many
scale books have been
written; each one being
organized in its own
specific way. The Flesch
Scale System has been a
standard for many
decades. It is very
comprehensive and
systematic. From the
point of view of
establishing similar
patterns, it has one
drawback: it is organized
by starting with a major
key, followed by its
relative minor, going
through the circle of
fifths. I believe that it
is more profitable to do
only major scales with
their arpeggios first,
going up chromatically,
and then follow them in a
similar way with the
minor scales. In using
this approach, the
similarities in
fingerings between the
various scales are more
apparent. It is also
profitable to have
alternate fingerings
whenever possible. My
approach to scales and
arpeggios includes a
variety of slurred and
mixed bowings using the
three parts of the bow
whenever feasible. These
bowings are not
all-inclusive. Whenever a
particularly awkward
bowing pattern is
encountered in the
repertoire, it can be
practiced as an
additional bowing
variation in the scales
and arpeggios. Â Â I
have chosen to introduce
the three and four octave
scales by teaching two
octave scales across the
strings in one position
going up chromatically
through seven positions;
starting on the first,
second, third, and
finally fourth fingers in
major and melodic
minor.—Roland
VamosEvanston, Illinois
2017. $29.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| La Storia Orchestre d'harmonie [Conducteur et Parties séparées] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0900239-015 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3 SKU:
BT.DHP-0900239-015
Composed by Jacob De
Haan. Inspiration Series.
Set (Score & Parts).
Composed 1990. De Haske
Publications #DHP
0900239-015. Published by
De Haske Publications
(BT.DHP-0900239-015).
Gewoonlijk
wordt filmmuziek bij de
in een draaiboek
vastgelegde afhandeling
geschreven. Dat het ook
andersom kan, bewijst
Jacob de Haan met La
Storia. Zonder te
weten welke geschiedenis
erachter schuilgaat,
levert de componistrond
zeven minuten meeslepende
muziek. Voor één
keer mag u zonder
gebonden te zijn aan het
commentaar van een
componist een eigen
verhaal bij de muziek
denken. Jacob de Haan
heeft La Storia
opgedragen aan een van de
beroemdsteschrijvers van
filmmuziek, de Italiaan
Ennio
Morricone.
Normale
rweise wird Filmmusik
anhand eines Drehbuchs
geschrieben. Dass es auch
andersherum funktioniert,
beweist Jacob de Haan mit
seinem Werk La
Storia. Ohne eine
bestimmt Geschichte zu
erzählen, liefert er
spannende Musik, zu der
sich kreative Musiker und
Zuhörer selbst etwas
ausdenken können.
Jacob de Haan widmete
La Storia einem
der berühmtesten
Filmmusikkomponisten
überhaupt - dem
Italiener Ennio
Morricone...
En
général la musique
de film est composée
partir et en fonction des
événements qui se
produisent dans
l’intrigue du
scénario.
L’inverse est
plutôt rare mais Jacob
de Haan parvient nous
démontrer le contraire
avec La Storia.
Sans jamais nous livrer
des éléments de
l'intrigue, il nous
propose environ sept
minutes de musique
intense. Par
conséquent,
l’œuvre fait
appel
l’imagination
individuelle ; chacun
d’entre nous
étant libre de
créer son propre
scénario partir de ce
qu’il entend. Avec
La Storia Jacob de
Haan rend hommage au
maître italien de la
musique de film : Ennio
Morricone. $181.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| La Storia Ensemble d'Accordéons [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Accordion Orchestra - Grade 3.5 SKU: BT.DHP-0981308-060 Composed by Jacob...(+)
Accordion Orchestra -
Grade 3.5 SKU:
BT.DHP-0981308-060
Composed by Jacob De
Haan. Arranged by Foppe
Jacobi. Accordion.
Original Light Music. Set
(Score & Parts). Composed
1998. De Haske
Publications #DHP
0981308-060. Published by
De Haske Publications
(BT.DHP-0981308-060).
Film music is
usually written to match
the action of each scene.
In Jacob de Haan’s
piece La Storia however
there are no scenes and
no plot, yet the composer
supplies us with music
full of action and
suspense. The performers
and audience are left to
create their own
storyline to fit the
music. Jacob de Haan has
dedicated La Storia to
one of the most famous
composers of film music -
the Italian, Ennio
Morricone.
Gewoonlijk wordt
filmmuziek bij de in een
draaiboek vastgelegde
afhandeling geschreven.
Dat het ook andersom kan,
bewijst Jacob de Haan met
La Storia. Zonder
te weten welke
geschiedenis erachter
schuilgaat, levert de
componistrond zeven
minuten meeslepende
muziek. Voor één
keer mag u zonder
gebonden te zijn aan het
commentaar van een
componist een eigen
verhaal bij de muziek
denken. Jacob de Haan
heeft La Storia
opgedragen aan een van de
beroemdsteschrijvers van
filmmuziek, de Italiaan
Ennio
Morricone.
Filmmus
ik wird im Normalfall zu
einer bereits bestehenden
Handlung geschrieben.
Dass es anders herum auch
geht, beweist Jacob de
Haan mit seiner
Komposition La
Storia. Ohne eine
bestimmte Geschichte zum
Ausdruck bringen zu
wollen, erarbeitete der
Komponist spannungsvolle
Musik in einer Länge
von rund sieben Minuten.
Hier darf sich jeder ohne
Beeinflussung durch den
Kommentar des Komponisten
seine eigene Geschichte
zur Musik denken. Jacob
de Haan hat La
Storia einem der
erfolgreichsten
Komponisten der
Filmmusik, dem Italiener
Ennio Morricone,
gewidmet.
En
général, la musique
de film est composée
partir, et en fonction,
des événements qui
se produisent dans
l’intrigue du
scénario.
L’inverse est
plutôt rare, mais
Jacob de Haan parvient
nous démontrer le
contraire avec La
Storia. Sans livrer
d’éléments
d’histoire, il
propose environ sept
minutes de musique
intense. Chacun
d’entre nous est
donc libre de créer
son propre scénario
partir de ce qu’il
entend. Avec La
Storia, Jacob de Haan
rend hommage au maître
italien de la musique de
film : Ennio
Morricone. $70.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Alta trinita beata Chorale SATB [Conducteur] - Facile Carus Verlag
SATB choir - Level 2 SKU: CA.305240 Dreifach Wesen. Composed by An...(+)
SATB choir - Level 2
SKU: CA.305240
Dreifach Wesen.
Composed by Anonymous.
Sacred vocal music.
Separate edition with
choral collection. Sacred
vocal music. Full score.
Duration 1 minute. Carus
Verlag #CV 03.052/40.
Published by Carus Verlag
(CA.305240). ISBN
9790007148300. Key: F
major. Language:
Latin. $1.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Music from Tombstone Ensemble de cuivres [Conducteur] - Facile Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-371-130 Composed by Bruce Broughton. Arr...(+)
Brass Band - Grade 3
SKU:
BT.AMP-371-130
Composed by Bruce
Broughton. Arranged by
Philip Sparke. Anglo
Music Midway Series.
TV-Film-Musical-Show.
Score Only. Composed
2013. 28 pages. Anglo
Music Press #AMP 371-130.
Published by Anglo Music
Press (BT.AMP-371-130).
9x12 inches.
English-German-French-Dut
ch. Released in
cinemas in 1993,
Tombstone is an
American western written
by Kevin Jarre and
directed by George
Cosmatos. Starring Kurt
Russell and Val Kilmer,
it was narrated by Robert
Mitchum and is based on
events relating to the
Gunfight at the OK
Corral, and the
subsequent Wyatt Earp
Vendetta, both of which
took place in Tombstone,
Arizona.The theme is
crime, political
corruption and law
enforcement in the
American west during the
1880s. The score was by
Bruce Broughton, and this
selection features music
from the opening and
closing
credits.
Tombst
one ist ein
amerikanischer Western
aus dem Jahre 1983, der
unter der Regie von Kevin
Jarre nach einem Drehbuch
von George Cosmatos
entstand. Der Film mit
Kurt Russell und Val
Kilmer in den Hauptrollen
sowie Robert Mitchum als
Erzähler basiert auf
den historischen
Ereignissen rund um die
Schießerei am OK
Corral und dem daraus
resultierenden
Rachefeldzug von Wyatt
Earp. Beides fand im Ort
Tombstone im
US-Bundesstaat Arizona
statt. Themen des Films
sind Verbrechen,
politische Korruption und
Strafverfolgung im
Amerika der
1880er-Jahre.Diese
Bearbeitung
präsentiert eine
Auswahl aus der
Eröffnungs- und
Abspannmusik der
originalen Filmmusik von
Bruce Broughton. $21.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Comme des chansons Formation musicale - Solfège Martin, Robert
Formation musicale SKU: RM.AZ1682 Composed by Gilles Dervieux. Formation ...(+)
Formation musicale
SKU: RM.AZ1682
Composed by Gilles
Dervieux. Formation
musicale. Instrumental
music. Editions Robert
Martin #AZ1682. Published
by Editions Robert Martin
(RM.AZ1682). ISBN
9790231076820. $20.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| La Storia Orchestre d'harmonie [Conducteur] - Facile De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 3 SKU: BT.DHP-0900239-140 Comp...(+)
Concert
Band/Harmonie/Fanfare
Band - Grade 3 SKU:
BT.DHP-0900239-140
Composed by Jacob De
Haan. Inspiration Series.
Original Light Music.
Score Only. Composed
1990. De Haske
Publications #DHP
0900239-140. Published by
De Haske Publications
(BT.DHP-0900239-140).
Gewoonlijk
wordt filmmuziek bij de
in een draaiboek
vastgelegde afhandeling
geschreven. Dat het ook
andersom kan, bewijst
Jacob de Haan met La
Storia. Zonder te
weten welke geschiedenis
erachter schuilgaat,
levert de componistrond
zeven minuten meeslepende
muziek. Voor één
keer mag u zonder
gebonden te zijn aan het
commentaar van een
componist een eigen
verhaal bij de muziek
denken. Jacob de Haan
heeft La Storia
opgedragen aan een van de
beroemdsteschrijvers van
filmmuziek, de Italiaan
Ennio
Morricone.
Normale
rweise wird Filmmusik
anhand eines Drehbuchs
geschrieben. Dass es auch
andersherum funktioniert,
beweist Jacob de Haan mit
seinem Werk La
Storia. Ohne eine
bestimmt Geschichte zu
erzählen, liefert er
spannende Musik, zu der
sich kreative Musiker und
Zuhörer selbst etwas
ausdenken können.
Jacob de Haan widmete
La Storia einem
der berühmtesten
Filmmusikkomponisten
überhaupt - dem
Italiener Ennio
Morricone...
En
général la musique
de film est composée
partir et en fonction des
événements qui se
produisent dans
l’intrigue du
scénario.
L’inverse est
plutôt rare mais Jacob
de Haan parvient nous
démontrer le contraire
avec La Storia.
Sans jamais nous livrer
des éléments de
l'intrigue, il nous
propose environ sept
minutes de musique
intense. Par
conséquent,
l’œuvre fait
appel
l’imagination
individuelle ; chacun
d’entre nous
étant libre de
créer son propre
scénario partir de ce
qu’il entend. Avec
La Storia Jacob de
Haan rend hommage au
maître italien de la
musique de film : Ennio
Morricone. $36.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| I'm Shipping Up to Boston Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Hal Leonard
By Dropkick Murphys. By Ken Casey, Matthew Kelly, Woody Guthrie, and Alexander B...(+)
By Dropkick Murphys. By
Ken Casey, Matthew Kelly,
Woody Guthrie, and
Alexander Barr. Arranged
by Sean O'Loughlin. For
Concert Band (Score and
Parts). Young Concert
Band. Grade 3. Published
by Hal Leonard
$65.00 $61.75 (- 5%) Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Te Deum, Op. 22 / H 118 Serenissima
Composed by Hector Berlioz (1803-1869). Arranged by Charles Ainslie Barry. Choir...(+)
Composed by Hector
Berlioz (1803-1869).
Arranged by Charles
Ainslie Barry. Choir and
piano. For tenor voice
solo, STB voices, ATB
choir, piano. This
edition: Paperback.
Liturgical, Original
Works, Transcriptions,
Choral. Romantic Period;
Sacred/Hymns, French.
Large Vocal Score. Text
Language: Latin. Composed
1855. 112 pages. Duration
55 minutes. Published by
Serenissima
$11.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Que les drapeaux flottent Fanfare - Facile Andel
Marching band - Grade 3 SKU: ND.MRCH165-CSC Composed by J. Pravecek. Marc...(+)
Marching band - Grade 3
SKU:
ND.MRCH165-CSC
Composed by J. Pravecek.
Marches. Conductor's
score. Published by
Edition Andel
(ND.MRCH165-CSC).
$10.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
Page suivante 1 31 |