For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C
instrument. Format:
fakebook. With vocal
melody, lyrics and chord
names. Traditional pop
and vocal standards.
Series: Hal Leonard Fake
Books. 424 pages. 9x12
inches. Published by Hal
Leonard.
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical
Themes and Melodies in
the Original Keys) For C
instrument. Format:
fakebook (spiral bound).
With vocal melody
(excerpts) and chord
names. Lassical. Series:
Hal Leonard Fake Books.
646 pages. 9x12 inches.
Published by Hal Leonard.
Composed by Various. For Piano/Keyboard. Hal Leonard Fake Books. Classical. Diff...(+)
Composed by Various. For
Piano/Keyboard. Hal
Leonard Fake Books.
Classical. Difficulty:
medium to
medium-difficult.
Fakebook. Melody line,
chord names and lyrics
(on some songs). 413
pages. Published by Hal
Leonard
Piano seul [Partition] - Intermédiaire Music Sales
Piano Solo. By Richard Clayderman. Music Sales America. Contemporary Instrumenta...(+)
Piano Solo. By Richard
Clayderman. Music Sales
America. Contemporary
Instrumental and New Age.
Collection (softcover).
With chord names and
black and white photos
(does not include words
to the songs). 144 pages.
Music Sales #AM61441.
Published by Music Sales
The Piano Bench of Easy Classical Music arranged by Amy Appleby. For Piano Solo....(+)
The Piano Bench of Easy
Classical Music arranged
by Amy Appleby. For Piano
Solo. Music Sales
America. Classical.
Softcover. 400 pages.
Music Sales #AM967549.
Published by Music Sales
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby.
Collection and examples
CD for easy solo piano.
Over 200 great
masterpieces from the
baroque, classical,
romantic and modern eras.
Series: Piano Treasury
Series. 399 pages.
Published by Music Sales.
(Clarinet/Piano) SKU: HL.48181417 Composed by Eugè and ne Bozza. Le...(+)
(Clarinet/Piano)
SKU:
HL.48181417
Composed
by Eugè and ne
Bozza. Leduc. Classical.
CD. 11 pages. Alphonse
Leduc #AL20935. Published
by Alphonse Leduc
(HL.48181417).
UPC:
888680855727.
9.0x12.0x0.114
inches.
Having won
many prizes at the Paris
Conservatoire during the
1920s-1930s, Eugene Bozza
went on to conduct the
orchestra of the
Opera-Comique and to
become Head of the
Conservatoire in
Valenciennes. As a major
figure on the classical
music frontline, Bozza's
compositions were
well-received by
audiences, particularly
those for wind
instruments, and his
Clarinet Concerto is no
exception. This Bozza
piece for Clarinet is
expressive and virtuosic,
displaying the entire
range of the instrument,
accompanied by an equally
virtuosic Piano
reduction. The Concerto
comprises three movements
and is one of 19
Concertos written by the
composer. As music
educationalist, Paul
Griffiths has written of
Bozza's compositions, his
works reveal melodic
fluency, elegance of
structure and a
consistenly sensitive
concern of instrumental
capabilities. Clarinet
Concerto is a suitable
and significant addition
to the advanced
clarinetist's
repertoire..
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-337-140 For the victims of...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-337-140
For
the victims of the
Japanese earthquake and
tsunami, March 2011.
Composed by Philip
Sparke. Anglo Music
Midway Series. Score
Only. Composed 2011. 16
pages. Anglo Music Press
#AMP 337-140. Published
by Anglo Music Press
(BT.AMP-337-140).
9x12
inches.
English-German-French-Dut
ch.
The composer
writes:On March 11th 2011
a massive 9.0- magnitude
earthquake occurred off
the coast of
north-eastern Japan.I'm
writing these programme
notes barely a week later
and the death toll caused
by the quake and
resulting tsunami already
exceeds 6000, with
thousands of people still
unaccounted for. I have
many friends associated
with many bands
throughout Japan and one
of these, Yutaka Nishida,
suggested I write a piece
to raise money to help
those affected by the
disaster. I was
immediately attracted by
the idea and have
arranged Cantilena (a
brass band piece recently
commissioned by the
Grenland International
Brass Festival, Norway)
for wind band, giving it
a new title tohonour my
friends in the Land of
the Rising Sun.I will be
donating royalties from
this piece to the
Japanese Red Cross
Society Emergency Relief
Fund and am delighted to
say that my distributors,
De Haske, who will
generously also donate
all net profits from
sales of this piece, have
pledged a substantial
advance payment to the
Red Cross so that what
little help this project
generates can be
immediate.It is my
sincere wish that this
'Band Aid' project will
allow wind bands around
the world support the
people of Japan, where
bands are a way of life
for many, in this
difficult time.Philip
Sparke
De
componist schrijft:Op 11
maart 2011 vond er vlak
bij de noordkust van
Japan een enorme
aardbeving - 9.0 op de
schaal van Richter -
plaats.Ik maak deze
werkbeschrijving
nauwelijks een week later
en het aantal doden dat
de aardbevingen de
daaropvolgende tsunami
hebben geëist, komt al
uit boven de 6000,
terwijl er nog steeds
duizenden mensen worden
vermist.Ik heb veel
vrienden die met orkesten
in heel Japan werken, en
een van hen, Yutaka
Nishida, steldevoor dat
ik een stuk zou schrijven
om geld bij elkaar te
krijgen voor hulp aan de
slachtoffers van de ramp.
Ik vond het meteen een
goed idee en ik heb
vervolgens Cantilena (
een brassbandwerk dat ik
recentelijk heb
gecomponeerd voorhet
Grenland International
Brass festival in
Noorwegen) gearrangeerd
voor harmonieorkest en er
een nieuwe titel aan
gegeven, als eerbewijs
aan mijn vrienden in het
land van de rijzende
zon.De royalty's die ik
voor dit werk krijg,zal
ik doneren aan het
Japanse noodhulpfonds van
het Rode Kruis, en ik ben
heel blij dat mijn
distributeur, De Haske,
die eveneens alle
nettowinst op dit werk
zal doneren, bereid is
alvast een grote
vooruitbetaling te doen
aanhet Rode Kruis, zodat
de hulp die uit dit
project voortkomt, hoe
bescheiden wellicht ook,
onmiddellijk in gang
gezet kan worden.Ik hoop
oprecht dat dit 'Band
Aid-project' het
blaasorkesten wereldwijd
mogelijk maakt de mensen
in Japante steunen - een
land waar blaasmuziek
voor velen een manier van
leven is.
Der
Komponist schreibt
über sein Stück:Am
11. März 2011
ereignete sich ein
Erdbeben der Stärke
9,0 vor der
nordöstlichen Küste
Japans.Diese
Werkbeschreibung schreibe
ich nur eine Woche
später. Die Zahl der
Todesopfer des Erdbebens
und des dadurch
ausgelösten Tsunamis
überschreitet bereits
die 6000, wobei noch
tausende Menschen als
vermisst gelten.Ich habe
zahlreiche Freunde in
Japan, die mit vielen
Blasorchestern im ganzen
Land verbunden sind.
Einer dieser Freunde,
Yutaka Nishida, schlug
mir vor, ein Stück zu
schreiben, um mit dem
Erlös den von der
Katastrophe betroffenen
Menschen zu helfen. Ich
war gleich begeistert von
dieser Idee und habe
daraufhin
Cantilena(ein
Brass-Band-Stück, das
ich jüngst für das
Grenland International
Brass Festival in
Norwegen komponierte)
für Blasorchester
bearbeitet und ihm zu
Ehren meiner Freunde im
Land der aufgehenden
Sonne einen neuen Titel
gegeben.Ich werde meine
Tantiemen für dieses
Stück dem Hilfsfonds
des Japanischen Roten
Kreuzes spenden. Ich bin
auch sehr froh, dass mein
Verlag De Haske, der
ebenfalls alle Erlöse
aus diesem Stück
spenden wird, dem Roten
Kreuz bereits im Voraus
eine bedeutende Summe
geschickt hat, damit der
kleine Beitrag, den
dieses Projekt beitragen
kann, sofort ankommt.Es
ist mein inniger Wunsch,
dass dieses Band
Aid“-Projekt
Blasorchestern auf der
ganzen Welt
ermöglichen wird, den
Menschen in Japan zu
helfen, wo Blasorchester
in dieser schweren Zeit
für viele ein Weg
sind, das Leben aufrecht
zu erhalten.“Philip
Sparke
La
recente tragedia del
Giappone, messo in
ginocchio dal terremoto,
ha spinto Philip Sparke a
comporre The Sun Will
Rise Again (Il sole
sorger nuovamente), un
brano che vuole essere un
messaggio di solidariet
al popolo nipponico, ma
anche un aiuto concreto:
gli introiti saranno
interamente devoluti, sia
dal compositore sia dalla
casa editrice De Haske,
alla Croce Rossa
giapponese.
Piano Solo SKU: BU.EBR-A095 Composed by Antonio Vivaldi. Anacrouse. Trans...(+)
Piano Solo
SKU:
BU.EBR-A095
Composed
by Antonio Vivaldi.
Anacrouse. Transcription
pour piano + Biographie +
Notes sur l'oeuvre.
Score. Editions Bourges
#EBR-A095. Published by
Editions Bourges
(BU.EBR-A095).
Viola and Piano - intermediate SKU: BT.SLB-02032701 Pour alto & piano<...(+)
Viola and Piano -
intermediate
SKU:
BT.SLB-02032701
Pour alto & piano.
Composed by Johann
Christian Bach.
Classical. Book and
Part(s). Composed 2021.
40 pages. Editions
Salabert #SLB 02032701.
Published by Editions
Salabert
(BT.SLB-02032701).
230
X 305 inches.
French-English-Italian.
p>
Henri Casadesus was
passionate about early
instruments, as we know
from a number of
photographs showing him
with viola
d’amore, the
subject of a manual he
wrote entitled Tecnique
de la viole
d’amour. The
Concerto en Ut mineur was
first published in 1947
by Mica Salabert. The
first edition gives the
so-called
“originalâ€
part for solo violocello
together with the score
which, according to the
preface, has been adapted
for viola or cello or
violin by Casadesus.
However, stylistic
analysis of the piece,
together with some
musicological research
carried out after the
appearance of the first
edition reveals that the
“originalâ€
version for violoncello,
on which the adaptation
was supposed to be based,
cannot be attributed to
Johann Christian Bach,
but is rather a work
imitating his style
written two centuries
later. In spite of this,
Concerto en Ut mineur
encountered considerable
success and continues to
be studied and performed
by both violinists and
violoncellists
today.
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-043-140 Composed by Philip Sp...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.AMP-043-140
Composed by Philip
Sparke. Anglo Music
Midway Series. Concert
Piece. Score Only.
Composed 2003. 32 pages.
Anglo Music Press #AMP
043-140. Published by
Anglo Music Press
(BT.AMP-043-140).
These eight
little solos are intended
to supply easy,
descriptive pieces for
the beginner horn player
which are not only
beneficial for technical
development but will also
be useful performance
material. The tunes are
characteristically
horn-like in nature.
A Huntingdon
Celebration ist eine
kurze, lebhafte
Ouvertüre. In dieser
abwechslungsreichen
Komposition erscheinen
verschiedene Themen und
Phrasen einmal in
einzelnen
Instrumentengruppen, dann
spielt wieder das gesamte
Blasorchester. Die
Fanfare der Eröffnung
rundet schließlich ein
Werk ab, mit dem Sie Ihr
Ensemble von vielen
Seiten präsentieren
können. So setzen Sie
Ihre Musiker ins rechte
Licht!
Questo breve e
vivace brano
d’apertura è
ideale per iniziare un
concerto.
L’incipit è
scandito da un tema in
stile di fanfara eseguito
dai clarinetti e dai
sassofoni, sostenuto
dall’intera banda.
Dopo un corale centrale
più lento, ritorna il
tempo originale seguito
dalla fanfara
d’apertura che
riappare portando il
brano ad una trionfale
chiusura.
Piano seul [Partition] - Intermédiaire/avancé Hal Leonard
(The World's Great Classical Music) For solo piano. Format: piano solo book. Wit...(+)
(The World's Great
Classical Music) For solo
piano. Format: piano solo
book. With introductory
text and composer
biographies. Classical
period, romantic period,
impressionistic and
baroque. 240 pages. 9x12
inches. Published by Hal
Leonard.
Concerto Capriccioso Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire De Haske Publications
Concert Band/Harmonie and Flute Solo - Grade 4 SKU: BT.DHP-1053846-010 (+)
Concert Band/Harmonie and
Flute Solo - Grade 4
SKU:
BT.DHP-1053846-010
For Flute and Concert
Band. Composed by
Kees Schoonenbeek.
Soloworks. Concert Piece.
Set (Score & Parts).
Composed 2005. De Haske
Publications #DHP
1053846-010. Published by
De Haske Publications
(BT.DHP-1053846-010).
English-German-French-
Dutch.
Concerto
Cappricioso begins with a
short fanfare-like
opening. It?s three
movements then develop
with exciting dialogues
between the soloist and
the main concert band,
which both answers and
accompanies the soloist,
in addition to adding
their own new material.
The musical game between
the solis and
accompaniment will
captivate and delight
your audience every time.
Concerto
Capriccioso begint
met een fanfareachtige
introductie, waarna een
korte ‘solo
rubato’ volgt. Dan
begint het echte
‘concertato’
. De begeleiding
antwoordt en
becommentarieert met
tussenpozen. De
introductie duikt weerop,
waarna dezelfde opzet nog
eens volgt. Deel twee
presenteert een tweede
thema, als een dialoog
uitgewerkt. Het
beginthema keert terug,
maar met een anders
opgezette begeleiding.
Het derde deel is een
brede dialoog tussen
solisten begeleiding. De
opnieuw fanfareachtige
inleiding komt steeds als
een refrein terug tussen
de tarantella-achtige
solopassages. Het spel
tussen de solist en de
begeleiding blijft steeds
boeiend.
Concer
to Cappricioso
beginnt mit einer kurzen
fanfareähnlichen
Einleitung. Dann
entwickeln sich drei
Sätze voll von
spannenden Dialogen
zwischen dem Solisten und
dem übrigen
Blasorchester, das mal
kommentierend, mal
antwortend und mal
begleitend agiert. Das
musikalische Spiel
zwischen Solist und
Begleitung wird Ihr
Publikum immer wieder
aufs Neue begeistern.
La breve
introduzione prepara
l’entrata del
solista che esplora il
tessuto musicale
attraverso un assolo
eseguito rubato. La
musica adotta in seguito
la forma del concertato.
L’accompagnamento
svela le sue risposte e
commenta il soggetto con
intervalli. Il secondo
movimento è una dolce
fantasia, mentre il terzo
sviluppa un dialogo tra
il solista e
l’accompagnamento.
Il gioco musicale si
dimostra per il pubblico
particolarmente piacevole
e accattivante.
Mixed Trios. By Various. Arranged by Daniel Kelley. For Clarinet in Bb. Trios. M...(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Clarinet in
Bb. Trios. Music for
Three. Late 19th/Early
20th Century Favorites.
Level:
Intermediate/Advanced.
Part 2. Published by Last
Resort Music Publishing.
Mixed Trios. By Various. Arranged by Daniel Kelley. For Cello or Bassoon. Trios....(+)
Mixed Trios. By Various.
Arranged by Daniel
Kelley. For Cello or
Bassoon. Trios. Music for
Three. Late 19th/Early
20th Century Favorites.
Level:
Intermediate/Advanced.
Part 3. Published by Last
Resort Music Publishing.