Score Only Concert Band (Score) - Grade 1

SKU: HL.4004215

Arranged by Michael Sweeney. MusicWorks Grade 1. Festival. 12 pages. Published by Hal Leonard (HL.4004215).

UPC: 888680063108. 9.0x12.0x0.033 inches.

Composed in the 1700s, this traditional Irish ballad was a lament of homesickness for its author, and now a tender and beloved melody appearing on countless recordings. Also known as “The Wind from the South” or “An Gaoth Aneas,” this setting for second year players provides melody for all sections of the band along with subtle and tasteful harmonic variants. Dur: 2:35.

Arranged by Michael Sweeney. For Concert Band (Score and Parts). MusicWorks Grade 1. Grade 1. Published by Hal Leonard

Piano

SKU: BR.EB-9078

Composed by Nicolaus A. Huber. Solo instruments; stapled. Edition Breitkopf.

World premiere: Hannover, October 7, 1990Dedicated to the pianist Catherine Vickers

Music post-1945; New music (post-2000). Score. Composed 1990. 4 pages. Duration 3'. Breitkopf and Haertel #EB 9078. Published by Breitkopf and Haertel (BR.EB-9078).

ISBN 9790004179536. 9 x 12 inches.

In ,,Beds and Brackets gibt es ein Stuck im Stuck: Statement zu einem Faustschlag Nonos. Kurz vor seinem Tod war ich mit Nono zusammen in einer Kompositionswettbewerbs-J ury. Wahrend dieser Tage schlug er manchmal mit der Faust schwere, massige Rhythmen elementarster Proportion auf den Tisch. Vierfaches Forte. Diese Befreiungsschlage hafteten die ganze Zeit wahrend der Arbeit an Statement in meinem Gedachtnis. Sie waren ganz aus dem Nahbereich des Machens und Wahrnehmens geboren. Solcher Nahbereich menschlicher Sinnenwelt ist auch musikalisches Ausfuhrungs- und Hormodell des ubrigen Stuckes. Die jeweiligen Tone werden aus der 88-tastigen Klaviatur aufgrund von Bewegungsentwurfen abgerufen, deren Streckenmasse und Geschwindigkeiten, multipliziert mit den jeweils zu bewegenden Organ(gewicht)en, Ton und Harmonik charakterisieren. Der horizontale, zeitliche Verlauf des Stuckes verwirrt zeitweise die Nahbereichswahrnehmung durch Wiederholung. In der Partitur zeigen numerierte Klammern das jeweilige Notentextfragment an, das an einer anderen Stelle in den musikalischen Verlauf eingeschoben werden soll, und zwar so, als wurde es zum ersten Mal erklingen. Es geht also nicht um psychisch-dynamische Weiterspinnung, sondern um eine live simulierte Wiederholung von Vergangenem, als ware es gar nicht vergangen. Derartige horizontale Bewegungsentwurfe betonen an Wiederholung eher das Fremde, Sprengende, nicht das Zusammenhangschaffende. Gegen Ende argumentiert der korperliche Nahbereich, schlagt um in ,,Umgebung: Lauft da nicht ein Radio, ein Fernseher, ein Kuhlschrank? Geht da nicht ein Wind draussen? Fahrt nicht ein Auto? Spielen da nicht Kinder? Tonbander sind nur eine schwache Simulation! Im Optimalfall sollen Fenster und Turen des Konzertsaales geoffnet und wieder geschlossen werden. (Nicolaus A. Huber, 1990) CDs: Kristine Scholz CD Alice musicproduction ALCD 011 Catherine Vickers CD col legno AU 31821 CD Koch Aulos 3-1817-2 Bibliography : Birkenkotter , Jorg: Keine Kleinigkeiten: ,,Bagatellen, ,,Shrugs, ,,Statement ... Kurze Stucke im Werk Nicolaus A. Hubers, in: Nicolaus A. Huber, hrsg. von Ulrich Tadday (= Musik-Konzepte. Neue Folge 168/169), Munchen: edition text + kritik 2015, pp. 153-175. Schat , Peter W.: Didaktische Brucken. Ein Kommmentar zu Nicolaus A. Hubers Beds and Brackets, Musik & Bildung 5/1995, pp. 49-51.

World premiere: Hannover, October 7, 1990Dedicated to the pianist Catherine Vickers.

Concert Band - Grade 1

SKU: AP.24702

Composed by Robert W. Smith. Concert Band; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Score and Part(s). 216 pages. Duration 2:59:00. Belwin Music #00-24702. Published by Belwin Music (AP.24702).

UPC: 038081279640. English.

You'll be startled at the bold presence and sonority of this fresh new festival work for your beginners. Created by Robert W. Smith, Symphonic Statement is dedicated to his daughter, Savanna Grace Smith. A bold choice for your contest or any program.

Band concert band - Level 1

SKU: KJ.WB435F

Composed by Gary Gazlay. Score only. Neil A. Kjos Music Company #WB435F. Published by Neil A. Kjos Music Company (KJ.WB435F).

UPC: 084027042175.

With strong, simple melodies shared by all the parts, this stirring selection will fill your students with the confidence they need to play with aplomb, verve, and joy. In the second half of the piece, the intensity level is ratcheted up as the piece drives forward to a festive conclusion. A gem that's guaranteed to make a statement at your next concert!.

Choral (Children's Voices, SATB choir, SATB and Unison w/opt. 4 Handbells) SKU: HP.C5745 Composed by Joseph M. Martin. Piano with Optional Unison Choir and 4 Handbells. Palm Sunday, Adults and Children, Sacred. Octavo. 12 pages. Hope Publishing Company #C5745. Published by Hope Publishing Company (HP.C5745). UPC: 763628157456. Joseph M. Martin. Matthew 21:1-11, Mark 11:1-11, Luke 19:29-44, John 12:12-19. Original anthem This charming Palm Sunday anthem from Joe Martin builds from the children's opening statement, then gradually adds adult voices and even includes a few antiphonal moments. It's easily learned and a great way to begin your Holy Week services. The handbell part for 4 bells (D5, G5, A5, D6) is included and reproducible.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-392-010

Composed by Philip Sparke. Anglo Music Midway Series. Set (Score & Parts). Composed 2014. Anglo Music Press #AMP 392-010. Published by Anglo Music Press (BT.AMP-392-010).

English-German-French- Dutch.

The work opens with a stern fanfare in bare fifths, which leads to a cantabile theme introduced by alto saxophone. This builds to a climax and reintroduces the fanfare, which slowly evolves into the subsequent vivo. A perky tune emerges on flute, saxophone and trumpet, which, after a short bridge passage, leads to a contrasting melody on low clarinets and saxophones. After some development a true ‘second subject’ appears for the whole band. A recapitulation leads briefly back to the opening fanfare before the vivo returns to close the work in celebratory mood.

Het werk begint met een sobere fanfare in open kwinten, gevolgd door een zangerig thema dat wordt ge ntroduceerd door de altsaxofoon. Dit thema groeit uit tot een climax en leidt opnieuw de fanfare in, die zich langzaam ontwikkelt tot het daaropvolgende vivo. Er verschijnt een opgewekte melodie in de fluit, saxofoon en trompet, die na een korte overgangspassage uitmondt in een contrasterende melodie in de lage klarinetten en saxofoons. Na een verdere uitwerking openbaart zich een tweede thema voor het complete orkest. Een herneming voert ons even weer mee naar de openingsfanfare, voordat het vivo terugkeert en het werk in feestelijke stemming afsluit.

Nach einer ernsten Fanfare in bloßen Quinten, die zu einem Thema in cantabile im Altsaxophon führt, taucht eine kecke Melodie in Flöte, Saxophon und Trompete auf, die nach einer kurzen Überleitung zu einer kontrastierenden Melodie in den tiefen Klarinetten und Saxophonen wird. Ein zweites Thema“ spielt das gesamte Blasorchester. Bevor ein Vivo aus dem Anfangsteil Southend Celebration beendet, werden längst alle Musiker und Zuhörer von der festlichen Stimmung, die es verbreitet, infiziert sein!

L’� ��uvre s’ouvre avec une fanfare de nature sérieuse en quintes qui mène un thème cantabile introduit par les saxophones alto. La musique s’amplifie pour atteindre un certain climax et réintroduire la fanfare, qui évolue progressivement vers un vivo. Fl tes, saxophones et trompettes introduisent un air guilleret qui, après un court passage de transition, aboutit une mélodie contrastée dans le registre grave des clarinettes et saxophones. Après un développement, un véritable second sujet apparaît pour l’orchestre entier. Une récapitulation mène une brève réapparition de la fanfare d’ouverture avant le retour du vivo, qui achève la pièce dans une ambiance de fête.

Il lavoro si apre con un’austera fanfara con quinte vuote, che porta a un tema cantabile introdotto da un saxofono contralto. Si arriva a un culmine e si introduce nuovamente la fanfara, che lentamente evolve nel ‘vivo’ successivo. Un tema vivace emerge dal flauto, dal sassofono e dalla tromba, e dopo un breve passaggio di transizione, porta a una melodia contrastante, dei clarinetti bassi e dei sassofoni. Dopo qualche sviluppo un vero ‘secondo soggetto’ sorge dall’intera banda. Una ripresa porta brevemente indietro alla fanfara, prima che il ‘vivo’ ritorni per chiudere il lavoro in modo celebrativo.

Concert Band/Harmonie - Grade 4

SKU: BT.AMP-392-140

Composed by Philip Sparke. Anglo Music Midway Series. Score Only. Composed 2014. Anglo Music Press #AMP 392-140. Published by Anglo Music Press (BT.AMP-392-140).

English-German-French- Dutch.

The work opens with a stern fanfare in bare fifths, which leads to a cantabile theme introduced by alto saxophone. This builds to a climax and reintroduces the fanfare, which slowly evolves into the subsequent vivo. A perky tune emerges on flute, saxophone and trumpet, which, after a short bridge passage, leads to a contrasting melody on low clarinets and saxophones. After some development a true ‘second subject’ appears for the whole band. A recapitulation leads briefly back to the opening fanfare before the vivo returns to close the work in celebratory mood.

Het werk begint met een sobere fanfare in open kwinten, gevolgd door een zangerig thema dat wordt ge ntroduceerd door de altsaxofoon. Dit thema groeit uit tot een climax en leidt opnieuw de fanfare in, die zich langzaam ontwikkelt tot het daaropvolgende vivo. Er verschijnt een opgewekte melodie in de fluit, saxofoon en trompet, die na een korte overgangspassage uitmondt in een contrasterende melodie in de lage klarinetten en saxofoons. Na een verdere uitwerking openbaart zich een tweede thema voor het complete orkest. Een herneming voert ons even weer mee naar de openingsfanfare, voordat het vivo terugkeert en het werk in feestelijke stemming afsluit.

Nach einer ernsten Fanfare in bloßen Quinten, die zu einem Thema in cantabile im Altsaxophon führt, taucht eine kecke Melodie in Flöte, Saxophon und Trompete auf, die nach einer kurzen Überleitung zu einer kontrastierenden Melodie in den tiefen Klarinetten und Saxophonen wird. Ein zweites Thema“ spielt das gesamte Blasorchester. Bevor ein Vivo aus dem Anfangsteil Southend Celebration beendet, werden längst alle Musiker und Zuhörer von der festlichen Stimmung, die es verbreitet, infiziert sein!

L’� ��uvre s’ouvre avec une fanfare de nature sérieuse en quintes qui mène un thème cantabile introduit par les saxophones alto. La musique s’amplifie pour atteindre un certain climax et réintroduire la fanfare, qui évolue progressivement vers un vivo. Fl tes, saxophones et trompettes introduisent un air guilleret qui, après un court passage de transition, aboutit une mélodie contrastée dans le registre grave des clarinettes et saxophones. Après un développement, un véritable second sujet apparaît pour l’orchestre entier. Une récapitulation mène une brève réapparition de la fanfare d’ouverture avant le retour du vivo, qui achève la pièce dans une ambiance de fête.

Il lavoro si apre con un’austera fanfara con quinte vuote, che porta a un tema cantabile introdotto da un saxofono contralto. Si arriva a un culmine e si introduce nuovamente la fanfara, che lentamente evolve nel ‘vivo’ successivo. Un tema vivace emerge dal flauto, dal sassofono e dalla tromba, e dopo un breve passaggio di transizione, porta a una melodia contrastante, dei clarinetti bassi e dei sassofoni. Dopo qualche sviluppo un vero ‘secondo soggetto’ sorge dall’intera banda. Una ripresa porta brevemente indietro alla fanfara, prima che il ‘vivo’ ritorni per chiudere il lavoro in modo celebrativo.

SKU: GI.G-317123

Composed by Garwood Whaley. Music Education. 4 pages. GIA Publications #317123. Published by GIA Publications (GI.G-317123).

ISBN 9780634033148. UPC: 073999171235.

An exciting, musically challenging solo for concert, contest or recital. This 3-drum work helps to develop musicianship through its use of mixed meters, expressive dynamics, and tempo changes. Grade 4, performance time: 2:15. Click here for a YouTube video on Statement for Timpani.

By Robert W. Smith. Conductor's score and set of performance parts for full or string orchestra (1 - 1st flute, 1 - 2nd flute, 2 - oboe, 1 - 1st clarinet, 1 - 2nd clarinet, 2 - bassoon, 4 - horn in F, 2 - trumpet, 3 - trombone, 1 - tuba, 2 - mallet percussion, 1 - timpani, 1 - percussion I, 2 - percussion II, 8 - 1st violin, 8 - 2nd violin, 5 - 3rd violin or viola (treble clef), 5 - viola, 5 - cello, and 5 - string bass). Series: Belwin Orchestra Intermediate Level. Published by Alfred Publishing.

DAD and DAA Tunings. Composed by Madeline MacNeil. Saddle-stitched, Dulcimer: Mountain. Made Easy. Book and online audio. 32 pages. Mel Bay Publications, Inc #30672M. Published by Mel Bay Publications, Inc

by Craig Duncan. For fiddle. method. You Can Teach Yourself. All Styles. Level: Beginning. Book/CD Set. Size 8.75x11.75. 80 pages. Published by Mel Bay Publications, Inc.

Beginning Fiddle Tunes and Techniques. by Brian Wicklund. Level: Beginning. Book/CD Set. Size 8.75x11.75. 60 pages. Published by Mel Bay Pub., Inc.

Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.

Saddle-stitched, Solos. Celtic / Irish. Book and online audio. 56 pages. Mel Bay Publications, Inc #WBM55M. Published by Mel Bay Publications, Inc

Folk and Country Waltzes for Guitar by Miles Courtiere. For Guitar. Saddle stitch. Folk/Guitar Instruction. Beginner/Intermediate. Book and Play Along CD. 82 pages. Duration 60 minutes. Published by ADG Productions

By Mark Kailana Nelson. For Ukulele (Soprano). Methods. All Styles. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 96 pages. Published by Mel Bay Publications, Inc.

By Miles Courtiere. For mandolin. Folk, Country. Level: intermediate. Book with CD. 75 pages. Published by ADG productions.

By Brian Wicklund and Faith Farr. For Viola. Methods. Bluegrass. Level: Beginning-Intermediate. Book/CD Set. Size 8.75x11.75. 66 pages. Published by Mel Bay Publications, Inc.

Saddle-stitched, Tunebooks. Celtic / Irish. Book and online audio. 52 pages. Mel Bay Publications, Inc #30920M. Published by Mel Bay Publications, Inc

Guitar - Intermediate

SKU: MB.WBM58M

Traditional, Wire bound, Celtic. Folk. Book and online audio. 216 pages. Mel Bay Publications, Inc #WBM58M. Published by Mel Bay Publications, Inc (MB.WBM58M).

ISBN 9781736363058. 8.75x11.75 inches.

A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio.

by Carol Ann Wheeler. For fiddle. All styles. Level: Beginning. Book. Method. Size 8.75x11.75. 72 pages. Published by Mel Bay Pub., Inc

Beginning Fiddle Tunes and Techniques. By Brian Wicklund. By Brian Wicklund. For Fiddle. Methods. American Fiddle Method. Bluegrass and Country. Level: Beginning. Book CD DVD. 64 pages. Published by Mel Bay Publications, Inc

Composed by Craig Duncan. Saddle-stitched. Celtic. Book and online audio. 60 pages. Mel Bay Publications, Inc #30860M. Published by Mel Bay Publications, Inc

For Guitar (Flatpick). Solos. Guitar Journals. Bluegrass and Country. Level: Beginning-Intermediate. Book. Size 9x11. 192 pages. Published by Mel Bay Publications, Inc.

By Patrick Steinbach. For Acoustic Instruments. Solos. AMA Verlag. Celtic/Irish. Level: Beginning-Intermediate. Book/CD Set. Size 9.x11.75. 180 pages. Published by AMA Verlag. ISBN 3899220234.