Choir Secular Double Choir and Violoncello

SKU: PE.EP73479

Composed by Francis Pott. Choral Works (inc. Oratorios). Edition Peters. Living Composer. Vocal Score. 164 pages. Edition Peters #98-EP73479. Published by Edition Peters (PE.EP73479).

ISBN 9790577019888. 297 x 210mm inches. English.

At First Light was commissioned by Eric Bruskin, a resident of Philadelphia, USA, in memory of his mother. Eric had a longstanding enthusiasm for my work, and I was touched to be the person he approached for a task which is both a privilege and a daunting responsibility. In a sense, no music can ever measure up to the weight of love or the hope of consolation vested in it under such circumstances - but in memory I carry the deaths of both my own parents, and I was able to draw upon that. Eric's fondness for my Cello Sonata (itself written in memoriam) led him to ask that I include a solo 'cello part in the new work - but his attachment also to my polyphonic sacred choral writing meant that he wanted a centrepiece which would be both a showcase of that approach and the celebration of a life well lived. Therefore, the seven movements of At First Light arrange themselves as a series of slow meditations surrounding an exuberant 9-minute motet in which the lamenting cello falls temporarily silent.

Eric's Jewish faith meant that approaching an agnostic humanist brought up within the Anglican tradition was hardly free of problems! Gradually, though, I was able to win his approval for a collated mosaic of texts. This embraces some liturgical Latin (necessary for the motet) as the shared preserve of broad western culture in general, but balances it with a secular approach to loss, celebration, remembrance and the many shades of our mourning those whom we see no longer. Eric was adamant that he did not want the title Requiem; but what has emerged is still a form of semi-secular Requiem in all but name, taking its title instead from a phrase in the poem by Thomas Blackburn set as the third movement. This seemed to suggest succinctly how the loss of one very close to us is an awakening into an unfamiliar world where everything is changed. Following the exuberant central movement, the texts by the Lebanese-born Kahlil Gibran and the US, Kentuckian poet Wendell Berry first address the departed loved one directly, then place us within an imaginary funeral cortege, where the perennial and universal in human experience become personal without subscribing explicitly to any particular faith (or lack of it). The final text of all is a translation of a Hebraic prayer, requested and provided by Eric Bruskin, which serves to mirror its Latin counterpart heard at the outset.

Throughout , the lamenting cello represents a commentary on the experience articulated in the text. It evokes and, in a sense, tries to embrace and sanctify the individual existential journeys of the bereft, as they in turn seek to make their own sense of what the short-lived Second World War poet Alun Lewis called 'the unbearable beauty of the dead' (movement 5).

In a modern world hostage to ever greater menace, displacement, bloodshed and anguish, I hope fervently that this music not only brings a measure of solace to the person who commissioned it, but also makes its own small contribution to bailing out the sinking ship of humanity.

SKU: HL.299371

By Metallica. Book. Heavy Metal, Rock Reference. Softcover. 152 pages. Published by Cherry Lane Music (HL.299371).

ISBN 9781540060259. UPC: 888680956189. 6.0x9.0x0.332 inches.

Metallica's success can be directly attributed to their passionate, no-compromise attitude, which comes through loud and clear in the words they sing. Now fans can have the complete lyrics to all of their favorite songs with this updated 3rd edition featuring 106 songs.

Chamber Music Violin, cello, Piano

SKU: PR.114418250

Composed by Stacy Garrop. Contemporary. Set of Score and Parts. With Standard notation. Composed 2013. 40+16+16 pages. Duration 23 minutes. Theodore Presser Company #114-41825. Published by Theodore Presser Company (PR.114418250).

UPC: 680160640959. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

The Drummer's Guide to Musical Styles and the Legends Who Defined Them. By Rich Lackowski. For Drum Set. Percussion - Drum Set Method or Collection. Instructional Book and Examples CD. 244 pages. Published by Alfred Publishing.

Chamber Music Violin, cello, Piano

SKU: PR.11441825S

Composed by Stacy Garrop. Contemporary. Score. With Standard notation. Composed 2013. 40 pages. Duration 23 minutes. Theodore Presser Company #114-41825S. Published by Theodore Presser Company (PR.11441825S).

UPC: 680160643745. 9 x 12 inches.

In 2011, Barbara Garrop, my mother, commissioned me to write a piano trio in memory of Norman Garrop, my father, who passed away about thirty years ago. When I started brainstorming about topics for the piece, I found it difficult to recall many moments of my early life involving my father. Too many years had passed, and the memories that I could summon were of achild looking up to her father, not an adult relating to an equal. However, while collecting stories of my father from various family members, along with discovering a number of objects that had once belonged to him and that I had stored away in boxes decades ago, I began to realize that this piece wasn't so much about my father as it was about my re-discovering the man that he was: a loving husband and dad who cared deeply about his family and his passions (which included bike riding, collecting coins, strumming our guitar, playing baseball, watching football games, entertaining people, helping to run local theater and puppet productions, and carving objects out of wook); an accountant who dreamed of a better future: a treasurer of our local synagogue; an early advocate for computers (we owned an Apple II+); and a pranster with a great sense of humor. Ultimately, I decided to musically tell the story of my search for these memories. In the first movement (Without), a child calls out in a sing-song voice, searching for her lost parent. This search intesifies over the course of the movement through a series of themes, including a stepping motif in which a two-note progression steadily climbs higher, a pseudo-jewish folksong, and a passionate longing theme. The child's search becomes increasingly intense throughout the movement, calling out fervently and repeatedly to the parent; the movement ends in a moment of great tnesion and uncertainty. The second movment (Within) quietly opens with the lost parent finally answering, represented by a solo cello; the child (now personified by the violin) has found the parent within the sanctuary of her own heart. This movement highlights the joy and solemnity of this beautiful discovery. -S.G.

Concert Band - Grade 3.5

SKU: AP.50936S

Zoey's Theme. Composed by Patrick Roszell. Concert Band; Performance Music Ensemble; Single Titles. Belwin Concert Band - PerformancePlus+. Score. Duration 5:30. Belwin Music #00-50936S. Published by Belwin Music (AP.50936S).

ISBN 9781470669195. UPC: 038081588018. English.

Fast-paced and energetic, Soundtrack 823 honors the memory of the composer's beloved pet, Zoey. It is full of energetic melodies, modern harmonies, and lyricism that will be an exciting addition to your concert program. (5:30)

The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:

• Assignm ent, recording, and assessment tools within MakeMusic Cloud
• Piece-speci fic exercises focused on skills and techniques
• Printa ble sheet music (with a standard MakeMusic Cloud subscription)
• Edu cational tips and suggestions to support learning

Avai lable in print and digital formats.

Concert Band - Grade 3.5

SKU: AP.50936

Zoey's Theme. Composed by Patrick Roszell. Concert Band; Performance Music Ensemble; Single Titles. Belwin Concert Band - PerformancePlus+. Score and Part(s). Duration 5:30. Belwin Music #00-50936. Published by Belwin Music (AP.50936).

ISBN 9781470669188. UPC: 038081588001. English.

Fast-paced and energetic, Soundtrack 823 honors the memory of the composer's beloved pet, Zoey. It is full of energetic melodies, modern harmonies, and lyricism that will be an exciting addition to your concert program. (5:30)

The PerformancePlus+ series is an innovative addition to the ever-expanding MakeMusic Cloud interactive library. These engaging selections are presented with educational resources designed to enrich the rehearsal process and create outstanding performances. Including:

• Assignm ent, recording, and assessment tools within MakeMusic Cloud
• Piece-speci fic exercises focused on skills and techniques
• Printa ble sheet music (with a standard MakeMusic Cloud subscription)
• Edu cational tips and suggestions to support learning

Avai lable in print and digital formats.

(The Keys to Unlock a World of Creativity). By Dave DiCenso. For Drumset. Method/Instruction; Percussion - Drum Set Method or Collection. Book and CD. 100 pages

Organ - intermediate to advanced

SKU: HL.49017039

For Organ. Composed by Hermann Schroeder. Edited by Clemens Ganz. This edition: Saddle stitching. Sheet music. Piano. Classical. Composed 1984. 24 pages. Duration 11'. Schott Music #ED 20205. Published by Schott Music (HL.49017039).

ISBN 9790001148504. UPC: 841886009141. 9.0x12.0x0.175 inches.

The three movement Concerto da chiesa is the last organ work by Hermann Schroeder (1904-1984), composed a few months before his death. The premiere was performed by Clemens Ganz, then organist at the Cathedral of Cologne, in memory of the esteemed teacher and college colleague. The three-movement composition is an unmistakable 'Schroeder' work: emphasis of linearity according to high baroque standards, conciseness and sometimes impulsive gestures of the themes and rhythms, layers of parallel chords within a freely tonal modern harmony, not forgetting the plasticity of form and the motor functions which are surprisingly energetic for an eighty-year-old.

Grade 3

SKU: CL.012-4699-01

Composed by Holsinger. Concert Band. Extra full score. Composed 2019. Opus III Wind Orchestra Publications #012-4699-01. Published by Opus III Wind Orchestra Publications (CL.012-4699-01).

Soliloquy is a quiet and reflective work dedicated to the memory of a well-loved young musician, struck down by sudden illness. Woven within original music is the hymn tune Fairest Lord Jesus, also known as Beautiful Savior. A compelling and moving work of exceptional warmth and emotion!

(Everything You Need To Know About Starting To Play Guitar) Performed by Metallica. For guitar. Includes instructional book and examples CD. With guitar tablature, standard notation, chord names, guitar chord diagrams, instructional text, instructional photos and introductory text. Metal and hard rock. Series: Hal Leonard Guitar Method. 64 pages. 9x12 inches. Published by Cherry Lane Music.

Advanced

SKU: CL.012-3967-01

Composed by Mogensen. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR368). Extra full score. Composed 2010. Duration 8 minutes. Opus III Wind Orchestra Publications #012-3967-01. Published by Opus III Wind Orchestra Publications (CL.012-3967-01).

This extraordinary work was written in lasting memory of those lost during the September 11, 2001 tragedies. September offers a musical journey through the varied emotions and feelings experienced during that heartbreaking time in history. In distinctive writing style, the composer touchingly reminds us to never forget. The work is nearly through-composed, providing continuous interest and contrasting segments; and included within the chamber sections are solos for euphonium, oboe, and clarinet. Well-crafted and very poignant, this exceptional composition is destined to become part of every wind ensemble’s repertoire. Certain to move and arouse audiences everywhere, September is afforded our highest recommendation.

Piano

SKU: BR.BG-962

Easy Compositions for Piano. Composed by Bohuslav Martinu. Solo instruments; stapled. Edition Gerig. Romantic; Early modern. Score. 20 pages. Breitkopf and Haertel #BG 962. Published by Breitkopf and Haertel (BR.BG-962).

ISBN 9790004131916. 9 x 12 inches.

The present collection consists of a number of petty compositions most of which are within easy reach by young pianists of an intermediate technical level. In a lot of compositions for pianoforte, Mr Martinu has had himself inspired by children's world; he has been very close to children's imagination in a few cycles of miniatures for piano, especially in his three books of Puppets, as well as in Fables, Compositions for Children etc. Even his compositions of simple instrumental stylization possess a musical invention and an interesting musical description, such as the merry onomatopoeic trifle A Procession of Cats at Solstice Night. Little Eve's Composition and Contemplation, both of which were published in 1935 and 1936 in the music supplement to the magazine Eva, are educationally and musically priceless for young pianists with whom they arouse a sense for a modern expression. A touching meditation for piano are the Recollections, a small recital composition of 1957, commemorating the 10th anniversary of the death of the Brno composer Vaclav Kapral. lt is dedicated both to his and his gifted daughter Vitezslava Kapralova's memory. Prelude and another composition without name are two remarkable achievements of young Mr Martinu. Even without looking at the date of origin, 1924, it may be easily recognized from the character of music that they are congenial to the recent stimulations of the Paris avantgarde of the twenties-both rhythmically and harmonically.

Advanced

SKU: CL.012-3967-75

Composed by Mogensen. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR368). Oversized, spiral-bound score. Composed 2010. Duration 8 minutes. Opus III Wind Orchestra Publications #012-3967-75. Published by Opus III Wind Orchestra Publications (CL.012-3967-75).

This extraordinary work was written in lasting memory of those lost during the September 11, 2001 tragedies. September offers a musical journey through the varied emotions and feelings experienced during that heartbreaking time in history. In distinctive writing style, the composer touchingly reminds us to never forget. The work is nearly through-composed, providing continuous interest and contrasting segments; and included within the chamber sections are solos for euphonium, oboe, and clarinet. Well-crafted and very poignant, this exceptional composition is destined to become part of every wind ensemble's repertoire. Certain to move and arouse audiences everywhere, September is afforded our highest recommendation.

Composed by Mogensen. Concert Band. Opus III Series. Audio recording available separately (item CL.WFR368). Score and parts. Composed 2010. Duration 8 minutes. Published by Opus III Wind Orchestra Publications

Chamber Music Piano

SKU: PR.140401340

Sketches for Piano. Composed by Harry T. Burleigh. Edited by Lara Downes. 16 pages. Duration 18 minutes. Theodore Presser Company #140-40134. Published by Theodore Presser Company (PR.140401340).

ISBN 9781491134450. UPC: 680160684953.

Best known for his settings of spirituals and influence on Dvorák, Henry T. Burleigh was a celebrated baritone, and a prolific composer of original works. FROM THE SOUTHLAND is a suite of six atmospheric scenes of the American south, inspired by Black musical and cultural traditions. FROM THE SOUTHLAND is within reach of intermediate pianists and artistically suited for professional recitals.
In 1835, Henry T. Burleigh’s maternal grandfather purchased his own release from slavery for the sum of $50, and traveled north out of Maryland to begin a new life as a free man. He established his family in Ithaca, NY, and then moved to the bustling lakefront city of Erie, PA, where three decades later his grandson Henry would be born and raised.For Burleigh, the “Southland” that inspired this collection of piano sketches was a distant place that could not have been more different from the physical world he knew, up there in the northern snowbelt. And yet these southern landscapes and vignettes must have been intensely present in his consciousness, absorbed through the stories and songs he first learned at his grandfather’s knee.The music of the South – the spirituals and work songs he heard as a child –would travel with Burleigh throughout his long and illustrious musical life. Even as he progressed through his early classical training, his career as a baritone soloist in Erie’s churches and synagogue, his move to New York to study at the National Conservatory of Music, and his rise to national prominence as a concert soloist, these ancestral melodies stayed firmly centered in his musical identity.When he wrote From the Southland, his only composition for solo piano, Burleigh was just beginning his career as a composer. The art songs that would establish him as one of America’s best known composers in the genre were still to come. And so were his iconic arrangements of spirituals that would bring the songs of slavery onto concert stages around the world, transformed into timeless and uniquely American music.These little piano sketches bring together all the things that made Burleigh the musician he was – the lush, late-romantic style of his time; a broad vision for American music; and a profound respect for his heritage, a memory of the world his grandfather left behind, and a love of the music he brought with him.