Piano Reduction for 2 Pianos, 4 Hands. Composed by Feliks Rybicki. PWM. Classical. Softcover. 116 pages. Polskie Wydawnictwo Muzyczne #4930030. Published by Polskie Wydawnictwo Muzyczne

(7 Duets for One Piano, Four Hands). Arranged by Carol Matz. For Piano. Book; Duet or Duo; Piano Duet (1 Piano, 4 Hands). Famous and Fun. Christmas; Sacred; Secular; Winter. Intermediate. 32 pages. Published by Alfred Music

(6 Duets for One Piano, Four Hands). Arranged by Carol Matz. For Piano. Book; Duet or Duo; Piano Duet (1 Piano, 4 Hands). Famous and Fun. Christmas; Sacred; Secular; Winter. Early Intermediate. 32 pages. Published by Alfred Music

By Dennis Alexander. Keyboard. Level: Early Advanced (6 ). Published by Alfred Publishing.

Composed by Ludwig van Beethoven (1770-1827). Edited by Frank Buchstein and Hans Schmidt. For Piano Four Hands. Henle Music Folios. Softcover. 76 pages. G. Henle #HN568. Published by G. Henle

By Bernadine Johnson. For Piano. Duet or Duo; Piano Duet (1 Piano, 4 Hands); Sheet. Signature Series. Early Intermediate. 8 pages. Published by Alfred Music Publishing

(Classic Christmas Hits). By Pam Wedgwood. For Piano. Book; Duet or Duo; Piano Duet (1 Piano, 4 Hands). Faber Edition: Jazzin' About. Christmas; Jazz; Winter. Late Intermediate. Published by Faber Music

(Familiar hymn-tune settings for 4-hand piano). By Gilbert M Martin. For piano, four-hands. Level 3. Sacred piano

Easy to Intermediate Level. Composed by Mike Cornick. Full score (study). With Standard notation. Composed 2005. Universal Edition #UE21300. Published by Universal Edition

(7 Duets for Piano). Edited by Robert Pace. Arranged by Jim Lyke. Pace Piano Education. Softcover with CD. 48 pages

9 Duets for Playing and Creating. Pace Piano Education. Softcover with CD. Size 8.5x11 inches. 24 pages. Published by Lee Roberts Music Publications, Inc.

Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.

By Christian Gottlob Neefe [Wolfgang Amadeus Mozart]. Edited by Dmitry Rachmanov. For Piano. Book; Duet or Duo; Masterworks; Piano Duet (1 Piano, 4 Hands). Alfred Masterwork Edition. Classical; Masterwork; Recital. Advanced. 52 pages. Published by Alfred Music

Piano Duet (1 Piano, 4 Hands)

SKU: HL.285230

Piano Duet. Composed by Reynaldo Hahn. Music Sales America. Classical. Softcover. 100 pages. Alphonse Leduc #AL30769. Published by Alphonse Leduc (HL.285230).

UPC: 888680908737. 9.0x12.0x0.264 inches.

'Flee the storms.' Reynaldo Hahn (1874-1947) put this motto of classical artists at the heart of his music for piano four hands, preferring the balance of proportions to the roar of passions, the eclecticism of good taste, charm and delicacy. Berceuses falls within the French tradition of children's music such as illustrated by Faure's Dolly and Ravel's Ma mere lOye. These seven pieces evoke with refinement the happiness of a cloudless day, the effervescence that reigns on Christmas Eve, or the gentle syncopated rocking of a young Creole, Selfiana. The Variations pueriles sur une melodie de Carl Reinecke manifest a free, whimsical vein, whereas the Trois preludes sur des airs irlandais drink at the pure sources of folk music, borrowing their thematic material from the famous collection Songs of Old Ireland which Stanford had brought out in 1882. Published for the first time from ahandwritten score, the Variations sur un theme de Charles Levade end with a wild quadrille that takes the heroes of the celebration to the nearest inn. The Piece en forme daria et Bergerie from 1896, finely polished, takes up with the ambiance of the pastorale, popular in the 17th century.

Book A. 11 Early Elementary Piano Solos with Optional Accompaniments. Composed by Tom Gerou. Piano Collection; Piano Supplemental. Piece by Piece. Book. 24 pages. Alfred Music #00-37729. Published by Alfred Music

(pour piano a 2 ou 4 mains - (for piano 2 or 4 hands)). By Edouard Delale. For Piano (2 or 4 Hands). Collection Florence Aramburu Et Anne-Lise Gastaldi. Easy. 33 pages. Duration 7 minutes. Published by Gerard Billaudot Editeur

(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard

By Chris Tedesco. This edition: Paperback. Instructional. Jazz Method. Conductor's score with CD. Text Language: English. 104 pages. Published by Santorella Publications

Chamber Music Piano

SKU: PR.110418370

Composed by Charles Ives. Arranged by Danny Holt. Performance Score. 20 pages. Duration 8 minutes. Theodore Presser Company #110-41837. Published by Theodore Presser Company (PR.110418370).

ISBN 9781491135075. UPC: 680160686247.

Compo sed as an organ solo by the 17-year-old Ives for his own performance purposes, the beloved Variations on America is a treat for any occasion, whether a holiday concert, a serious recital, or other special event. Danny Holt’s transcription for Piano, Four Hands adds a dazzling new option to play at home or on stage, taking best advantage of Ives’ tremendous contrasts in color, dynamics, and texture.
Composed when Charles Ives was a teenager, Variations on “America” is both a convenient introduction to Ives’ body of work, and an early example of his iconoclastic musical voice and creative genius. Just a few years after composing this piece, Ives would leave home to study music at Yale. But until then he had been taught by his father, George (who had been a bandmaster in the Civil War). George subjected the young Ives to experiments such as singing a song in one key while being accompanied in another, or arranging for two marching bands to converge on a town center, with the resulting cacophony that ensued.The Variations exemplifies an early period of experimentation in Ives’ work, spurred on by the unusual pedagogy of his father. The piece is particularly notable for its use of bitonality in the two interludes, subtly foreshadowing more well-known examples by Stravinsky, Bartók, and others by approximately two decades.The bitonal interludes were so ahead of their time, in fact, they were omitted from the first copy that was submitted to a publisher in 1892. (Alas, the piece was rejected even despite these “shocking” elements having been left out, and it wasn’t published until more than five decades later.) There is some ambiguity about when exactly Ives added the interludes into his manuscript copy, though ample evidence suggests he had performed the piece with the interludes around the time he notated the piece in 1891-92. In any case, in light of this piece and his other polytonal explorations from the last decade of the 19th century, it seems fair to give Ives credit for being a pioneer in this area!This arrangement for Piano, Four Hands, closely follows Ives’ original version for organ, setting aside William Schuman’s popular adaptation for symphony orchestra and William Rhoads’ band transcription of the Schuman orchestration. Pianists will find that the piece translates well to the instrument. Ideally, the choreography and logistics of elbow-to-elbow four-hands playing approximates the wild joy one gets from watching an organist play the piece (e.g., the elaborate pedal part in the final variation).In preparing this publication, attention was paid to details in the dual Critical Editions (Presser 443-41003) of both Ives’ manuscript edition and the 1949 publication edited by organist E. Power Biggs (who is credited with discovering what had been a long-lost, forgotten work.) But as with much of Ives’ output, attempting to create a true ‘urtext’ score is a futile endeavor, and especially with a piece such as this one – in which Ives incorporated improvisation in live performance – seems unnecessary anyhow. True die-hards are of course encouraged to consult the critical editions and even find inspiration in the orchestrated version. Generally, performers are advised to be wild, have fun, and not to be too rigid in their interpretive choices.Dynamics in this arrangement mostly follow the organ score closely. Pianists will use good judgment about pedaling throughout, which should be straightforward and intuitive. Courtesy accidentals have been provided frequently – without parentheses – balancing the need for extra clarity in the context of Ives’ murky musical language, and a desire to avoid unnecessary clutter.A few notes that might inform interpretive decisions:mm. 15-16: There are inconsistencies here between Ives’ original manuscript and the 1949 Biggs edition, regarding the top voice in m. 15, beat 3 (C# vs. Cn) and m. 16 (D Major vs. D Minor).mm. 76-84 & 143-146: In both Interludes, Ives emphatically notates extreme dynamic contrast, in order to highlight the bitonality. Although it may seem counterintuitive (or even a misprint, as has apparently been misconstrued by some), performers are urged to follow the composer’s marking!m. 109: Two-note slurs have been added here for clarity and consistency with other similar passages, though they do not appear in either the original manuscript or Biggs.m. 112: The last two eighth notes of Primo appear as 16ths in the original manuscript.mm. 183-186: The original manuscript has a slightly different bass line.mm. 184 & 186: Primo gestures have been re-written to be slightly more idiomatic for Piano, Four Hands.m. 186: The breath mark at the end of this bar does not appear in either the manuscript or Biggs, but is an editorial suggestion – aside from being appropriately dramatic, it will indeed be necessary in a reverberant hall!I would like to thank Steven Vanhauwaert, the other half of my piano duo, 4handsLA, for his input on early drafts of this arrangement.— Danny Holt, April 2022.

Familiar songs with teacher accompaniments. Arranged by Kathleen Massoud. For Piano. Piano Duet (One Piano, Four Hands). (Part of the Glover Library). Sacred. Book. 24 pages. Published by Alfred Publishing.
Level: Elementary.

How to Play Funk, Rock and World Beat Patterns on Any Drum. by Alan Dworsky and Betsy Sansby. For Percussion. method. Dancing Hand. Rock and Blues. Level: Beginning-Intermediate. Book/CD Set. Size 8.5x11. 96 pages. Published by Dancing Hands.

Reduction for Piano Four Hands (1949-1950) 1 Piano, 4 Hands; Piano Four Hands (Performance Score) - advanced

SKU: HL.49019354

Reduction for Piano Four Hands. Composed by Nino Rota. Edited by Rodolfo Alessandrini and Sara Bartolucci. This edition: Saddle stitching. Sheet music. Piano Duet. Classical, Duet. Softcover. Composed 1949/1950. 35 pages. Duration 22'. Schott Music #ED21391. Published by Schott Music (HL.49019354).

ISBN 9790001187527. UPC: 888680697372. 9.0x12.0x0.182 inches.

On Christmas Eve 1950, the Italian Radio broadcast a radio play based on Adalbert Stifter's novella Rock Crystal. The music was written by Nino Rota, the translation was made by Gabriella Benci and Ippolito Pizzetti (the son of the composer Ildebrando Pizzetti, one of Rota's teachers). Here, too, the duo carefully edited the existing piano version. With these two pieces, the piano duet repertoire has taken on a whole new colour, and both performers and listeners can plunge into the atmosphere of Rota's film music. Contents: I Allegretto, con intimo fervore * II Andante con moto * III Andantino * IV Andante immobile * V Allegro * VI Lento, non troppo * VII Allegro * VIII Andantino mosso * IX Mosso e leggero, appena rubato * X Andante sostenuto * XI Allegretto agitato * XII Grandioso * XIII Allegretto.

Jazz Chord Voicings for Two Hands arranged by James Progris. For jazz piano. This edition: Paperback. Instructional. Chords. Book. Text Language: English. 48 pages. Published by Santorella Publications