| Missa pastoralis in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Carus Verlag
SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo...(+)
SATB vocal soli, SATB
choir, bassoon,
clarino/trumpet, 2
violins, basso continuo -
Level 4 SKU:
CA.4068309 In
Nativitate Domini in
nocte. Composed by
Jakub Jan Ryba. Edited by
Karlheinz Ostermann.
Arranged by Paul Horn. 1x
40.683/21 bassoon, 1x
40.683/31 clarino. Missa
Pastoralis In C
Zugl.Orgelstimme. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1808. 8
pages. Duration 16
minutes. Carus Verlag #CV
40.683/09. Published by
Carus Verlag
(CA.4068309). ISBN
9790007220273. Key: C
major. Language:
Latin. The Missa
pastoralis in C,
published here for the
first time, dates from
about 1808. It belongs to
a cycle of sacred pieces,
a ,,Cursus
sacro-harmonicus, which
Ryba planned as
Ordinarium and Proprium
settings for all the
Sundays and feast days of
the church year. The
Missa pastoralis in C is
a pastoral Mass for the
matutinal service at
Christmas. As in the
Missa Pastoralis in B
flat, in this Mass Ryba
makes use of concertante
instruments: trumpet and
a bassoon, an instrument
seldom employed
solistically in a Mass,
but which gives this work
a unique character. Score
and parts available
separately - see item
CA.4068300. $8.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur et Parties séparées] - Intermédiaire/avancé Carus Verlag
SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo...(+)
SATB vocal soli, SATB
choir, bassoon,
clarino/trumpet, 2
violins, basso continuo -
Level 4 SKU:
CA.4068319 In
Nativitate Domini in
nocte. Composed by
Jakub Jan Ryba. Edited by
Karlheinz Ostermann.
Arranged by Paul Horn.
German title: Missa
Pastoralis In C
Zugl.Orgelstimme. Sacred
vocal music, Masses,
Latin. Set of Orchestra
Parts. Composed 1808.
Duration 16 minutes.
Carus Verlag #CV
40.683/19. Published by
Carus Verlag
(CA.4068319). ISBN
9790007138158. Key: C
major. Language:
Latin. The Missa
pastoralis in C,
published here for the
first time, dates from
about 1808. It belongs to
a cycle of sacred pieces,
a ,,Cursus
sacro-harmonicus, which
Ryba planned as
Ordinarium and Proprium
settings for all the
Sundays and feast days of
the church year. The
Missa pastoralis in C is
a pastoral Mass for the
matutinal service at
Christmas. As in the
Missa Pastoralis in B
flat, in this Mass Ryba
makes use of concertante
instruments: trumpet and
a bassoon, an instrument
seldom employed
solistically in a Mass,
but which gives this work
a unique character. Score
and parts available
separately - see item
CA.4068300. $110.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire/avancé Carus Verlag
SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo...(+)
SATB vocal soli, SATB
choir, bassoon,
clarino/trumpet, 2
violins, basso continuo -
Level 4 SKU:
CA.4068305 In
Nativitate Domini in
nocte. Composed by
Jakub Jan Ryba. Edited by
Karlheinz Ostermann.
Arranged by Paul Horn.
Missa Pastoralis In C
Zugl.Orgelstimme. Sacred
vocal music, Masses,
Latin. Choral Score.
Composed 1808. 8 pages.
Duration 16 minutes.
Carus Verlag #CV
40.683/05. Published by
Carus Verlag
(CA.4068305). ISBN
9790007112486. Key: C
major. Language:
Latin. The Missa
pastoralis in C,
published here for the
first time, dates from
about 1808. It belongs to
a cycle of sacred pieces,
a ,,Cursus
sacro-harmonicus, which
Ryba planned as
Ordinarium and Proprium
settings for all the
Sundays and feast days of
the church year. The
Missa pastoralis in C is
a pastoral Mass for the
matutinal service at
Christmas. As in the
Missa Pastoralis in B
flat, in this Mass Ryba
makes use of concertante
instruments: trumpet and
a bassoon, an instrument
seldom employed
solistically in a Mass,
but which gives this work
a unique character. Score
available separately -
see item CA.4068300. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire/avancé Carus Verlag
SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo...(+)
SATB vocal soli, SATB
choir, bassoon,
clarino/trumpet, 2
violins, basso continuo -
Level 4 SKU:
CA.4068312 In
Nativitate Domini in
nocte. Composed by
Jakub Jan Ryba. Edited by
Karlheinz Ostermann.
Arranged by Paul Horn.
Missa Pastoralis In C
Zugl.Orgelstimme. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 2. Composed 1808.
8 pages. Duration 16
minutes. Carus Verlag #CV
40.683/12. Published by
Carus Verlag
(CA.4068312). ISBN
9790007220297. Key: C
major. Language:
Latin. The Missa
pastoralis in C,
published here for the
first time, dates from
about 1808. It belongs to
a cycle of sacred pieces,
a ,,Cursus
sacro-harmonicus, which
Ryba planned as
Ordinarium and Proprium
settings for all the
Sundays and feast days of
the church year. The
Missa pastoralis in C is
a pastoral Mass for the
matutinal service at
Christmas. As in the
Missa Pastoralis in B
flat, in this Mass Ryba
makes use of concertante
instruments: trumpet and
a bassoon, an instrument
seldom employed
solistically in a Mass,
but which gives this work
a unique character. Score
and part available
separately - see item
CA.4068300. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire/avancé Carus Verlag
SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo...(+)
SATB vocal soli, SATB
choir, bassoon,
clarino/trumpet, 2
violins, basso continuo -
Level 4 SKU:
CA.4068313 In
Nativitate Domini in
nocte. Composed by
Jakub Jan Ryba. Edited by
Karlheinz Ostermann.
Arranged by Paul Horn.
Missa Pastoralis In C
Zugl.Orgelstimme. Sacred
vocal music, Masses,
Latin. Single Part,
Cello/Double Bass.
Composed 1808. 8 pages.
Duration 16 minutes.
Carus Verlag #CV
40.683/13. Published by
Carus Verlag
(CA.4068313). ISBN
9790007220303. Key: C
major. Language:
Latin. The Missa
pastoralis in C,
published here for the
first time, dates from
about 1808. It belongs to
a cycle of sacred pieces,
a ,,Cursus
sacro-harmonicus, which
Ryba planned as
Ordinarium and Proprium
settings for all the
Sundays and feast days of
the church year. The
Missa pastoralis in C is
a pastoral Mass for the
matutinal service at
Christmas. As in the
Missa Pastoralis in B
flat, in this Mass Ryba
makes use of concertante
instruments: trumpet and
a bassoon, an instrument
seldom employed
solistically in a Mass,
but which gives this work
a unique character. Score
and part available
separately - see item
CA.4068300. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre [Conducteur] - Intermédiaire/avancé Carus Verlag
SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo...(+)
SATB vocal soli, SATB
choir, bassoon,
clarino/trumpet, 2
violins, basso continuo -
Level 4 SKU:
CA.4068300 In
Nativitate Domini in
nocte. Composed by
Jakub Jan Ryba. Edited by
Karlheinz Ostermann.
Arranged by Paul Horn.
This edition: Paperbound.
German title: Missa
Pastoralis In C
Zugl.Orgelstimme. Sacred
vocal music, Masses,
Latin. Full score.
Composed 1808. 44 pages.
Duration 16 minutes.
Carus Verlag #CV
40.683/00. Published by
Carus Verlag
(CA.4068300). ISBN
9790007087319. Key: C
major. Language:
Latin. The Missa
pastoralis in C,
published here for the
first time, dates from
about 1808. It belongs to
a cycle of sacred pieces,
a ,,Cursus
sacro-harmonicus, which
Ryba planned as
Ordinarium and Proprium
settings for all the
Sundays and feast days of
the church year. The
Missa pastoralis in C is
a pastoral Mass for the
matutinal service at
Christmas. As in the
Missa Pastoralis in B
flat, in this Mass Ryba
makes use of concertante
instruments: trumpet and
a bassoon, an instrument
seldom employed
solistically in a Mass,
but which gives this work
a unique character. $37.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Missa pastoralis in C Soli, choeur mixte et accompagnement satb (soli), SATB (chœur), Orchestre - Intermédiaire/avancé Carus Verlag
SATB vocal soli, SATB choir, bassoon, clarino/trumpet, 2 violins, basso continuo...(+)
SATB vocal soli, SATB
choir, bassoon,
clarino/trumpet, 2
violins, basso continuo -
Level 4 SKU:
CA.4068311 In
Nativitate Domini in
nocte. Composed by
Jakub Jan Ryba. Edited by
Karlheinz Ostermann.
Arranged by Paul Horn.
Missa Pastoralis In C
Zugl.Orgelstimme. Sacred
vocal music, Masses,
Latin. Single Part,
Violin 1. Composed 1808.
8 pages. Duration 16
minutes. Carus Verlag #CV
40.683/11. Published by
Carus Verlag
(CA.4068311). ISBN
9790007220280. Key: C
major. Language:
Latin. The Missa
pastoralis in C,
published here for the
first time, dates from
about 1808. It belongs to
a cycle of sacred pieces,
a ,,Cursus
sacro-harmonicus, which
Ryba planned as
Ordinarium and Proprium
settings for all the
Sundays and feast days of
the church year. The
Missa pastoralis in C is
a pastoral Mass for the
matutinal service at
Christmas. As in the
Missa Pastoralis in B
flat, in this Mass Ryba
makes use of concertante
instruments: trumpet and
a bassoon, an instrument
seldom employed
solistically in a Mass,
but which gives this work
a unique character. Score
and part available
separately - see item
CA.4068300. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Czardas Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4403-75 Composed by Vittorio Monti. Ar...(+)
Concert band - Grade 3
SKU:
CL.012-4403-75
Composed by Vittorio
Monti. Arranged by
Glover. Concert Band.
Spotlight Series. Audio
recording available
separately (item
CL.WFR384). Oversized,
spiral-bound score.
Composed 2015. Duration 4
minutes, 19 seconds. Opus
III Wind Orchestra
Publications
#012-4403-75. Published
by Opus III Wind
Orchestra Publications
(CL.012-4403-75).
This lively
Hungarian folk dance,
originally set for solo
violin and piano by
Italian composer Vittorio
Monti, has been arranged
for solo instrument and
concert band for the
Barnhouse Spotlight
series by Andrew Glover.
This rhapsodical work
allows the soloist to
display great lyrical
skills as well as
technical virtuosity!
Includes solo parts for
violin or flute, b-flat
clarinet (or any b-flat
instrument in similar
range), e-flat alto
saxophone, or euphonium
(bass clef). Band
accompaniment parts grade
3; solo part grade 4+. A
great way to feature your
outstanding soloist or
guest artist, and
guaranteed to astonish
your audience!
About C.L.
Barnhouse Spotlight
Series The
Barnhouse Spotlight
series includes
publications for solo
instruments with concert
band accompaniment. These
publications are designed
to feature outstanding
members of your band as
soloist, and to provide
unique and entertaining
programming options. Solo
parts are graded more
difficult than the band
accompaniments $25.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Envisage Orchestre d'harmonie - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tam-tam,
Tambourine, Timpani and
more. - Grade 2 SKU:
CF.YPS130 Composed by
Larry Clark. Young
Performance Series. Set
of Score and Parts. With
Standard notation.
16+4+8+8+4+4+10+4+4+8+8+8
+12+4+6+6+4+2+4+10+28
pages. Duration 4
minutes, 20 seconds. Carl
Fischer Music #YPS130.
Published by Carl Fischer
Music (CF.YPS130).
ISBN 9780825892721.
UPC: 798408092726. 9 x 12
inches. Key: F
minor. Envisage
brings across the
contemplative feeling of
a journey, drawing the
performer and listener
toward an inevitable
outcome. The piece is
written in a standard
overture form with a
strident A section
contrasted by a gorgeous
B section which shifts to
a major key. To finish it
up, the A section returns
and ends with a dramatic
coda. $75.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Golden Plume Orchestre d'harmonie [Conducteur] - Intermédiaire Carl Fischer
Band Bass Clarinet in Bb, Bassoon, Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet ...(+)
Band Bass Clarinet in Bb,
Bassoon, Clarinet 1 in
Bb, Clarinet 2 in Bb,
Clarinet 3 in Bb,
Euphonium B.C., Euphonium
T.C. in Bb, Flute, Horn 1
in F, Horn 2 in F, Horn 3
in F, Horn 4 in F, Oboe,
Percussion 1, Percussion
2, Piccolo, Trombone 1
and more - Grade 4
SKU: CF.CB139F
March. Composed by
William Huff. Edited by
Robert E. Foster. SWS.
Henry Fillmore Band
Series (An Authentic
Fillmore Edition). Full
score. With Standard
notation. 20 pages.
Duration 2 minutes, 33
seconds. Carl Fischer
Music #CB139F. Published
by Carl Fischer Music
(CF.CB139F). ISBN
9780825874529. UPC:
798408074524. 9x12
inches. Key: G
minor. Another
installment in the
Authentic Fillmore
Edition series, The
Golden Plume was written
under the pen name of
Will Huff, one of seven
pseudonyms used by the
famous march composer
Henry Fillmore. It is a
classic American style
march in cut-time that is
sure to find a place on
your next concert or
festival performance, in
a new edition just like
it was originally
intended. $18.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Kyrie in C minor Chorale SATB SATB/SATB (Double) [Conducteur] - Intermédiaire/avancé Carus Verlag
SATB vocal soli, SATB/SATB choir - Level 4 SKU: CA.4047910 Composed by Fe...(+)
SATB vocal soli,
SATB/SATB choir - Level 4
SKU: CA.4047910
Composed by Felix
Bartholdy Mendelssohn.
Edited by Gunter
Graulich. This edition:
urtext. Stuttgart Urtext
Edition: Mendelssohn.
German title: Kyrie in c.
Sacred vocal music, Mass
sections. Full score.
Composed 1823. MWV B 12.
Duration 10 minutes.
Carus Verlag #CV
40.479/10. Published by
Carus Verlag
(CA.4047910). ISBN
9790007069872. Key: C
minor. Language:
Latin. Like other
early spiritual works of
Mendelssohn's that are
set for double choir,
this Kyrie of 1823 shows
an affinity to
Mozart. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Allegro Francaise Orchestre d'harmonie [Conducteur] - Intermédiaire Opus III Wind Orchestra Publications
Concert band - Grade 3 SKU: CL.012-4003-01 Composed by J. Edouard Barat. ...(+)
Concert band - Grade 3
SKU:
CL.012-4003-01
Composed by J. Edouard
Barat. Arranged by
Glover. Concert Band.
Spotlight Series. Audio
recording available
separately (item
CL.WFR375). Extra full
score. Composed 2012.
Duration 3 minutes, 2
seconds. Opus III Wind
Orchestra Publications
#012-4003-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-4003-01).
Barat’s
Andante and Allegro has
been a staple of trombone
solo repertoire for
decades, and now the
Allegro has been
excerpted and arranged
for the Barnhouse
Spotlight series by
Andrew Glover. An
excellent solo to
showcase your trombone,
euphonium B.C., euphonium
T.C., or horn soloist.
Band accompaniment is a
grade 3, and comes
together with a minimum
amount of rehearsal time.
Solo part is grade 4. A
great solo showpiece!
About C.L.
Barnhouse Spotlight
Series The
Barnhouse Spotlight
series includes
publications for solo
instruments with concert
band accompaniment. These
publications are designed
to feature outstanding
members of your band as
soloist, and to provide
unique and entertaining
programming options. Solo
parts are graded more
difficult than the band
accompaniments $8.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Exsultate justi in Domino Chorale SATB [Conducteur] Carus Verlag
SATB choir SKU: CA.965400 Composed by Ko Matsushita. Edited by Stefan Sch...(+)
SATB choir SKU:
CA.965400 Composed by
Ko Matsushita. Edited by
Stefan Schuck.
Contemporary Choir Music.
Sacred vocal music,
Praise and thanks. Full
score. Composed 2014. 8
pages. Duration 4
minutes. Carus Verlag #CV
09.654/00. Published by
Carus Verlag (CA.965400).
ISBN 9790007164898.
Language:
Latin. Reflecting
the psalm text, the
composer Matsushita
constantly finds new ways
of expressing the praise
of God. In the swinging
rhythm of the 6/8 meter,
with its dotted rhythms
full of brio and binary
pulse in counterpoint,
with flashing dissonances
through the almost
oriental use of chromatic
intervals, with sharply
juxtaposed bitonal
chords, and with the
consonant-rich text,
rapidly sung, the
composer achieves an
impressive, virtuoso
showpiece which
accomplished choirs can
use to show off the full
range of their abilities.
Along the way Matsushita
never writes
unnecessarily complicated
music, but music which is
always based on his own
practical experience as a
choral director. In a
rondo-like form he finds
a parallel for the
repetitions of unceasing
praise. Matsushita sets
the text syllabically
throughout, but uses its
tonal colors to give
character to the
individual sections. For
example, the fanfare-like
opening motif alternates
with a crescendo section,
which draws its energy
from the contrast between
declamatory vocal parts
over a pedal point in
diminished and augmented
leaps of a third, fourth
and fifth. Voice range:
S: c' - b'' / A: asdeg -
e'' / T: cdeg - gis' / B:
F- e'. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String
Quartet SKU:
PR.16400272S
Cassatt. Composed
by Dan Welcher. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Full score.
With Standard notation.
Composed 2007. WRT11142.
52 pages. Duration 24
minutes. Theodore Presser
Company #164-00272S.
Published by Theodore
Presser Company
(PR.16400272S). UPC:
680160588442. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $38.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| String Quartet No. 3 Quatuor à cordes: 2 violons, alto, violoncelle Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String
Quartet SKU:
PR.164002720
Cassatt. Composed
by Dan Welcher. Spiral
and Saddle. Premiere:
Cassatt Quartet,
Northeastern Illinois
University, Chicago, IL.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 2007. WRT11142.
52+16+16+16+16 pages.
Duration 24 minutes.
Theodore Presser Company
#164-00272. Published by
Theodore Presser Company
(PR.164002720). UPC:
680160573042. 8.5 x 11
inches. My third
quartet is laid out in a
three-movement structure,
with each movement based
on an early, middle, and
late work of the great
American impressionist
painter Mary Cassatt.
Although the movements
are separate, with
full-stop endings, the
music is connected by a
common scale-form,
derived from the name
MARY CASSATT, and by a
recurring theme that
introduces all three
movements. I see this
theme as Mary's Theme, a
personality that stays
intact while undergoing
gradual change. I
The Bacchante (1876)
[Pennsylvania Academy of
Fine Arts, Philadelphia,
Pennsylvania] The
painting shows a young
girl of Italian or
Spanish origin, playing a
small pair of cymbals.
Since Cassatt was trying
very hard to fit in at
the French Academy at the
time, she painted a lot
of these subjects, which
were considered typical
and universal. The style
of the painting doesn't
yet show Cassatt's
originality, except
perhaps for certain
details in the face.
Accordingly the music for
this movement is
Spanish/Italian, in a
similar period-style but
using the musical
signature described
above. The music begins
with Mary's Theme,
ruminative and slow, then
abruptly changes to an
alla Spagnola-type fast
3/4 - 6/8 meter. It
evokes the
Spanish-influenced music
of Ravel and Falla.
Midway through,
there's an accompanied
recitative for the viola,
which figures large in
this particular movement,
then back to a truncated
recapitulation of the
fast music. The overall
feeling is of a
well-made, rather
conventional movement in
a contemporary
Spanish/Italian style.
Cassatt's painting, too,
is rather conventional.
II At the Opera
(1880) [Museum of Fine
Arts, Boston,
Massachusetts]
This painting is one of
Cassatt's most well known
works, and it hangs in
the Museum of Fine Arts
in Boston. The painting
shows a woman alone in a
box at the opera house,
completely dressed
(including gloves) and
looking through opera
glasses at someone or
something that is NOT on
the stage. Across the
auditorium from her, but
exactly at eye level, is
a gentleman with opera
glasses intently watching
her - though it is not
him that she's looking
at. It's an intriguing
picture. This
movement is far less
conventional than the
first movement, as the
painting is far less
conventional. The music
begins with a rapid,
Shostakovich-type
mini-overture lasting
less than a minute, based
on Mary's Theme. My
conjecture is that the
woman in the painting has
arrived late to the
opera, busily stumbling
into her box. What
happens next is a kind of
collage, a kind of
surrealistic overlaying
of two different
elements: the foreground
music, at first is a
direct quotation of
Soldier's Chorus from
Gounod's FAUST (an opera
Cassatt would certainly
have heard in the
brand-new Paris Opera
House at that time),
played by Violin II,
Viola, and Cello. This
music is played sul
ponticello in the melody
and col legno in the
marching accompaniment.
On top of this, the first
violin hovers at first on
a high harmonic, then
descends into a slow
melody, completely
separate from the Gounod.
It's as if the woman in
the painting is hearing
the opera onstage but is
not really interested in
it. Then the cello joins
the first violin in a
kind of love-duet (just
the two of them, at
first). This music isn't
at all Gounod-derived;
it's entirely from the
same scale patterns as
the first movement and
derives from Mary's Theme
and its scale. The music
stays in a kind of
dichotomy feeling,
usually
three-against-one, until
the end of the movement,
when another Gounod
melody, Valentin's aria
Avant de quitter ce lieux
reappears in a kind of
coda for all four
players. It ends
atmospherically and
emotionally disconnected,
however. The overall
feeling is a kind of
schizophrenic,
opera-inspired dream.
III Young Woman in
Green, Outdoors in the
Sun (1909) [Worcester Art
Museum, Massachusetts]
The painting, one
of Cassatt's last, is
very simple: just a
figure, looking sideways
out of the picture. The
colors are pastel and yet
bold - and the woman is
likewise very
self-assured and not in
the least demure. It is
eight minutes long, and
is all about melody -
three melodies, to be
exact (Young Woman,
Green, and Sunlight). No
angst, no choppy rhythms,
just ever-unfolding
melody and lush
harmonies. I quote one
other French composer
here, too: Debussy's song
Green, from Ariettes
Oubliees. 1909 would have
been Debussy's heyday in
Paris, and it makes
perfect sense musically
as well as visually to do
this. Mary Cassatt
lived her last several
years in near-total
blindness, and as she
lost visual acuity, her
work became less sharply
defined - something akin
to late water lilies of
Monet, who suffered
similar vision loss. My
idea of making this
movement entirely melodic
was compounded by having
each of the three
melodies appear twice,
once in a pure form, and
the second time in a more
diffuse setting. This
makes an interesting two
ways form:
A-B-C-A1-B1-C1.
String Quartet No.3
(Cassatt) is dedicated,
with great affection and
respect, to the Cassatt
String Quartet, whose
members have dedicated
themselves in large
measure to the furthering
of the contemporary
repertoire for
quartet. $53.00 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| The Judas Tree Chester
Score Orchestra SKU: HL.14010199 Ballet in Five Movements for Orchestr...(+)
Score Orchestra SKU:
HL.14010199 Ballet
in Five Movements for
Orchestra. Composed
by Brian Elias. Music
Sales America. 20th
Century. Book
[Softcover]. Composed
2000. 171 pages. Chester
Music #CH61420. Published
by Chester Music
(HL.14010199). ISBN
9780711975262. A
ballet in five movements
for orchestra was
commissioned by The Royal
Opera House, for Sir
Kenneth MacMillan and The
Royal Ballet. The first
performance was given at
The Royal Opera House on
19th March 1992. Scoring
4 FLUTES; 2 OBOES; COR
ANGLAIS; 2 CLARINETS IN
BFLAT(2ND DOUBLING
CLARINET IN E FLAT); BASS
CLARINET IN B FLAT; 2
BASSOONS; CONTRA BASSOON;
4 HORNS IN F; 4 TRUMPETS
IN C; 2 TROMBONES; 1 BASS
TROMBONE; TUBA; HARP;
CELESTA; TIMPANI; SOPRANO
STEEL PAN; PERCUSSION;
STRINGS. The duration of
this work is 34 minutes,
Conductor's score, piano
score and orchestral
parts are available on
hire. $63.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| 12 etudes in All the Minor Keys
Piano seul [Partition] Peters
By Marc-Andre Hamelin. For Piano. Modern. Sheet Music. Composed Composed: 1986-2...(+)
By Marc-Andre Hamelin.
For Piano. Modern. Sheet
Music. Composed Composed:
1986-2009. Duration
approximately 60 minutes.
Published by Edition
Peters
(4)$44.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Principal Brothers No. 4 Basson [Conducteur] Subito Music
Bassoon SKU: SU.94010764 For Bassoon. Composed by James Lee III. W...(+)
Bassoon SKU:
SU.94010764 For
Bassoon. Composed by
James Lee III. Woodwinds,
Bassoon. Score. Subito
Music Corporation
#94010764. Published by
Subito Music Corporation
(SU.94010764).
Dedicated to
Bryan Young, Principal
Bassoon, Baltimore
Chamber OrchestraBassoon
Duration: 5'3 Composed:
2020 Published by: Subito
Music Publishing PROGRAM
NOTE: The year 2020
has definitely been a
very challenging year
with many upheavals.
During this time of the
COVID-19 health crisis,
wearing masks, and high
racial tensions, I
decided to compose four
short solo woodwind works
for flute, oboe,
clarinet, and bassoon,
which represent the core
woodwind section in an
orchestra. I was inspired
to compose these short
pieces after I first
heard Igor Stravinsky's
three short pieces for
clarinet, which totals a
little more than four
minutes in duration. I
thought that it would be
nice to highlight and
honor my African-American
male colleagues in the
orchestral music world. I
wanted to celebrate the
fact that they are the
principal player in the
section of their
respective orchestras.
The short pieces are as
follows: Principal
Brother No. 1 for flute
solo for Demarre McGill,
Principal Flute of the
Seattle Symphony
Orchestra, Principal
Brother No. 2 for oboe
solo for Titus Underwood,
Principal Oboe of the
Nashville Symphony
Orchestra, Principal
Brother No. 3 for
clarinet solo for Anthony
McGill, Principal
Clarinet of the New York
Philharmonic, and
Principal Brother No. 4
for bassoon solo for
Bryan Young, Principal
Bassoon of the Baltimore
Chamber Orchestra. These
works all begin with
notes that are
representative of their
name; D for Demarre, B
for Titus (ti in
solfège starting on
C), A for Anthony, and Bb
for Bryan. There is also
a rhythmic figure in the
opening measures of each
piece, which represent
the utterance of their
names. All four of these
works are rhapsodic in
nature with elements of
improvisation. - James
Lee III. $10.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Vallflickans dans [Conducteur et Parties séparées] Gehrmans Musikforlag
(ur Bergakungen). By Hugo Alfven (1872-1960). Arranged by B Belfrage. For horn, ...(+)
(ur Bergakungen). By Hugo
Alfven (1872-1960).
Arranged by B Belfrage.
For horn, piano (solo and
accompaniment). Herd
Maiden's Dance from The
Mountain King. Score and
parts. Op. 37a:4.
Duration 4 minutes, 30
seconds. Published by
Gehrmans Musikforlag
(GH.C
$21.51 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Chris Owenby : O Magnum Mysterium (SATB) Chorale SATB - Intermédiaire Imagine Music
By Chris Owenby. For SATB choir and piano accompaniment. Pathways Series. Grade ...(+)
By Chris Owenby. For SATB
choir and piano
accompaniment. Pathways
Series. Grade 4+. Octavo.
Duration 6 minutes.
Published by Imagine
Music
$2.10 $1.995 (- 5%) Voir plus => AcheterDélais: 4 to 6 weeks | | |
| String Quartet No. 4 Quatuor à cordes: 2 violons, alto, violoncelle [Conducteur et Parties séparées] Fennica Gehrman
String Quartet SKU: FG.55011-677-1 Composed by Seppo Pohjola. Arranged by...(+)
String Quartet SKU:
FG.55011-677-1
Composed by Seppo
Pohjola. Arranged by A.
E. Westerlind. Classical.
Score and Parts. Fennica
Gehrman #55011-677-1.
Published by Fennica
Gehrman (FG.55011-677-1).
According to
Jouni Kaipainen, the
fourth string quartet
(2006) is one of key
works of Seppo Pohjola
(b. 1965) and holds a
place as a landmark in
Finnish quartet
literature. Of the
composer's five string
quartets, it is the
longest and has the
widest thematic arcs of
his quartets. Seppo
Pohjola has gone through
a variety of styles in
his musical career. He
began as a strict
Modernist, progressed
towards Expressionism and
took on board Romantic
influences before ending
up in the early 2000s in
(a reformed brand of)
Modernism again. Osmo
Tapio Raihala describes
the end result thus: The
'new' Pohjola often
anchors his style in a
frenetic pulse through
which he builds musical
processes. Duration c. 33
minutes. Score (A4) and
parts (B4). $58.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| Dream Engine Orchestre d'harmonie [Conducteur] - Facile Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass
Drum, Bassoon, Bells,
Clarinet 1, Clarinet 2,
Crash Cymbals, Euphonium,
Euphonium T.C., Flute,
Flute 2, Horn, Mallet
Percussion, Oboe,
Percussion 1, Percussion
2, Snare Drum, Suspended
Cymbal, Tambourine,
Timpani, Triangle and
more. - Grade 2.5 SKU:
CF.YPS195F Composed
by Larry Clark. SWS. Carl
Fischer Young Performance
Series. Full score. With
Standard notation. 20
pages. Duration 4
minutes, 7 seconds. Carl
Fischer Music #YPS195F.
Published by Carl Fischer
Music (CF.YPS195F).
ISBN 9781491148174.
UPC: 680160905676. 9 x 12
inches. Dream
Engine is a concert
overture in classic ABA
form. Opening with a
tuneful melody that
weaves throughout the
ensemble over staccato
accompaniments, the piece
then evolves into a
contrastingly lyrical and
beautifully lush B
section. As with the rest
of Clark's work, Dream
Engine blends musicality
with teachability and is
perfect for your next
contest or festival. $11.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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