Composed by John Ireland.
Band Music. Score and
parts. Duration 10:30.
Published by G & M Brand
Music Publishers
(CN.R10004).
A
slow introduction gives
way to the chirpy theme
which is developed,
inverted, and accents
displaced across the bar
line to give a 3/2 feel
against the written
meter. Restlessness leads
to a tranquillo presented
by the flute and
clarinet, weaving a
flowing counterpoint
around the melody until
the original slow
introduction returns. A
triumphant recapitulation
of the main theme brings
this wonderful piece to
an end.
Originally
composed for Brass Band
in 1934 Comedy Overture
is, despite its name, a
serious piece of writing.
The term Overture does
not imply that there is
anything else to follow;
it is used in the 19th
century sense of Concert
Overture (like
Mendelssohn's Fingal's
Cave - in other words, a
miniature Tone Poem). The
1930's was a period of
Ireland's mature writing
- yielding the Piano
Concerto (1930), the
Legend for piano and
orchestra (1933), and the
choral work These Things
Shall Be (1936-1937). We
are fortunate therefore
to have both Comedy
Overture and A Downland
Suite (1932) written for
band medium at this time.
As with Maritime Overture
(written in 1944 for
military band) Ireland
approaches his material
symphonically. The
opening three notes state
immediately the two
seminal intervals of a
semitone and a third.
These are brooding and
dark in Bb minor. It is
these intervals which
make up much of the
thematic content of
Comedy, sometimes
appearing in inverted
form, and sometimes in
major forms as well. The
concept that some musical
intervals are consonant ,
some dissonant, and some
perfect is perhaps useful
in understanding the
nature of the tension and
resolution of this work.
The third is inherently
unstable, and by bar 4,
the interval is expanded
to a fourth - with an
ascending sem-quaver
triplet - and then
expanded to a fifth. The
instability of the third
pushes it towards a
perfect resolution in the
fourth or the fifth. The
slow introduction is
built entirely around
these intervals in Bb
minor and leads through
an oboe cadenza, to an
Allegro moderato
brillante in Bb major.
Once again, the semi-tone
(inverted) and a third
(major) comprise the
main, chirpy,
theme-inspired by a
London bus-conductor's
cry of Piccadilly. (Much
of the material in Comedy
was re-conceived by
Ireland for orchestra and
published two years later
under the title A London
Overture.) The expansion
of the interval of a
third through a fourth,
fifth, sixth, and seventh
now takes place quickly
before our very ears at
the outset of this
quicker section.
Immediately the theme is
developed, inverted, and
accents displaced across
the bar line to give a
3/2 feel against the
written meter. But this
restlessness leads to a
tranquillo built around
an arpeggio figure and
presented by flute and
clarinet. Ireland weaves
his flowing counterpoint
around this melody until
the original slow
introduction returns
leading to a stretto
effect as the rising bass
motifs become more
urgent, requesting a
resolution of the tension
of that original semitone
and minor third. Yet
resolution is withheld at
this point as the music
becomes almost becalmed
in a further, unrelated
tranquillo section marked
pianissimo. It is almost
as if another side of
Ireland's nature is
briefly allowed to shine
through the stern
counterpoint and
disciplined structure.
This leads to virtually a
full recapitulation of
the chirpy brilliante,
with small additional
touches of counterpoint,
followed by the first
tranquillo section-this
time in the tonic of Bb
major. But the
instability of the third
re-asserts itself, this
time demanding a
resolution. And a
triumphant resolution it
receives, for it finally
becomes fully fledged and
reiterates the octave in
a closing vivace. The
opening tension has at
last resolved itself into
the most perfect interval
of all.
By Various. Edited by Sibylle Cada, Thomas Peter-Horas. For piano. Piano Music f...(+)
By Various. Edited by
Sibylle Cada, Thomas
Peter-Horas. For piano.
Piano Music for
Discoverers - Contains 72
easy and intermediate
original p iano
compositions,from
Couperin to Chick Cor
ea.Das Pianobuch presents
piano music from f our
centuries in a novel
mixture of standard
literature and pieces in
mint" condition. " It
contains not only minor
masterpieces by l ess
well-known composers, but
little known g ems by
great masters." Some of
the titles w" ere written
specifically for our
collection. Published by
C.F. Peters.
A Masterwork Method for the Developing Pianist. Composed by Nancy Bachus. Gr...(+)
A Masterwork Method for
the
Developing Pianist.
Composed
by Nancy Bachus. Graded
Standard Repertoire;
Masterworks; Piano
Collection. Exploring
Piano
Classics. Masterwork.
Book;
CD. 56 pages. Alfred
Music
#00-42636. Published by
Alfred Music
High Voice, Piano Accompaniment, Voice SKU: HL.304688 High Voice and P...(+)
High Voice, Piano
Accompaniment, Voice
SKU: HL.304688
High Voice and
Piano. Composed by
Charles Ives. Peermusic
Classical. Classical.
Softcover. 36 pages.
Peermusic Classical
#70266202. Published by
Peermusic Classical
(HL.304688).
ISBN
9781540067418. UPC:
888680970581. 9x12
inches.
This is the
first volume of songs by
Charles Ives designed
expressly for the young
singer. Ives famously
asked “Must a song
always be a song?”
His songs are often
miniature dramas, and
suggest the visual as
much as the auditory.
Singers and pianists
alike are encouraged to
be proactive, and imagine
they are actors, or
painters, or enter the
creative process in some
other
way.
Contents
include: 1. Autumn, 2.
The Cage, 3. The Circus
Band, 4. Down East, 5.
Her Eyes, 6. In the
Alley, 7. Memories, 8.
Nature's Way, 9. The Side
Show, 10. There is a
lane, 11. The Things Our
Fathers Loved, 12. The
Waiting Soul.
Orpheus with his lute Chorale SATB SATB divisi, A Cappella - Facile Oxford University Press
SATB choir, a cappella (SATB) - Easy to Moderately Difficult SKU: OU.97801933...(+)
SATB choir, a cappella
(SATB) - Easy to
Moderately Difficult
SKU:
OU.9780193398658
Composed by Howard
Skempton. Secular Choral
- Mixed Voices. New
Horizons. Secular. Vocal
score. 4 pages. Duration
3.5'. Oxford University
Press #9780193398658.
Published by Oxford
University Press
(OU.9780193398658).
ISBN 9780193398658. 10
x 7 inches.
For
SATB unaccompanied This
is a simple and elegant
miniature in
characteristic Skempton
style, with graceful
choral homophony,
seamlessly fluctuating
time signatures, and
hypnotic, meandering
harmonies. The text, by
William Shakespeare, is
an homage to music.
About Oxford
New
Horizons
N
ew Horizons showcases the
wealth of exciting,
innovative, and
occasionally challenging
choral music being
written today. It
encompasses the whole
gamut of small-scale
choral genres, both
secular and sacred, and
includes pieces for
upper-voice and mixed
choirs. With titles by
some of the most
accomplished choral
composers active in Great
Britain and abroad, the
series introduces new
repertoire and fresh
talent to a broad
spectrum of choirs. New
Horizons features
composers with growing
reputations for quality
composition reflecting a
strong individual voice.
The series is continually
expanding and should be
the first place to look
for attractive and
performable contemporary
choral music.
Low Voice, Piano Accompaniment, Voice SKU: HL.304703 Low Voice and Pia...(+)
Low Voice, Piano
Accompaniment, Voice
SKU: HL.304703
Low Voice and
Piano. Composed by
Charles Ives. Peermusic
Classical. Classical.
Softcover. 36 pages.
Peermusic Classical
#70267204. Published by
Peermusic Classical
(HL.304703).
ISBN
9781540067425. UPC:
888680970598. 9x12
inches.
This is the
first volume of songs by
Charles Ives designed
expressly for the young
singer. Ives famously
asked “Must a song
always be a song?”
His songs are often
miniature dramas, and
suggest the visual as
much as the auditory.
Singers and pianists
alike are encouraged to
be proactive, and imagine
they are actors, or
painters, or enter the
creative process in some
other
way.
Contents
include: 1. Autumn, 2.
The Cage, 3. The Circus
Band, 4. Down East, 5.
Her Eyes, 6. In the
Alley, 7. Memories, 8.
Nature's Way, 9. The Side
Show, 10. There is a
lane, 11. The Things Our
Fathers Loved, 12. The
Waiting Soul.