Orchestra String Quartet

SKU: CF.O5129

Composed by David Epstein. Premiered April 19, 1972 at University of Washington, Seattle, Washington by the Philadelphia String Quartet (Veda Rynolds, violin, Irwin Eisenberg, violin, Alan Iglitzin, viola, Charles Brennand, cello). Large Score. With Standard notation. Composed 1971. Carl Fischer Music #O5129. Published by Carl Fischer Music (CF.O5129).

9 X 12 inches.

Fakebook for Eb instrument and voice. With vocal melody, lyrics and leadsheet notation. Series: Hal Leonard Fake Books. 448 pages. Published by Hal Leonard.

Organ - Advanced

SKU: MN.12-121

Composed by Joseph Willcox Jenkins. Non Hymn-Based, Recital Music. MorningStar Music Publishers #12-121. Published by MorningStar Music Publishers (MN.12-121).

UPC: 688670121210.

Confl uence was commissioned by the Organ Artist Series of Pittsburgh in celebration of its twentieth anniversary in 1999. Christa Rakich gave the premier at the closing concert of the season at Calvary Episcopal Church by in April of 1999. It has been performed frequently since that time. The title was given to honor the joining together or confluence of the three rivers of Pittsburgh: the Allegheny, the Monongalela, and the Ohio. Confluence is a curious hybrid related to both the sonata and rondo forms. It is of the ABABA design with the final A quite extended by polyphonic games and a very noisy and triumphant epilogue. The first idea is driving, rhythmic, nervous and agitated. The second is quiet, gentle and pastoral, that slowly moves in its mysterious ways, closing with a plaintive row of a dozen different pitches. The composer delights in the challenge of making tone rows as approachable and sing-able as possible. Both ideas make slightly varied restatements. At the end, fugal exploitation of the first idea is followed by that row, entering with stentorian grandeur in full pedal, heralding the triumphant close. This row, like the month of March is referred to frequently as coming in like a Iamb, going out like a lion.

Soprano voice solo/3 tenor voice solos/3 baritone voice solos/orchestra (Soprano Voice Solo, 3 Tenor Voice Solo, 3 Baritone Voice Solo, Orchestra)

SKU: BA.BA08812-01

Comedy in one act in verses, with ariettes and vaudevilles. Composed by Adolphe Benoît Blaise and Marie-Justine-Benoîte Favart. Edited by Andreas Münzmay and Janine Droese. This edition: Edition of selected works, Urtext edition. Linen. Spectrum of European Music Theatre in Separate Editions 2. Edition of selected works, Score, Critical commentary, USB flash drive. Baerenreiter Verlag #BA08812_01. Published by Baerenreiter Verlag (BA.BA08812-01).

ISBN 9790006543182. 33.1 x 26.5 cm inches. Text Language: French. Preface: Münzmay, Andreas. Text: nach Jean-Francois Marmontel.

Annette et Lubin

Justine Favart and Adolphe Blaise'sAnnette et Lubinwas premiered on 15 February 1762 at the Paris Opera-Comique - the first new production at that theater following its merger with the Comedie-Italien. It was a resounding success: by the time the season came to an end, on 3 April, it had been almost continuously on the program with no decline in interest from the public, and it remained in the repertoire for more than thirty years. Countless new editions, translations, and parodies of the play bear witness to its impact far beyond the borders of Paris. Like all of Favart's works, it deals with the subject of natural love, unencumbered by considerations of money or social status endangering it from the outside through powerful aristocratic or wealthy rivals. The plot is based on a literary model, the like-named tale by Jean-Francois Marmontel, which is in turn based on a contemporary occurrence.

Annette and her cousin Lubin are sharply reprimanded for their love by an estate administrator (Le Bailli) who himself has designs on Annette. He takes advantage of Annette's illegitimate pregnancy to extort her: only by marrying him can she escape condemnation by society and the church. But Annette and her lover are able to gain the protection of the local squire (Le Seigneur), and the story ends happily with a conciliatory gesture from the lord of the manor.

The second volume in our series OPERA, Annette et Lubin, consists of a cloth-bound book and an Edirom file stored on a USB card in credit-card format. The number of simultaneous users of the edition's digital component is unlimited.
Further information on the work and the OPERA series can be found at http://www. opera-edition.com/en/anne tteetlubin_en.htm.


OPERA: Spectrum of European Music Theatre in Separate Editions is dedicated to critical editions of outstanding works of European music theatre from the 17th to the 20th centuries.

Compositions of French, Italian, German, English, Scandinavian and Slavic origin are being edited. These include specific genres which have seldom been given attention in editorial undertakings until now and which present their own editorial problems, such as ballet, theatre music, melodrama or operetta.

A new feature is the form of the presentation in so-called hybrid editions. While the scores appear in traditional cloth-bound volumes, the musical and textual sources, the editions of the dramatic texts, as well as the critical commentaries are prepared and presented on an electronic platform (Edirom).
Thanks to this ability to access the underlying sources, the editorial decisions are completely transparent to the user.

This special editorial access being implemented by OPERA's editions uses the software Edirom, which was developed in a project of the Deutsche Forschungsgemeinschaft (German Research Foundation) based at the University of Paderborn. All components of the electronic part are encoded according to the modern standard of XML. The text components follow the standard of the Text Encoding Initiative (TEI).

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
- A well-presented layout and a user-friendly format
- Excellent print quality
- Superior paper and binding

SATB Chorus & Harp

SKU: SU.80401410

For SATB Chorus & Harp. Composed by Stephen Paulus. Vocal/Choral, Secular Choral, Harp. Choral Octavo. Subito Music Corporation #80401410. Published by Subito Music Corporation (SU.80401410).

SATB Chorus & Harp Composed: 2006 Commissioned by the St. Joseph Community Chorus, St. Joseph, Missouri, Frank Thomas, founding Artistic Director in celebration of the twenty-fifth concert season 2005-2006 Premiered April 23, 2006 Published by: Paulus Publications (SP 469) Minimum order quantity: 8 copies. To order quantities fewer than 8, please call customer service at (973) 857-3440.

By David Lovrien. For brass choir, percussion. Chamber music. Evokes the visceral spirit of an ancient pagan ceremony. Concert fanfare. Full score and set of parts. Duration 2:20. Published by Lovebird Music. (114) Level: advanced.

Chamber Music String Quartet

SKU: PR.114413230

Composed by Richard Wernick. Contemporary. Set of Score and Parts. With Standard notation. 20+4+4+4+4 pages. Duration 14 minutes. Theodore Presser Company #114-41323. Published by Theodore Presser Company (PR.114413230).

UPC: 680160583683.

Werni ck's String Quartet No. 7 was given its world premiere by the esteemed Juilliard String Quartet in Philadelphia, PA, November 2008. These same performers then gave the New York premiere in April 2009 in the Alice Tully Hall, as part of their final New York appearance of the season. From the Juilliard press release: Mr. Wernick describes the format of the work: 'The Seventh String Quartet features a four-voice mensuration [measured] canon that spins out over a span of about ten minutes followed by a homophonic coda in which the proportional relationship is no longer from voice to voice, but from chord to chord..

(Manuscrit autographe, 1702). By Bernardo Pasquini (1637-1710). Edited by Emer Buckley. For Harpsichord solo. This edition: Facsimile. Collection Dominantes. Score. 264 pages. Published by Anne Fuzeau Productions - France

Harpsichord solo

SKU: FZ.5920

Manuscrit autographe, 1702. Composed by Bernardo Pasquini. Edited by Emer Buckley. This edition: Facsimile. Collection Dominantes. Score. Published by Anne Fuzeau Productions - France (FZ.5920).

ISBN 9790230659208. 23.50 x 31.50 cm inches.

This facsimile of the manuscript by Bernardo Pasquini is part of our Dominantes collection. Sonate per gravecembalo composte del Sig. Bernardo Pasquini e scritte di sua mano in questo libro. A. D. 1702. Aprile. The keyboard works of Pasquini: manuscript of Berlin, second party. Presentation by Emer Buckley: Commentary of the score - Corrections and suggestions - Index. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches.
Facsimile of a copy in the National Library of Berlin, Preussischer Kulturbesitz, Musikabteilung mit Mendelssohn-Archiv (Germany). Anne Fuzeau Classique propose period copies of classical music scores.