Fanfare Band - Grade 2.5 SKU: BT.DHP-1033432-020 Nun danket alle Gott<...(+)
Fanfare Band - Grade 2.5
SKU:
BT.DHP-1033432-020
Nun danket alle
Gott. Composed by
Johann Sebastian Bach.
Arranged by Robert van
Beringen. Musica Sacra.
Hymns & Chorals. Set
(Score & Parts). Composed
2003. De Haske
Publications #DHP
1033432-020. Published by
De Haske Publications
(BT.DHP-1033432-020).
In 1725 J.S.
Bach composed the cantata
BWV79 ‘Gott, der
Herr, is Sonn’ und
Schild for the
celebration of the
Reformation. Originally
written for 3 vocal
soloists, choir and
orchestra Cantata
No.79 is partially
based on the well known
hymn Now Thank We All
Our God, the melody
of which is attributed to
Martin Rinckart. This
arrangement for concert
band by Robert van
Beringen combines part of
the first movement (Coro)
with and ensemble from
the third movement
(Choral).
In 2007
is het zogenaamde
Lutherdecennium begonnen,
de tien jaar waarin wordt
voorbereid op het
jubileumjaar 2017. In dat
jaar is het vijfhonderd
geleden dat Luther zijn
95 stellingen
publiceerde. Het jaar
2012 heeft ‘Muziek
en Reformatie’als
thema. Naast muziek van
Luther zelf staan
componisten als J. S.
Bach en Heinrich
Schütz in het
middelpunt. Met deze
bewerking van de melodie
Nun danket alle
Gott, die Bach als
basis nam voor zijn
cantateGott, der Herr,
ist Sonn’ und
Schild (BWV 79), kunt
u in 2012 op gepaste
wijze stilstaan bij
‘Muziek en
Reformatie’. Seit 2007 läuft die
so genannte
Luther-Dekade“,
eine Veranstaltungsreihe,
die auf das
Reformationsjubiläum
2017 vorbereitet. Das
Jahr 2012 ist innerhalb
dieser Dekade dem Thema
Musik und
Reformation“
gewidmet. Neben Musik von
Luther selbst, stehen da
Komponisten wie J. S.
Bach oder Heinrich
Schütz im Mittelpunkt.
Mit dieser Bearbeitung
der Melodie von Nun
danket alle Gott, die
Bach als Grundlage seiner
Kantate Gott, der
Herr, ist Sonn’
und Schild (BWV 79)
verwendete, im
Repertoire, können Sie
Ihren Beitrag zum Jahr
Musik und
Reformation“
leisten.
Nel 1725, J.S. Bach
compose la Cantata BWV79
Gott, der Herr, ist
Sonn’ und
Schild. La Cantata 79
è in parte basata sul
popolare inno cristiano
Nun danket Alle
Gott.
L’arrangiamento di
Robert van Beringen
incorpora parte del primo
movimento (Coro) e
l’intero terzo
movimento (Choral) della
cantata. Chorale from
Cantata No. 79 è
un pezzo strumentale ma
può anche essere
eseguito con un coro
misto. Le parti per coro
(in tedesco) sono
disponibili
separatamente.
Concert Band/Harmonie - Grade 2.5 SKU: BT.DHP-1033432-140 Nun danket a...(+)
Concert Band/Harmonie -
Grade 2.5
SKU:
BT.DHP-1033432-140
Nun danket alle
Gott. Composed by
Johann Sebastian Bach.
Arranged by Robert van
Beringen. Musica Sacra.
Hymns & Chorals. Score
Only. Composed 2003. De
Haske Publications #DHP
1033432-140. Published by
De Haske Publications
(BT.DHP-1033432-140).
In 1725 J.S.
Bach composed the cantata
BWV79 ‘Gott, der
Herr, is Sonn’ und
Schild for the
celebration of the
Reformation. Originally
written for 3 vocal
soloists, choir and
orchestra Cantata
No.79 is partially
based on the well known
hymn Now Thank We All
Our God, the melody
of which is attributed to
Martin Rinckart. This
arrangement for concert
band by Robert van
Beringen combines part of
the first movement (Coro)
with and ensemble from
the third movement
(Choral).
In 2007
is het zogenaamde
Lutherdecennium begonnen,
de tien jaar waarin wordt
voorbereid op het
jubileumjaar 2017. In dat
jaar is het vijfhonderd
geleden dat Luther zijn
95 stellingen
publiceerde. Het jaar
2012 heeft ‘Muziek
en Reformatie’als
thema. Naast muziek van
Luther zelf staan
componisten als J. S.
Bach en Heinrich
Schütz in het
middelpunt. Met deze
bewerking van de melodie
Nun danket alle
Gott, die Bach als
basis nam voor zijn
cantateGott, der Herr,
ist Sonn’ und
Schild (BWV 79), kunt
u in 2012 op gepaste
wijze stilstaan bij
‘Muziek en
Reformatie’. Seit 2007 läuft die
so genannte
Luther-Dekade“,
eine Veranstaltungsreihe,
die auf das
Reformationsjubiläum
2017 vorbereitet. Das
Jahr 2012 ist innerhalb
dieser Dekade dem Thema
Musik und
Reformation“
gewidmet. Neben Musik von
Luther selbst, stehen da
Komponisten wie J. S.
Bach oder Heinrich
Schütz im Mittelpunkt.
Mit dieser Bearbeitung
der Melodie von Nun
danket alle Gott, die
Bach als Grundlage seiner
Kantate Gott, der
Herr, ist Sonn’
und Schild (BWV 79)
verwendete, im
Repertoire, können Sie
Ihren Beitrag zum Jahr
Musik und
Reformation“
leisten.
Nel 1725, J.S. Bach
compose la Cantata BWV79
Gott, der Herr, ist
Sonn’ und
Schild. La Cantata 79
è in parte basata sul
popolare inno cristiano
Nun danket Alle
Gott.
L’arrangiamento di
Robert van Beringen
incorpora parte del primo
movimento (Coro) e
l’intero terzo
movimento (Choral) della
cantata. Chorale from
Cantata No. 79 è
un pezzo strumentale ma
può anche essere
eseguito con un coro
misto. Le parti per coro
(in tedesco) sono
disponibili
separatamente.
Organ (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - bc) SKU: B...(+)
Organ (solos: STB -
choir: SATB - 0.1.0.1 -
0.3.4.0 - timp - str -
bc)
SKU:
BR.OB-4521-11
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Edited by
Horst Hempel. Arranged by
Horst Hempel. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Part. 32 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-11.
Published by Breitkopf
and Haertel
(BR.OB-4521-11).
ISBN
9790004313091. 12 x 9
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Chorus (with soloists)
and orchestra (solos: STB
- choir: SATB - 0.1.0.1 -
0.3.4.0 - timp - str -
bc)
SKU:
BR.PB-4521
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Full score.
Duration 45'. Breitkopf
and Haertel #PB 4521.
Published by Breitkopf
and Haertel (BR.PB-4521).
ISBN 9790004204191. 9
x 12 inches.
The
cantata I had great
heaviness of heart BWV 21
is one of the most
popular and beloved vocal
works of Johann Sebastian
Bach. Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Part. 8 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-16.
Published by Breitkopf
and Haertel
(BR.OB-4521-16).
ISBN
9790004313114. 9 x 12
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Part. 8 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-15.
Published by Breitkopf
and Haertel
(BR.OB-4521-15).
ISBN
9790004313107. 9 x 12
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
Folder.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Set of parts. 32
pages. Duration 45'.
Breitkopf and Haertel #OB
4521-30. Published by
Breitkopf and Haertel
(BR.OB-4521-30).
ISBN
9790004313145. 9 x 12
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Chorus a cappella (solos: STB - choir: SATB - 0.1.0.1 - 0.3.4.0 - timp - str - b...(+)
Chorus a cappella (solos:
STB - choir: SATB -
0.1.0.1 - 0.3.4.0 - timp
- str - bc)
SKU:
BR.CHB-4521-02
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled. Chor-Bibliothek
(Choral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Choral score. 36
pages. Duration 45'.
Breitkopf and Haertel
#ChB 4521-02. Published
by Breitkopf and Haertel
(BR.CHB-4521-02).
ISBN
9790004406151. 7.5 x 10.5
inches. German /
English.
The
cantata I had great
heaviness of heart BWV 21
is one of the most
popular and beloved vocal
works of Johann Sebastian
Bach. Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
3rd
Sunday after Trinity -
for Every Time.
Composed by Johann
Sebastian Bach. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
Cantata;
Baroque. Part. 8 pages.
Duration 45'. Breitkopf
and Haertel #OB 4521-19.
Published by Breitkopf
and Haertel
(BR.OB-4521-19).
ISBN
9790004313121. 9 x 12
inches.
The cantata
I had great heaviness of
heart BWV 21 is one of
the most popular and
beloved vocal works of
Johann Sebastian Bach.
Intended for a
performance on the third
Sunday after Trinity as
well as in ogni tempo
(for any occasion), this
work occupies a special
place within Bach's
cantata oeuvre.
Particularly unusual is
not only its approx.
40-minute duration, but
also the work's wealth of
forms and sounds.
Matthias Grunert, cantor
of the Dresden
Frauenkirche, put
together an entirely new
piano-vocal score to this
main work from
Breitkopf's Bach Cantata
series. His work is
supplemented by a revised
new engraving of the
continuo
part.
Bach's great
,,Heaviness Cantata - Now
with a new piano-vocal
score by Matthias
Grunert.
(Score) SKU: HL.14037627 Carl Nielsen Collected Works Section III: Vol...(+)
(Score)
SKU:
HL.14037627
Carl
Nielsen Collected Works
Section III: Vol. 2.
Composed by Carl August
Nielsen. Music Sales
America. Classical.
Hardcover. 316 pages.
Edition Wilhelm Hansen
#CN00046. Published by
Edition Wilhelm Hansen
(HL.14037627).
ISBN
9788759817124. UPC:
884088562038. 10.25x13
inches.
Contents:
Cantata for the Lorenz
Frøhlich
celebration; Cantata for
the inauguration of the
Student Union building;
Cantata for the annual
University Commemoration,
op.24; Cantata for the
commemoration of the
250th anniversary of the
storming of Copenhagen;
Cantata for the opening
ceremony of the National
Exhibition in Aarhus
1909.
Cantata for the 1st Sunday in Advent. Composed by Johann Sebastian Bach (...(+)
Cantata for the 1st
Sunday in Advent.
Composed by Johann
Sebastian Bach
(1685-1750). Edited by
Klaus Hofmann. This
edition: urtext,
paperback. Stuttgart
Urtext Edition: Bach
vocal. Sacred vocal
music, Cantatas,
Advent, Christmas. Full
score. Composed 1731. BWV
36. 52 pages. Duration 31
minutes. Carus Verlag #CV
31.036/00. Published by
Carus Verlag
(CA.3103600).
Purification of the
Blessed Virgin Mary -
Urtext. Composed by
Johann Sebastian Bach.
Stapled. Chor-Bibliothek
(Choral Library). This
work is one of the
incostable summits of
Johann Sebastian Bach's
cantata production.
Cantata; Baroque. Choral
score. 8 pages. Duration
25'. Breitkopf and
Haertel #ChB 4625-02.
Published by Breitkopf
and Haertel
(BR.CHB-4625-02).
ISBN
9790004407141. 7.5 x 10.5
inches.
Mit Fried
und Freud ich fahr dahin
is one of the incostable
summits of Johann
Sebastian Bach's cantata
production. This
completely new edition -
with organ part, note
well - has just about
nothing in common with
our previous rental
material except for the
name of the publisher!
Eva-Maria Hodel, the
editor of this first
modern-day critical
edition, has gone back to
the original sources -
which was no small feat,
considering that Bach's
score is apparently lost.
Fortunately, a set of
parts corrected by Bach
himself is still
extant.
This work
is one of the incostable
summits of Johann
Sebastian Bach's cantata
production.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
Softbound.
Partitur-Bibliothek
(Score Library).
In
our new edition of this
often performed work,
many details pertaining
to performance-practical
matters have been
revised.
Cantata;
Baroque. Full score. 80
pages. Duration 43'.
Breitkopf and Haertel #PB
4713. Published by
Breitkopf and Haertel
(BR.PB-4713).
ISBN
9790004210499. 9 x 12
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV 213.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In our new edition of
this often performed
work, many details
pertaining to
performance-practical
matters have been
revised.
Cantata;
Baroque. Part. 52 pages.
Duration 43'. Breitkopf
and Haertel #OB 4713-11.
Published by Breitkopf
and Haertel
(BR.OB-4713-11).
ISBN
9790004333709. 12.5 x 10
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV
213.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised.
Chorus (with soloists)
and orchestra (solos: STB
- choir: SATB - 0.2(2ob
d'am) ob da cac.0.0 -
0.3.0.0 - timp - str -
bc)
SKU:
BR.PB-4519
At St
Michael and All Angels -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; Softcover.
Partitur-Bibliothek
(Score Library). After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale.
Cantata; Baroque. Full
score. Duration 22'.
Breitkopf and Haertel #PB
4519. Published by
Breitkopf and Haertel
(BR.PB-4519).
ISBN
9790004204184. 9 x 12
inches.
After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale. The
score and orchestral
Parts were newly engraved
especiallyfor this
edition.
After a
thorough revision and
comparison with the
autographic sources, the
Performance material of
Johann Sebastian Bach's
well-known and often
performed Cantata is now
offered for sale.
Orchestra SKU: JK.20045 Composed by Adolphe-Charles Adam, Felix Bartholdy...(+)
Orchestra
SKU:
JK.20045
Composed by
Adolphe-Charles Adam,
Felix Bartholdy
Mendelssohn, Franz Xaver
Gruber, J. Baptiste
Calkin (for cantata),
Louis H. Redner, V.
Schumann, and William
Dix. Arranged by Janice
Kapp Perry. Difficulty
Medium Hard, Orchestral
Orchestrations, Seasonal
Music Christmas,
Christmas. Christian,
Inspirational. Jackman
Music Corporation #20045.
Published by Jackman
Music Corporation
(JK.20045).
Luke
2.
Orchestration
score and parts for -
Christmas: A Carol
Cantata (#00033),
performed in place of the
piano
accompaniment. Compose
r: Lewis H. Redner /
William Dix / Adolphe
Adam / V. Schumann/Felix
Mendelssohn / Franz
Gruber / J. Baptiste
Calkin (for cantata)
Arranger: Janice Kapp
Perry (for cantata)
Orchestration arranger:
Jerry Jackman
Difficulty:
Medium-difficult Refer
ence: Luke 2.
SAB chorus, piano - Easy SKU: JK.01469 Composed by Michael F. Moody. Arra...(+)
SAB chorus, piano - Easy
SKU: JK.01469
Composed by Michael F.
Moody. Arranged by Brent
Jorgensen. Choral
Children's Chorus, Choral
SAB, Difficulty Easy,
Piano Choir, Seasonal
Music Christmas,
Christmas. Christmas.
Duration 22:00. Jackman
Music Corporation #01469.
Published by Jackman
Music Corporation
(JK.01469).
Luke
2.
This is
Christmas uses mixed
voices (SAB), a
non-singing Readers'
Chorus (half low, half
high voices), Piano,
Optional Children's
Chorus and Optional
violin. The violin
(flute) part needs to be
ordered separately
(#09118). Separate pieces
from the cantata which
are also available
separately are Is This
the One (#01095) and
Sleep Little
Jesus(#00616). The
cantata asks the
question, What is
Christmas? and then tells
what it is really about.
Songs included in the
cantata are: This is
Christmas In Little Town
of Bethlehem Sleep Little
Jesus How Beautiful, How
Fair When Love Came Down
Is This the One? God's
Abounding Love Song of
Praise The arrangement of
Is This the One? is
different in the cantata
from the octavo copy.
Purification of the
Blessed Virgin Mary -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Choir; Softcover.
Partitur-Bibliothek
(Score Library). This
work is one of the
incostable summits of
Johann Sebastian Bach's
cantata production.
Cantata; Baroque. Full
score. 36 pages. Duration
25'. Breitkopf and
Haertel #PB 4625.
Published by Breitkopf
and Haertel (BR.PB-4625).
ISBN 9790004204795. 9
x 12 inches.
Mit
Fried und Freud ich fahr
dahin is one of the
incostable summits of
Johann Sebastian Bach's
cantata production. This
completely new edition -
with organ part, note
well - has just about
nothing in common with
our previous rental
material except for the
name of the publisher!
Eva-Maria Hodel, the
editor of this first
modern-day critical
edition, has gone back to
the original sources -
which was no small feat,
considering that Bach's
score is apparently lost.
Fortunately, a set of
parts corrected by Bach
himself is still
extant.
This work
is one of the incostable
summits of Johann
Sebastian Bach's cantata
production.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In our new edition of
this often performed
work, many details
pertaining to
performance-practical
matters have been
revised.
Cantata;
Baroque. Part. 20 pages.
Duration 43'. Breitkopf
and Haertel #OB 4713-26.
Published by Breitkopf
and Haertel
(BR.OB-4713-26).
ISBN
9790004333747. 10 x 12.5
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV
213.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Choir;
stapled. Chor-Bibliothek
(Choral Library).
In
our new edition of this
often performed work,
many details pertaining
to performance-practical
matters have been
revised.
Cantata;
Baroque. Choral score. 12
pages. Duration 43'.
Breitkopf and Haertel
#ChB 4713-02. Published
by Breitkopf and Haertel
(BR.CHB-4713-02).
ISBN
9790004407936. 7.5 x 10.5
inches. German /
French.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV 213.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In our new edition of
this often performed
work, many details
pertaining to
performance-practical
matters have been
revised.
Cantata;
Baroque. Part. 12 pages.
Duration 43'. Breitkopf
and Haertel #OB 4713-19.
Published by Breitkopf
and Haertel
(BR.OB-4713-19).
ISBN
9790004333730. 10 x 12.5
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV
213.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised.
Chorus (with soloists) and piano (solos: ATB - choir: SATB - 1.1(ob d'am).0.0. -...(+)
Chorus (with soloists)
and piano (solos: ATB -
choir: SATB - 1.1(ob
d'am).0.0. - 1.0.0.0. -
str - bc)
SKU:
BR.EB-7125
Purification of the
Blessed Virgin Mary -
Urtext. Composed by
Johann Sebastian Bach.
Edited by Eva-Maria
Hodel. Arranged by
Bernhard Todt. Choir;
stapled. Edition
Breitkopf. This work is
one of the incostable
summits of Johann
Sebastian Bach's cantata
production. Cantata;
Baroque. Piano/Vocal
Score. 28 pages. Duration
25'. Breitkopf and
Haertel #EB 7125.
Published by Breitkopf
and Haertel (BR.EB-7125).
ISBN 9790004172797.
7.5 x 10.5
inches.
,,Mit Fried
und Freud ich fahr dahin
is one of the incostable
summits of Johann
Sebastian Bach's cantata
production. This
completely new edition -
with organ part, note
well - has just about
nothing in common with
our previous rental
material except for the
name of the publisher!
Eva-Maria Hodel, the
editor of this first
modern-day critical
edition, has gone back to
the original sources -
which was no small feat,
considering that Bach's
score is apparently lost.
Fortunately, a set of
parts corrected by Bach
himself is still
extant.
This work
is one of the incostable
summits of Johann
Sebastian Bach's cantata
production.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In our new edition of
this often performed
work, many details
pertaining to
performance-practical
matters have been
revised.
Cantata;
Baroque. Part. 12 pages.
Duration 43'. Breitkopf
and Haertel #OB 4713-15.
Published by Breitkopf
and Haertel
(BR.OB-4713-15).
ISBN
9790004333716. 10 x 12.5
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV
213.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised.
Herkules auf dem
Scheideweg - Dramma per
musica - Urtext.
Composed by Johann
Sebastian Bach. Edited by
Hans Gruss. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
In our new edition of
this often performed
work, many details
pertaining to
performance-practical
matters have been
revised.
Cantata;
Baroque. Part. 8 pages.
Duration 43'. Breitkopf
and Haertel #OB 4713-16.
Published by Breitkopf
and Haertel
(BR.OB-4713-16).
ISBN
9790004333723. 10 x 12.5
inches.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised. It is known that
Bach reused the music of
Cantata BWV 213 in his
Christmas Oratorio and,
as Hans Gruss
convincingly explains,
paid close attention to
the preparation of the
performance material in
light of the repeated use
of the new work. The
final version of the
cantata is recognizable
in the parts of the
Christmas Oratorio,
states Gruss. The
specifics of the later
revision can thus be
retraced. They have also
entailed a number of
editorial consequences
which cast a new light on
the Cantata BWV
213.
In our new
edition of this often
performed work, many
details pertaining to
performance-practical
matters have been
revised.