Pisa Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band/Harmonie - Grade 3 SKU: BT.DHP-1165673-010 Composed by Jacob...(+)
Concert Band/Harmonie -
Grade 3
SKU:
BT.DHP-1165673-010
Composed by Jacob De
Haan. Concert and Contest
Collection CBHA. Concert
Piece. Set (Score &
Parts). Composed 2016. De
Haske Publications #DHP
1165673-010. Published by
De Haske Publications
(BT.DHP-1165673-010).
English-German-French-
Dutch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehört zweifellos zu
den berühmtesten und
legendärsten Türmen
der Welt. Das Hauptmotiv
des Stückes
symbolisiert die drei
Glocken des Turms. Das
Thema mit dem
großartigen Effekt
eines abwärtsgehenden
Motivs, welches
denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stück in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
Quella di Pisa
è, con ogni probabilit
, la più famosa torre
al mondo. Il leitmotif
del brano di de Haan
simbolizza le tre campane
della torre, mentre tutta
l’opera mantiene
un andamento fluttuante
capace di rendere
pienamente il senso di
pendenza della torre. Il
finale illustra una
grande parata alla quale
partecipano tutte le
bande dei dintorni della
citt , festanti e
accompagnate dal suono
gioioso delle
campane.
Pisa Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band (Score & Parts) - Grade 3 SKU: HL.44012881 For Concert Ba...(+)
Concert Band (Score &
Parts) - Grade 3
SKU:
HL.44012881
For
Concert Band
(Score/Parts).
Composed by Jacob De
Haan. De Haske Concert
Band. Concert Piece.
Softcover. Composed 2016.
De Haske Publications
#1165673010. Published by
De Haske Publications
(HL.44012881).
English-German-French-
Dutch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehort zweifellos zu den
beruhmtesten und
legendarsten Turmen der
Welt. Das Hauptmotiv des
Stuckes symbolisiert die
drei Glocken des Turms.
Das Thema mit dem
grossartigen Effekt eines
abwartsgehenden Motivs,
welches denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stuck in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
La tour de
Pise est sans doute la
tour la plus celebre et
legendaire du monde. Le
motif principal symbolise
les trois cloches de la
tour et est transforme
tout au long du morceau.
En contraste aux accords
soutenus, une impression
descendante estcreee par
un autre motif qui
symbolise la tour
inclinee. Le final
depeint une parade de
tous les orchestres des
alentours de Pise qui se
rassemblent en ville pour
celebrer, accompagnees
par les cloches de la
tour !
Quella di
Pisa e, con ogni
probabilita, la piu
famosa torre al mondo. Il
leitmotif del brano di de
Haan simbolizza le tre
campane della torre,
mentre tutta l'opera
mantiene un andamento
fluttuante capace di
rendere pienamente il
senso di pendenza della
torre. Il finale illustra
una grande parata alla
quale partecipano tutte
le bande dei dintorni
della citta, festanti e
accompagnate dal suono
gioioso delle
campane.
Pisa Orchestre d'harmonie - Intermédiaire De Haske Publications
Concert Band (Score) - Grade 3 SKU: HL.44012882 For Concert Band (Full...(+)
Concert Band (Score) -
Grade 3
SKU:
HL.44012882
For
Concert Band (Full
Score). Composed by
Jacob De Haan. De Haske
Concert Band. Softcover.
Composed 2016. De Haske
Publications #1165673140.
Published by De Haske
Publications
(HL.44012882).
UPC:
888680671563.
English-German-French-Dut
ch.
The Tower of
Pisa is beyond doubt the
most famous and legendary
tower in the world. The
main motif symbolizes the
three bells of the tower.
The motif is transformed
throughout the piece in
which the spectacular
effect of a downward
motive playedagainst
sustained chords,
symbolizing the leaning
tower, is used. The
finale portrays a
parade of all bands from
around Pisa coming to
town to celebrate,
accompanied by the bells
of the tower!
De
Toren van Pisa is zonder
twijfel de beroemdste en
meest legendarische toren
van de wereld. In dit
werk symboliseert het
hoofdmotief de drie
klokken van de toren. Dit
hoofdthema wordt
gaandeweg
getransformeerd, terwijl
halverwege de
compositieeen
spectaculair neerwaarts
motief tegenover
aangehouden akkoorden
staat voor het scheef
hellen van de toren. De
finale weerspiegelt een
optocht van blaasorkesten
uit de omgeving, op weg
naar Pisa om er feest te
vieren, begeleid door
hetklokkenmotief!
Der Schiefe Turm von Pisa
gehort zweifellos zu den
beruhmtesten und
legendarsten Turmen der
Welt. Das Hauptmotiv des
Stuckes symbolisiert die
drei Glocken des Turms.
Das Thema mit dem
grossartigen Effekt eines
abwartsgehenden Motivs,
welches denschiefen Turm
symbolisiert, im Kontrast
zu den gehaltenen
Akkorden, kehrt im
gesamten Stuck in
verschiedenen Versionen
wieder. Das Finale stellt
eine Parade aller
Orchester aus der
Umgebung von Pisa dar,
die zum Feiern in die
Stadt kommen und von
denGlocken des Turms
begleitet
werden!
La tour de
Pise est sans doute la
tour la plus celebre et
legendaire du monde. Le
motif principal symbolise
les trois cloches de la
tour et est transforme
tout au long du morceau.
En contraste aux accords
soutenus, une impression
descendante estcreee par
un autre motif qui
symbolise la tour
inclinee. Le final
depeint une parade de
tous les orchestres des
alentours de Pise qui se
rassemblent en ville pour
celebrer, accompagnees
par les cloches de la
tour !
Quella di
Pisa e, con ogni
probabilita, la piu
famosa torre al mondo. Il
leitmotif del brano di de
Haan simbolizza le tre
campane della torre,
mentre tutta l'opera
mantiene un andamento
fluttuante capace di
rendere pienamente il
senso di pendenza della
torre. Il finale illustra
una grande parata alla
quale partecipano tutte
le bande dei dintorni
della citta, festanti e
accompagnate dal suono
gioioso delle
campane.
Chamber Music Bass Clarinet, Bassoon, Clarinet, English Horn, Oboe, alto Saxopho...(+)
Chamber Music Bass
Clarinet, Bassoon,
Clarinet, English Horn,
Oboe, alto Saxophone,
soprano Saxophone
SKU:
PR.114419980
Composed
by Stacy Garrop. Sws. Set
of Score and Parts.
32+16+16+16+16+16 pages.
Duration 16 minutes.
Theodore Presser Company
#114-41998. Published by
Theodore Presser Company
(PR.114419980).
UPC:
680160681723. 9 x 12
inches.
The ancient
Egyptian empire began
around 3100 B.C. and
continued for over 3000
years until Alexander the
Great conquered the
country in 332 B.C. Over
the centuries, the
Egyptian empire grew and
flourished into a highly
developed society. They
invented hieroglyphics,
built towering pyramids
(including the Great
Pyramid of Giza, the
oldest of the Seven
Wonders of the World),
and the created many
household items we still
use today, including
toothbrushes, toothpaste,
eyeliner, black ink, and
the forerunner of
modern-day paper.
Included among their
achievements were a
series of highly
developed funerary
practices and beliefs in
the Afterlife. As the
average lifespan of an
Egyptian hovered around
30 years, living past the
death of oneAs physical
body was a legitimate
concern. Egyptians
believed that upon death,
their souls would
undertake a harrowing
journey through the
Netherworld. If they
survived the horrific
creatures and arduous
trials that awaited them,
then their souls would be
reunified with their
bodies (hence the need to
preserve the body through
mummification) and live
forever in a perfect
version of the life they
had lived in Egypt. To
achieve this, Egyptians
devised around 200
magical spells and
incantations to aid souls
on the path to the
Afterlife. These spells
are collectively called
The Book of the Dead.
Particular spells would
be chosen by the family
of the deceased and
inscribed on the tombAs
walls and scrolls of
papyrus, as well as on a
stone scarab placed over
the deceasedAs heart.
Subsequent collections of
spells and mortuary
texts, such as The Book
of Gates, assisted a soul
in navigating the twelve
stages of the
Netherworld. Not only did
these spells protect and
guide the soul on this
dangerous path, but they
also served as a
safeguard against any
unbecoming behavior an
Egyptian did while alive.
For instance, if a person
had robbed another while
alive, there was a spell
that would prevent the
soulAs heart from
revealing the truth when
in the Hall of Judgment.
Rites for the Afterlife
follows the path of a
soul to the Afterlife. In
Inscriptions from the
Book of the Dead
(movement 1), the soul
leaves the body and
begins the journey,
protected by spells and
incantations written on
the tombAs walls. In
Passage though the
Netherworld (movement 2),
the soul is now on a
funerary barque, being
towed through the
Netherworld by four of
the regionAs inhabitants.
We hear the soul slowly
chanting incantations as
the barque encounters
demons, serpents,
crocodiles, lakes of
fire, and other terrors.
The soul arrives at The
Hall of Judgment in
movement 3. Standing
before forty-two divine
judges, the soul
addresses each by name
and gives a A!negative
confessionA(r) connected
to each judge (i.e. A!I
did not rob,A(r) A!I did
not do violence,A(r) and
so on). Afterwards, the
soulAs heart is put on a
scale to be weighed
against a feather of
MaAat, the goddess of
truth. If the heart
weighs more than the
feather, it will be eaten
by Ammut, a hideous
creature that lies in
wait below the scale, and
the soul will die a
second and permanent
death (this was the worst
fear of the Egyptians).
But if the heart is in
balance with the feather,
the soul proceeds onward.
The final stage of the
journey is the arrival at
The Field of Reeds
(movement 4), which is a
perfect mirror image of
the soulAs life in
ancient Egypt. The soul
reunites with deceased
family members, makes
sacrifices to the
Egyptian gods and
goddess, harvests crops
from plentiful fields of
wheat under a brilliant
blue sky, and lives
forever next to the
abundant and nourishing
waters of the Nile. Rites
for the Afterlife was
commissioned by the
Barlow Endowment on
behalf of the Akropolis
Reed Quintet, Calefax
Reed Quintet, and the
Brigham Young University
Reed Quintet. -S.G.
New York, New York Orchestre [Conducteur et Parties séparées] Jazz Lines Publications
Recorded by Frank Sinatra. Edited by Rob DuBoff, Jeffrey Sultanof, and Dy...(+)
Recorded by Frank
Sinatra. Edited by
Rob DuBoff, Jeffrey
Sultanof, and Dylan
Canterbury. Arranged by
Don Costa. Jazz, Swing.
Score and parts.
Published by Jazz Lines
Publications
(JL.JLP-9510).
Souvenirs Violoncelle, Piano - Intermédiaire Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano -
intermediate
SKU:
BT.SLB-00595900
Extrait de la musique
de scène pour « Le
Voyageur sans bagages
». Composed by
Francis Poulenc.
Classical. Book and
Part(s). Composed 2016. 5
pages. Editions Salabert
#SLB 00595900. Published
by Editions Salabert
(BT.SLB-00595900).
Piano, Voix et Guitare [Partition] - Intermédiaire Cherry Lane
Performed by Barbra Streisand. Piano/Vocal/Chords Songbook (Arrangements for pia...(+)
Performed by Barbra
Streisand.
Piano/Vocal/Chords
Songbook (Arrangements
for piano and voice with
guitar chords). Size 9x12
inches. 250 pages.
Published by Cherry Lane
Music.
(Book 1). By Rachel Beatty Kahl. Arranged by Rachel Beatty Kahl. For piano. Musi...(+)
(Book 1). By Rachel
Beatty Kahl. Arranged by
Rachel Beatty Kahl. For
piano. Music Sales
America. Designed to be
played with student's
very first piano book.
Sacred. Softcover. 48
pages. Music Sales
#BMC12102. Published by
Music Sales
51 Hits from the '70s to '90s (Piano/Vocal). Composed by various c...(+)
51 Hits from the
'70s to
'90s (Piano/Vocal).
Composed
by various composers and
arrangers. This edition:
Piano/Vocal/Guitar. Book;
P/V/C Mixed Folio;
Piano/Vocal/Chords. Best
Top
40 Songs. Pop. 272 pages.
Published by Alfred Music
Scott Joplin Reconsidered. Composed by Scott Joplin (1868-1917). Edited by L...(+)
Scott Joplin
Reconsidered.
Composed by Scott Joplin
(1868-1917). Edited by
Lara
Downes. Collection.
Theodore
Presser Company
#440-40028.
Published by Theodore
Presser
Company
Piano Accompaniment; Voice (Voice and Piano) - intermediate SKU: HL.49045874<...(+)
Piano Accompaniment;
Voice (Voice and Piano) -
intermediate
SKU:
HL.49045874
Voice
and Piano. Composed
by Nino Rota. This
edition: Saddle
stitching. Sheet music.
Vocal Solo. Classical.
Softcover. Composed 1935.
24 pages. Duration 420
seconds. Schott Music
#ED22701. Published by
Schott Music
(HL.49045874).
ISBN
9790001164498. UPC:
841886031289.
9.25x11.0x0.103 inches.
Italian. Text: Lina
Schwarz.
Nino Rota
composed the 3 children's
songs in 1935 on poems by
the Italian poet,
anthroposophist and
children's author Lina
Schwarz. Three everyday
situations are
illuminated from a
child's perspective in
poetic images: the child,
who is annoyed by the
carelessnessss of the
sparrows against the
breadcrumbs scattered
around them - the dreamy
young fisherman, lost in
the tranquility of the
sky and the sea, teased
by the fish - and that
homecoming child telling
his mother about his day
in the country.
Italian.