(Symphonie Fantastique). By Hector Berlioz (1803-1869). Arranged by Christiaan J...(+)
(Symphonie Fantastique).
By Hector Berlioz
(1803-1869). Arranged by
Christiaan Janssen. For
Concert Band. Grade 5.
Full score and set of
parts. Duration 10:30.
Published by Baton Music
The Book of Urizen is Jacob de Haan his first Symphony for concert band, ...(+)
The Book of Urizen
is Jacob de Haan his
first Symphony for
concert band, solo
soprano, and a male
narrator in which sound
collages of expressions
are used. The piece is
inspired by the
compelling visionary poem
of the samename (which
the poet illustrated
himself) by the
Englishman William Blake
(1757-1827). The
Vision, first
movement and The
Creation, second
movement of The Book
of Urizen are
available by following
editionnumber: DHP
1043551. The Web,
the third movement of
The Book of Urizen
is available by the
following edition number:
DHP 1125252. Download the
audio samples here: track
1, track 2, track
3
In The Book
of Urizen - Jacob de
Haan zijn eerste symfonie
voor harmonieorkest,
zangstem (sopraan) en een
mannelijke spreekstem -
wordt gebruik gemaakt van
geluidscollages. De
compositie is ge
nspireerd op het
gelijknamigegedicht van
William Blake
(1757-1827). The
Vision, het eerste
deel en The
Creation, het tweede
deel van The Book of
Urizen zijn
beschikbaar via volgend
editienummer: DHP
1043551. The Web,
het derdedeel van The
Book of Urizen is
verkrijgbaar via
editienummer: DHP
1125252. Download
audiofragmenten hier:
track 1, track 2, track
3
The Book of
Urizen ist Jacob de
Haan seine erste
Symphonie für
Blasorchester, Gesang
(Sopran) und
(männliche)
Sprechstimme, in welcher
Botschaften durch
Geräuschcollagen
wiedergegeben werden. Als
Inspirationsquelle
dienteder gleichnamige
Gedichtzyklus des
großen englischen
Dichters und Malers
William Blake
(1757-1827). The
Vision, erster Satz
und The Creation,
zweiter Satz von The
Book of Urizen sind
unter der
folgendenEditionsnummer
erhältlich: DHP
1043551. The Web,
der dritte Satz von
The Book of Urizen , ist
unter der folgenden
Editionsnummer
erhältlich: DHP
1125252. Laden Sie hier
die Audiosamples
herunter: track 1, track
2,track 3
The Book of
Urizen is a work for
concert band, solo
soprano, and a male
narrator in which sound
collages of religious
expressions are used. The
piece is inspired by the
compelling visionary poem
of the same name (which
the poet
illustratedhimself) by
the Englishman William
Blake (1757-1827), who
occupies a unique
position in western
literature and the visual
arts. He was not just a
poet and a writer, but he
was also a graphic
artist, a painter, an
illustrator, a
spiritualist, areligious
visionary, and a mystic
philosopher. For the
performance of this work,
a professional sound
system, including two
microphones and a CD
player, is needed. The
three sound collages are
three separate tracks on
the enclosed CD and can
beplayed easily at the
right moment. The Book
of Urizen bears
resemblance to Genesis
and Exodus, of which the
contents form the basis
of the Christian, Jewish,
and Islamic faith. Blake
adhered to the principle
that all religions are in
fact one,and that deities
reside in human beings.
In The Book of
Urizen this is
represented in “The
Net of Religion,â€
which is spanned over the
earth by Urizen. The
sound collages, compiled
by Jacob de Haan in the
studio, find their origin
inJerusalem, the Holy
City, where the
afore-mentioned faiths
“come
together.†In the
first movement of
this composition, The
Vision, Urizen
prepares his vision of
the world, and he
presents this to the
“Eternals.â€
His vision is
rejected,and Urizen locks
himself up in his own
abstract world. When he
does emerge again, he is
confronted with rage by
the gathered Eternals.
Urizen flees the wrath of
the Eternals, “the
flames of eternal
fury,†and enwombs
himself in his own world.
Whenthe Eternals see
Urizen in his
“stony
sleep,†they wonder
if this is death. The
blacksmith Los is torn by
grief because of the
isolation of Urizen. It
brings him to rouse his
fires, prepare his forge,
and to give
Urizen’s world
concrete form. In
thesecond
movement, The
Creation,
Urizen’s world,
but also man, woman, and
child are created. Los is
horrified with the
appearance of
Urizen’s body. He
mourns and pities Urizen,
and from his blood a
female form comes into
being, with thename
Enitharmon. The Eternals,
fearful of the female
form, decide to erect a
tent to obstruct their
view to eternity.
Enitharmon and Los beget
a son, called Orc. Los
baptizes him as a child
of the “fallen
world.†Orc is fed
at Enitharmon’s
breast,which makes a
girdle of jealousy
restrict Los’
chest. He takes the child
to the top of the
mountain and chains him
down. The cries of Orc
awaken Urizen, who
explores his world
creating instruments of
scientific measurement to
do so. Los encircles
theface of Enitharmon
from the sight of Urizen
and Orc. She then
populates the earth by
giving birth to an
enormous race.The
Web, third movement
of The Book of
Urizen is now
available: DHP 1125252
Angel Voices by Beth Mochnick and Jean Anne Shafferman. Choir Sacred. This editi...(+)
Angel Voices by Beth
Mochnick and Jean Anne
Shafferman. Choir Sacred.
This edition: Songbook.
Christian Elementary
Collection; Church
Reproducible; Worship
Resources. Children;
Sacred. Book. 48 pages.
Published by Alfred Music
Publishing
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002208-140 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002208-140
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Score
Only. Composed 2000. 58
pages. De Haske
Publications #DHP
1002208-140. Published by
De Haske Publications
(BT.DHP-1002208-140).
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die GeiÃ?el
Gottes genannt, ist die
zentrale Gestalt des
ersten Satzes; in seiner
musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
GroÃ?mutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dellâ??Ungheria, come le
guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato â??il flagello
di Dioâ?? è la figura
centrale del primo
movimento, caratterizzato
dalla paura, dalla
minaccia,dallâ??aggressi
one e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, lâ??amata moglie,
è rappresentata da una
melodia lirica.
Lâ??eccitante finale di
questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
lâ??accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
â??Magyarorszagâ?.Il
movimento finale prende
il nome da ISTVAN,
il re che portòil
cristianesimo in Ungheria
e che fu incoronato da
Papa Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare lâ??atroce
fine del pagano Koppany
il cui corpo futagliato
in quattro pezzi e
inviato ai quattro
castelli del paese come
monito. Dopo un
intermezzo quieto, quasi
religioso, viene
presentato lâ??Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
lâ??orgoglio
dellâ??Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dellâ??Inno nazionale
ungherese è proposto
nellâ??arco
dellâ??intera sinfonia.
Eâ?? però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileallâ??inizi
o ma sempre più ovvio
quando la sinfonia si
avvicina al suo finale. A
conclusione della
sinfonia, il sublime inno
conduce la banda in
unâ??apoteosi finale,
facendo apparire
lâ??organico strumentale
come un maestoso
organo.
Concert Band/Harmonie - Grade 6 SKU: BT.DHP-1002208-010 Composed by Jan V...(+)
Concert Band/Harmonie -
Grade 6
SKU:
BT.DHP-1002208-010
Composed by Jan Van der
Roost. Sovereign Series.
Concert Piece. Set (Score
& Parts). Composed 2000.
De Haske Publications
#DHP 1002208-010.
Published by De Haske
Publications
(BT.DHP-1002208-010).
Sinfonia
Hungarica is a
three-movement symphony
that depicts the history
of Hungary. All three
movements were inspired
by historical key
figures, wars, and other
important events from
this country. This
symphony is a celebration
of Hungary’s
millennium in 2001.The
second movement focuses
on ARPAD, the actual
founder of the Hungarian
State. It starts with an
atmospherical passage,
evoking his grandmother,
Emese, who dreamt about
his future destination.
One of Arpad’s
opponents, the Bulgarian
Prince Zalan, was chased
away after a fight. After
this, Arpad officially
named the territory
“Magyarorszag.â€
Die
Sinfonie in drei
Sätzen ist eine
musikalische Schilderung
der Geschichte Ungarns.
Alle drei Sätze haben
bedeutende historische
Persönlichkeiten und
Schlüsselereignisse
aus der Landesgeschichte
- wie etwa Kriege - zum
Inhalt. Das Werk wurde
zuUngarns
Tausendjahrfeier im Jahr
2001
geschrieben.Attila
, König der Hunnen,
oftmals auch die
Geißel Gottes genannt,
ist die zentrale Gestalt
des ersten Satzes; in
seiner musikalischen
Beschreibung sind
Aggressivität und
Grausamkeit, die vonihm
ausgehende Bedrohung und
ihm entgegengebrachte
Furcht spürbar.
Daneben erscheinen das
heroischer klingende
Thema von Buda,
Attilas Bruder, und das
lyrische von Rika,
seiner zärtlich
geliebten Frau. Der
aufpeitschende Schluss
desSatzes ist Sinnbild
für die gefürchtete
Schnelligkeit von Attilas
Truppen, mit der sie ihre
Opfer eingeholt und ohne
Ausnahme getötet
haben.Im Mittelpunkt des
zweiten Satzes steht
Arpad, der
eigentliche Begründer
des ungarischen Staates.
Eineatmosphärisch
klingende Einleitung
beschwört
Emese, die
Großmutter Arpads,
herauf, die im Traum
seine Bestimmung
vorhergesehen hatte. Er
schlug seinen Gegner, den
Prinzen Zalan von
Bulgarien, im Kampf in
die Flucht und gab dem
Land denNamen
Magyarorszag.Das Finale
ist nach Istvan
benannt, dem König,
der in Ungarn das
Christentum einführte
und am ersten Januar 1001
durch Papst Sylvester II.
gekrönt wurde. Ein
feierlicher Anfang leitet
über in einen an
Kriegsgetümmelerinnern
den Abschnitt, der in
lärmendem Getöse
endet. Es steht für
das Ende des Heiden
Koppany, dessen
Körper gevierteilt und
als abschreckendes
Beispiel an die vier
Burgen des Landes gesandt
wurde. Ein ruhiges,
beinahe religiös
wirkendesZwischenspiel
mündet in die
ungarische Nationalhymne.
Dieser prachtvolle, mit
grandioso
überschriebene Schluss
hat auch eine symbolische
Bedeutung: Nach zehn
Jahrhunderten hat Ungarn
guten Grund, mit Stolz
zurückzublicken und
der Zukunft mitZuversicht
und Optimismus
entgegenzusehen.Die
wunderbare Melodie der
Nationalhymne erscheint
in der Sinfonie auch
vorher schon immer
wieder, wird meist aber
ganz oder teilweise
überdeckt. Sie
durchläuft das Werk
wie ein roter Faden, der
anfangs kaumwahrzunehmen
ist und erst im Verlauf
der Sinfonie immer
deutlicher wird. Am Ende
krönt sie das Werk in
einer letzten
prachtvollen Steigerung,
in der das Orchester den
majestätischen Klang
einer Orgel
annimmt.
Sinfonia
Hungarica,
commissionata dalla banda
ungherese di
Kiskunfelegyahaza, è
dedicata al maestro
Ferenc Jankovski, al
sindaco della citt Jozsef
Ficsor e a Gabriella
Kiss. La prima mondiale,
eseguita dalla banda
Kiskunfelegyhaza si è
tenutaa Budapest il 31
marzo 2001 sotto la
direzione del
compositore.Gli eventi
salienti della storia
dell’Ungheria,
come le guerre ed altri
avvenimenti importanti,
sono tradotti in musica
in questa sinfonia
strutturata in tre
movimenti. Sinfonia
Hungaricavuole anche
essere un omaggio allo
stato ungherese che
festeggia il suo
millennio nel
2001.ATTILA, re
degli Unni, spesso
chiamato “il
flagello di Dio“
è la figura centrale
del primo movimento,
caratterizzato dalla
paura, dalla
minaccia,dall’aggr
essione e dalla crudelt .
Buda, fratello di Attila
è associato ad un tema
più eroico, mentre
Rika, l’amata
moglie, è
rappresentata da una
melodia lirica.
L’eccitante finale
di questo movimento di
apertura illustra la
tanto temuta velocit
delle truppe di Attila
che seminavano paura e
morte.Il secondo
movimento pone
l’accento su
ARPAD, il
fondatore dello Stato
ungherese. Inizia con un
passaggio in stile
atmosferico che evoca la
nonna di Arpad, Emese che
aveva sognato e
predettoil futuro del
nipote. Uno degli
oppositori di Arpad, il
principe bulgaro Zalan,
fu cacciato dopo una
battaglia. In seguito,
Arpad chiamò
ufficialmente il
territorio
“Magyarorszagâ€
.Il movimento finale
prende il nome da
ISTVAN, il re che
portòil cristianesimo
in Ungheria e che fu
incoronato da Papa
Silvestro II il 1
gennaio, 1001. Un inizio
solenne prelude ad un
passaggio bellico
accentuato da rumori
imponenti; questo a
simboleggiare
l’atroce fine del
pagano Koppany il cui
corpo futagliato in
quattro pezzi e inviato
ai quattro castelli del
paese come monito. Dopo
un intermezzo quieto,
quasi religioso, viene
presentato l’Inno
nazionale ungherese. In
questo ampio e grandioso
finale riecheggia
l’orgoglio
dell’Ungheria
nelricordare il suo
passato e la fiducia con
la quale si proietta al
futuro.Lo stupendo tema
dell’Inno
nazionale ungherese è
proposto nell’arco
dell’intera
sinfonia. E’
però spesso
parzialmente nascosto e
usato come filo
conduttore, appena
riconoscibileall’i
nizio ma sempre più
ovvio quando la sinfonia
si avvicina al suo
finale. A conclusione
della sinfonia, il
sublime inno conduce la
banda in
un’apoteosi
finale, facendo apparire
l’organico
strumentale come un
maestoso organo.
Book/2-CD Pack Vocal SKU: HL.141196 Composed by Various. Music Minus One....(+)
Book/2-CD Pack Vocal
SKU: HL.141196
Composed by Various.
Music Minus One.
Children, Christmas.
Softcover with CD. 36
pages. Music Minus One
#MMO2139. Published by
Music Minus One
(HL.141196).
ISBN
9781941566398. UPC:
888680044022.
9.0x12.0x0.225
inches.
24 holiday
favorites are featured in
this Music Minus One
vocal pack, which
includes example vocals
on each song plus
separate background
tracks on 2 CDs. Songs
include: Angels We Have
Heard on High * Deck the
Halls * Good Christian
Men, Rejoice * Feliz
Navidad * I'm Gettin'
Nuttin' for Christmas *
Jingle Bells * Pat-A-Pan
* Rudolph the Red-Nosed
Reindeer * Santa Claus Is
Coming to Town * We Wish
You a Merry Christmas *
and many more.
(Performance Pack). By Ruth Elaine Schram. Choir Sacred. This edition: Performan...(+)
(Performance Pack). By
Ruth Elaine Schram. Choir
Sacred. This edition:
Performance Pack
(Director's Score and 10
Singer's Editions).
Christian Elementary
Musical; Church Musicals;
Worship Resources.
Children; Christmas;
Sacred; Winter. Score and
10 Books. 32 pages.
Published by Alfred Music
Publishing
By Johann Christian Bach. Edited by Ernst-Gunter Heinemann. Piano (Harpsichord),...(+)
By Johann Christian Bach.
Edited by Ernst-Gunter
Heinemann. Piano
(Harpsichord), 2-hands.
Pages: VI and 53. Urtext
edition-paper bound.
Published by G. Henle.
By Johan Christian Schickhaldt. For Alto Recorder and Basso Continuo. Baroque; C...(+)
By Johan Christian
Schickhaldt. For Alto
Recorder and Basso
Continuo. Baroque;
Chamber. Intermediate.
Full score, set of parts,
and 2 Play-Along CDs.
Published by Recorder JP
The Unfriendly Beasts (Preview Pack). (Preview Pack). By Ruth Elaine Schram. Cho...(+)
The Unfriendly Beasts
(Preview Pack). (Preview
Pack). By Ruth Elaine
Schram. Choir Sacred.
This edition: Preview
Pack (1 Singer's Edition
and Listening CD).
Christian Elementary
Musical; Church Musicals;
Worship Resources.
Children; Christmas;
Sacred; Winter. Book and
CD. 16 pages. Published
by Alfred Music
Publishing
) (Singer's Edition 5-Pack). By Ruth Elaine Schram. Choir Sacred. This edition: ...(+)
) (Singer's Edition
5-Pack). By Ruth Elaine
Schram. Choir Sacred.
This edition: Singer's
Edition 5-Pack. Christian
Elementary Musical;
Church Musicals; Worship
Resources. Children;
Christmas; Sacred;
Winter. 5 Books. 16
pages. Published by
Alfred Music Publishing
Arrangement for Piano. Composed by Johann Sebastian Bach (1685-1750). Edited...(+)
Arrangement for Piano.
Composed by Johann
Sebastian
Bach (1685-1750). Edited
by
Christian Schaper,
Ullrich
Scheideler, and
Marc-Andre
Hamelin. Arranged by
Feruccio
Busoni. Henle Music
Folios.
Classical. Softcover. 28
pages. G. Henle #HN1479.
Published by G. Henle
117 Fun, Exciting, Singable Songs for Younger Children. Edited by Thomas Fettke,...(+)
117 Fun, Exciting,
Singable Songs for
Younger Children. Edited
by Thomas Fettke, Ken
Bible. Arranged by Thomas
Fettke, Ken Bible.
(unison). This edition:
MD492. Suggested Use: For
children pre-school to
third grade. Use at
Sunday school, children's
choir, children's church,
VBS, camps, Christian
schools, and home.
Lillenas Publications.
Great resource for
working with younger
kids. Sacred.
Book/Split-Channel
Accompaniment Cassette
Combo. 144 pages.
Published by Lillenas.
By Johann Sebastian Bach. Arranged by Gerald Near. For Piano and Organ Duet. Chr...(+)
By Johann Sebastian Bach.
Arranged by Gerald Near.
For Piano and Organ Duet.
Christian: Worship,
Classical: Classical.
Level: Medium. Octavo. 14
pages. Published by
MorningStar Music
Publishers.
(Violin and Piano Reduction). By Robert Schumann. Edited by Christian Tetzlaff a...(+)
(Violin and Piano
Reduction). By Robert
Schumann. Edited by
Christian Tetzlaff and
Reinhard Kapp. Score and
Parts. String. Softcover.
92 pages. Schott Music
#ED20871. Published by
Schott Music
Arrangement for Piano. Composed by Johann Sebastian Bach (1685-1750) and F...(+)
Arrangement for Piano.
Composed by Johann
Sebastian
Bach (1685-1750) and
Ferruccio Busoni
(1866-1924).
Edited by Christian
Schaper
and Ullrich Scheideler.
Henle
Music Folios. Classical.
Softcover. 18 pages. G.
Henle
#HN1376. Published by G.
Henle
SKU: CA.804400 Composed by Hermann Stern. German title: Freut Euch, Ihr L...(+)
SKU: CA.804400
Composed by Hermann
Stern. German title:
Freut Euch, Ihr Lieben
Christen (3). Sacred
vocal music, Hymn
settings, Advent,
Christmas. Full score.
Carus Verlag #CV
08.044/00. Published by
Carus Verlag (CA.804400).
Organ SKU: CA.1804800 Composed by Friedrich Reimerdes. This edition: Pape...(+)
Organ
SKU:
CA.1804800
Composed
by Friedrich Reimerdes.
This edition: Paperbound.
Hymns by Martin Luther:
Ausgaben mit mehreren
Luther-Liedern. German
title: Festliche
Orgelchorale 9. Organ
music based on hymns,
Easter and Eastertide.
Collection. 88 pages.
Carus Verlag #CV
18.048/00. Published by
Carus Verlag
(CA.1804800).
Piano, Vocal and Guitar SKU: BT.UPF-00012900 Sea Shanty. Book Only. Unive...(+)
Piano, Vocal and Guitar
SKU:
BT.UPF-00012900
Sea
Shanty. Book Only.
Universal Music
Publishing Group #UPF
00012900. Published by
Universal Music
Publishing Group
(BT.UPF-00012900).
French.
The
vocal ensemble Les
Marins d´Iroise
was founded in 1992 on
the occasion of the first
international maritime
festival in Brest and has
long since become famous
and indispensible when it
comes to interpreting
shanties and well-known
maritimetunes. The
edition contains the
vocal score (tenor 1 and
2, baritone and bass)
with piano accompaniment
as well as chord symbols
and many
pictures.
The
vocal ensemble Les
Marins d'Iroise was
founded in 1992 on the
occasion of the first
international maritime
festival in Brest and has
long since become famous
and indispensible when it
comes to interpreting
shanties andwell-known
maritime tunes. The
edition contains the
vocal score (tenor 1 and
2, baritone and bass)
with piano accompaniment
as well as chord symbols
and many
pictures.
Das
Vokalensemble Les
Marins d´Iroise
(die Seeleute von Iroise)
wurden 1992
anläßlich des
ersten internationalen
Fests des Meeres und der
Seeleute in Brest (Les
Tonnerres de Brest)
gegründet. Inzwischen
berühmt und
unverzichtbar
geworden,präsentiert
das vielstimmige
Männerensemble
mitreißend und voller
Begeisterung nicht nur
alte bretonische
Seemannsweisen und
Shanties. Die
vorliegende Ausgabe
enthält die
Chorstimmen (1. und 2.
Tenor, Bariton und Bass)
und die Klavierbegleitung
sowie Akkordsymbole und
viele farbige
Abbildungen.