Choral (ShowTrax CD) SKU: HL.345316 By Europe. By Joey Tempest. Arranged ...(+)
Choral (ShowTrax CD)
SKU: HL.345316
By
Europe. By Joey Tempest.
Arranged by Kirby Shaw.
Pop Choral Series.
Eighties, Oldies, Pop,
Rock, Show Choir. CD.
Duration 185 seconds.
Published by Hal Leonard
(HL.345316).
UPC:
840126918960.
5.0x5.0x0.15
inches.
This
eighties rock tune has
continued to be heard in
commercials and sports
venues around the world.
It is used to inspire
sports crowds, convince
us to buy a product and
now it can be used by you
to get your audience
rocking.
Concert Band/Harmonie/Fanfare/Bra ss Band - Grade 3 SKU: HL.44002590 Comp...(+)
Concert
Band/Harmonie/Fanfare/Bra
ss Band - Grade 3
SKU:
HL.44002590
Composed
by Joey Tempest. Arranged
by Ron Sebregts. De Haske
Concert Band. Pop & Rock.
Score Only. Composed
1996. 18 pages. De Haske
Publications #960710.
Published by De Haske
Publications
(HL.44002590).
UPC:
073999025903. 6.75x10.5
inches.
Everyone
knows this rock anthem
which was released in
1986 the Swedish rock
band Europe. This driving
arrangement retains all
the grandiose pomp of the
original and will ensure
every member of both band
and audience will leave
singing those immortal
words 'It's the Final
Countdown'.
De
opzwepende song The
final Countdown,
geschreven door
leadzanger Ioey Tempest,
was in 1986 een ernorme
Europeese hit voor de
Sweedse rockgroep Europe.
Er gingen meer dan acht
miljoen exemplaren van de
single over e
toonbank.Dit arrangement
voor harmonieorkest is
zeker zo doeltreffend als
het
origineel.
The
Final Countdown war
der grosste Hit fur die
schwedische Rockgruppe
Europe. Europe fullte im
Jahr 1986 damit ganze
Fussballstadien und heute
ist der Titel in den
Stadien auf der ganzen
Welt zu Hause. Ein
absoluter
Stimmungsmacher, mit dem
Sie nur gewinnen konnen!
En 1986, le
groupe Europe s'est
classe au sommet des
hit-parades du monde
entier avec son titre
The Final
Countdown, compose
par Joey Tempest le
chanteur du groupe.
The Final
Countdown s'est vendu
a plus de 8 millions
d'exemplaires. Le succes
fut planetaire. Ron
Sebregts en a realise un
arrangement tres rythme
qui enthousiasmera les
musiciens et les
auditeurs.
Corelli: Sonata for Treble (Alto) Recorder and Basso Continuo Op. 5, No. 7 G Min...(+)
Corelli: Sonata for
Treble (Alto) Recorder
and Basso Continuo Op. 5,
No. 7 G Minor by
Arcangelo Corelli
(1653-1713). For Alto
Recorder, Treble
Recorder. Dowani Book/CD.
Play Along. Book and CD.
12 pages. Dowani
International #DOW2519.
Published by Dowani
International
By J. M. Hotteterre "Le Romain" (1674-1763). For Treble (alto) recorder. DOWANI ...(+)
By J. M. Hotteterre "Le
Romain" (1674-1763). For
Treble (alto) recorder.
DOWANI Urtext 3 Tempi
Play Along - Treble
(alto) recorder. Artist:
Alexander Puliaev -
Harpsichord; Manfredo
Zimmermann - Treble
(alto) recorder; Ulrike
Volkhardt - Treble (alto)
recorder. Level:
Intermediate. Sheet Music
with CD (3 Tempi Play
Along). Published by
Dowani International.
Concert Band Symphonic Band - Grade 4.5 SKU: FJ.B1844S Score Only....(+)
Concert Band Symphonic
Band - Grade 4.5
SKU:
FJ.B1844S
Score
Only. Composed by
Brian Balmages. Concert
Band. FJH Symphonic Band.
Score. The FJH Music
Company Inc #98-B1844S.
Published by The FJH
Music Company Inc
(FJ.B1844S).
English.
Heroic,
sweeping melodies form
the basis of this
celebratory work
highlighting achievement
and longevity. The
constant rhythmic drive
is augmented by soaring
countermelodies and
engaging percussion.
Several peaks and valleys
culminate in a powerful
final fanfare that brings
the work to a thrilling
conclusion.
About FJH
Symphonic
Band
Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 - 5
Concert Band Symphonic Band - Grade 4.5 SKU: FJ.B1844 Composed by Brian B...(+)
Concert Band Symphonic
Band - Grade 4.5
SKU:
FJ.B1844
Composed by
Brian Balmages. Concert
Band. FJH Symphonic Band.
Meters. Score and
Part(s). The FJH Music
Company Inc #98-B1844.
Published by The FJH
Music Company Inc
(FJ.B1844).
UPC:
241444433874.
English.
Heroic,
sweeping melodies form
the basis of this
celebratory work
highlighting achievement
and longevity. The
constant rhythmic drive
is augmented by soaring
countermelodies and
engaging percussion.
Several peaks and valleys
culminate in a powerful
final fanfare that brings
the work to a thrilling
conclusion.
About FJH
Symphonic
Band
Appro
priate for accomplished
high school, college, and
professional groups.
Includes expanded
instrumentation and
ranges. Grades 4 - 5
Contents: Finale from Symphony No. 5 (Beethoven) · Be Thou My Vision · And...(+)
Contents: Finale from
Symphony No. 5
(Beethoven) · Be Thou
My Vision · And the
Multitude with One Voice
Spoke · The Highlander
· Shalom Chaverim ·
Full Spectrum · The
Magical Mozart (from
Magic Flute) · The
Morning Trumpet
·Prelude, Hymn and
Fugue · Acclamation
· Trumpet Voluntary
· Fantasy on a
Canadian Folk Song ·
Rats, Bats and Spiders
· Bay Town Festival
· Allegria! Allegria!
· Go Ring Them Bells
Composed by Shaffer.
Concert Band. Heritage of
the March Series. Audio
recording available
separately (item
CL.WFR328). Extra full
score. Composed 1990.
Duration 5 minutes, 57
seconds. Opus III Wind
Orchestra Publications
#012-2274-01. Published
by Opus III Wind
Orchestra Publications
(CL.012-2274-01).
A Masterpiece
of form and design, this
exciting new composition
by the composer of
ARABESQUE and DEDICATA is
his best effort yet. The
opening interludes
between fanfare brass and
rubato woodwinds set the
tone for lush
contemporary harmonies
and beautiful flowing
melodies. A slower middle
section is followed by an
impressive finale. The
expressive writing of
this piece is unmatched
and is designed to show
off every section of your
ensemble. A contest and
festival winner!
About Heritage
of the
March
Full
-sized concert band
editions of the greatest
marches of all time. Each
has been faithfully
re-scored to accommodate
modern instrumentation
and incorporate
performance practices of
classic march style
Composed by Shaffer.
Concert Band. Audio
recording available
separately (item
CL.WFR328). Score and set
of parts. Composed 1990.
Duration 5 minutes, 57
seconds. Opus III Wind
Orchestra Publications
#012-2274-00. Published
by Opus III Wind
Orchestra Publications
(CL.012-2274-00).
A Masterpiece
of form and design, this
exciting new composition
by the composer of
ARABESQUE and DEDICATA is
his best effort yet. The
opening interludes
between fanfare brass and
rubato woodwinds set the
tone for lush
contemporary harmonies
and beautiful flowing
melodies. A slower middle
section is followed by an
impressive finale. The
expressive writing of
this piece is unmatched
and is designed to show
off every section of your
ensemble. A contest and
festival winner!
Cantata for the 20th
Sunday after Trinity.
Composed by Johann
Sebastian Bach. Edited by
Frauke Heinze. Arranged
by Masaaki Suzuki. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Basso
continuo. Sacred vocal
music, Cantatas, Whitsun,
Mourning, death. Single
Part, basso continuo.
Composed 1716. BWV 162.
12 pages. Duration 18
minutes. Carus Verlag #CV
31.162/14. Published by
Carus Verlag
(CA.3116214).
ISBN
9790007208936. Text
language:
German/English.
The
cantata for the 20th
Sunday after Trinity. Ah!
I see now, as I to the
wedding bidden, BWV 162
was first performed on 25
October 1716 in the
Castle church at Weimar.
During the first year in
his position as
Thomaskantor, Bach made a
revival performance of
the cantata on 10 October
1723. For this Leipzig
version he added an
additional obbligato
voice in the first
movement and in the final
chorale he added a Corno
da tirarsi, which played
colla-parte with the
soprano. However, we do
not know what this
mysterious instrument
looked like. For
performances today we
recommend using a trumpet
or a slide trumpet. The
cantata begins not with
an introductory chorus,
but rather with a
sonorous bass aria with a
string accompaniment and
obbligato trumpet. The
following movements,
movement 2 through 5, are
also performed by vocal
soloists. The third
movement, a soprano aria,
presents a peculiarity:
the obbligato wind parts
were not contained in the
original version of this
cantata. Our edition
offers a reconstruction
for the flute, made by
the famous Bach
interpreter and expert,
Masaaki Suzuki. Score and
part available separately
- see item
CA.3116200.
Chorus (with soloists) and piano SKU: BR.EB-8450 Urtext. Composed ...(+)
Chorus (with soloists)
and piano
SKU:
BR.EB-8450
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Arranged
by Andreas Kohs. Choir;
Softbound. Edition
Breitkopf. Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary. Have a look
into EB 8450.
Oratorio/passion;
Baroque. Piano/Vocal
Score. 300 pages.
Duration 120'. Breitkopf
and Haertel #EB 8450.
Published by Breitkopf
and Haertel (BR.EB-8450).
ISBN 9790004184936.
7.5 x 10.5
inches.
Messiah
1741 - new light on
Handel's masterpiece The
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start. Messiah 1741 - the
first and only complete
edition of Handel's
autograph score Thorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation) It offers
a reconstruction of the
wind parts according to
contemporary sources
Piano vocal score with
contemporary vocal
ornamentation First
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternative The
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons. Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle. (Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
21st Sunday after
Trinity -
reconstruction.
Composed by Johann
Sebastian Bach. Edited by
Werner Breig. This
edition: piano
reduction/vocal score.
Choir; stapled. Edition
Breitkopf.
Step by
step, Breig reconstructs
the entire introductory
movement.
Cantata;
Baroque. Piano/Vocal
Score. 36 pages. Duration
20'. Breitkopf and
Haertel #EB 7188.
Published by Breitkopf
and Haertel (BR.EB-7188).
ISBN 9790004173428.
7.5 x 10.5
inches.
BWV 188
reconstructed in its
entirety for the first
time The project of
publishing Bach's
cantatas in a material
that can be purchased
completely continues to
grow with a new edition
of a work that made
particular demands on the
editor. For Breitkopf,
the renowned Bach scholar
Werner Breig had already
brought out new editions
of the well-known B-minor
Suite (PB/OB 5397, EB
8737) and of the A-minor
Suite on which it was
based, but now
reconstructed for violin,
strings and basso
continuo (PB/OB 5398).
His interest was
particularly sparked by
the sinfonia, which has
been transmitted in an
extremely rudimentary
fashion. Step by step,
Breig reconstructs the
entire introductory
movement from the final
virtuoso organ passage
and the da capo
indication with
corresponding musical
incipit. His model for
the reconstruction, which
was carried out with
enormous stylistic
authenticity, is an early
D-minor violin concerto
which is no longer extant
in this form, but which
Bach later reworked into
the Harpsichord Concerto
BWV 1052. Performers will
enjoy a Bach cantata that
is now restored in its
entirety for the first
time.
Step by
step, Breig reconstructs
the entire introductory
movement.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
Harmony parts. Innovative
practice aids, Sacred
vocal music, Cantatas,
Reformation day. Set of
Orchestra Parts. BWV 80.
12 pages. Duration 30
minutes. Carus Verlag #CV
31.080/89. Published by
Carus Verlag
(CA.3108089).
ISBN
9790007206840. Key: D
major. Text language:
German/English. Text:
Luther,
Martin.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and parts
available separately -
see item CA.3108000.
Basso continuo SKU: BR.OB-5560-11 Urtext. Composed by George Fride...(+)
Basso continuo
SKU:
BR.OB-5560-11
Urtext. Composed
by George Frideric
Handel. Edited by
Caroline Ritchie and
Malcolm Bruno. Choir;
stapled.
Orchester-Bibliothek
(Orchestral Library).
Critical Edition with
the original English text
by Charles Jennens as
well as the German
translation by Johann
Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Have a
look int.
Oratorio/passion;
Baroque. Part. 96 pages.
Duration 120'. Breitkopf
and Haertel #OB 5560-11.
Published by Breitkopf
and Haertel
(BR.OB-5560-11).
ISBN
9790004344118. 10 x 12.5
inches.
Messiah
1741 - new light on
Handel's masterpieceThe
focus of this new edition
is the Messiah as first
conceived by the composer
in 1741: before its first
performance in Dublin in
1742, before the first
London performances of
the mid 1740s, before the
final Foundling Hospital
performances in the late
1750s. The editor
succeeds in creating a
21st-century edition from
the perspective of 1741,
making clear that Messiah
was a genius hit from the
start.Messiah 1741 - the
first and only complete
edition of Handel's
autograph scoreThorough
information on Handel's
performance practice in
1741 (including topics
such as orchestration,
continuo, text underlay
and specific questions on
interpretation)It offers
a reconstruction of the
wind parts according to
contemporary sourcesPiano
vocal score with
contemporary vocal
ornamentationFirst
edition including the
German text by Herder - a
monument of the German
enlightenment - which is
contentwise and
phonetically closer to
Jennens' text than any
other translation,
therefore being a perfect
singable alternativeThe
appendix contains
additionally the most
popular and important
aria versions composed
after 1741 for practical
reasons.Throughout this
new edition, creative yet
pragmatic scholarship
shines through, and the
Preface and Critical
Report are thorough and
unusually fascinating.
... I'm very happy to own
the full score, and if I
were starting out now,
I'd invest in the whole
kit and caboodle.(Jeremy
Summerly, Choir &
Organ)
Critical
Edition with the original
English text by Charles
Jennens as well as the
German translation by
Johann Gottfried Herder,
including a comprehensive
historical and
musicological preface and
detailed critical
commentary.
Cantata for
Reformation Day.
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Arranged
by Paul Horn. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal; Hymns by
Martin Luther: Ein feste
Burg ist unser Gott.
German title: Ein feste
Burg. Innovative practice
aids, Sacred vocal music,
Cantatas, Reformation
day. Single Part, Viola.
BWV 80. 12 pages.
Duration 30 minutes.
Carus Verlag #CV
31.080/13. Published by
Carus Verlag
(CA.3108013).
ISBN
9790007045371. Key: D
major. Language:
German/English. Text:
Luther, Martin. Text:
Martin Luther, Salomo
Franck.
Bach's
Reformation cantata,
based on what is probably
Martin Luther's most
famous hymn, evolved over
a period of several
years. At the beginning
was a Weimar cantata for
Oculi Sunday 1716, now
missing, which was based
on the hymn with an
instrumental quotation in
the opening aria and with
the final chorale. In the
Leipzig years around
1730, Bach wrote a
cantata for Reformation
Day using this material.
It began with the first
verses of Luther's hymn
in a simple four-part
setting and also included
the other verses. Later
on, in the 1730s or
1740s, Bach replaced the
introductory chorale
movement with a chorale
setting which was unique,
spacious and motet-like
in its style; this -
uniquely in this respect
- incorporated the choral
writing in an
instrumental canon for
oboes and organ continuo.
The powerful opening
chorus is followed by
recitatives and arias
which reflect the full
breadth of Bach's art of
word painting and
emotion. One of Bach's
most magnificent
cantatas, one of the
greatest works in the
history of music. In
addition to the complete
performance material the
arrangements of movements
1 and 5 (with 3 trumpets,
timpani as playing score)
by Wilhelm Friedemann
Bach are available (Carus
3108089). Score and part
available separately -
see item CA.3108000.
Flute Part. This edition: Revised. Method/Instruction; SmartMusic; Suzuki; Woodw...(+)
Flute Part. This edition:
Revised.
Method/Instruction;
SmartMusic; Suzuki;
Woodwind - Flute
(Suzuki). Suzuki Flute
School. Book. 16 pages.
Alfred Music #00-0171S.
Published by Alfred Music