| From the Black Belt Carl Fischer
Orchestra Bass Clarinet, Bassoon, Clarinet 1, Clarinet 2, Contrabass, Flute 1, F...(+)
Orchestra Bass Clarinet,
Bassoon, Clarinet 1,
Clarinet 2, Contrabass,
Flute 1, Flute 2, Harp,
Horn 1, Horn 2, Horn 3,
Oboe, Percussion,
Timpani, Trumpet 1,
Trumpet 2, Trumpet 3,
Viola, Violin 1, Violin
2, Violoncello SKU:
CF.SC89L Seven
Little Pieces.
Composed by William Grant
Still. Large Score. 36
pages. Duration 12
minutes. Carl Fischer
Music #SC89L. Published
by Carl Fischer Music
(CF.SC89L).
William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following
ways:Â William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€The
“Black beltâ€
refers to a region in the
southern United States
that was distinguished by
the color of its fertile
soil. It was an area
whose rich economy was
based on cotton and
tobacco plantations that
were controlled by rich
white people and worked
by poor black laborers.
Still’s piece From
the Black Belt from 1926
is presumably a musical
representation of these
laborers. He described
its seven parts in the
following ways:
Li’l Scamp If one
were to base his judgment
on the volume of sound,
he would think this
little fellow, who
delights in playing
childish pranks, a big
scamp. But the aptness of
the title is determined
by the brevity of the
piece rather than by the
volume of sound.
Honeysuckle A musical
suggestion of the
saccharine odor of the
honeysuckle. Dance This
title is
self-explanatory. Brown
GirlA tone picture of a
lovely girl. Mah Bones Is
Creakin’An old
man, afflicted with
rheumatism, complains
loudly. BlueThe lament of
a weary soul. Clap
Yo’
Han’sThe
participants in a game
for children form a
circle and clap their
hands at intervals. $48.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Six Pieces For Five Winds Study Sc Schott
Flute, oboe, clarinet (A), horn and bassoon SKU: HL.49014166 For five ...(+)
Flute, oboe, clarinet
(A), horn and bassoon
SKU: HL.49014166
For five wind
instruments. Composed
by Priaulx Rainier. Sheet
music. Edition Schott.
Classical. Study Score.
Composed 1957. 46 pages.
Duration 18'. Schott
Music #ED 10740.
Published by Schott Music
(HL.49014166). ISBN
9790220104633.
6.0x9.0x0.152
inches. $36.00 - Voir plus => Acheter | | |
| Serenade [Conducteur] Carl Fischer
Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash C...(+)
Full orchestra Bassoon 1,
Bassoon 2, Clarinet 1,
Clarinet 2, Contrabass,
Crash Cymbals, Flute 1,
Flute 2, Glockenspiel,
Harp, Horn 1, Horn 2,
Horn 3, Oboe 2,
Percussion 1, Percussion
2, Piccolo, Suspended
Cymbal, Timpani, Trombone
1, Trombone 2, Trumpet 1
and more. SKU:
CF.SC88 Composed by
William Grant Still. Full
score. 32 pages. Duration
9 minutes, 20 seconds.
Carl Fischer Music #SC88.
Published by Carl Fischer
Music (CF.SC88). ISBN
9781491158845. UPC:
680160917563. Willi
am Grant Stillas catalog
of works comprises over
200 pieces, including
five symphonies, nine
operas, four ballets and
numerous works for
chamber ensembles. He
initially found
employment as an oboist
in pit orchestras in New
York City, later as an
arranger of popular music
for various ensembles,
including those by
William C. Handy, James
P. Johnson and Paul
Whiteman. His career as a
composer was launched
with a performance in
1931 of his Symphony No.
1 aAfro-Americana by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Stillas orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the aDean of
Afro-American Composers.a
Still composed his
Serenade for Orchestra in
1957 on a commission by
the Great Falls High
School in Great Falls,
Montana. He later
transcribed the work for
a chamber ensemble of
flute, clarinet, harp and
strings. The piece
reflects Stillas interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still's catalog of works
comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
Afro-American by the
Rochester Philharmonic,
conducted by Howard
Hanson, who would remain
a life-long champion of
Still's orchestral works.
By the 1950s the symphony
had been performed in New
York, Chicago, Los
Angeles and various
European capitals. This
notoriety earned Still a
Guggenheim Fellowship in
1934, after which he
moved to Los Angeles. He
is credited as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the Dean of Afro-American
Composers. Still composed
his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still's interest
in American folk idioms,
with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional
voice. William Grant
Still’s catalog of
works comprises over 200
pieces, including five
symphonies, nine operas,
four ballets and numerous
works for chamber
ensembles. He initially
found employment as an
oboist in pit orchestras
in New York City, later
as an arranger of popular
music for various
ensembles, including
those by William C.
Handy, James P. Johnson
and Paul Whiteman. His
career as a composer was
launched with a
performance in 1931 of
his Symphony No. 1
“Afro-Americanâ€
by the Rochester
Philharmonic, conducted
by Howard Hanson, who
would remain a life-long
champion of
Still’s orchestral
works. By the 1950s the
symphony had been
performed in New York,
Chicago, Los Angeles and
various European
capitals.This notoriety
earned Still a Guggenheim
Fellowship in 1934, after
which he moved to Los
Angeles. He is credited
as the first
African-American to
conduct a major orchestra
(the Los Angeles
Philharmonic Orchestra),
the first to have an
opera performed by a
major company (Troubled
Island by the New York
City Opera in 1949), and
one of the first
composers to write for
radio, films and
television. So numerous
were his awards and
accolades, including
three Guggenheim
Fellowships and a variety
of honorary doctorates,
that he was designated as
the “Dean of
Afro-American
Composers.â€Still
composed his Serenade for
Orchestra in 1957 on a
commission by the Great
Falls High School in
Great Falls, Montana. He
later transcribed the
work for a chamber
ensemble of flute,
clarinet, harp and
strings. The piece
reflects Still’s
interest in American folk
idioms, with conventional
melodies and harmonies
that nonetheless express
a fresh and individual
compositional voice. $25.00 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Sonatina in A Minor, Op. 88, No. 3 Piano seul - Intermédiaire Schott
Piano - intermediate SKU: HL.49046242 Schott Student Edition - Level 3...(+)
Piano - intermediate
SKU: HL.49046242
Schott Student Edition
- Level 3. Composed
by Friedrich Kuhlau.
Edited by Monika
Twelsiek. This edition:
Saddle stitching. Sheet
music. Piano Solo.
Classical. Softcover. Op.
88/3. 20 pages. Schott
Music #SE1045. Published
by Schott Music
(HL.49046242). ISBN
9783795716691. UPC:
888680950040. 9x12
inches. German - English
-
French. “Thes
e real masterpieces, even
if only a few minutes
long, are of tremendous
melodiousness and
expressiveness!”,
Franz Schubert said about
Friedrich Kuhlau's
sonatinas.
The
four Sonatinas Op. 88
were written in 1827,
i.e. during Friedrich
Kuhlau's middle creative
period, even before the
great success of the
opera
“Elfenhügel.&r
dquo; and the year of
Beethoven's death. All
four works contain
beautiful melodic ideas,
but Sonatina Op. 88 No. 3
with its minor tonality,
its free treatment of
form and tempo in the
first movement and the
lively last movement is
something special. Of
medium difficulty, this
sonatina is great fun to
play.
This edition
is accompanied by a
preface and
“Teaching
Notes” by Monika
Twelsiek. It is part of
the new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty, from 1
(easy) to 5 (difficult),
for instrumental lessons.
For further information
on this series, see
www.schott-student-editio
n.com.
About Schott
Student
Edition Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation. $11.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Creative Carols for Brass Quartet, Volume 2 Quatuor de cuivres: 2 trompettes, 2 trombones - Intermédiaire Lillenas Publishing Co.
Brass ensemble 2 trumpets and 2 trombones - Intermediate SKU: LO.978083417812...(+)
Brass ensemble 2 trumpets
and 2 trombones -
Intermediate SKU:
LO.9780834178120
Traditional Carols
with a Popular Twist.
Composed by Ed Hogan.
Creative Carols.
Christmas. Score,
enhanced CD. Lillenas
Publishing Company
#9780834178120. Published
by Lillenas Publishing
Company
(LO.9780834178120).
ISBN
9780834178120. Look
ing for an innovative way
to incorporate your
instrumentalists into
your Christmas worship
services? Our new
Creative Carols Series is
just for you! We've
arranged ten of your
favorite Christmas carols
for eight different
soloists (Flute,
Clarinet, Alto Sax,
Trumpet, French Horn,
Trombone, Violin and
Cello) and five carols
for three different small
ensembles (Woodwind Trio,
Brass Quartet, and String
Quartet.) These
traditional carols are
arranged in fresh popular
styles, with rhythm
section or piano
accompaniment. You'll
find quiet introspective
treatments, energetic
pop, swing tunes and
Cuban grooves. All of
these pieces can be
accompanied by piano,
rhythm section, or
recorded rhythm tracks.
Everything you need is
provided in the
Downloadable Resources!
Make Creative Carols part
of your Christmas
repertoire this year, and
for years to come.The
printed book includes the
solo parts. Access to the
Downloadable Resources is
included with the book
and has printable PDF
files with Solo / Piano
scores. $59.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Concertino G Major, Op. 11 Violon - Débutant Schott
Piano Accompaniment; Violin (SCORE+PART) - very easy SKU: HL.49045440 ...(+)
Piano Accompaniment;
Violin (SCORE+PART) -
very easy SKU:
HL.49045440 For
Violin and Piano Schott
Student Edition
Repertoire. Composed
by Ferdinand Kuchler.
Edited by Wolfgang
Birtel. This edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Repertoire.
Softcover. Op. 11. 28
pages. Schott Music
#SE1001. Published by
Schott Music
(HL.49045440). ISBN
9790001161817. UPC:
841886028623.
9.25x12.0x0.081 inches.
German - English -
French. Schott Student
Edition
Repertoire. Ferdina
nd Küchler is regarded
as one of the great
violin teachers of the
20th century, due, in
large part, to his
popular violin method.
His Concertino remains a
popular entry-level piece
for students to this day.
This edition is part of
the new Schott Student
Edition series which
offers varied literature
at five different levels
of difficulty, from 1
(easy) to 5 (difficult),
for instrumental
lessons.
About Schott
Student
Edition Th
e Schott Student Edition
gathers instrumental
works for music lessons
providing a unique and
varied repertoire
resource including
standard teaching works,
lesser known pieces which
are perfectly suited to
lessons as well as to
student concerts and
competitions.
Th
e repertoire is divided
into levels 1-5, from
very easy to difficult,
and includes works from
the Renaissance up to
modern performance
pieces. Each title is
graded, from very easy
works for beginners up to
demanding pieces for more
advanced students who are
preparing for further
study or
examinations.
Ev
ery work in the series
has been carefully
selected and edited by
experienced music
teachers. The editions
also contain a wealth of
information on the pieces
as well as useful advice
on studying, rehearsing
and interpreting the
works. The first titles
to be published in the
Schott Student Edition
series contain works for
violin, violoncello,
flute, clarinet and
recorder. Further
editions are in
preparation. $9.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| World Music Ireland Universal Edition
Mixed Ensembles Bass Guitar), Bass Part (Cello, Bassoon, Double Bass, Flute, Gui...(+)
Mixed Ensembles Bass
Guitar), Bass Part
(Cello, Bassoon, Double
Bass, Flute, Guitar,
Melody 1 in B-Flat
(Clarinet, Melody 1 in C
(Violin, Melody 2 in
B-Flat (Clarinet, Melody
2 in C (Violin,
Percussion, Piano/Harp,
Recorder, Tin Whistle),
Trumpet), Voice SKU:
PR.UE036462 Easy
ensemble literature for
teaching. Composed by
Various. Arranged by
Richard Graf. Set of
Score and Parts. With
Standard notation.
Universal Edition
#UE036462. Published by
Universal Edition
(PR.UE036462). ISBN
9783702473358. Graf
and Filz have arranged
five Irish folk tunes as
flexible ensemble with
many possibilities.
Whether for classroom
ensemble or
anyone-joins-in fun,
these tunes are presented
in faithful styles, with
brief descriptions of the
pieces and the
instruments originally
used. The included CD
features play-along
track, sample track, and
all instrumental parts to
be printed and used as
desired. Includes The
Wind That Shakes That
Barley, Danny Boy, The
Connaughtman's Rambles,
The Foggy Dew, and The
Wild Rover. $29.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
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