Piano, Voix et Guitare [Partition] - Intermédiaire Hal Leonard
Performed by Elvis Presley. For voice, piano and guitar chords. Format: piano/vo...(+)
Performed by Elvis
Presley. For voice, piano
and guitar chords.
Format:
piano/vocal/chords
songbook. With vocal
melody, piano
accompaniment, lyrics,
chord names and guitar
chord diagrams. Rock 'n'
roll and rockabilly. 256
pages. 9x12 inches.
Published by Hal Leonard
Choir SKU: WD.080689648144 Composed by David Wise. Arranged by David Wise...(+)
Choir
SKU:
WD.080689648144
Composed by David Wise.
Arranged by David Wise.
Choral. Sacred Anthem.
Stem mixes. Word Music
#080689648144. Published
by Word Music
(WD.080689648144).
UPC: 080689648144.
Orchestrated by David
Shipps.
We can get
so swept up in the hustle
and bustle of buying
presents and planning for
guests that we forget the
one true reason for the
season! This beautiful
arrangement of Just
Another Christmas reminds
us all to rejoice in the
birth of our Infant
Savior and King, and
allows us to reflect on
His majesty, asking God
to make Him the center of
the holiday and our
lives.
Moderately Easy SKU: WD.080689619175 Encounters with the Savior...a Mu...(+)
Moderately Easy
SKU:
WD.080689619175
Encounters with the
Savior...a Musical for
Easter. Composed by
Kenna Turner West.
Choral, cantatas.
Eastertide. Book. Word
Music #080689619175.
Published by Word Music
(WD.080689619175).
UPC:
080689619175.
What
better way to share
Easter Sunday with your
choir and congregation
than by singing out the
testimonies of those who
encountered Jesus
firsthand? Throughout
Jesus’ ministry,
people experienced divine
appointments with Him
that left them amazed and
in awe. Presented by the
Simply Word
Series, this is
the retelling of those
testimonies in an
inspiring new Easter
Musical, WE ARE
WITNESSES, from
Word Music & Church
Resources.
The best-selling
Simply Word
Series is
dedicated to constructing
musicals perfect for
every choir and creating
experiences your
congregation will never
forget. As part of this
popular series, WE ARE
WITNESSES, arranged
and orchestrated by
Daniel Semsen,
will give your choir
over-the-top, dynamic
SATB sounds, delivered
via accessible vocal
part-writing, punctuated
and enhanced by the use
of brilliant CD
Accompaniment Tracks, DVD
Accompaniment Tracks, and
orchestrations. Created
by Kenna Turner
West, and featuring
new songs co-written with
Kenna by esteemed
writers such as Tony
Wood, Lee Black, Jason
Cox, Don Koch and
more, WE ARE
WITNESSES is sure to
be a unique, refreshing,
and profoundly meaningful
experience for your choir
and congregation, as you
use these anointed songs
and compelling narrative
testimonies to share the
Gospel of Christ with
your community.
God has raised this
Jesus to life, and we are
all witnesses of it. Acts
2:32 (NIV)
Flûte, Clarinette, Piano (trio) [Conducteur et Parties séparées] Theodore Presser Co.
Composed by Gabriel Faure (1845-1924). Arranged by Michael Webster. Classical. S...(+)
Composed by Gabriel Faure
(1845-1924). Arranged by
Michael Webster.
Classical. Score and
part(s). With Standard
notation. Composed 2005.
Opus 50. 28 pages.
Duration 5 minutes.
Theodore Presser Company
#114-41756. Published by
Theodore Presser Company
(PR.114417560).
(Soprano (43 Songs)). By Stephen Sondheim (1930-). Edited by Richard Walters. Fo...(+)
(Soprano (43 Songs)). By
Stephen Sondheim (1930-).
Edited by Richard
Walters. For Soprano,
Piano Accompaniment
(Soprano). Vocal
Collection. 264 pages.
Published by Hal Leonard
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes...(+)
Chamber Music Clarinet,
Flute, Piano
SKU:
PR.114417610
Based
on themes from Puccini's
Madama Butterfly.
Composed by Michael
Webster. Sws each. See
the notes on Madama
Butterfly on page two and
the notes on Sonata
Cho-Cho-San on page three
of the full score.
Contemporary. Set of
Score and Parts. With
Standard notation.
Composed 1997. 44+8+12
pages. Duration 24
minutes, 28 seconds.
Theodore Presser Company
#114-41761. Published by
Theodore Presser Company
(PR.114417610).
ISBN
9781491107904. UPC:
680160636051. 9x12
inches.
SONATA
CHO-CHO-SAN(Based on
themes from
Puccini’s Madama
Butterfly)In the spirit
of the great 19th-century
opera fantasies for
woodwinds, Michael
Webster has created a
concert trio on the many
great arias from
Puccini's Madama
Butterfly. However, as
its name implies, Sonata
Cho-Cho-San is not the
typical virtuosic
operatic potpourri.
Rather, it follows the
plot, resembling a sonata
mirroring Puccini's use
of recurring and
developing themes.
Webster makes the most of
the winds as versatile
performers - equally
suited to deliver
Puccini's beautiful vocal
writing, and to ornament
and embroider the
poignant themes in
symphonic style. For
advanced
performers.______________
_________________________
Text from the scanned
back cover:Born in 1944,
Michael Webster made his
New York recital debutat
Town Hall in 1968 with
his eminent father,
Beveridge Webster, as
pianist. In the same
year, he won the Young
Concert Artists
International Competition
and succeeded his
teacher, Stanley Hasty,
as Principal Clarinet in
the Rochester
Philharmonic, a position
he held for twenty years.
Webster has performed
with the Chamber Music
Society of Lincoln
Center, the 92nd Street
Y, with the Tokyo,
Cleveland, Muir, Ying,
Enso, and Dover String
Quartets, and with the
festivals of Marlboro,
Santa Fe, Norfolk,
Chamber Music Northwest,
Angel Fire, Steamboat
Springs, Park City,
Sitka, Kapalua, Bowdoin,
Orcas Island,
Skaneateles, La Musica di
Asolo, Stratford,
Victoria, and Domaine
Forget.As soloist he has
appeared with many
orchestras, including the
Philadelphia Orchestra
under Aaron Copland and
the Boston Pops under
John Williams. His
travels have taken him as
performer and teacher to
most of the 50 states, as
well as Canada,
Mexico,Puerto Rico,
Central and South
America, Europe, Japan,
China, Australia, and New
Zealand. Webster was
Acting Principal Clarinet
of the San Francisco
Symphony, and has served
on the clarinet and/or
conducting faculties of
New England Conservatory,
Boston University,
University of Michigan,
and the Eastman School,
from which he earned his
three degrees. Currently
he is Professor of Music
at Rice
University’s
Shepherd School of Music
and Artistic Director of
the Houston Youth
Symphony, which has won
multiple first prizes in
national performance
competitions.With his
wife, flutist Leone
Buyse, and pianist Robert
Moeling, he plays in the
Webster Trio, which has
recorded his arrangements
on Tour de France and
World Wide Webster for
Crystal Records.
Otherarrangements were
recorded for Nami and
Camerata Tokyo in Japan
with pianist Chizuko
Sawa. Webster has also
recorded for Albany,
Arabesque, Beaumont,
Bridge, Centaur, CRI, and
New World. He has played
at many ClarinetFests for
the International
Clarinet Association and
written a column entitled
“TeachingClarinetâ
€ in The Clarinet
Magazine since 1998.
Michael Webster is a
Buffet artist-clinician,
performing on Buffet
clarinets
exclusively.
Choir SKU: WD.080689279089 Composed by David Wise. Arranged by David Wise...(+)
Choir
SKU:
WD.080689279089
Composed by David Wise.
Arranged by David Wise.
Choral. Sacred Anthem,
Eastertide.
Orchestration. Word Music
#080689279089. Published
by Word Music
(WD.080689279089).
UPC: 080689279089.
Orchestrated by David
Shipps.
We can get
so swept up in the hustle
and bustle of buying
presents and planning for
guests that we forget the
one true reason for the
season! This beautiful
arrangement of Just
Another Christmas reminds
us all to rejoice in the
birth of our Infant
Savior and King, and
allows us to reflect on
His majesty, asking God
to make Him the center of
the holiday and our
lives.
Praise
Gathering Choral. Easter.
Softcover. 120 pages.
Duration 2700 seconds.
PraiseGathering #A08443.
Published by
PraiseGathering
(HL.2050293).
UPC:
797242885594.
6.75x10.5x0.351
inches.
The truly
blessed are those that
can see the miraculous in
what others see as
mundane. Even more so are
those that never lose the
wonder of the awesome
impact of the sacred. It
is part of our nature to
allow the most wonderful
things in our lives to
seem commonplace at times
- to take tremendous
blessings for granted.
King David's prayer,
“Restore to me the joy
of Your salvation and
grant me a willing spirit
to sustain me.” (Psalm
51:12) speaks to us in
the times and seasons of
our own lives.This
musical is about the
importance of
remembering. On the eve
of His trial and
execution Jesus made it
clear that we were to
remember Him and His
sacrifice. He instituted
the sacrament of the Last
Supper to be a central
part of the Christian
faith - a time to gather
as His Body and
remember.We cannot stand
in the distance and
casually observe the
sacrifice of the Cross.
We cannot pretend it did
not happen - that it is
less than it is
proclaimed to be - that
it does not touch us or
our lives. The Cross is
not something that we get
used to - not something
that we can get
comfortable with - not
something that we can
ever take lightly.Jesus
Christ, the Son of God,
by His own choice died
nailed to a Cross for the
sins that you and I
committed. May we never
forget His sacrifice, may
we never fail to fall to
our knees in thanksgiving
for that kind of love,
may we never lose the
wonder - the wonder of
the Cross.
Achnaton Orchestre d'harmonie [Conducteur] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-140 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000712-140
Composed by Jan Bosveld.
Score Only. 40 pages.
Gobelin Music
Publications #GOB
000712-140. Published by
Gobelin Music
Publications
(BT.GOB-000712-140).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen.
Achnaton Orchestre d'harmonie [Conducteur et Parties séparées] - Intermédiaire Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000712-010 Composed by Jan Bo...(+)
Concert Band/Harmonie -
Grade 4
SKU:
BT.GOB-000712-010
Composed by Jan Bosveld.
Set (Score & Parts). 38
pages. Gobelin Music
Publications #GOB
000712-010. Published by
Gobelin Music
Publications
(BT.GOB-000712-010).
The Egyptian
pharaoh Amenhotep IV,
better known as Achnaton,
was the second son and
successor of Amenhotep
III. He reigned the
New Kingdom from 1353
until 1336 BC.
Achnatons lack of
interest in the economic
well-being of Egypt
ushered ina revolutionary
period in Egyptian
history. His harsh
reign induced much
suffering under the
population. During
this period when it was
customary for a pharaoh
to have many wives, he
had taken his cousin
Nefertete to reign as
queen at hisside. An
elegant and very
beautiful woman, she used
her influence to ease the
turmoil caused by
Achnaton. Combined
with her grace, her
presence at public
functions led to a
greater popularity among
her subjects than the
pharaoh
enjoyedhimself. Being
mostly preoccupied with
religious questions, he
declared that all the
other gods did not exist.
There was only one god,
the Aten, and it was the
sun itself. It was
now necessary to change
his name: ‘Amenhotep’
meaning ‘the god Amun
is satisfied’, because
he didnt want to be
associated with Amun or
any of the other
deities. He renamed
himself ‘Achnaton’
which means ‘servant of
the Aten’ -- a much
more appropriate
title! In the sixth
year of his reignAchnaton
also moved the capital to
a brand new city called
Achet-Aton (‘the
Horizon of the Aten’)
which was where Tel
el-Amarna stands today.
He did this to further
isolate himself from the
‘old’ religion, since
the previous capital
Thebes was thecentre of
worship of Amun. This
new religion created an
up rise among the
population and high
priests. In spite of
Nefertetes influence, the
falling economy and
religious conflict
resulted in the decline
of the Egyptian
empire. Hoping
toforget it ever
happened, people later
tried to eradicate all
traces of Achnaton and
his successors rule by
smashing their statues,
mutilating their mummies,
and ruining their relief
carvings. From that
moment on he was
remembered as
the‘heretic
king’.
This
composition was partially
funded by the ‘Prins
Bernhard
Cultuurfonds’.
D
e Egyptische farao
Achnaton was de zoon en
opvolger van Amenhotep
III en besteeg de troon
als Amenhotep IV. Hij
regeerde van 1353 tot
1336 voor Christus.
Achnaton was nauwelijks
ge?nteresseerd in
politiek en handel
waardoorhet Egyptische
rijk onder zijn bewind in
economisch verval raakte.
Hij regeerde per decreet
waaronder de bevolking
zwaar te leiden had.
In die tijd was het
gebruikelijk dat de
farao’s meerdere
vrouwen hadden waarvan
hij eréén tot zijn
hoofdvrouw koos waarmee
hij zijn rijk regeerde.
Nefertete was de
uitverkorene. Een zeer
mooie, elegante vrouw,
die met haar invloed op
het harde beleid van
Achnaton nog voor enige
verlichting zorgde. Dit
en haar aanwezigheidbij
openbare presentaties
leidde ertoe dat zij bij
de bevolking een veel
grotere populariteit
genoot dan de farao zelf.
Achnaton hield zich
vooral bezig met
religieuze vraagstukken.
Hij brak met het idee dat
er meergoden zouden
bestaan. Volgens hem was
er slechts één god,
namelijk de zon. Deze
zonnegod noemde hij
Aton. Nadat deze
gedachte zich bij hem had
geopenbaard veranderde
hij zijn naam van
Amenhotep in Achnaton,
hetgeen in het
Egyptisch“Aton
welgevallig”
betekent. In zijn
zesde regeringsjaar
stichtte Achnaton de
nieuwe regeringszetel
“Achet-Aton”, ver van
de bewoonde wereld in de
woestijn. Deze stad,
het huidige Tell
el-Amarna in
Midden-Egypte,stond
geheel in het teken van
de zonnegod. Deze nieuwe
godsdienst stuitte op
veel weerstand bij de
bevolking en de
priesters. De
godsdienststrijd die
hierdoor ontstond
gekoppeld aan het
economische verval
zorgde, ondanks de
invloedvan Nefertete,
voor de ineenstorting van
het Egyptische rijk als
grote mogendheid. Na
de dood van Achnaton werd
de regeringszetel
“Achet-Aton” gebruikt
als steengroeve. Zijn
naam werd verwijderd van
de alle bouwwerken en
herinneringszuilen.
By William Bay and Mike Christiansen. For Guitar (All). Methods. Mastering Guita...(+)
By William Bay and Mike
Christiansen. For Guitar
(All). Methods. Mastering
Guitar. All Styles.
Level: Beginning. Book.
Size 9x11.75. 144 pages.
Published by Mel Bay
Publications, Inc.
By Bob Dylan. By Bob Dylan. Arranged by Don Giller and Ed Lozano. Music Sales Am...(+)
By Bob Dylan. By Bob
Dylan. Arranged by Don
Giller and Ed Lozano.
Music Sales America.
Folk, Pop, Rock.
Softcover. Composed 2016.
788 pages. Music Sales
#AM978923. Published by
Music Sale
By Jean-Baptiste Arban. Arranged by Claude Egea. For Bb Trumpet, Cornet, Euphoni...(+)
By Jean-Baptiste Arban.
Arranged by Claude Egea.
For Bb Trumpet, Cornet,
Euphonium, Saxhorn or any
Bb instrument.
Instructional method,
Play along, Classical,
Educational, Jazz. Book
and accompaniment CD. 32
pages. Published by FLEX
Editions