SKU: CA.1232100

Composed by Helga Maria List. This edition: Paperbound. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. Awards / Prizes: Deutscher Musikeditionspreis Best Edition. German title: Moby Dick und Kissenschlacht. Songs for children, Secular choral music. Full score. 48 pages. Carus Verlag #CV 12.321/00. Published by Carus Verlag (CA.1232100).

ISBN 9790007018146. Illustrator: Rudi Kammerer.

This collection contains 33 new children's songs for ages kindergarten through third grade. The collection is designed to appeal to children in all age groups, as is especially indicated in the table of contents. Musically the songs - many with refrains and suggestions for playing games - are ideal for children and are similar to folksongs. The songs encompass a wide range of themes, including animals (dinosaurs too), games, fairy tales, stories, the body and the senses, living, hiking, the circus, songs with gags which can be performed .... The cheerful tone throughout these songs finds its counterpart in the rich, colourful illustrations. A true picture book.

Composed by Johann Sebastian Bach (1685-1750). Edited by Susanne Shigihara. Arranged by Max Reger. This edition: Paperbound. German title: Ausgewahlte Choralvorspiele. New year, Whitsun. Collection. 40 pages. Published by Carus Verlag

Organ

SKU: HL.49005980

Zu 18 Choralen. Composed by Ernst Pepping. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. 48 pages. Schott Music #ED6041. Published by Schott Music (HL.49005980).

ISBN 9790001064750. UPC: 884088099466. 10.25x13.0x0.15 inches.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113613

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Trinity. Single Part, Viola. Composed 1723. BWV 136. 4 pages. Duration 22 minutes. Carus Verlag #CV 31.136/13. Published by Carus Verlag (CA.3113613).

ISBN 9790007208134. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113614

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Basso continuo. Sacred vocal music, Cantatas, Trinity. Single Part, basso continuo. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/14. Published by Carus Verlag (CA.3113614).

ISBN 9790007208141. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113612

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 2. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 2. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/12. Published by Carus Verlag (CA.3113612).

ISBN 9790007208127. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113611

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas, Trinity. Single Part, Violin 1. Composed 1723. BWV 136. 8 pages. Duration 22 minutes. Carus Verlag #CV 31.136/11. Published by Carus Verlag (CA.3113611).

ISBN 9790007208110. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and part available separately - see item CA.3113600.

ATB vocal soli, SATB choir, horn, oboe, oboe d'amore, 2 violins, viola, basso continuo

SKU: CA.3113609

Cantata for the 8th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Christiane Hausmann. This edition: urtext. 1x 31.136/21 oboe 1, 1x 31.136/22 oboe 2, 1x 31.136/31 horn. Stuttgart Urtext Edition: Bach vocal. Harmony parts. Sacred vocal music, Cantatas, Trinity. Set of Orchestra Parts. Composed 1723. BWV 136. Duration 22 minutes. Carus Verlag #CV 31.136/09. Published by Carus Verlag (CA.3113609).

ISBN 9790007208103. Text language: German/English.

The cantata Erforsche mich Gott und erfahre mein Herz BWV 136 was composed in Bach's first year as Kantor of St. Thomas's in Leipzig and was first performed on the 8th Sunday after Trinity, the 18th July 1723. The librettist is unknown. The title of the cantata is taken from verse 23 of Psalm 139: Erforsche mich Gott und erfahre mein Herz; prufe mich und erfahre, wie ich's meine. (Search me, O God, and know my heart: try me, and know my thoughts) The opening chorus forms an extended fugue, framed by string writing bursting with energy. The obbligato horn accentuates and enriches the movement with a special tonal color. The alto aria in F sharp minor (movement 3) comprises a trio movement with an oboe d'amore as solo instrument in a contrasting range - a presto middle section which dramatically charges the words Denn seines Eifers Grimm vernichtet (For the fury of its zeal will destroy). In the duet (movement 5) the text is sung by tenor and bass line by line, sometimes imitating contrapuntally, and sometimes both singing together dramatically in homophonic writing. A simple chorale setting to the melody Auf meinen lieben Gott concludes the cantata. Particularly charming here is the violin which joins the four vocal parts as an independent part. Score and parts available separately - see item CA.3113600.

By Felix Bartholdy Mendelssohn (1809-1847). Edited by Alfred Dorffel. Arranged by August Horn. Choir and piano. For Solo voices, SATB Choir, Piano. This edition: Paperback. Oratorio (complete), Transcriptions, Original Works, Choral. Romantic Period; Sacr. Large Vocal Score. Romantic Period; Sacred/Hymns, German.

By Dietrich Buxtehude. Edited by Keller. For Organ. 24 Chorale Preludes(some with 2 or 3 settings). Published by C.F. Peters.

Composed by Simon Sechter. Edited by Hans Haselbock. Diletto Musicale. Op. 90. 39 pages pages. Published by Doblinger Music Publishers (DB.DM-01100).

SKU: HL.49015401

Selbstverwirklichung durch kreatives Klavieruben. Composed by Seymour Bernstein. This edition: Hardback/Hard Cover. Book. Edition Schott. Dies ist die wohl intensivste Klavierschule, die man sich denken kann. Bernstein, Pianist, Lehrer, Komponist, fuhrt den Leser zu jener Wahrheit, die im Herzen liegt. Zur Wahrheit, die das musikalische mit dem personlichen Ich verbindet. Ein leidenschaftli. Classical. 262 pages. Schott Music #ED 7953. Published by Schott Music (HL.49015401).

ISBN 9783795704445. German.

Warum Musik studieren? Wozu, wenn nicht fur eine berufliche Laufbahn, wenn nicht um der Anerkennung willen? Die Probleme, mit denen sich Bernstein befasst, sind nicht nur die von Berufsmusikern. Er wendet sich an alle, die Erkenntnis gewinnen wollen: an den hingebungsvollen Amateur; an alle, die vor Auftritten unbeschreiblich leiden; an die Eltern, denen er Ratschlage gibt, wie sie das Uben ihrer Kinder begleiten konnen.Mit dem zweiten und dritten Teil des Buches betreten wir dann die Welt des technischen Know-hows und profitieren von der Sachkenntnis des Meisters. Bernstein verrat Rezepte, wie wir Korper und Geist kontrollieren und anspornen, wie wir unsere Konzentrationsfahigkeit verbessern konnen, wie wir mit Fehlern umgehen lernen. Kurz: Er lehrt uns, unserem Talent gegenuber verantwortlich zu sein. Unser Gefuhl, unser Denken und die Wahrnehmung der Sinne verschmelzen zu lassen mit der Physis. Bernstein lehrt uns, vielleicht als erster, die wirklichen Grunde fur das Uben und den Weg zur Erfullung. Als unser bester Anwalt ermutigt er uns, Musik hervorzubringen, entlockt uns das Beste, das wir haben, gibt uns Selbstwertgefuhl, das zu andauerndem Gluck fuhren kann.

Vocal soli, mixed choir, orchestra (Voices, Mixed choir, Orch)

SKU: BA.BA05062-01

Urtext der Neuen Mozart-Ausgabe. Composed by Johann Sebastian Bach. Edited by Ryuichi Higuchi. This edition: complete edition, urtext edition. Linen. New Bach Edition (NBA) I/34. Complete edition, Score, anthology. Baerenreiter Verlag #BA05062_01. Published by Baerenreiter Verlag (BA.BA05062-01).

ISBN 9790006463022. 33 x 26.3 cm inches.

About Barenreiter Urtext

What can I expect from a Barenreiter Urtext edition?< /p>

MUSICOLOGICA LLY SOUND
- A reliable musical text based on all available sources
- A description of the sources
- Information on the genesis and history of the work
- Valuable notes on performance practice
- Includes an introduction with critical commentary explaining source discrepancies and editorial decisions

... AND PRACTICAL
- Page-turns, fold-out pages, and cues where you need them
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- Excellent print quality
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