Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708215

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Bassoon/double bass. Sacred vocal music, Masses, Latin. Single Part, Bassoon/Double Bass. ZWV 14. 16 pages. Duration 38 minutes. Carus Verlag #CV 27.082/15. Published by Carus Verlag (CA.2708215).

ISBN 9790007242978. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708214

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Violoncello. Sacred vocal music, Masses, Latin. Single Part, Cello. ZWV 14. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.082/14. Published by Carus Verlag (CA.2708214).

ISBN 9790007242961. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708213

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Viola. Sacred vocal music, Masses, Latin. Single Part, Viola. ZWV 14. 20 pages. Duration 38 minutes. Carus Verlag #CV 27.082/13. Published by Carus Verlag (CA.2708213).

ISBN 9790007242954. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708211

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Violin 1. Sacred vocal music, Masses, Latin. Single Part, Violin 1. ZWV 14. 24 pages. Duration 38 minutes. Carus Verlag #CV 27.082/11. Published by Carus Verlag (CA.2708211).

ISBN 9790007242930. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708200

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Sacred vocal music, Masses, Latin. Full score. ZWV 14. 176 pages. Duration 38 minutes. Carus Verlag #CV 27.082/00. Published by Carus Verlag (CA.2708200).

ISBN 9790007145187. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages.

By Franz Joseph Haydn. Arranged by Robert D. Mccashin. String Orchestra. FJH String Orchestra. Late in life, Franz Joseph Haydn wrote twelve symphonies known as the "London" or "Salomon" Symphonies. They were composed for and during his two visits to London between 1791 and 1795. It was during his first visit that he was awarded the honorary degree of Doctor of Music from Oxford University (1791). Haydn had been invited to come to London by Johann Peter Salomon, London violinist and concert impresario. The invitation included the writing and conducting of some twenty new works as part of a dedicated concert series. Symphony No. 104 in D Major is the last of the 12 London Symphonies from which this arrangement is drawn. Despite the dramatic slow introduction of the first movement, the entire symphony reflects the great satisfaction and joyful energy of Haydn's existence during these visits to England. Score for this title: ST6097S. Extra part for this title: ST6097P. Level: 4.5. Published by The FJH Music Company Inc.

Flute - Early Advanced

SKU: FH.FLR08

2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book/Piano Accompaniment/CD. The Frederick Harris Music Company #FLR08. Published by The Frederick Harris Music Company (FH.FLR08).

ISBN 978-1-55440-296-0.

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.
Sonata in E flat Major, BWV 1031(complete) attr. Johann Sebastian Bach, arr. Stephen Chatman
Sonata in G Minor, op. 2, no. 4 (La Lumagne) (complete) Michel Blavet
Concerto in G Major (complete) attr. Giovanni Battista Pergolesi, arr. Stephen Chatman
Reverie et petite valse Andre Caplet
Sunstreams Ian Clarke, David Hicks, and Simon Painter arr. Ian Clarke
Das Fischermadchen, D 957, no. 10 Franz Schubert, arr. Theobald Boehm
Standchen, D 957, no. 4 Franz Schubert, arr. Theobald Boehm
Aus dem Pflanzenreich, op. 57b, First Movement: Die Lilie; Fourth Movement: Kaktus Theodor Blumer
Icicle Robert Aitken
Caprice en gigue Sebastian Bodinus
Les folies d'Espagne Marin Marais, transc. Hans-Peter Schmitz
First Movement: Theme
Second Movement
Fifth Movement
Ninth Movement
Eighth Movement
Twenty-fifth Movement
Three Lyric Pieces Teruyuki Noda
3. Adagietto.

About Overtones

Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program.

Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Bc

SKU: CA.2708249

Composed by Jan Dismas Zelenka. Edited by Wolfgang Horn. Organ / tiorba. Sacred vocal music, Masses, Latin. Single Part, Organ / Theorba. ZWV 14. 32 pages. Duration 38 minutes. Carus Verlag #CV 27.082/49. Published by Carus Verlag (CA.2708249).

ISBN 9790007242923. Language: Latin.

Jan Dismas Zelenka's Missa Sancti Josephi occupies a key position among his circa twenty large masses. In this mass, probably composed in 1732 for a feast of a Saint (thus, without a Credo), for the first time the composer took up the operatic style of Johann Adolf Hasse - the latter had first performed his opera Cleofide in Dresden in 1731. Zelenka's unmistakable individuality created a completely independent work with great technical demands which in many details presages the important masses among his late works. The sole source for the first edition of this mass, published here for the first time, is a considerably damaged autograph score which. It is preserved in the Sachsische Landes- und Universitatsbibliothek Dresden. For the Carus edition the experienced Zelenka scholar Wolfgang Horn has expertly reconstructed the missing passages. Score and part available separately - see item CA.2708200.

Bass trombone or tuba and piano

SKU: P2.80062

Composed by Johann Galliard. Arranged by Micah Everett. Solo music, 18th century. Published by Potenza Music (P2.80062).

These settings of the Galliard bassoon sonatas grew out of a perceived need for more intermediate-early advanced solo literature for the bass trombone, as well as more settings of Baroque-period works for that instrument. While the sonatas are playable on the bass trombone in their original keys (whether at pitch or down one octave), by setting them in lower keys I have endeavored to make them useful for developing tone quality and technique in the valve register, while not going so low that clarity and facility might be compromised (as can be the case when playing in the original keys down one octave). The new keys I have chosen for each of the sonatas are closely related to the original ones, in every case down a perfect fourth or perfect fifth, so something of the sound of the original keys is maintained. Other than the key changes I have made very few adjustments to the intervals in the solo or left hand keyboard parts; in the places where I have done the most editing I have provided cues for the original intervals and/or rhythms so that the player can choose whether to perform the simplified part I have provided or something closer to the original. The new keys (as well as copyright considerations) necessitated that I provide entirely new figured bass realizations for the accompanist's right hand. These are entirely my own, though in the early stages of this project I did consult with Professor Stacy Rodgers, my colleague and collaborator at the University of Mississippi. I have provided more than a simple harmonic accompaniment in my realization; each movement has a number of short melodic passages to provide interest in the keyboard part for both performer and listener. Still, I have been purposefully reserved in writing these parts, and in no case should the keyboardist feel obligated to strictly adhere to the part as I have written it. I have left the figured bass in the score so that the performer can modify and/or build upon what I have provided, particularly in the repeats (as Professor Rodgers did when playing and recording one of the sonatas with me). I have labeled the accompaniment part simply as keyboard with the understanding that these sonatas were originally intended for performance with harpsichord (assisted by cello or bassoon) or organ, though I am sure that the vast majority of performances of these arrangements will have piano as the accompanying instrument. My keyboard part has thus been written with that instrument in mind. If performing with harpsichord assisted by cello or bassoon those players will need to make adjustments in places where the bass lines extend below the ranges of their instruments. While I am confident that my right hand part is a faithful realization of the harmonic structure indicated by the composer, no attempt has been made either in my keyboard realization or in my light editing of the solo part to adhere to present scholarly conventions regarding the interpretation of early music. I have constructed these arrangements to meet the needs of twenty-first-century student (and professional) bass trombonists, and thus I have provided the interpretive markings which I believe will yield the most pleasing performances on that instrument. That said, I have sought to be modest in my indications of tempo, dynamics, articulation, and ornamentation, as these sonatas will admit varying interpretations in those respects. Performers and teachers are welcome and encouraged to experiment in order to find the interpretations which they think most effective. Although I originally created these arrangements with the bass trombone in mind, I am sure that they will work equally well on tuba. Due to range considerations similar to those I mentioned above for the bass trombone, they might be particularly better-suited to performance on the F or E-flat tubas than previous editions of these sonatas. I am looking forward to using these arrangements with my students on both instruments, and hope that others will find them useful, as well.

For pianists. Arranged by Agnes Lakos. EMB. Method, Tutor. Softcover. 80 pages. Editio Musica Budapest #EMBZ20016. Published by Editio Musica Budapes

Composed by Alexander Zemlinsky. Edited by Dominik Rahmer. Henle Music Folios. Softcover. 40 pages. G. Henle #HN578. Published by G. Henle (HL.51480578).

Cello, Clarinet, Piano SKU: HU.HN578 For Piano, Clarinet (Violin) and Cello. Composed by Alexander Zemlinsky. Edited by Dominik Rahmer. Trio, Ensemble, Chamber Music. Trio D minor Op. 3. Score and Parts. 65 pages. G. Henle #HN578. Published by G. Henle (HU.HN578). 12.2 x 9.3 x 0.2 inches.

Solo Piano

SKU: SU.00220516

For Solo Piano. Composed by Johannes Brahms. Keyboard, Piano/Harpsichord. CD (PDF Scores). CD Sheet Music #00220516. Published by CD Sheet Music (SU.00220516).

This CD Sheet Musicâ?¢ collection makes availble complete piano/vocal scores for all twenty-eight Verdi operas â?? both familiar and lesser known (including two versions of Don Carlo): Aida Alzira Aroldo Attila Un Ballo in Maschera La Battaglia di Legnano Il Corsaro Don Carlo (4-act version) Don Carlo (5-act version) I Due Foscari Ernani Falstaff La Forza del Destino Un Giorno di Regno Giovanna dâ??Arco Jerusalem I Lombardi Luisa Miller Macbeth I Masnadieri Nabucco Oberto Otello Rigoletto Simon Boccanegra La Traviata Il Trovatore I Vespri Siciliani Added feature: alphabetical index for searching by aria, first line, and title (along with characters and location in the score) Also includes: composer biographies and relevant articles from the 1911 edition of Groveâ??s Dictionary of Music and Musicians 8000 pages; 2 CDR Set

Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac.

Recorder

SKU: HL.48183547

Composed by Rose-Marie Janzen. Leduc. Classical. Softcover. 17 pages. Alphonse Leduc #AL25696. Published by Alphonse Leduc (HL.48183547).

UPC: 888680870232. 6.0x9.5x0.126 inches.

Favorite Classical Themes - Book 1 is the first book of a series for Soprano Recorder. It features twenty famous themes, regrouped and arranged for the instrument by Rose-Marie Janzen. Using a range not too high, this book can be used by any young player or teacher and features tunes more or less difficult that correspond to different level of difficulty. It includes: 1. Te Deum, extract, by Marc-Antoine Charpentier 2. Les Saisons, ?Printemps? (Spring), by Antonio Vivaldi 3. Tambourin, extract, by Jean-Philippe Rameau 4. L?harmonieux forgeron, theme and variation, by George-Frederic Handel 5. Passion selon Saint Matthieu, choral, by J. S. Bach 6. ?Jesus que ma joie demeure?, ritournelle, by J. S. Bach 7. Quatuor ?L?empereur?, theme of the 2nd movement, by Joseph Haydn 8. Une petite musique de nuit, minuet theme, by Mozart 9. La chasse du jeune Henri, extract, by E. N. Mehul 10. Concerto de Violon, Rondo theme, by Beethoven 11. Neuvieme Symphonie, Hymne a la joie, by Beethoven 12. La truite by Schubert 13. Marche Nuptiale, extract, by Felix Mendelssohn-Bartholdy 14. Le gai laboureur by Schumann 15. Faust, ?Paresseuse fille??, by Charles Gounod 16. Berceuse by Johannes Brahms 17. L?Arlesienne, ?Marche des Rois?, by Georges Bizet 18. Carmen, ?Avec la garde montante?, by Georges Bizet 19. Symphonie ?du nouveau monde?, Largo theme, by Antonin Dvorak 20. Le lac des cygnes, Lake theme, by Tchaikovsky .

SATB Choir

SKU: HL.49016026

Composed by Johannes Brahms. Edition Schott. Classical. Choral Score. 224 pages. Schott Music #GS33032. Published by Schott Music (HL.49016026).

ISBN 9781423439516. UPC: 073999238716. 267 X 171 inches.

A collection of twenty-nine pieces for Mixed Voice Choir (with and without accompaniment) covering the time from early Renaissance to the late Twentieth Century. Most songs are in English, though much of the sacred music has the option to be performed in Latin if required.