| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810412
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin 2. Warb E
14. 4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/12. Published by
Carus Verlag
(CA.3810412). ISBN
9790007215088. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810405
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Choral
Score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/05.
Published by Carus Verlag
(CA.3810405). ISBN
9790007215057. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat a 4 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810203 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810203
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music. Vocal score. Warb
E 22. Duration 12
minutes. Carus Verlag #CV
38.102/03. Published by
Carus Verlag
(CA.3810203). ISBN
M-007-13749-6.
Latin. At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat a 4 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810211 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810211
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Violin 1.
Sacred vocal music. Part.
Warb E 22. Duration 12
minutes. Carus Verlag #CV
38.102/11. Published by
Carus Verlag
(CA.3810211). ISBN
M-007-25258-8.
Latin. At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat a 4 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810209 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810209
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music. Set of
Orchestra Parts. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/09. Published by
Carus Verlag
(CA.3810209). ISBN
M-007-25257-1.
Latin. At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns. $19.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810419
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Set of
Orchestra Parts. Warb E
14. Duration 5 minutes.
Carus Verlag #CV
38.104/19. Published by
Carus Verlag
(CA.3810419). ISBN
9790007215118. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and parts available
separately - see item
CA.3810400. $76.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat a 4 Orgue Carus Verlag
Organ SKU: CA.3810249 Organ part. Composed by Johann Christian Bac...(+)
Organ SKU:
CA.3810249 Organ
part. Composed by
Johann Christian Bach.
Edited by Gunter
Graulich. Stuttgart
Urtext Edition: Bach
vocal. German title:
Magnificat A 4 E 22 - for
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc.
Sacred vocal music.
Individual Part. Warb E
22. 8 pages. Duration 12
minutes. Carus Verlag #CV
38.102/49. Published by
Carus Verlag
(CA.3810249). ISBN
M-007-21504-0.
Latin. At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat a 4 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810212 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810212
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Violin 2.
Sacred vocal music. Part.
Warb E 22. Duration 12
minutes. Carus Verlag #CV
38.102/12. Published by
Carus Verlag
(CA.3810212). ISBN
M-007-25259-5.
Latin. At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat a 4 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810213 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810213
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Viola. Sacred
vocal music. Part. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/13. Published by
Carus Verlag
(CA.3810213). ISBN
M-007-25260-1.
Latin. At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810409
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext. 1x
38.104/21 oboe 1, 1x
38.104/22 oboe 2, 1x
38.104/31 horn 1, 1x
38.104/32 horn 2.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Set of
Orchestra Parts. Warb E
14. Duration 5 minutes.
Carus Verlag #CV
38.104/09. Published by
Carus Verlag
(CA.3810409). ISBN
9790007215064. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and parts available
separately - see item
CA.3810400. $17.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat a 4 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810219 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810219
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Complete
orchestral parts. Sacred
vocal music. Set of
Orchestra Parts. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/19. Published by
Carus Verlag
(CA.3810219). ISBN
M-007-24974-8.
Latin. At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns. $96.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810411
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Violin. Warb E 14.
4 pages. Duration 5
minutes. Carus Verlag #CV
38.104/11. Published by
Carus Verlag
(CA.3810411). ISBN
9790007215071. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810449
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Organ. Warb E 14. 4
pages. Duration 5
minutes. Carus Verlag #CV
38.104/49. Published by
Carus Verlag
(CA.3810449). ISBN
9790007215125. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400. $6.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat a 4 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810205 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810205
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music. Choral Score. Warb
E 22. Duration 12
minutes. Carus Verlag #CV
38.102/05. Published by
Carus Verlag
(CA.3810205). ISBN
M-007-25252-6.
Latin. At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns. $7.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810413
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, Viola. Warb E 14. 4
pages. Duration 5
minutes. Carus Verlag #CV
38.104/13. Published by
Carus Verlag
(CA.3810413). ISBN
9790007215095. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat a 4 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810214 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810214
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Violoncello.
Sacred vocal music.
Single Part, Cello. Warb
E 22. Duration 12
minutes. Carus Verlag #CV
38.102/14. Published by
Carus Verlag
(CA.3810214). ISBN
M-007-25261-8.
Latin. At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns. $5.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810414
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Single
Part, basso continuo.
Warb E 14. 4 pages.
Duration 5 minutes. Carus
Verlag #CV 38.104/14.
Published by Carus Verlag
(CA.3810414). ISBN
9790007215101. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score and part available
separately - see item
CA.3810400. $4.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Magnificat a 4 Chorale SATB satb (soli), SATB (chœur), Orchestre Carus Verlag
Soli SATB, Coro SATB, 2Vl, Va, 2 Ob, 2 Cor, Bc SKU: CA.3810200 Composed b...(+)
Soli SATB, Coro SATB,
2Vl, Va, 2 Ob, 2 Cor, Bc
SKU: CA.3810200
Composed by Johann
Christian Bach. Edited by
Gunter Graulich.
Stuttgart Urtext Edition:
Bach vocal. Sacred vocal
music. Full Score. Warb E
22. Duration 12 minutes.
Carus Verlag #CV
38.102/00. Published by
Carus Verlag
(CA.3810200). ISBN
M-007-25076-8.
Latin. At less than
20 years of age, the
youngest son of the
Leipzig cantor of St.
Thomas, Johann Sebastian
Bach, withdrew from the
Lutheran musical
tradition of his family:
Johann Christian Bach
went to Italy, converted
to Catholicism there and
composed mainly Latin
church music between 1757
and 1760. His great
successes with operas for
Turin, Milan and Naples
from 1761 onwards led him
all the way to London.
Bach's church music
comprises a number of
vespers compositions,
some of them large-scale,
including this
Magnificat a 4
(1760) for soloists,
choir and orchestra. The
very diversified
work gets its additional
attraction from
distinctively led oboes
and horns. $35.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Domine ad adjuvandum me Chorale SATB Carus Verlag
SA vocal soli, SATB choir, 2 oboe, 2 horn, 2 violin, viola, basso continuo SK...(+)
SA vocal soli, SATB
choir, 2 oboe, 2 horn, 2
violin, viola, basso
continuo SKU:
CA.3810403
Responsorium.
Composed by Johann
Christian Bach. Edited by
Guido Erdmann. This
edition: urtext.
Stuttgart Urtext Edition:
Bach vocal. Domine Ad
Adiuvandum Me Festina
E14. Sacred vocal music,
Psalms, Latin. Vocal
score. Warb E 14.
Duration 5 minutes. Carus
Verlag #CV 38.104/03.
Published by Carus Verlag
(CA.3810403). ISBN
9790007143978. Language:
Latin. At the age
of just 20, Johann
Christian Bach, the
youngest son of Johann
Sebastian Bach, the
Kantor of St. Thomas's,
left behind the Lutheran
musical tradition of his
family: he went to Italy,
converted to Catholicism
there and successfully
composed operas for
Turin, Milan and Naples.
Frequently overlooked are
the Catholic Bach's
exquisite church music
works, almost all written
in the years 1757-1760,
and which had a
significant influence on
his time in Italy. These
include large-scale
Vesper settings with
impressive,
symphonic-style
instrumental
introductions, sometimes
anticipating Mozartian
idioms. Bach's Domine ad
adjuvandum me, an
immediately captivating
work, was written for the
opening of Vespers; it
seems to be carried along
by a sense of euphoric
purpose and a dynamic
lightheartedness which
positively radiates
southern European
temperament. The work is
published in the
authoritative Stuttgart
Urtext edition, based on
the rediscovered Hamburg
autograph manuscript.
Score available
separately - see item
CA.3810400. $14.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Christmas Prophecy Deutscher Verlag für Musik
Voice(s) with various inst. SKU: BR.DV-9515-01 The people that walked ...(+)
Voice(s) with various
inst. SKU:
BR.DV-9515-01 The
people that walked in
darkness. Composed by
Johann Georg Reichard.
Edited by Wolfram Steude.
Voice; stapled. Deutscher
Verlag. Baroque period.
Full Score. 24 pages.
Deutscher Verlag fur
Musik #DV 9515-01.
Published by Deutscher
Verlag fur Musik
(BR.DV-9515-01). ISBN
9790200490596. 9 x 12
inches. German /
English. In the
latter half of the 18th
and in the 19th century
the Old Preface Testament
Christmas prophecy
(Isaiah 9, 1-6) formed
the basis for numerous
motetto- and cantata-like
compositions originating
from the Erzgebirge and
the Vogtland of Saxony.
From very early times,
this text was included in
Matins for Christmas day,
hut until the period
specified it was usually
intoned on a reciting
note. The present cantata
is one of the few
surviving testimonies to
musical activity in the
small Thuringian town of
Schleiz. The prophecy Das
Volk, so im Finstern
wandelt was written -
probably for performance
at court services - in
all likelihood by Johann
Georg Reichard, a
magistrate in the
Grafschaft (County) of
Reuss who later held
higher judicial
appointments. Reichard
was born at Oels
(Olefoica) in Silesia in
1710 and studied law at
Leipzig from 1732. He
then went to Schleiz and
rose from the position of
archivist to high legal
office, at the same time
succeeding Gottfried
Siegmund Liebich (d.
1736) as director of the
court chapel. He died in
Schleiz on 2 June 1782. A
few of his church
cantatas and other pieces
(serenades etc) written
for the court at Schleiz
once belonged to the
Fursten- and Landesschule
of St Augustine at Grimma
whose music holdings are
now preserved in Dresden.
Some of Reichard's
compositions are
autograph, some in copies
made by his son Heinrich
Gottfried Reichard
(1742-1801) who pursued
an active career at
Grimma both in music and
ancient philology, first
as cantor, finally as
co-rector. The 'Prophecy'
cantata survives
anonymously in a score
copied by Heinrich
Gottfried Reichard who
may well have sung it
himself when he was
fourteen, before bis
voice broke - as the date
Anno 17 56 suggests. He
probably prepared the
score in bis later years
from the original parts,
now no langer existent,
as he did in the case of
other works of his
father's. Whether he
revised the musical text,
and to what extent,
cannot now be
established. This short
and attractive work has
all the lightness and
exuberance of the rococo
as well as genuine
emotional depth. In
addition, it is easy to
perform and should prove
very popular.
Liturgically, it still
occupies a place in
Christmas matins or
vespers. Permission for
this publication was
kindly given by Dr.
Wolfgang Reich of the
Sachsische
Landesbibliothek Dresden,
Musikabteilung. Wolfram
Steude, Dresden, January
1972. $21.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| 1712 Overture Orchestre Theodore Presser Co.
Orchestra SKU: PR.416415760 For Really Big Orchestra. Composed by ...(+)
Orchestra SKU:
PR.416415760 For
Really Big Orchestra.
Composed by PDQ Bach.
Edited by Prof. Peter
Schickele. Study Score.
With Standard notation.
Duration 11 minutes.
Theodore Presser Company
#416-41576. Published by
Theodore Presser Company
(PR.416415760). UPC:
680160636532. 9 x 12
inches. The 1712
Overture stands out in
P.D.Q. Bach's oeuvre for
two reasons, among
others: it is by far the
most programmatic
instrumental piece among
those by the minimeister
of Wein-am-Rhein so far
unearthed, and 2) its
discovery has led to a
revelation about the
composer's father, Johann
Sebastian Bach, that has
exploded like a bombshell
on the usually serene
musicological landscape.
The overture is based on
an anecdote told to
P.D.Q. Bach by a cousin,
Peter Ulrich. Since P.U.
Bach lived in Dudeldorf,
only a few miles down the
road from Wein-am-Rhein,
he was P.D.Q.'s closest
relative, and he was, in
fact, one of the few
members of the family who
was on speaking terms
with P.D.Q. The story,
related to P.D.Q.
(fortunately for us
posterity types) in a
letter, may be summarized
thus: The town of
Dudeldorf was founded by
two brothers, Rudi and
Dieter Dudel, early in
the 18th century. Rudi
remained mayor of the
newborn burg for the rest
of his long life, but
Dieter had a dream of
starting a musicians'
colony, an entire city
devoted to music, which
dream, he finally
decided, could be
realized only in the New
World. In 1712, he and
several other bagpipers
sailed to Boston, never
to return to Germany.
(Henceforth, Rudi became
known as der deutscher
Dudel and Dieter as the
Yankee Dudel).
Unfortunately, the head
of the Boston Musicians'
Guild had gotten wind of
Dudel's plans, and
Wilhelm Wiesel (pron.
VEE-zle), known none too
affectionately around
town as Wiesel the
Weasel, was not about to
share what few gigs there
were in colonial America
with more foreigners and
outside agitators. He and
his cronies were on hand
to meet Dudel's boat when
it pulled into Boston
Harbor; they intended to
prevent the newcomers'
disembarkation, but Dudel
and his companions
managed to escape to the
other side of the bay in
a dinghy, landing with
just enough time to rent
a carriage and horses
before hearing the sound
of The Weasel and his
men, who had had to come
around the long way. The
Germans headed West, with
the Bostonians in furious
pursuit. soon the city
had been left far behind,
and by midnight so had
the pursuers; Dieter
Dudel decided that it was
safe for him and his men
to stop and sleep until
daybreak. When they
awoke, they found that
they were in a beautiful
landscape of low,
forested mountains and
pleasant fields, warmed
by the brilliant morning
sun and serenaded by an
entrancing variety of
birds. Here, Dudel
thought, her is where I
will build my colony. The
immigrants continued down
the road at a leisurely
pace until they came upon
a little church, all by
itself in the
countryside, from which
there suddenly emanated
the sounds of a pipe
organ. At this point, the
temptation to quote from
P.U. Bach's letter to
P.D.Q. cannot be
resisted: They went
inside and, after
listening to the glorious
music for a while,
introduced themselves to
the organist. And who do
you think it was? Are you
ready for this -- it was
your old man! Hey, no
kidding -- you know, I'm
sure, that your father
was the guy to get when
it came to testing new
organs, and whoever had
that one in Massachusetts
built offered old
Sebastian a tidy sum to
go over there and check
it out. The unexpected
meeting with J.S. Bach
and his sponsors was
interrupted by the sound
of horse hooves, as the
dreaded Wiesel and his
men thundered on to the
scene. They had been
riding all night,
however, and they were no
spring chickens to start
with, and as soon as they
reached the church they
all dropped, exhausted,
to the ground. The elated
Germans rang the church
bells and offered to buy
everyone a beer at the
nearest tavern. There
they were taught, and
joined in singing, what
might be called the
national anthem of the
New World. The melody of
this pre-revolutionary
patriotic song is still
remembered (P.D.Q. Bach
quotes it, in the bass
instruments, near the end
of the overture), but is
words are now all but
forgotten: Freedom, of
thee we sing, Freedom
e'er is our goal; Death
to the English King, Long
live Rock and Ross. The
striking paucity of
biographical references
to Johann Sebastian Bah
during the year 1712 can
now be explained: he was
abroad for a significant
part of that year,
testing organs in the
British Colonies. That
this revelation has not
been accepted as fact by
the musicological
establishment is no
surprise, since it means
that a lot of books would
have to be rewritten. The
members of that
establishment haven't
even accepted the
existence of P.D.Q. Bach,
one of whose major works
the 1712 Overture
certainly is. It is also
a work that shows
Tchaikowsky up as the
shameless plagiarizer
that some of us have
always known he was. The
discovery of this awesome
opus was made possible by
a Boston Pops Centennial
Research Commission; the
first modern performance
took place at the opening
concert of the 100th
anniversary season of
that orchestra, under the
exciting but authentic
direction of John
Williams. $39.99 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
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