Descant recorder - Elementary

SKU: FP.FLC07

Composed by Cecily Lambert. Published by Forsyths Publications (FP.FLC07).

ISBN 979-0-57050-171-7.

Thirty two easy arrangements of well-known tunes with tutorial notes and fingering instructions. An invaluable supplement to any method. Includes favourites such as Au Clair De La Lune, Shortnin' Bread, On the Bridge Of Avignon, When Johnny Comes Marching Home and many more.

By King Henry VIII. For Piano. Piano & Keyboard. Published by Stainer & Bell Ltd. (U.K. Import).

Choir Secular Jazz Band (SATB choir)

SKU: AP.12-0571537669

SATB. Composed by Alexander L'Estrange. Choral Extended Work; Larger Works; Performance Music Ensemble. Faber Edition. Children; Jazz; Secular. Score. Faber Music #12-0571537669. Published by Faber Music (AP.12-0571537669).

ISBN 9780571537662. English.

An uplifting celebration of King Henry VIII's famous warship, the Mary Rose, it cleverly fuses the music of Tudor times with an array of catchy sea shanties and also includes a sublime setting by L'Estrange of Shakespeare's Full Fathom Five (from The Tempest). Ahoy! takes us on a whirlwind journey across the oceans---and the centuries---in this glorious celebration of English maritime history. Approximately 45 minutes.

Concert Band Concert Band - Grade 3

SKU: FJ.B1544S

Score Only. Composed by William Owens. Concert Band. FJH Concert Band. Programmatic. Score. Duration 5:30. The FJH Music Company Inc #98-B1544S. Published by The FJH Music Company Inc (FJ.B1544S).

English.

This magnificent three-movement work pays homage to the House of Tudor, a European royal house that ruled England and Ireland in the 16th century. A blithely woodwind anthem and a rollicking dance heralds in Hampton Court, a principal residence of King Henry VIII. Good Queen Bess, the regal second movement, depicts the court of Queen Elizabeth I. The intrepid Hunting at Chobham portrays an aggressive game of chase in the vast 500 acre hunting park held by the Tudors for nearly 70 years. Fantastic writing!

By King Henry VIII. Arranged by Kosberg. For Brass Quintet (2 Bb Trumpets, F Horn, Trombone, Tuba). Religious/Wedding. Published by BrassWorks4

By Oscar Caceres. For guitar. Caceres Oscar. Classical. Grade 3. Score. 44 pages. Published by Editions Henry Lemoine

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcover. 336 pages. Published by Hal Leonard

(365 Songs for Better Living). Arranged by Jim Beloff and Liz Beloff. Ukulele. Softcover. 336 pages. Published by Hal Leonard

Portable Edition. Arranged by Jim Beloff and Liz Beloff. Fake Book. Softcover. 464 pages. Published by Hal Leonard

(4th Edition ) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Pop rock, rock and pop. Series: Hal Leonard Fake Books. 584 pages. 9x12 inches. Published by Hal Leonard.

47 Pieces for Recorder Consort. By Various Composers. Arranged by Steve Rosenberg. (Recorder). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 50 pages. Published by Boosey & Hawkes.

Arranged by Mark A. Brymer. (2 Part Singer). Choral. 48 pages. Published by Hal Leonard.

Choral Descant, alto voice, soprano voice

SKU: CF.CM9578

Composed by English Carol. Arranged by Ken Berg. Fold. Performance Score. 12 pages. Duration 3 minutes, 52 seconds. Carl Fischer Music #CM9578. Published by Carl Fischer Music (CF.CM9578).

ISBN 9781491154007. UPC: 680160912506. 6.875 x 10.5 inches. Key: E minor. English. William C. Dix.

This is a very well known and beloved tune dating from the time of Henry the VIII in Britain. Therefore, there are lots of slight variations in how people have learned this tune. Please be very careful to make sure all singers agree on the notes actually written. This will make the singers the listeners much more comfortable with your performance. The consonant combination th is very difficult for listeners to hear. Singers should work diligently to be very intentional to articulate the text throughout. The verses are all built in two similar four-measure phrases. Even though the destinations are different, both phrases end with echo words. Therefore, please be careful to sing the second syllable softer than the first. For example,sleep-ing, keep-ing, in the verses. In the repeated refrains, please sing Ma-ry in the same way; it too is an echo word. To bring laud is to bring praise and adoration. A mean estate does not equal angry; it refers to a place of poverty. Part of the reason this is such a well-known and beloved tune is that it is very singable and very lovely. Therefore, when you sing it, always work toward making your very best sound and very best face. You will enjoy your performance more and so will your listeners.
This is a very well known and beloved tune dating from the time of Henry the VIII in Britain. Therefore, there are lots of slight variations in how people have learned this tune. Please be very careful to make sure all singers agree on the notes actually written. This will make the singersA the listeners much more comfortable with your performance. The consonant combination th is very difficult for listeners to hear. Singers should work diligently to be very intentional to articulate the text throughout. The verses are all built in two similar four-measure phrases. Even though the destinations are different, both phrases end with echo words. Therefore, please be careful to sing the second syllable softer than the first. For example,sleep-ing, keep-ing, in the verses. In the repeated refrains, please sing Ma-ry in the same way; it too is an echo word. To bring laud is to bring praise and adoration. A mean estate does not equal angry; it refers to a place of poverty. Part of the reason this is such a well-known and beloved tune is that it is very singable and very lovely. Therefore, when you sing it, always work toward making your very best sound and very best face. You will enjoy your performance more and so will your listeners.
This is a very well known and beloved tune dating from the time of Henry the VIII in Britain. Therefore, there are lots of slight variations in how people have learned this tune. Please be very careful to make sure all singers agree on the notes actually written. This will make the singersA the listeners much more comfortable with your performance. The consonant combination th is very difficult for listeners to hear. Singers should work diligently to be very intentional to articulate the text throughout. The verses are all built in two similar four-measure phrases. Even though the destinations are different, both phrases end with echo words. Therefore, please be careful to sing the second syllable softer than the first. For example,sleep-ing, keep-ing, in the verses. In the repeated refrains, please sing Ma-ry in the same way; it too is an echo word. To bring laud is to bring praise and adoration. A mean estate does not equal angry; it refers to a place of poverty. Part of the reason this is such a well-known and beloved tune is that it is very singable and very lovely. Therefore, when you sing it, always work toward making your very best sound and very best face. You will enjoy your performance more and so will your listeners.
This is a very well known and beloved tune dating from the time of Henry the VIII in Britain. Therefore, there are lots of slight variations in how people have learned this tune. Please be very careful to make sure all singers agree on the notes actually written. This will make the singers the listeners much more comfortable with your performance. The consonant combination th is very difficult for listeners to hear. Singers should work diligently to be very intentional to articulate the text throughout. The verses are all built in two similar four-measure phrases. Even though the destinations are different, both phrases end with echo words. Therefore, please be careful to sing the second syllable softer than the first. For example,sleep-ing, keep-ing, in the verses. In the repeated refrains, please sing Ma-ry in the same way; it too is an echo word. To bring laud is to bring praise and adoration. A mean estate does not equal angry; it refers to a place of poverty. Part of the reason this is such a well-known and beloved tune is that it is very singable and very lovely. Therefore, when you sing it, always work toward making your very best sound and very best face. You will enjoy your performance more and so will your listeners.
This is a very well known and beloved tune dating from the time of Henry the VIII in Britain. Therefore, there are lots of slight variations in how people have learned this tune. Please be very careful to make sureall singers agree on the notes actually written. This will make the singers  the listeners much more comfortable with your performance.The consonant combination th is very difficult for listeners to hear. Singers should work diligently to be very intentional to articulate the text throughout.The verses are all built in two similar four-measure phrases. Even though the destinations are different, both phrases end with echo words. Therefore, please be careful to sing the second syllable softer than the first. For example,sleep-ing, keep-ing, in the verses. In the repeated refrains, please sing Ma-ry in the same way; it too is an echo word.To bring laud is to bring praise and adoration. A mean estate does not equal angry; it refers to a place of poverty.Part of the reason this is such a well-known and beloved tune is that it is very singable and very lovely. Therefore, when you sing it, always work toward making your very best sound and very best face. You will enjoy your performance more and so will your listeners.

By Thomas Tallis (1505-1585). Arranged by Henry Clough-Leighter. For SATB Choir (Mixed Voices). General. I Kings VIII:28-30. Choral. 8 pages