Composed by Bernd Franke.
Full Scores. Edition
Peters. Score. 52 pages.
Duration 00:20:00.
Edition Peters
#98-EP14445. Published by
Edition Peters
(PE.EP14445).
ISBN
9790014135041. 297 x 420
mm inches.
German.
ARKA
stammt aus dem
Sanskrit und bedeutet so
viel wie Strahl, Blitz,
Sonne, Licht, aber auch
Lied, Feuer und Hymnus,
und entwickelt in meiner
Vorstellung sehr viele
unterschiedliche
Assoziationsfelder. In
ARKA stecken
auch die Worter arc
(beten) und ka (Wasser),
und es kann auch
ubersetzt werden mit:
,,Das Wasser stromt aus
dem heraus, der mehr
weiss.
Mein neues
Werk fur Pipa, Oboe,
Pauke, Schlagzeug und
Orchester entstand im
Auftrag der
Kammerakademie Neuss und
auf Anregung des Oboisten
Christian Wetzel. Es
entstanden drei Rituale
mit zum Teil szenischen
Elementen fur die
Solisten und das
Orchester.
Inspirationsquelle in
der Vorbeschaftigung
waren zwei Quellen und
Bucher. Das Daodejing von
Laozi in der
hervorragenden
Neuubersetzung von Viktor
Kalinke, eine der
wichtigsten Quellen
chinesischen Denkens und
der Philosophie dieser
grossen Kulturtradition
und die chinesische
Tradition der
5-Elementelehre und der
Wandlungsphasen. Als
zweites Buch hat mich
,,Die Glut von Roberto
Calasso inspiriert, ein
Buch uber die indischen
Veden in Verbindung mit
den Ursprungen des
Buddhismus und den damit
verbunden Ritualen.
In den letzten 20
Jahren habe ich mich
intensiv mit
ostasiatischer Musik,
Kunst und Philosophie
beschaftigt und habe das
auch durch langere
Studienreisen und
kompositorische Projekte
vertiefen konnen. U.a.
wurde 2012 mein Chorwerk
PRAN in Kolkata in Indien
uraufgefuhrt
(Goethe-Institut),
ebenfalls 2012 ,,in
between VI fur Sho und
Sheng in Tokyo und 2013
,,Mirror and Circle fur
Pipa, Cello und
chinesisches Orchester in
Taipeh/Taiwan
(Auftragswerk der
taiwanesischen
Regierung). Mit der
chinesischen
Pipa-Virtuosin Ya Dong
arbeite ich seit 2000
zusammen und habe fur sie
mehrfach komponiert
(Urauffuhrungen u.a. in
Hannover/EXPO 2000,
Rottweil 2001, Taipeh
2013, Magdeburg 2016).
Auch mit Christian Wetzel
arbeite ich seit uber 20
Jahren zusammen und habe
ebenfalls haufig fur ihn
komponiert (UA u.a. in
Bonn 1999, Hannover/EXPO
2000, Rottweil 2001,
Darmstadt 2004 und
etliche weitere
Projekte).
Jedes
dieser drei Rituale hat
eine Lange von ca. 6-7
Minuten und stellt
unterschiedliche
Qualitaten und
Besonderheiten der beiden
Soloinstrumente heraus,
immer in Verbindung mit
der Interaktion zwischen
Soli und Orchester. Die
Besetzung war fur mich
ausserst reizvoll, da
beide Instrumente in
dieser Kombination noch
nie so erklungen sind.
Die Pipa ist ein ungemein
modernes und
ungewohnliches
Instrument, reich an
Farben und vor allem an
perkussiven Effekten. Das
Tonmaterial wurde zum
grossten Teil aus den
Namen der beiden Solisten
gewonnen und ergibt
interessanter zwei
gespiegelte
Viertonmotive. In der
asiatischen Kultur
spielen der Spiegel und
der Kreis eine wichtige
Rolle, und so werden die
Tone, Rhythmen und Formen
eingewoben in diese drei
Rituale, welche am Ende
des dritten Satzes wieder
kreisformig an den Anfang
des ersten Rituals
anknupfen. Ein von den
Streichern und der Pauke
erzeugtes Gerausch,
verbunden mit dem
Rhythmus der grossen
Trommel, welcher einen
Herzschlag symbolisieren
soll. Die drei Untertitel
der Rituale Himmel, Erde
und (atmospharischer)
Raum spielen im vedischen
und chinesischen Denken
eine grosse Rolle und war
fur mich beim Komponieren
ebenfalls eine sehr
starke
Inspirationsquelle. In
vielen meiner
Kompositionen gibt es
Raumeffekte, Annaherungen
an das Publikum, das
Verschieben von
Perspektiven, die
Dekonstruktion und das
Hinterfragen der ublichen
Konzertsituation, so u.a
in meinem Beuys-Zyklus
oder in den Zyklen ,,CUT
und ,,in between.
In ARKA geht
es mir besonders um die
Interaktion zwischen
westlichem und ostlichem
Denken, um das
gegenseitige Durchdringen
dieser auf den ersten
Blick so
unterschiedlichen Denk-
und Lebensweisen, um eine
Verschmelzung scheinbarer
Gegensatze - um
Annaherung!
Bernd
Franke. Leipzig,
11.10.2019
W01476|C|Y
0.0000 Sheet Music
_x000D_ 9780193556799 Y
23.50 X556799 357665
9780193556799 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556799 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0 Low
voice & piano Low voice
book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556799
Young: A babe is
born
Rutter:
Angels' Carol
McDowall: Before the
paling of the stars
Rutter:
Candlelight Carol
Rutter: I sing
of a maiden
Chilcott: Mid-winter
Todd: My Lord
has Come
Bullard: Scots Nativity
Quartel: Snow
Angel
Todd:
Softly
Chilcott: Sweet was the
song
Chilcott:
The Shepherd's Carol
Quartel: This
endris night
McGlade: What child is
this?
for
low voice and piano
This beautiful
collection of 14 songs
for low voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for high voice and
piano.
14
songs for solo
voice
Well-loved
composers, including John
Rutter and Bob
Chilcott
Wide
selection of Christmas
texts
Accessible
accompaniments
Includes backing tracks
downloadable from a
Companion
Website
Available in volumes for
high and low
voice
MISC|AU|Y
0.0000 Paperback _x000D_
EP73308R Y 0.00 73308R
P73308R 1 ORCHA 8000 0.00
Hover A (LARGE) BEAMISH
EP73308R GP:ORCHESTRAL
HOVER ONLY RENTAL SALLY
WORKS NONE ORCHA P 303000
EP73308R 0.0000 Sheet
Music _x000D_ EP14437A Y
22.95 14437A P14437A
FRANKE, BERND C
9790014137199 52A1 8000
0.00 AGNI A 9790014137199
AGNI BASS BERND CLARINET
EP14437A FRANKE
PHOTOPRINTS W01476
English / German 00:12:0
Instrumental Score 232 x
303 mm Bass clarinet 20
DETNT NEW PR43 23/04/2021
P 303006
AGNI is the
Hindu god of fire; the
elemental and
transformative force
inherent in
everything:
Every
flame, every fire, every
light, every warmth is
AGNI.
AGNI is
omnipresent, establishing
everything and ending
everything.
AGNI is
often depicted with seven
tongues which represent
different aspects of his
being.
These
include: creating,
sustaining, cleansing,
purifying, priestly,
martial, devastating,
destructive, and
consuming.
Derived
from Franke's concerto of
the same name, this solo
work for bass clarinet
compositionally traces
the transformative
processes initiated by
the divine fire. The solo
takes seven pieces from
the concerto, presenting
vivid character pieces
exploring the creative
possibilities and wide
tonal range offered by
the bass
clarinet.
This
version of AGNI
for bass clarinet solo
was premiered on 4
December 2020 in Leipzig
by Volker Hemken, the
principal bass
clarinetist of the
Gewandhausorchester
Leipzig. EP14437a
convinces with its
excellent and clear
notation, making the
piece a new standard for
bass clarinet.
W01476|C|Y 0.0000 Sheet
Music _x000D_ EP68686 Y
165.00 68686 P68686 LEWIS
C 9790300761299 97 8000
0.00 Ikons A
9790300761299
CONTEMPORARY ENSEMBLE
EP68686 GEORGE IKONS
LEWIS PHOTOPRINTS SMALL
W06652 English 00:14:0
Conductor Score & Parts
303 x 232 mm Fl (A-fl in
F).Cl.Bsn
(Cbsn).Tbn.Perc.Vln.Vlc.C
b 132 NEW PR43 USTNT
21/04/2021 P 303006
Ikons,
commissioned by the
Vancouver Cultural
Olympiad 2010, exists in
two forms. This 14-minute
acoustic version,
premiered by the Turning
Point Ensemble, calls for
an octet of live
musicians to execute
complex rhythms and
quarter-tone
harmonies.
The
interactive, electronic
version, created with
visual artist Eric
Metcalfe and designed to
be presented separately,
incorporates samples from
this acoustic version
into a sculptural
environment of seven
pyramidal structures that
respond sonically to the
viewer.
W06652|C|Y
0.0000 Sheet Music
_x000D_ EP73531 Y 31.95
73531 P73531 PANUFNIK,
ROXANNA C 9790577020976
61 8000 0.00 Sonnets
without Words A
9790577020976 EP73531
HORN PANUFNIK PHOTOPRINTS
PIANO ROXANNA SHAKESPEARE
SONNETS W03578 WILLIAM
WITHOUT WORDS English
Score & Instrumental
Parts 232 x 303 mm Horn
and piano 28 NEW PR43
UKTNT 21/04/2021 P 303006
Roxanna Panufnik's
Sonnets without
Words is a
contemporary piece for
Horn in F and piano.
Written for horn player
Ben Goldscheider,
Panufnik has reimagined
the lyrical vocal lines
from three of her
previous settings of
Shakespeare's sonnets
(Mine eye, Music to
hear and Sweet
Love Remember'd for
voice and piano) into a
purely instrumental
work.
Score and
horn
part.
Contempo
rary work for Horn in F
and
piano
Settings of
Sheakespeare's Sonnets 8,
24 & 29 in instrumental
form
W03578|C|Y
W06737|LY|N 0.0000 Sheet
Music _x000D_ EP73571 Y
15.95 73571 P73571
MCNEFF, STEPHEN C
9790577021317 20 8000
0.00 Trig for Solo Cello
A 9790577021317 (SOLO)
CELLO EP73571 MCNEFF
PHOTOPRINTS SOLO STEPHEN
TRIG W03150 English
00:07:0 Instrumental
Score 232 x 303 mm Solo
Violoncello 8 NEW PR43
UKTNT 21/04/2021 P 303006
Stephen McNeff's
Trig is a short
7-minute contemporary
work for solo cello,
written to celebrate the
bicentennial of the Royal
Academy of Music in 2022
and in memorium cellist
Mike Edwards
1948-2010.
Trig
was premiered by
Henry Hargreaves on 19
March 2021, livestreamed
from the Royal Academy of
Music.
Contemp
orary piece for solo
cello
Written for
the Royal Academy of
Music's
bicentennial
W03150|C|Y 0.0000 Sheet
Music _x000D_ EP14528 Y
34.95 14528 P14528
SAUNDERS, REBECCA C
9790014136796 3 8000 0.00
to an utterance - study A
9790014136796 (SOLO) AN
EP14528 PHOTOPRINTS PIANO
REBECCA SAUNDERS STUDY TO
UTTERANCE W04191 English
Instrumental Score 420 x
297 mm Piano Solo 16
DETNT NEW PR43 21/04/2021
P 303006
to an
utterance - study
was commissioned by
Klangforum Wien for the
premiere commercial audio
recording on a portrait
CD in 2020 and first
performed by Joonas
Ahonen at the Berlin
Philharmonie on 4th
September 2020 at the
Musikfest Berlin.
W04191|C|Y 0.0000 Sheet
Music _x000D_ EP71880 Y
75.00 71880 P71880
PANUFNIK, ROXANNA C
9790577008332 82 8000
0.00 Spirit Moves for
Brass Quintet A
9790577008332 BRASS
ENSEMBLE EP71880 MOVES
PANUFNIK PHOTOPRINTS
QUINTET ROXANNA SPIRIT
W03578 English 00:15:0
Score & Instrumental
Parts 232 x 303 mm
Trumpet 1 in B flat
(doubling Piccolo
Trumpet), Trumpet 2 in B
flat (doubling Flugel
Horn), Horn in F,
Trombone, Tuba 84 NEW
PR43 UKTNT 21/04/2021 P
303006
Roxanna
Panufnik's Spirit
Moves, for brass
quintet, was commissioned
by the Fine Arts Brass
Ensemble. This 15-minute
piece is scored for two
trumpets in Bb (one
doubling piccolo trumpet
and the other doubling
flugel horn), horn in F,
trombone and tuba. This
brass quintet is so
called because the outer
movements are highly
spirited and the
central one is
spiritual.
This product consists of
score and parts.
W03578|C|Y 0.0000 Sheet
Music _x000D_ EP73585 Y
4.00 73585 P73585 369282
WILLIAMS, RODERICK C
9790577021591 1 151 8000
0.00 Eriskay Love Lilt A
9790577021591 (SECULAR)
CHORAL EP73585 ERISKAY
HALSTAN-USA LILT LOVE
RODERICK TRADITIONAL
W05152 WILLIAMS WORKS
English 00:03:0 190 x 272
mm SATB (divisi) and
piano 16 NEW PR30 UKTNT
20/05/2021 P 377788
A
gently flowing 3-minute
arrangement by Roderick
Williams for SATB (with
divisi) with piano
accompaniment that
captures the beauty of
this famous traditional
Hebridean love song. The
song text uses both old
dialect and English, each
verse ending with the
words, 'Sad am I without
thee'.
Commiss
ioned by The Sixteen
choir and recorded on
their 2021 album
'Goodnight
Beloved'
Roderick
Williams is a
composer/arranger and
also a world-renowned
baritone
The
arrangement is described
by Williams as 'having a
little nod to Ravel and
Grieg'
W05152|C|Y W04819|LY|N
0.0000 Sheet Music
_x000D_ 9780193556782 Y
23.50 X556782 357665
9780193556782 MISC C 1
432 8030 0.00 Oxford Solo
Songs: Christmas 14 songs
with piano PAPER 14
9780193556782 A-B CAROLS
CHRISTMAS MISC
MISCELLANEOUS OXFORD
PIANO SOLO SONGS SONGS:
VOICE WITH AB 00:00:0
High voice & piano High
voice book + downloadable
backing tracks 311x232 72
NEW NONE 29/07/2021 P
355580 9780193556782
Young: A babe is
born
Rutter:
Angels' Carol
McDowall: Before the
paling of the stars
Rutter:
Candlelight Carol
Rutter: I sing
of a maiden
Chilcott: Mid-winter
Todd: My Lord
has Come
Bullard: Scots Nativity
Quartel: Snow
Angel
Todd:
Softly
Chilcott: Sweet was the
song
Chilcott:
The Shepherd's Carol
Quartel: This
endris night
McGlade: What child is
this?
for
high voice and piano
This beautiful
collection of 14 songs
for high voice offers
Christmas settings by
some of Oxford's
best-loved composers.
Suitable for solo singers
and unison choirs alike,
each song is presented
with piano accompaniment,
and high-quality,
downloadable backing
tracks are included on a
companion website. With a
wonderful selection of
pieces, including
favourites such as Bob
Chilcott's 'The
Shepherd's Carol' and
John Rutter's
'Candlelight Carol', this
is the perfect collection
for use in carol services
and Christmas concerts or
for enjoying at home.
Also available in a
volume for low voice and
piano.
14
songs for solo high
voice
Well-loved
composers, including John
Rutter and Bob
Chilcott
Wide
selection of sacred and
secular Christmas
texts
Accessible
accompaniments
Includes backing tracks
downloadable from a
Companion
Website
Available in volumes for
high and low solo
voice
MISC|AU|Y
0.0000 Paperback _x000D_
9780193559066 Y 4.25
X559066 357665
9780193559066 YOUNG C 1
444 8030 0.00 O splendour
of God's glory bright
PAPER 9780193559066
BRIGHT CHORAL GLORY GOD'S
MIXED OF OXFORD SACRED
SPLENDOUR TOBY VOICES
W06576 YOUNG C 00:03:30
SATB & organ Vocal score
254x178 SATB 20 NONE P
355580 9780193559066
for SATB and organ
This energetic
setting of words by St
Ambrose of Milan is a
real showstopper. With
pop-influences and a
sparkling organ part,
Young effortlessly fuses
modern and traditional
sound worlds, while
changes in key and metre
build up to an
invigorating finish.
Perfect for accomplished
choirs looking for
something different.
W06576|C|Y 0.0000
Paperback _x000D_
9780193554399 Y 2.60
X554399 357665
9780193554399 LASSUS,
ORLANDO DE C 1 445 8030
0.00 Oculus non vidit
PAPER 9780193554399
CHORAL DE KEANE LASSUS
MARK NON OCULUS ORLANDO
OXFORD SACRED UPPER VIDIT
VOICES W02750 B 00:01:30
SA unaccompanied Vocal
score 254x178 Upper
Voices - 3 parts or more
4 NONE 10/06/2021 P
355580 9780193554399
for SA unaccompanied
This simple, charming
two-part motet features
long melismatic phrases
that reflect the text (1
Corinthians 2: 9), such
as the rising melodic
line over three bars on
the word 'ascended'
(ascendit).
W02750|C|Y
W06960|E|N 0.0000
Paperback _x000D_
9780193954298 Y 3.35
X954298 357665
9780193954298 TALLIS,
THOMAS C 1 448 8030 0.00
Honor, virtus et potestas
PAPER 9780193954298
CANTICLES DUNKLEY ET
HONOR OXFORD POTESTAS
SALLY SERVICES TALLIS
THOMAS VIRTUS W04705 C
00:06:0 SAATB
unaccompanied Vocal score
MSER00020 SATB 12 NONE
28/05/2021 P 355580
9780193954298
for
SAATB unaccompanied.
This glorious musical
depiction of the honour,
strength, power and
authority of the Holy
Trinity by Thomas Tallis
is the third issue in the
CMS's series of great
English Responds from the
16th century, edited by
Sally Dunkley. Scored for
SAATB, it can be
performed either as a
motet or as a full
Responsory with plainsong
alternating with
polyphony.
W04705|C|Y
W01184|E|N 0.0000
Paperback _x000D_ EP73527
Y 6.95 73527 P73527
BEAMISH, SALLY C
9790577020891 50 8000
0.00 The Parting Glass A
9790577020891 (SOLO)
BEAMISH CLARINET EP73527
GLASS PARTING PHOTOPRINTS
SALLY W00306 English
Score 232 x 303 mm
Clarinet 4 NEW PR43 UKTNT
12/12/2020 P 303006
Based on a traditional
Scottish/Irish 'farewell'
song, this short piece is
one of six works written
to express my love of
Scotland. After living
there for nearly half my
life, and raising a
family, I moved back to
England in 2018, and
remarried in 2019.
Of course, there were
many different emotions
attached to the move
south: especially the joy
and excitement of new
beginnings, and
reconnection with friends
from my youth.
But this piece
expresses the wrench I
experienced after a last
family meal in Glasgow,
and the realisation of
all I was about to leave
behind.
I have
taken the melody of the
original song, and
expanded it, exploring
the detail of its
patterns, so that it
becomes a timeless
meditation.
The
six pieces in the
'farewell' series are for
6 violas, string quintet,
string quartet, trio,
violin and clarinet duo,
and solo clarinet.
The Parting Glass
was composed in 2020
during the coronavirus
lockdown, which
intensified the feeling
of separation from my
Scottish family, as well
as from other musicians.
It was
commissioned by Vittorio
Ceccanti for the
ContempoArtEnsemble.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73516 Y
6.95 73516 P73516
BEAMISH, SALLY C
9790577020747 20 8000
0.00 Maple A
9790577020747 (SOLO)
BEAMISH CELLO EP73516
MAPLE PHOTOPRINTS SALLY
W00306 English 00:06:0
Score 232 x 303 mm
Contemporary cello solo 8
NEW PR43 UKTNT 12/12/2020
P 303006 Seed; Spinning
Seed; Roots, shoots;
Leaves ; Flowers; Tree ;
Autumn ; Cello
Maple arose
from a commission to
write a work for solo
cello, to be performed
alongside readings from
artist John Newling's
collection of letters
entitled 'Dear Nature'; a
poetic manifestation of
our relationship with the
natural world.
The
piece is in eight short
sections, to be
interspersed with
readings of groups of the
poems. It may also be
performed as a single
movement. It begins with
a seed - the seed of a
maple tree, as it hangs
on the mature tree, ready
to drop. The seeds are
like propellers,
sometimes travelling more
than a mile before
landing on the ground.
Maple follows
the growth of the tree to
maturity - which in
reality would take at
least a hundred years.
'Roots, shoots' grows
downwards and upwards
from a pedal note, and
the dance-like 'Flowers'
is followed by the
stately 'Tree', and then
the warm, cascading
'Autumn'. Maple is very
often the wood of choice
for the back of a
stringed instrument, and
the last section uses
open strings to explore
the full resonance of the
cello.
The piece
starts with a 'seed' of
only five notes, which
grows into different
configurations. It is
intended to be played in
an improvisatory
style.
Maple was
co-commissioned by
Brighton Festival, Ars et
Terra Festival with SACEM
and Ditchling Arts and
Crafts Museum, to be
performed by Margarita
Balanas as part of the
Brighton Festival's 'Dear
Nature' project.
W00306|C|Y 0.0000 Sheet
Music _x000D_ EP73508 Y
39.95 73508 P73508
DILLON, JAMES C
9790577020648 3 8000 0.00
echo the angelus A
9790577020648 (SOLO)
ANGELUS DILLON ECHO
EP73508 JAMES PHOTOPRINTS
PIANO W01097 English
00:25:0 Score 232 x 303
mm Piano Solo 44 NEW PR43
UKTNT 12/01/2021 P 303006
First performed by
Noriko Kawai for
Huddersfield Contemporary
Music Festival, in a
broadcast from the Radio
Theatre, BBC Broadcasting
House, November
2020.
Full of
beautifully crafted,
delicate
tintinnabulations -
Richard Morrison, The
Times
This
product is Printed on
Demand and may take
several weeks to fulfill.
Please order from your
favorite retailer.
Piano (Large Print Music) SKU: SU.95001040 For Piano (Large Print Musi...(+)
Piano (Large Print Music)
SKU: SU.95001040
For Piano (Large Print
Music). Keyboard,
Piano/Harpsichord. Large
Print. Score. Subito
Music Corporation
#95001040. Published by
Subito Music Corporation
(SU.95001040).
Arranged by
Lawrence Rosen. Piano
solo with lyrics.
Formatted 2½ larger
than traditional printed
music. Includes
Sing-Along Sheet (Large
Print). Contents:
Alexander's Ragtime Band,
Danny Boy, Give My
Regards to Broadway, Ida
Sweet as Apple Cider,
Look for the Silver
Lining, My Melancholy
Baby, A Pretty Girl is
Like a Melody,
Smiles.
SKU: SU.95001024 Keyboard, Piano/Harpsichord. Large Print. Score. Subito ...(+)
SKU: SU.95001024
Keyboard,
Piano/Harpsichord. Large
Print. Score. Subito
Music Corporation
#95001024. Published by
Subito Music Corporation
(SU.95001024).
Arranged by
Lawrence Rosen. Piano
solo with lyrics and
chord symbols. Formatted
2½ larger than
traditional printed
music. Includes
Sing-Along Sheet (Large
Print).Contents: After
You've Gone, Darktown
Strutters' Ball,
Harrigan, In the Evening
by the Moonlight, Meet Me
in Dreamland, Oh You
Beautiful Doll, Put Your
Arms Around Me Honey,
Tiger Rag.
Composed by Bedrich Smetana (1824-1884). Edited by Milan Pospisil. Sheet Music...(+)
Composed by Bedrich
Smetana
(1824-1884). Edited by
Milan
Pospisil. Sheet Music.
Paperbound. Henle Music
Folios. Classical. Score
and
Parts. 88 pages. G. Henle
#HN1249. Published by G.
Henle
Violin and Piano Schott Student Edition - Level 2. Composed by Ferdinand K...(+)
Violin and Piano Schott
Student Edition - Level
2.
Composed by Ferdinand
Kuechler. Edited by
Ulrich
Schliephake. This
edition:
Saddle stitching. Sheet
music. Schott Student
Edition. Classical.
Softcover. Op. 12. 36
pages.
Schott Music #SE 1043.
Published by Schott Music
Guitar - very easy to easy SKU: HL.49045379 Song Book for Voice and Gu...(+)
Guitar - very easy to
easy
SKU:
HL.49045379
Song
Book for Voice and
Guitar. Arranged by
Sebastian Mueller. This
edition: Ring/Spiral
binding. Sheet music.
Guitar. 100 Songs aus
Pop, Rock und Schlager
fur Gitarre und Gesang.
Classical. Softcover. 168
pages. Schott Music #ED
22700. Published by
Schott Music
(HL.49045379).
ISBN
9783795711740.
9.25x12.0x0.795
inches.
By popular
request, the popular book
of party songs for guitar
is now also available in
XXL music format with
spiral binding. The
edition contains 100
songs from pop, rock,
folk and German schlager
music which are perfect
for singing along
together. They can be
easily accompanied with
just a few chords on the
guitar.The XXL version
provides: spiral binding
music in large print
lyrics in large
printContent: Atemlos
durch die Nacht - Country
Roads - Griechischer Wein
- Hey Jude - Marmor,
Stein und Eisen bricht -
Sierra Madre - Viva
Colonia - We Are The
Champions - Wonderful
Tonight and many
more!Also
available:Songbooks for
young and old in a handy
book format.
Chamber Ensemble 4 Horns and Piano (Score) SKU: HL.51481138 Four Horns...(+)
Chamber Ensemble 4 Horns
and Piano (Score)
SKU:
HL.51481138
Four
Horns and Piano
Reduction. Composed
by Robert Schumann.
Edited by Ernst
Herttrich. Sheet Music.
Paperbound. Henle Music
Folios. Classical.
Softcover. 85 pages. G.
Henle #HN1138. Published
by G. Henle
(HL.51481138).
ISBN
9790201811383. UPC:
888680021511.
9.25x12.25x0.321
inches.
“Some
thing quite curious, I
believe†–
It was thus that Robert
Schumann described the
Concert Piece for Four
Horns and large orchestra
in a letter and he did
indeed break new ground
with this work as far as
the scoring and treatment
of the instruments was
concerned. When it was
composed in 1849, the
French horn was still
fairly new, enabling
players to play
previously unheard-of
runs and free
modulations, a fact which
Schumann made the most
of, particularly with his
scoring for four horns.
Even today the Concert
Piece is the romantic
work for horn par
excellence and a
benchmark for all
soloists.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages with
a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most
beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
Orchestra Voice Soli, SATB Choir/SATB, Soprano in ripieno (Cantus-firmus-Choir f...(+)
Orchestra Voice Soli,
SATB Choir/SATB, Soprano
in ripieno
(Cantus-firmus-Choir for
Soprano), 2 Orchestras:
I: 2 Blockenflute, 2
Flutes, 2 Oboes /2 Oboe
d'amroe, 2 Oboe da
caccia, 2 Violins, Viola,
Cello/Contrabss, Viola da
gamba, organ; Orchestra
II: 2 Flutes, 2 Ob
SKU: CA.3124402
Composed by Johann
Sebastian Bach. Edited by
Klaus Hofmann. Stuttgart
Urtext Edition: Bach
vocal; Carus sheet music
series: Vocal scores XL,
Great choral works in
small scorings. XL in
large print. Innovative
practice aids, Passions,
Lent and Passiontide,
Holy Week. Vocal score.
BWV 244. 232 pages.
Duration 175 minutes.
Carus Verlag #CV
31.244/02. Published by
Carus Verlag
(CA.3124402).
ISBN
9790007187873. Language:
German/English.
Pra
ctical performing Urtext
edition based on the
latest state of Bach
research. Every era hears
and interprets Bach anew,
and every era also
evaluates the sources
afresh and with new eyes.
40 years after the
publication of the St.
Matthew Passion in the
New Bach Edition, Klaus
Hofmann, Director of the
Johann Sebastian Bach
Institute Gottingen for
many years and a
contributing editor to
the New Bach Edition,
presents a new edition.
Hofmann has placed the
study of the sources at
the service of musical
practice and the detailed
investigation of Bach's
intentions. Bach scholars
are well aware that
Bach's original score and
performance parts,
running to almost 500
pages of music, are full
of ambiguities and
contradictions,
particularly regarding
articulation, which
constantly challenge
performers to new
interpretations. Hofmann
discusses these and other
problems in a concise
critical report,
frequently arriving at
new conclusions in the
process. Extensive notes
about parallel passages
offer valuable help for
interpretation. Special
attention was devoted to
the performance material
with regard to practical
needs. Thus, for example
the text incipits are
also printed in the
instrumental parts
(including tacet
passages). In short - an
Urtext edition for
practical performance
based on the latest
findings in Bach
research. Score available
separately - see item
CA.3124400.
Composed
by Carl Philipp Emanuel
Bach. Edited by Gunter
Graulich. Carus plus:
Innovative practice aids;
Sacred vocal music,
Magnificats; use during
church year: Advent,
Christmas; Carus sheet
music series: Vocal
scores XL; Stuttgart
Editions (Urtext):
Stuttgart Bach Edition -
Bach vocal; occasions:
Feasts of the Blessed.
Stuttgart Urtext Edition:
Bach vocal; Carus sheet
music series: Vocal
scores XL. XL in large
print. Innovative
practice aids, Sacred
vocal music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Vocal score.
Composed 1749. BR-CPEB E
4 (Wq 215). 80 pages.
Duration 42 minutes.
Carus Verlag #CV
33.215/04. Published by
Carus Verlag
(CA.3321504).
ISBN
9790007240929. Language:
Latin.
C. P. E.
Bach's nine-movement
Magnificat (1749), the
first great vocal work
from his Berlin years, is
among the most
magnificent sounding, in
which the solo vocal
parts are also among the
most ambitious settings
of the Hymn to the Virgin
Mary (Luke 1). The work
fulfills all the criteria
required for a larger
sacred composition:
grandeur, dignity,
polyphonic and
concertante choral
movements, sensitive
(empfindsam) and
expressive arias, a long
concluding double fugue.
This richly scored
Magnificat (with 3
trumpets and timp. ad.
lib.), which is almost
one hour in duration,
would be well suited, for
example, as the central
work on every Christmas
or pre-Christmas concert
programme. Score
available separately -
see item CA.3321500.
Composed
by Anton Bruckner. Edited
by Ernst Herttrich. This
edition: urtext.
Stuttgart Urtext Edition:
Urtext Editions; Carus
sheet music series: Vocal
scores XL. XL in large
print. Innovative
practice aids, Sacred
vocal music, Praise and
thanks. Vocal score. WAB
45. 56 pages. Duration 25
minutes. Carus Verlag #CV
27.190/04. Published by
Carus Verlag
(CA.2719004).
ISBN
9790007170493. Language:
Latin.
Anton
Bruckner's Te Deum - a
high point in the
composer's output and one
of the most important
works of the sacred
choral repertoire in the
19th century - is now
available in a modern,
scholarly edition. The
Carus edition draws on
both the two sources
regarded as important,
the autograph score and
the first printed
edition, with careful
consideration given to
variant readings. And so
a music text has been
prepared which reflects
the composer's intentions
as closely as possible.
Great emphasis has been
placed on a clear-to-read
layout of the full score
pages, as well as
excellent legibility for
the parts, which are
available on sale. With
current performance
practice in mind, the
clarinet parts are
notated in B flat instead
of A, corresponding with
the first printed
edition. The vocal score
has been newly prepared
to reflect current
practical requirements.
As an economical
alternative, a chorus
score is available.
Bruckner's Te Deum is
also available in carus
music, the choir app. The
app contains the music
and a recording, as well
as a coach to help with
learning each choral
part. In preparation:
arrangement of the Te
Deum for soli, choir,
brass quintet and organ.
Score available
separately - see item
CA.2719000.
Piano (Piano solo) - x SKU: HL.51481343 Piano. Composed by Frederi...(+)
Piano (Piano solo) - x
SKU: HL.51481343
Piano. Composed by
Frederic Chopin. Edited
by Norbert Mü and
llemann. Arranged by
Hans-Martin Theopold.
Sheet music. Paperbound.
Henle Music Folios.
Single edition from HN
886. Detailed critical
commentary available for
download free-of-charge.
Classical. Softcover. 40
pages. G. Henle #HN1343.
Published by G. Henle
(HL.51481343).
ISBN
9790201813431. UPC:
888680924911.
9.0x12.0x0.144
inches.
Chopin
published his Scherzi
nos. 1 3 at more-or-less
regular intervals, in
1835, 1837 and 1840
almost as if he'd planned
them in advance. He
published his fourth and
final work in this genre
after a further three
years, in 1843. When
compared with its
predecessors, which were
largely bleak in mood,
this Scherzo no. 4 is
surprisingly cheerful.
With its sparkling runs
and its chains of chords
like dappled brush
strokes, this work seems
to summon up the
fairy-like spirit of
Mendelssohn's scherzi. In
editorial terms, however,
it is problematical.
Three parallel first
editions were published
in Germany, France and
England and the many
variants between them
have to be investigated
one at a time to
determine their
authenticity. This is a
task that has been solved
meticulously in this
revised, stand-alone
Urtext edition, which
explains the transmission
of this work in an
exemplary, transparent
manner for today's
pianists.
About Henle
Urtext
What I can expect from
Henle Urtext
editions:
error-free, reliable
musical texts based on
meticulous musicological
research - fingerings and
bowings by famous artists
and pedagogues
preface in 3
languages with
information on the
genesis and history of
the work
Critical Commentary
in 1 – 3 languages
with a description and
evaluation of the sources
and explaining all source
discrepancies and
editorial
decisions
most beautiful music
engraving
page-turns, fold-out
pages, and cues where you
need them
excellent print
quality and
binding
largest Urtext
catalogue
world-wide
longest Urtext
experience (founded 1948
exclusively for Urtext
editions)
A cello method for children age four and older. Composed by Egon Saßmannshaus...(+)
A cello method for
children
age four and older.
Composed
by Egon Saßmannshaus and
Kurt
Sassmannshaus. Stapled.
With a
Chinese text booklet.
Performance score.
Baerenreiter Verlag
#BA10756.
Published by Baerenreiter
Verlag
Piano - intermediate to advanced SKU: HL.49046022 Composed by Alexis Weis...(+)
Piano - intermediate to
advanced
SKU:
HL.49046022
Composed
by Alexis Weissenberg.
Edited by Lev Vinocour.
This edition: Saddle
stitching. Sheet music.
Piano Solo. Classical.
Softcover. 104 pages.
Schott Music #ED22923.
Published by Schott Music
(HL.49046022).
ISBN
9790001167970. UPC:
841886033832. 9x12
inches.
This book
presents pianists and
ambitious amateur
musicians with
unfamiliar, surprisingly
flamboyant and often
witty compositions. These
piano works are by one of
the greatest pianists of
the twentieth Century,
one of the most recent
all-roundmusical grand
masters: Alexis
Weissenberg, who was born
in Sofia on 26 July 1929
and died in Lugano on 8
January 2012.
This
first edition includes
all Weissenberg's
surviving completed piano
works, apart from those
written for two pianos
and for pianoduet, stage
works and the Romance for
piano and violin.
Fingerings and pedal
markings by Alexis
Weissenberg are printed
in italics (fingerings
and allocation of notes
between hands, too) or in
large type (pedal
markings);
recommendations added by
the editor are shown in
roman font (fingerings
and allocation of notes
between hands) or in
smaller type (pedal
markings).
Piano SKU: SA.41342 Composed by Stenhammar. Suites, Original Works. Repri...(+)
Piano
SKU:
SA.41342
Composed by
Stenhammar. Suites,
Original Works. Reprint
Source: Copenhagen:
Nordisk Musikforlag,
n.d.(ca.1900). Plate N.F.
8309. Post-Romantic,
Scandinavian. Piano.
Composed 1895. 20 pages.
Duration 13 minutes.
Petrucci Library Press
#41342. Published by
Petrucci Library Press
(SA.41342).
ISBN
9781608741342. 9.5 x 12.5
inches.
Stenhammar'
s 1895 set of three
fantasies are among the
finest of the Swedish
composer's early-period
works. They are fairly
Brahms-like in their
musical language, but
nevertheless bear the
individual stamp of this
composer, whose music
stands as a unique voice
in a Scandinavian world
dominated by figures such
as Grieg and Sibelius.
This new score is a
digitally-restored
reissue of the one first
issued around 1900 by
Nordisk Musikforlag of
Copenhagen. Unlike so
many of the on-demand
scores now available,
this one comes with all
the pages and the images
have been thoroughly
checked to make sure it
is readable. The score is
beautifully printed on
large size (9 x 12)
off-white stock with a
quality cover, all
saddle-stitched in the
traditional sheet music
binding. As with all PLP
scores a percentage of
each sale is donated to
the amazing online
archive of free music
scores and recordings,
IMSLP - Petrucci Music
Library.
Little
organ mass. Composed
by Franz Joseph Haydn.
Edited by Willi Schulze.
Carus plus: Innovative
practice aids; Sacred
vocal music, Missa brevis
in Latin; Carus sheet
music series: Vocal
scores XL. Carus sheet
music series: Vocal
scores XL. XL in large
print. Innovative
practice aids, Sacred
vocal music, Missa brevis
in Latin. Vocal score.
Composed circa 1778
(terminus ante quem).
Hob. XXII:7. 28 pages.
Duration 20 minutes.
Carus Verlag #CV
40.600/04. Published by
Carus Verlag
(CA.4060004).
ISBN
9790007240967. Key: B
flat major. Language:
Latin.
With the
Missa Sancti Nicolai and
the Missa Sancti Joannis
de Deo, his last to
missae breves, Haydn also
achieved masterworks in
this category, and during
his lifetime they
numbered among his most
popular works. This so
called Little Organ Solo
Mass has never been
accused of being
unsuitable for church use
despite the text
stratification in the
Gloria and Credo. Inspite
of the unusual brevity of
the Gloria (31 bars), the
text setting still shows
musical differentation.
The strength of the
composition lies in its
expressive ability to
force the listener under
its spell with magic
power. The full score
contains at the same time
the organ part. Score
available separately -
see item CA.4060000.
Piano SKU: SA.10128 1er arabesque in E major. Composed by Claude D...(+)
Piano
SKU:
SA.10128
1er
arabesque in E major.
Composed by Claude
Debussy. Original Works.
Reprint Source: Paris:
Durand & Fils, 1912.
Plate D. & F. 4395.
Impressionist, French.
Piano score. Composed
1891. 8 pages. Duration 4
minutes. Petrucci Library
Press #10128. Published
by Petrucci Library Press
(SA.10128).
8.25 x 11
inches.
This is a
beautifully digitized
reprint of Debussy's
early gem first published
in 1891, from the 1912
revised and re-engraved
score. In contrast so
many on-demand scores now
available, this one comes
complete with all the
pages and the images have
been checked to make sure
it is highly readable.
The score is beautifully
printed on large size (9
x 12) off-white stock
with a quality cover, all
saddle-stitched in the
traditional sheet music
binding. As with all PLP
scores a percentage of
each sale is donated to
the amazing online
archive of free music
scores and recordings,
IMSLP - Petrucci Music
Library.
Soli SATB Voices, SATB Choir, 2 Ob, 2 Fg, 2 Tr, Timp, 2 Vl, Va, Bc SKU: CA.70...(+)
Soli SATB Voices, SATB
Choir, 2 Ob, 2 Fg, 2 Tr,
Timp, 2 Vl, Va, Bc
SKU: CA.7005304
Composed by Franz
Schubert. Edited by
Salome Reiser. Carus
plus: Innovative practice
aids; Sacred vocal music,
Magnificats; use during
church year: Advent,
Christmas; Carus sheet
music series: Vocal
scores XL; Stuttgart
Editions (Urtext):
Stuttgart Schubert
Edition; occasions:
Feasts of the Blessed
Virgin M. Stuttgart
Urtext Edition: Stuttgart
Schubert Edition. XL in
large print. Innovative
practice aids, Sacred
vocal music, Magnificats,
Advent, Christmas, Feasts
of the Blessed Virgin
Mary, Hymns in praise of
the Virgin Mary, Daily
hours. Vocal score.
Composed 1815. D 486. 28
pages. Duration 9
minutes. Carus Verlag #CV
70.053/04. Published by
Carus Verlag
(CA.7005304).
ISBN
9790007240936. Key: D
major. Language:
Latin.
With a
duration of about 10
minutes, Schubert's
Magnificat D 486 in C
major is one of the more
concise settings of the
well-known Marian
canticles, originally for
the service of Vespers.
It was composed in late
summer 1815, and is
therefore probably one of
a series of church music
works Schubert wrote in
his youth for Lichtenthal
Parish Church. The work
requires a large-scale
orchestra with strings,
woodwind, and brass. The
four-part choir contrasts
with four soloists; this
quartet sings the
peaceful middle section
of the three-section
work. For the Carus
edition Schubert's own
autograph manuscript of
his Magnificat was
consulted again for the
first time since 1888.
Until 1989 this had been
thought to be lost. This
work is now available in
carus music, the choir
app! Score available
separately - see item
CA.7005300.
Piano; Voice (Score) SKU: HL.49045562 Strauss Werke Complete Edition B...(+)
Piano; Voice (Score)
SKU: HL.49045562
Strauss Werke Complete
Edition Band 2.
Composed by Richard
Strauss. Edited by
Andreas Pernpeintner.
This edition:
Hardback/Hard Cover.
Sheet music. Edition
Schott. Classical.
Hardcover. Composed
1885-1895. 336 pages.
Schott Music #RSW202.
Published by Schott Music
(HL.49045562).
ISBN
9783901974052.
German.
Richard
Strauss (1864–1949),
the composer of
large-scale operas and
tone poems, also wrote
lieder throughout his
life. His entire oeuvre
stretching over a period
of 78 years is framed by
lied compositions: the
Weihnachtslied dating
from December 1870 (the
secondentry in the
chronological catalogue
of Strauss's works) and
the lied Malven written
in November 1948
(StraussÂ’s last
completed composition).
His lied compositions
include lieder with piano
accompaniment, genuine
orchestral lieder and
subsequent
orchestrationsof original
lieder with piano.
Strauss frequently
conducted his own operas
and orchestral works and
also gave public
performances ofhis lieder
both as pianist and
conductor. As was
customary in the concert
practice of the time, he
combined lieder with
larger-scaleworks: it was
not uncommon for tone
poems and lieder to
appear on the same
programme. Music
publishing houses were
active in the
dissemination of Strauss
lieder across the world:
in the first prints, the
early lieder were
published in their
original register, mostly
only with German texts,
but numerous editions
were subsequently issued
for other vocal registers
or with additional texts
in English, later also in
French, Italian and
Russian translations. The
broad spectrum was
rounded off by
arrangements of lieder
(such as purely
instrumental piano
arrangements by Max Reger
and Walter Gieseking),
arrangements and
orchestrations by other
composers andlieder
albums containing
collections of Strauss
lieder not ordered
chronologically according
to their opus numbers.
The fact that Strauss is
to this day one of the
most frequently performed
composers is not only due
to his operas and tone
poems, but also his
lieder, particularly the
most treasured
favourites. A number of
these pieces are
contained in this volume:
Zueignung op. 10 No.
1,Nichts op. 10 No. 2,
Die Nacht op. 10 No. 3,
Allerseelen op. 10 No. 8,
Ständchen op. 17 No.
2, Ruhe, meine Seele! op.
27 No. 1, Cäcilie op.
27 No. 2, Heimliche
Aufforderung op. 27 No.
3, Morgen! op. 27 No. 4
and Traum durch die
Dämmerung op. 29 No.
1.
Composed
by Ludwig van Beethoven.
Edited by Ernst
Herttrich. Stuttgart
Urtext Edition: Urtext
Editions; Carus sheet
music series: Vocal
scores XL. XL in large
print. Innovative
practice aids, Sacred
vocal music, Masses,
Latin. Vocal score.
Composed 1817/23. Op.
123. 128 pages. Duration
90 minutes. Carus Verlag
#CV 40.689/04. Published
by Carus Verlag
(CA.4068904).
ISBN
9790007187842. Key: D
major. Language:
Latin.
Beethoven
described his Missa
solemnis as his greatest
work several times, a
work which, coming from
the heart, was to touch
and move audiences. The
surviving sources enable
us to recognize how
intensively and how long
he worked on the
composition in order to
give what he felt was
adequate expression to
the text. In its length
and musical demands, the
Missa solemnis goes far
beyond typical liturgical
settings, and the
premiere took place, for
good reason, in a concert
hall. The chorus plays a
key structural role in
the work, and in the
process has to master
some extremely demanding
sections. The leading
Beethoven expert Ernst
Herttrich has produced an
Urtext edition based on
the available sources,
and reflecting the latest
state of scholarship.
Score available
separately - see item
CA.4068900.